Quotes about look
page 98

Johannes Warnardus Bilders photo

“I worked hard the whole day, so that I am very tired now. Yesterday I made the sketch of the castle [in Vorden] on the canvas and today I painted the sky, the whole day long. I made the composition even more simple by leaving out the creel; the air is painted in the spirit of the [ Swartzwald [? ], but much more stronger and sadder. I hope to show the people how beautiful, how profoundly poetical the castle [is].... please save this thumbnail-sketch [drawn in the letter, on the same paper] and also my previous letter. Who knows the descendants - when reading them, and looking at the sketch - will say: Look, it was in this way how Bilder's very lovely painting was discussed at the House 't Velde, and how it came into life in Vorden. Good-by, my dear Lady..”

Johannes Warnardus Bilders (1811–1890) painter from the Northern Netherlands

translation from Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Johannes Warnardus Bilders' brief, in het Nederlands:) Ik heb den gehelen dag hart gewerkt. Zoo dat ik erg moede ben. gisteren had ik de schets van t kasteel [in Vorden] op t' doek gebracht en vandaag heb ik de gehelen dag aan de lucht geschildert , ik heb de compositie nog eenvoudiger gemaakt door de vischkaar weg te laten; de lucht is in de geest van t [Swartzwald[?], maar nog veel sterker en droeviger, ik hoop de menschen te laten zien, hoe schoon, hoe diep poetisch, het kasteel bi.. ..bewaar de krabbel èn ook mijn voorgaande brief, wie weet als het nageslacht, die dan leest, en de krabbel ziet of ze dan niet zeggen, zie op deze wijze kwam dit schoonste schilderij van Bilders in t leven, t werd op ’t Velde besproken, en te Vorden in 't leven geroepen, dag zeer geliefde juffrouw..
J.W. Bilders, in his letter [including a sketch by pen of the landscape with the castle, seen from the garden of the hotel where he stayed] to Georgina van Dijk van 't Velde, from Vorden, 1 Sept. 1868; from an excerpt of the letter https://rkd.nl/nl/explore/excerpts/751236 in the RKD-Archive, The Hague
1860's + 1870's

James MacDonald photo
Plutarch photo

“In his house he had a large looking-glass, before which he would stand and go through his exercises.”

Plutarch (46–127) ancient Greek historian and philosopher

Life of Demosthenes
Bartlett's Familiar Quotations, 10th ed. (1919)

Donald J. Trump photo

“Look, having nuclear—my uncle was a great professor and scientist and engineer, Dr. John Trump at MIT; good genes, very good genes, OK, very smart, the Wharton School of Finance, very good, very smart—you know, if you're a conservative Republican, if I were a liberal, if, like, OK, if I ran as a liberal Democrat, they would say I'm one of the smartest people anywhere in the world—it's true!—but when you're a conservative Republican they try—oh, do they do a number—that's why I always start off: Went to Wharton, was a good student, went there, went there, did this, built a fortune—you know I have to give my like credentials all the time, because we're a little disadvantaged—but you look at the nuclear deal, the thing that really bothers me — it would have been so easy, and it's not as important as these lives are—nuclear is powerful; my uncle explained that to me many, many years ago, the power and that was 35 years ago; he would explain the power of what's going to happen and he was right, who would have thought?—but when you look at what's going on with the four prisoners—now it used to be three, now it's four—but when it was three and even now, I would have said it's all in the messenger; fellas, and it is fellas because, you know, they don't, they haven't figured that the women are smarter right now than the men, so, you know, it's gonna take them about another 150 years—but the Persians are great negotiators, the Iranians are great negotiators, so, and they, they just killed, they just killed us.”

Donald J. Trump (1946) 45th President of the United States of America

Speech in South Carolina (19 July 2016)
2010s, 2016, July

Clay Shirky photo
Max Stirner photo
Jello Biafra photo
Alfred Denning, Baron Denning photo
Edwin Arlington Robinson photo
Tom Petty photo

“Look deep in the eyes of love
And find out what you were looking for.”

Tom Petty (1950–2017) American musician

Room At The Top
Lyrics, Echo (1999)

Dylan Moran photo
Swami Vivekananda photo
John S. Bell photo
Chris Christie photo

“I stood on the stage and watched Marco in rather indignantly, look at Governor Bush and say, someone told you that because we’re running for the same office, that criticizing me will get you to that office. It appears that the same someone who has been whispering in old Marco’s ear too. So the indignation that you carry on, some of the stuff, you have to also own then. So let’s set the facts straight. First of all, I didn’t support Sonia Sotomayor. Secondly, I never wrote a check to Planned Parenthood. Third, if you look at my record as governor of New Jersey, I have vetoed a 50-caliber rifle ban. I have vetoed a reduction this clip size. I vetoed a statewide I. D. system for gun owners and I pardoned, six out-of-state folks who came through our state and were arrested for owning a gun legally in another state so they never have to face charges. And on Common Core, Common Core has been eliminated in New Jersey. So listen, this is the difference between being a governor and a senator. See when you’re a senator, what you get to do is just talk and talk and talk. And you talk so much that nobody can ever keep up with what you’re saying is accurate or not. When you’re a governor, you’re held accountable for everything you do. And the people of New Jersey, I’ve seen it. And the last piece is this. I like Marco too, and two years ago, he called me a conservative reformer that New Jersey needed. That was before he was running against me. Now that he is, he’s changed his tune. I’m never going to change my tune. I like Marco Rubio. He’s a good guy, a smart guy, and he would be a heck of a lot better president than Hillary Rodham Clinton would ever be.”

Chris Christie (1962) 55th Governor of New Jersey, former U.S. Attorney for the District of New Jersey

Full Transcript of the Sixth Republican Debate in Charleston http://time.com/4182096/republican-debate-charleston-transcript-full-text/, Time (14 January 2016).

John Banville photo
Mordehai Milgrom photo

“It is true that the Rigveda does not provide us details of the inner layout of these forts, but surely the text was not meant to be a treatise on Vastusastra. May it be remembered that it is essentially a compilation of prayers to gods and should be looked at as such. All the evidence that it provides regarding the material culture of the then people is only incidental.”

B. B. Lal (1921) Indian archaeologist

Aryan invasion of India: perpetuation of a myth, In: Edwin F. Bryant and Laurie L. Patton Indo-Aryan Controversy: Evidence and Inference in Indian History. — 1st ed. — London: Routledge, 2005. p.67.

Kage Baker photo
Jimmy Buffett photo

“I really do appreciate the fact you're sittin' here.
Your voice sounds so wonderful,
But your face don't look too clear.
So, Barmaid, bring a pitcher, another round of brew.
Honey, why don't we get drunk and screw.”

Jimmy Buffett (1946) American singer–songwriter and businessman

Why Don't We Get Drunk (and Screw)
Song lyrics, A White Sport Coat and a Pink Crustacean (1973)

“Greed for results, for something dramatic, undermines practice completely. The effects of meditation are subtle and take time to mature. When we are constantly looking for some kind of sign or attainment from our practice, we are essentially looking outside ourselves.”

Ken McLeod (1948) Canadian lama

Six Ways Not to Approach Meditation http://www.unfetteredmind.org/meditation-six-realm/0. Unfettered Mind http://www.unfetteredmind.org. (Topic: Practice)

P.G. Wodehouse photo
George Lucas photo
Henry Temple, 3rd Viscount Palmerston photo

“It is impossible for any man, of late, to have set foot beyond the shores of these islands, without observing with deep mortification a great and sudden change in the manner in which England is spoken of abroad; without finding, that instead of being looked up to as the patron, no less than the model, of constitutional freedom, as the refuge from persecution, and the shield against oppression, her name is coupled by every tongue on the continent with everything that is hostile to improvement, and friendly to despotism, from the banks of the Tagus to the shores of the Bosphorus…time was, and that but lately, when England was regarded by Europe as the friend of liberty and civilization, and therefore of happiness and prosperity, in every land; because it was thought that her rulers had the wisdom to discover, that the selfish interests and political influence of England were best promoted by the extension of liberty and civilization. Now, on the contrary, the prevailing opinion is, that England thinks her advantage to le in withholding from other countries that constitutional liberty which she herself enjoys.”

Henry Temple, 3rd Viscount Palmerston (1784–1865) British politician

Speech in the House of Commons (18 June 1829) against the Duke of Wellington's foreign policy, quoted in George Henry Francis, Opinions and Policy of the Right Honourable Viscount Palmerston, G.C.B., M.P., &c. as Minister, Diplomatist, and Statesman, During More Than Forty Years of Public Life (London: Colburn and Co., 1852), pp. 128-129.
1820s

“Our society, it turns out, can use modern art. A restaurant, today, will order a mural by Míro in as easy and matter-of-fact a spirit as, twenty-five years ago, it would have ordered one by Maxfield Parrish. The president of a paint factory goes home, sits down by his fireplace—it looks like a chromium aquarium set into the wall by a wall-safe company that has branched out into interior decorating, but there is a log burning in it, he calls it a firelace, let’s call it a fireplace too—the president sits down, folds his hands on his stomach, and stares at two paintings by Jackson Pollock that he has hung on the wall opposite him. He feels at home with them; in fact, as he looks at them he not only feels at home, he feels as if he were back at the paint factory. And his children—if he has any—his children cry for Calder. He uses thoroughly advanced, wholly non-representational artists to design murals, posters, institutional advertisements: if we have the patience (or are given the opportuity) to wait until the West has declined a little longer, we shall all see the advertisements of Merrill Lynch, Pierce, Fenner, and Smith illustrated by Jean Dubuffet.
This president’s minor executives may not be willing to hang a Kandinsky in the house, but they will wear one, if you make it into a sport shirt or a pair of swimming-trunks; and if you make it into a sofa, they will lie on it. They and their wives and children will sit on a porcupine, if you first exhibit it at the Museum of Modern Art and say that it is a chair. In fact, there is nothing, nothing in the whole world that someone won’t buy and sit in if you tell him it is a chair: the great new art form of our age, the one that will take anything we put in it, is the chair. If Hieronymus Bosch, if Christian Morgenstern, if the Marquis de Sade were living at this hour, what chairs they would be designing!”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“The Taste of the Age”, pp. 19–20
A Sad Heart at the Supermarket: Essays & Fables (1962)

Henry David Thoreau photo
Anatoliy Tymoshchuk photo
Tracey Ullman photo
George Bird Evans photo
John Marshall photo

“The acme of judicial distinction means the ability to look a lawyer straight in the eyes for two hours and not hear a damned word he says.”

John Marshall (1755–1835) fourth Chief Justice of the United States

Reportedly said to a young John Bannister Gibson, who later became Chief Justice of the Supreme Court of Pennsylvania, when Gibson remarked that Marshall had reached the acme of judicial distinction; in David Goldsmith Loth, Chief Justice: John Marshall and the Growth of the Republic (1949), p. 275. See also Albert J. Beveridge, "Life of John Marshall" (1919)

Kent Hovind photo

“I took one of my kids to the dentist one time when he was about six or seven years old. The dentist said, "Mr. Hovind, this kid has a cavity." I said, "Yes sir, I know about that. Are you talking about the big one in his head or the one in his tooth?" He said, "Well, just the one in his tooth. That's the one we are going to fix today." I said, "Okay, let's fix it Doc." Then I said, "Now son, you've got to sit still. The dentist has to give you a shot." He says, "A SHOT! A SHOT!" I said, "Yes, he's going to give you a shot. Calm down; I've had one before." I showed him where I had mine. I said, "It's no problem. When he gives you the shot, your mouth will go numb so he can drill out the bad part and fill the hole with silver." He says, "Daddy, he's going to give me a SHOT!" I said, "Yes son, he's going to give you a shot. Now, listen carefully. SIT STILL! If you wiggle, I'm going to have to take you outside and spank you, so, don't -- wiggle!" He did his best. He tried to sit still, but when the doctor pulled out that giant needle about twelve feet long, and poured in about eighteen gallons of Novocain, and said, "Okay kid, open up," he freaked. [….. ] We tried to hold him still, but we couldn't hold him still enough for that kind of operation. [….. ] Finally, after a few minutes the doctor gave up and said, "I can't work on this kid. I'm sorry, I just can't do it." I said, "Doc, let me take him outside and talk to him for a few minutes." We went out to the parking lot, got in the old Chevy van and sat in the back seat. I said, "Son, listen carefully. You know that I love you." He said, "I know daddy." I said, "Now son, I told you to sit still. You did not sit still. What happens when you disobey daddy?" He said, "Sniff, sniff… I get a spanking?" I said, "Correct, bend over." Boy, did I give him a spanking, and it was a doozy. A few minutes later, smoke was rising off his hind end, tears were coming out of his eyes, and pearls were coming out of his nostrils -- the whole thing. I said, "Okay son, listen carefully. We are going to go back into the dentist office, and you are going to sit in that chair. If you wiggle one time, I'm not going to yell at you and I'm not going to scream at you. I'm going to calmly take you back out here to the van, and I'm going to give you two spankings just like the one you just received. Then, we are going to go back into the dentist office, and you are going to sit in the chair. If you wiggle, we are going to come back out to the van, and you are going to get three spankings just like the one you just got. Son, we are going to go back and forth all day long until I get tired, and I have played tennis for years. I have a wonderful forehand smash. I don't believe I'll get tired for a long time, son." I believe that he knew that, and I knew that. We went back into the dentist office. That kid sat in the chair. The dentist said, "Open your mouth." He opened his mouth. The dentist said, "Open it wider." He held it open real wide, and I said, "Son, sit still." He looked over at me, then he looked at that dentist with that giant needle. He started to shake; then he looked at me again. As he gripped the chair, he did not move a muscle. I don't think the kid even breathed for twenty minutes. The doctor gave him the shot; drilled it out; filled the tooth full of silver; and we were on our way out the door in fifteen or twenty minutes. It wasn't long at all. The doctor then said, "Mr. Hovind, come here." I said, "Yes sir?" He said, "Look, I don't know what you said to that kid while you were outside, but I would like for you to work for me."”

Kent Hovind (1953) American young Earth creationist

I said, "No sir, you don't want me to work for you, the Child Welfare would have me in jail in a flash."
Unmasking the False Religion of Evolution (1996)

William Luther Pierce photo
David Foster Wallace photo
Stephen King photo
David Lloyd George photo

“The Duke of Devonshire issues a circular applying for subscriptions to oppose this Bill, and he charges us with the robbery of God. Why, does he not know—of course he knows—that the very foundations of his fortune are laid deep in sacrilege, fortunes built out of desecrated shrines and pillaged altars…I say that charges of this kind brought against a whole people…ought not to be brought by those whose family trees are laden with the fruits of sacrilege. I am not complaining that ancestors of theirs did it, but they are still in the enjoyment of the same property, and they are subscribing out of that property to leaflets which attack us and call us thieves. What is their story? Look at the whole story of the pillage of the Reformation. They robbed the Catholic Church, they robbed the monasteries, they robbed the altars, they robbed the almshouses, they robbed the poor, and they robbed the dead. Then they come here when we are trying to seek, at any rate to recover some part of this pillaged property for the poor for whom it was originally given, and they venture, with hands dripping with the fat of sacrilege, to accuse us of robbery of God.”

David Lloyd George (1863–1945) Former Prime Minister of the United Kingdom

Speech http://hansard.millbanksystems.com/commons/1912/may/16/second-reading-fourth-days-debate in the House of Commons (12 May 1912) on the Bill to disestablish the Anglican church in Wales
Chancellor of the Exchequer

Larry Holmes photo
Roy Blount Jr. photo
Nathanael Greene photo
Fernand Léger photo
Marianne von Werefkin photo

“My eyes are magical glass [when looking at] the outside world, and it can transform a lot into bewitching beauty. Paris, Munich.... they're all the same. The country is nice, because it is closer to nature and bad because we [Werefkin and Jawlensky] are no longer people from nature. I saw this at Blagodat. The more a person improves himself, the more one is doomed to loneliness. One doesn't need friends, one needs oneself and anybody who loves you like themselves.”

Marianne von Werefkin (1860–1938) expressionist painter

Quote of Marianne Werefkin, in a letter to Jawlensky, 1909-1910, fond 19-1460, 38-39 as reprinted in Lauchkaite-Surgailene, Vilnius no. 3, sec. 16, 136;; as quoted in 'Identity and Reminiscence in Marianne Werefkin's Return Home', c. 1909; Adrienne Kochman http://www.19thc-artworldwide.org/spring06/52-spring06/spring06article/171-ambiguity-of-home-identity-and-reminiscence-in-marianne-werefkins-return-home-c-1909
'Blagodat' is the name of the family landed estate in the Russian country where Jawlensky often accompanied Werefkin before their common move to Munich.
1906 - 1911

Richard Russo photo
Percy Bysshe Shelley photo
Vytautas Juozapaitis photo
Nguyen Khanh photo
Dmitri Shostakovich photo

“The category of first sentence makes sense only if it is looking forward to the development of thematic concerns it perhaps only dimly foreshadows.”

Stanley Fish (1938) American academic

Source: How To Write A Sentence And How To Read One (2011), Chapter 8, First Sentences, p. 99

Gerry Rafferty photo
John Calvin photo

“The worship of images is intimately connected with that of the saints. They were rejected by the primitive Christians; but St Irenæus, who lived in the second century, relates that there was a sect of heretics, the Carpocratians, who worshipped, in the manner of Pagans, different images representing Jesus Christ, St Paul, and others. The Gnostics had also images; but the church rejected their use in a positive manner, and a Christian writer of the third century, Minutius Felix, says that “the Pagans reproached the Christians for having neither temples nor simulachres;” and I could quote many other evidences that the primitive Christians entertained a great horror against every kind of images, considering them as the work of demons. It appears, however, that the use of pictures was creeping into the church already in the third century, because the council of Elvira in Spain, held in 305, especially forbids to have any picture in the Christian churches. These pictures were generally representations of some events, either of the New 5 In his Treatise given below. 11 or of the Old Testament, and their object was to instruct the common and illiterate people in sacred history, whilst others were emblems, representing some ideas connected with the doctrines [008] of Christianity. It was certainly a powerful means of producing an impression upon the senses and the imagination of the vulgar, who believe without reasoning, and admit without reflection; it was also the most easy way of converting rude and ignorant nations, because, looking constantly on the representations of some fact, people usually end by believing it. This iconographic teaching was, therefore, recommended by the rulers of the church, as being useful to the ignorant, who had only the understanding of eyes, and could not read writings.6 Such a practice was, however, fraught with the greatest danger, as experience has but too much proved. It was replacing intellect by sight.7 Instead of elevating man towards God, it was bringing down the Deity to the level of his finite intellect, and it could not but powerfully contribute to the rapid spread of a pagan anthropomorphism in the church.”

John Calvin (1509–1564) French Protestant reformer

Source: A Treatise of Relics (1543), p. 10-11

Babe Ruth photo
Lee Child photo
Jean Cocteau photo

“You’ve never seen death? Look in the mirror every day and you will see it like bees working in a glass hive.”

Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker

As quoted by Ned Rorem The Dick Cavett Show (PBS) (6 October 1981)

Gao Xingjian photo
Christopher Golden photo

“Jenna Blake was still alive because she'd been willing to risk looking stupid.”

Christopher Golden (1967) American writer

Body Bags (1999)
Body of Evidence

Lorin Morgan-Richards photo

“Imperfectualism: (is) art that cannot be easily replicated by machine. An imperfectualist looks to slow automation through their art.”

Lorin Morgan-Richards (1975) American poet, cartoonist, and children's writer

Coined term on social media on March 16, 2018.
Quotes as Marcil d'Hirson Garron

Paul Krugman photo
Margaret Cho photo
Thomas Carlyle photo
Charles Stross photo

““But then—you’re telling me they brought unrestricted communications with them?” he asked.
“Yup.” Rachel looked up from her console. “We’ve been trying for years to tell your leaders, in the nicest possible way: information wants to be free. But they wouldn’t listen. For forty years we tried. Then along comes the Festival, which treats censorship as a malfunction and routes communications around it. The Festival won’t take no for an answer because it doesn’t have an opinion on anything; it just is.”
“But information isn’t free. It can’t be. I mean, some things — if anyone could read anything they wanted, they might read things that would tend to deprave and corrupt them, wouldn’t they? People might give exactly the same consideration to blasphemous pornography that they pay to the Bible! They could plot against the state, or each other, without the police being able to listen in and stop them!”
Martin sighed. “You’re still hooked on the state thing, aren’t you?” he said. “Can you take it from me, there are other ways of organizing your civilization?”
“Well—” Vassily blinked at him in mild confusion. “Are you telling me you let information circulate freely where you come from?”
“It’s not a matter of permitting it,” Rachel pointed out. “We had to admit that we couldn’t prevent it. Trying to prevent it was worse than the disease itself.”
“But, but lunatics could brew up biological weapons in their kitchens, destroy cities! Anarchists would acquire the power to overthrow the state, and nobody would be able to tell who they were or where they belonged anymore. The most foul nonsense would be spread, and nobody could stop it—” Vassily paused. “You don’t believe me,” he said plaintively.
“Oh, we believe you alright,” Martin said grimly. “It’s just—look, change isn’t always bad. Sometimes freedom of speech provides a release valve for social tensions that would lead to revolution. And at other times, well—what you’re protesting about boils down to a dislike for anything that disturbs the status quo. You see your government as a security blanket, a warm fluffy cover that’ll protect everybody from anything bad all the time. There’s a lot of that kind of thinking in the New Republic; the idea that people who aren’t kept firmly in their place will automatically behave badly. But where I come from, most people have enough common sense to avoid things that’d harm them; and those that don’t, need to be taught. Censorship just drives problems underground.”
“But, terrorists!”
“Yes,” Rachel interrupted, “terrorists. There are always people who think they’re doing the right thing by inflicting misery on their enemies, kid. And you’re perfectly right about brewing up biological weapons and spreading rumors. But—” She shrugged. “We can live with a low background rate of that sort of thing more easily than we can live with total surveillance and total censorship of everyone, all the time.” She looked grim. “If you think a lunatic planting a nuclear weapon in a city is bad, you’ve never seen what happens when a planet pushed the idea of ubiquitous surveillance and censorship to the limit. There are places where—” She shuddered.”

Source: Singularity Sky (2003), Chapter 14, “The Telephone Repairman” (pp. 296-297)

Robert Frost photo
Vladimir Lenin photo
Fred Astaire photo
Raymond Chandler photo
Christopher Hitchens photo

“We are introduced to Iraq, "a sovereign nation"…In this peaceable kingdom, according to Moore's flabbergasting choice of film shots, children are flying little kites, shoppers are smiling in the sunshine, and the gentle rhythms of life are undisturbed. Then—wham! From the night sky come the terror weapons of American imperialism. Watching the clips Moore uses, and recalling them well, I can recognize various Saddam palaces and military and police centers getting the treatment. But these sites are not identified as such. In fact, I don't think Al Jazeera would, on a bad day, have transmitted anything so utterly propagandistic. You would also be led to think that the term "civilian casualty" had not even been in the Iraqi vocabulary until March 2003…the "insurgent" side is presented in this film as justifiably outraged, whereas the 30-year record of Baathist war crimes and repression and aggression is not mentioned once.That this—his pro-American moment—was the worst Moore could possibly say of Saddam's depravity is further suggested by some astonishing falsifications. Moore asserts that Iraq under Saddam had never attacked or killed or even threatened (his words) any American. I never quite know whether Moore is as ignorant as he looks, or even if that would be humanly possible…Baghdad was the safe house for the man whose "operation" murdered Leon Klinghoffer…In 1991, a large number of Western hostages were taken by the hideous Iraqi invasion of Kuwait and held in terrible conditions for a long time. After that same invasion was repelled—Saddam having killed quite a few Americans and Egyptians and Syrians and Brits in the meantime and having threatened to kill many more—the Iraqi secret police were caught trying to murder former President Bush during his visit to Kuwait. Never mind whether his son should take that personally…Iraqi forces fired, every day, for 10 years, on the aircraft that patrolled the no-fly zones and staved off further genocide in the north and south of the country…And it was after, and not before, the 9/11 attacks that Abu Mussab al-Zarqawi moved from Afghanistan to Baghdad and began to plan his now very open and lethal design for a holy and ethnic civil war.”

Christopher Hitchens (1949–2011) British American author and journalist

2004-06-21
Unfairenheit 9/11
Slate
1091-2339
http://www.slate.com/articles/news_and_politics/fighting_words/2004/06/unfairenheit_911.html: On Michael Moore
2000s, 2004

Michel Foucault photo
Sandra Fluke photo
Robert Graves photo
Kim Wilde photo
Byron Katie photo

“If you want to see the love of your life, look in the mirror.”

Byron Katie (1942) American spiritual writer

Loving What Is: Four Questions That Can Change Your Life (2002)

Glenn Beck photo

“Glenn Beck: How many people here identify themselves as African Americans?
[audience raises hands]
Glenn Beck: Why?
Panelist: It's interchangeable.
Glenn Beck: Why not identify yourself as Americans?
Panelist: But people can look at you and tell you're black, you can't escape that.
Glenn Beck: Yeah, but I don't identify myself as white or a white American.”

Glenn Beck (1964) U.S. talk radio and television host

Glenn Beck
Television
Fox News
2009-11-13
Beck: I don't identify as white, why do black people identify as black?
Media Matters for America
2009-11-13
http://mediamatters.org/mmtv/200911130029
2000s, 2009

Rani Mukerji photo

“Salman Khan is probably one of the most good looking people we have in our industry.”

Rani Mukerji (1978) Indian film actress

http://m.youtube.com/watch?v=D3mgQ3v1Jyw
Famous Quotes

Neil Gaiman photo
Kage Baker photo
Ken MacLeod photo
Robert Silverberg photo
Ron White photo

“I get that Speedo on, it looks like a rubber band stretched over a head of cauliflower.”

Ron White (1956) American comedian

They Call Me Tater Salad

Amy Tan photo

“Look at this face. Do you see my foolish hope?”

Source: The Joy Luck Club (1989), Ch. 16, pg. 283

Richard Dawkins photo

“The absolute morality that a religious person might profess would include what, stoning people for adultery, death for apostasy, punishment for breaking the Sabbath. These are all things which are religiously based absolute moralities. I don’t think I want an absolute morality. I think I want a morality that is thought out, reasoned, argued, discussed and based upon, I’d almost say, intelligent design [pun intended]. Can we not design our society, which has the sort of morality, the sort of society that we want to live in – if you actually look at the moralities that are accepted among modern people, among 21st century people, we don’t believe in slavery anymore. We believe in equality of women. We believe in being gentle. We believe in being kind to animals. These are all things which are entirely recent. They have very little basis in Biblical or Quranic scripture. They are things that have developed over historical time through a consensus of reasoning, of sober discussion, argument, legal theory, political and moral philosophy. These do not come from religion. To the extent that you can find the good bits in religious scriptures, you have to cherry pick. You search your way through the Bible or the Quran and you find the occasional verse that is an acceptable profession of morality and you say, ‘Look at that. That’s religion,’ and you leave out all the horrible bits and you say, ‘Oh, we don’t believe that anymore. We’ve grown out of that.’ Well, of course we’ve grown out it. We’ve grown out of it because of secular moral philosophy and rational discussion.”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

Richard Dawkins-George Pell Q&A (2012)

Max Brooks photo

“People say, "get us out of the UN, we don't need the UN", we invented the UN. This is us, we are the ones who founded the idea of nations working together, and I think that's something we need to do. And it's, it's messy, and it's really complicated, and there's going to be a lot of countries out there that expect us to clean up there mess, or just want to see us fall on (our) face. And they love that, which is what I think president Obama said brilliantly at the UN, when he basically said, "that ok". If I'm paraphrasing, I don't think he's ever said "ok" in his life, he's probably said "well". But basically he said, "look, for the last eight years you've been on our case about going it alone, you know, we're imperialists, we're hegemonic, we're going it alone, we're going it alone… Ok, we're not going it alone anymore, we're going to listen to you, but you better ante up and kick in. Because, you don't have the right to have an opinion, if you can't back it up. It's put up or shut up time". And I was so happy when he said that, and the way he handled the Latin (American) countries, when he was dealing with the crisis in Central America, the coups in Honduras. And he said, "the very same countries who accuse us of doing nothing, are also the same ones who accuse us of being imperialistic. You can't have it both ways."”

Max Brooks (1972) American author

Lecture of Opportunity | Max Brooks: World War Z https://www.youtube.com/watch?v=-nGG5E04cog

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“Fashion's not about looking back. It's always about looking forward.”

Anna Wintour (1949) English editor-in-chief of American Vogue

In R.J. Cutler's 2009 documentary film The September Issue.

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