
As quoted in Dictionary of Quotations from Ancient and Modern, English and Foreign Sources (1893) selected and compiled by James Wood.
As quoted in Dictionary of Quotations from Ancient and Modern, English and Foreign Sources (1893) selected and compiled by James Wood.
http://www.popmonk.com/actors/leonardo-dicaprio/quotes-leonardo-dicaprio.htm
In the Shadow of the Moon http://en.wikipedia.org/wiki/In_the_Shadow_of_the_Moon
For My Legionaries: The Iron Guard (1936), Nation and Culture
"The War Speeches of William Pitt", Oxford University Press, 1915, p. 16
Speech in the House of Commons, 17 February 1792, introducing the Budget. His prediction was a vain hope.
"David Attenborough at 90: 'I think about my mortality every day'" http://www.telegraph.co.uk/men/thinking-man/david-attenborough-at-90-i-think-about-my-mortality-every-day/, interview with Joe Shute, The Telegraph (29 October 2016)
1836
Notebooks, The American Notebooks (1835 - 1853)
First Glance at Adrienne von Speyr (1968)
http://www.wimbledon.org/en_GB/news/articles/2010-06-19/201006191276967412350.html?promo=sl_toparticles
To Leon Goldensohn, April 6, 1946, from "The Nuremberg Interviews" by Leon Goldensohn, Robert Gellately - History - 2004
Context: What I would like to emanate from the darkness of this tragedy is one spark of life. I mean, the realization that crime does not begin when you murder people. Crime begins with propaganda, even if such propaganda is for a good cause. The moment propaganda turns against another nation or against any human being, evil starts. Whereas the Germans started propaganda toward the end of this tragedy, you Allies stand at the beginning of the tragedy.
“A man is a fool not to put everything he has, at any given moment, into what he is creating”
As quoted in Shoptalk: learning to write with writers (1990), edited by Donald Morison Murray<!-- Cook Publishers -->
General sources
Context: A man is a fool not to put everything he has, at any given moment, into what he is creating. You're there now doing the thing on paper. You're not killing the goose, you're just producing an egg. So I don't worry about inspiration, or anything like that. It's a matter of just sitting down and working. I have never had the problem of a writing block. I've heard about it. I've felt reluctant to write on some days, for whole weeks, or sometimes even longer. I'd much rather go fishing, for example, or go sharpen pencils, or go swimming, or what not. But, later, coming back and reading what I have produced, I am unable to detect the difference between what came easily and when I had to sit down and say, 'Well, now it's writing time and now I'll write.' There's no difference on paper between the two.
“Examine for a moment an ordinary mind on an ordinary day.”
"Modern Fiction"
The Common Reader (1925)
Context: Examine for a moment an ordinary mind on an ordinary day. The mind receives a myriad impressions — trivial, fantastic, evanescent, or engraved with the sharpness of steel. From all sides they come, an incessant shower of innumerable atoms; and as they fall, as they shape themselves into the life of Monday or Tuesday, the accent falls differently from of old; the moment of importance came not here but there; so that, if a writer were a free man and not a slave, if he could write what he chose, not what he must, if he could base his work upon his own feeling and not upon convention, there would be no plot, no comedy, no tragedy, no love interest or catastrophe in the accepted style, and perhaps not a single button sewn on as the Bond Street tailors would have it. Life is not a series of gig-lamps symmetrically arranged; life is a luminous halo, a semi-transparent envelope surrounding us from the beginning of consciousness to the end. Is it not the task of the novelist to convey this varying, this unknown and uncircumscribed spirit, whatever aberration or complexity it may display, with as little mixture of the alien and external as possible? We are not pleading merely for courage and sincerity; we are suggesting that the proper stuff of fiction is a little other than custom would have us believe it.
Source: The Beloved Returns (1939), Ch. 7
Context: Hold fast the time! Guard it, watch over it, every hour, every minute! Unregarded it slips away, like a lizard, smooth, slippery, faithless, a pixy wife. Hold every moment sacred. Give each clarity and meaning, each the weight of thine awareness, each its true and due fulfillment.
"The Freedom of the Press", unused preface to Animal Farm (1945), published in Times Literary Supplement (15 September 1972)
Context: At any given moment there is an orthodoxy, a body of ideas which it is assumed that all right-thinking people will accept without question. It is not exactly forbidden to say this, that or the other, but it is 'not done' to say it, just as in mid-Victorian times it was 'not done' to mention trousers in the presence of a lady. Anyone who challenges the prevailing orthodoxy finds himself silenced with surprising effectiveness. A genuinely unfashionable opinion is almost never given a fair hearing, either in the popular press or in the highbrow periodicals.
"The Daring Young Man on the Flying Trapeze"
The Daring Young Man on the Flying Trapeze (1934)
Context: Then swiftly, neatly, with the grace of the young man on the trapeze, he was gone from his body.
For an eternal moment he was still all things at once: the bird, the fish, the rodent, the reptile, and man. An ocean of print undulated endlessly and darkly before him. The city burned. The herded crowd rioted. The earth circled away, and knowing that he did so, he turned his lost face to the empty sky and became dreamless, unalive, perfect.
“A moment's insight is sometimes worth a life's experience.”
Source: The Professor at the Breakfast Table (1859), Ch. X.
Context: Poets are never young, in one sense. Their delicate ear hears the far-off whispers of eternity, which coarser souls must travel towards for scores of years before their dull sense is touched by them. A moment's insight is sometimes worth a life's experience.
“Those designs are best which the enemy are entirely ignorant of till the moment of execution.”
Nulla consilia meliora sunt nisi illa, quae ignorauerit aduersarius, antequam facias.
De Re Militari (also Epitoma Rei Militaris), Book III, "Dispositions for Action"
Context: It is much better to overcome the enemy by famine, surprise or terror than by general actions, for in the latter instance fortune has often a greater share than valour. Those designs are best which the enemy are entirely ignorant of till the moment of execution. Opportunity in war is often more to be depended on than courage. (General Maxims)
Introducing "If It Be Your Will"
Warsaw concert (1985)
Context: I don't know which side is anybody on any more. I don't really care. There is a moment when we have to transcend the side we're on and understand that we are creatures of a higher order. That doesn't mean that I don't wish you courage in your struggle. There is on both sides of the struggle men of good will. That is important to remember. On both sides of the struggle, some struggling for freedom, some struggling for safety and solemn testimony of that unbroken faith which binds generations one to another I sing this song, "If It Be Your Will"
Overcoming a Personal Holocaust, Alfred Freddy Krupa (in the article by Ante Vranković), Life As A Human (Canada), 2019
2010s
in The Alchemist of Happiness
Source: Speech in the House of Lords on the agricultural depression (29 April 1879), reported in The Times (30 April 1879), p. 8
“You cannot love your partner one moment and attack him or her the next.”
Source: The Power of Now: A Guide to Spiritual Enlightenment
“But what minutes! Count them by sensation, and not by calendars, and each moment is a day.”
“Love is a choice you make from moment to moment.”
“The butterfly counts not months but moments, and has time enough.”
“I’ve always seen you, angel. From the moment you found me, I’ve seen nothing but you.”
Source: Bared to You
"Earth, Fire and Water" from The Celtic Twilight (1893)
Source: The Celtic Twilight: Faerie and Folklore
“In a world that has REALLY been turned on its head, truth is a moment of falsehood.”
Source: Culture and Value (1980), p. 36e
Variant: Life will give you whatever experience is most helpful for the evolution of your consciousness. How do you know this is the experience you need? Because this is the experience you are having at the moment.
Source: A New Earth: Awakening to Your Life's Purpose
“I read for pleasure and that is the moment I learn the most.”
“Pleasure of love lasts but a moment, Pain of love lasts a lifetime.”
Source: Practicing the Power of Now: Essential Teachings, Meditations, and Exercises from the Power of Now
“If you are patient in one moment of anger, you will escape a hundred days of sorrow”
“A civilization begins to decline the moment Life becomes its sole obsession.”
“Will smiled the way Lucifer might have smiled, moments before he fell from Heaven.”
Source: Clockwork Angel
“Cherish all your happy moments: they make a fine cushion for old age.”
To S J Perelman about his book Dawn Ginsbergh’s Revenge (1929), as quoted in LIFE (9 February 1962)
Variant: Realize deeply that the present moment is all you ever have. Make the Now the primary focus of your life
Source: The Power of Now: A Guide to Spiritual Enlightenment
Source: Captivating: Unveiling the Mystery of a Woman's Soul
Source: Casino Royale (1953), Ch. 7 : Rouge et Noir
Context: Bond insisted ordering Leiter's Haig-and-Haig "on the rocks" and then he looked carefully at the barman. "A Dry Martini", he said. "One. In a deep champagne goblet." "Oui, monsieur." "Just a moment. Three measures of Gordons, one of vodka, half a measure of Kina Lillet. Shake it very well until it's ice-cold, then add a large thin slice of lemon peel. Got it?" "Certainly, monsieur." The barman seemed pleased with the idea.