Quotes about lip
A collection of quotes on the topic of lip, herring, likeness, eye.
Quotes about lip
“Once positioned on their(children's) lips,
even the scariest of words
come out as a melodious lisp.”
<span class="plainlinks"> Children http://www.occupypoetry.net/children_1/</span>
From Poetry
Translation of Helen Zimmern http://classics.mit.edu/Ferdowsi/kings.5.rustem.html
Shahnameh
na may sta da nari shundi dy pakar
na da zulfi wal pa wal laka khamar
na da bati pashan danga ghari ghwaram
nargasay stargy na daki da khumar
na ghakhuna dy laluna da adan
na nangy dak sara sara laka anar
na pasti da sarindy pa shan khabari
na wajood laka da saar way mazadar
khu bas yow shai rata ra ukhaya dilbara
da lala pashan zargy ghawaram daghdar
yow dawa ukhaqi chi da ghum ao muhabat way
lakuno laluna dy karam zaar
Entreaty (1929)
Source: The Picture of Dorian Gray
The Inferno (1917), Ch. XIV
Context: Once, bowed in the evening light, the dead man had said, "After my death, life will continue. Every detail in the world will continue to occupy the same place quietly. All the traces of my passing will die little by little, and the void I leave behind will be filled once more."
He was mistaken in saying so. He carried all the truth with him. Yet we, we saw him die. He was dead for us, but not for himself. I feel there is a fearfully difficult truth here which we must get, a formidable contradiction. But I hold on to the two ends of it, groping to find out what formless language will translate it. Something like this: "Every human being is the whole truth." I return to what I heard. We do not die since we are alone. It is the others who die. And this sentence, which comes to my lips tremulously, at once baleful and beaming with light, announces that death is a false god.
On her dark night of spiritual desolation amidst devotion, in a letter addressed to Jesus, as quoted in Mother Teresa: Come Be My Light (2007) edited by Father Brian Kolodiejchuk, p. 192; regarding this quote, Fr. Kolodiejchuk writes: "...when addressing Jesus — that is, in prayer — she could express herself with ease. Fufilling her confessor's request, she sent to him a letter addressed to Jesus, enclosing it with her letter dated September 3, 1959." https://books.google.com/books?id=P4cqT0nK_joC&pg=PA192&dq=%22when+addressing+Jesus+-+that+is,+in+prayer+-+she+could+express+herself+%22&hl=en&sa=X&ved=0ahUKEwjk0IOm5vTOAhVF1x4KHYdRDE4Q6AEIHDAA#v=onepage&q=%22when%20addressing%20Jesus%20-%20that%20is%2C%20in%20prayer%20-%20she%20could%20express%20herself%20%22&f=false
1950s
Context: My own Jesus,
They say people in hell suffer eternal pain because of the loss of God – they would go through all that suffering if they had just a little hope of possessing God. In my soul I feel just that terrible pain of loss, of God not wanting me, of God not being God, of God not really existing (Jesus, please forgive my blasphemies, I have been told to write everything). That darkness that surrounds me on all sides. I can’t lift my soul to God – no light or inspiration enters my soul. I speak of love for souls, of tender love for God, words pass through my words sic, lips], and I long with a deep longing to believe in them! What do I labour for? If there be no God—there can be no soul.—If there is no soul then Jesus—You also are not true... Jesus don't let my soul be deceived—nor let me deceive anyone. In the call You said that I would have to suffer much.—Ten years—my Jesus, You have done to me according to Your will—and Jesus hear my prayer—if this pleases You—if my pain and suffering—my darkness and separation gives You a drop of consolation—my own Jesus, do with me as You wish—as long as You wish, without a single glance at my feelings and pain... I beg of You only one thing—please do not take the trouble to return soon.—I am ready to wait for You for all eternity.
I have as much soul as you — and full as much heart! And if God had gifted me with some beauty and much wealth, I should have made it as hard for you to leave me, as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh: it is my spirit that addresses your spirit; just as if both had passed through the grave, and we stood at God's feet, equal — as we are!
Jane to Mr. Rochester (Ch. 23)
Jane Eyre (1847)
Quoted in The Life of St. Gemma Galgani by her spiritual director Ven. Germanus, trans. A. M. O'Sullivan, 1999, p. 258.
Source: The Complete Short Stories of Guy de Maupassant, Part One
“Mother is the name for God in the lips and hearts of little children.”
Vol. II, ch. 2.
Source: Vanity Fair (1847–1848)
“Half of the people lie with their lips; the other half with their tears”
Source: The Bed of Procrustes: Philosophical and Practical Aphorisms
“Truth sits upon the lips of dying men,
And falsehood, while I lived, was far from mine.”
"Sohrab and Rustum" (1853), lines 656-657
“Sin from thy lips? O trespass sweetly urged!
Give me my sin again.”
Source: Extremely Loud and Incredibly Close (2005), p. 99
“If they don’t keep exercising their lips, he thought, their brains start working.”
Source: The Hitchhiker's Guide to the Galaxy
Source: The Purpose and Power of Love & Marriage
“I still wake with your name on my lips every morning.”
Source: Froi of the Exiles
Source: The Bronze Horseman
Source: Red Bird
Source: The Fortune of the Rougons
61
Gitanjali http://www.spiritualbee.com/gitanjali-poems-of-tagore/ (1912)
Source: Raised from the Ground (1980), pp. 172–174
1910s, The New Nationalism (1910)
Beware of Pity (1939)
The Notebooks of Leonardo da Vinci (1883), XXI Letters. Personal Records. Dated Notes.
From the poem "To Sayf Al-Dawla"
Here 'Sword never sheathed' refers to 'Sayf Al-Dawla', whose name is a laqab meaning 'Sword of the Dynasty'. http://samarmedia.tv/en/video/295/al-mutanabi-arabic-poem-with-english/
“Epilogue”, from De-triumphant March (1960)
“Well, good-by, Uncle Tom; keep a stiff upper lip.”
Ch 10 The Property Is Carried Off
Uncle Tom's Cabin (1852)
J'accuse! (1898)
Parting Gift
Song lyrics, Extraordinary Machine (2005)
"The Philosophy of Composition" (published 1846).
Confusion of Feelings or Confusion: The Private Papers of Privy Councillor R. Von D (1927)
"Sleep, Sweet Sleep" [Süßer Schlaf] first published in Neue Freie Presse [Vienna] (30 May 1909), as translated by Helen T. Knopf in Past Masters and Other Papers (1933), p. 269
written in Saint Cloud, 1889
Quotes from his text: 'Saint Cloud Manifesto', Munch (1889): as quoted in Edvard Much – behind the scream, Sue Prideaux; Yale University Press, New Haven and London, 2007, pp. 120 -121
1880 - 1895
Source: Eugene Onegin (1823), Ch. 3, st. 28. (Translated by Walter Arndt in Eugene Onegin (2009). Penguin.
"Extracts from Bentham's Commonplace Book", in Collected Works, x, p. 142; He credits Priestley in his Essay on the First Principles of Government (1768) or Beccaria with inspiring his use of the phrase, often paraphrased as "The greatest good for the greatest number", but the statement "the greatest happiness for the greatest number" actually originates with Francis Hutcheson, in his Inquiry concerning Moral Good and Evil (1725), sect. 3. In an unpublished manuscript on utilitarianism, written for James Mill, he later criticized this formulation: "Greatest happiness of the greatest number. Some years have now elapsed since, upon a closer scrutiny, reason, altogether incontestable, was found for discarding this appendage. On the surface, additional clearness and correctness given to the idea: at bottom, the opposite qualities. Be the community in question what it may, divide it into two equal parts, call one of them the majority, the other minority, layout of the account of the feelings of the minority, include in the account no feelings but those in the majority, the result you will find is that of this operation, that to the aggregate stock of happiness of the community, loss not profit is the result of the operation. Of this proposition the truth will be the more palpable, the greater the ration of the number of the minority to that of the majority: in other words, the less difference between the two unequal parts: and suppose the condivident part equal, the quantity of the error will then be at its maximum." — as quoted in The Classical Utilitarians : Bentham and Mill (2003) by John Troyer, p. 92;
Socrates, p. 35
L'Âme et la danse (1921)
<p>À dolorosa luz das grandes lâmpadas eléctricas da fábrica
Tenho febre e escrevo.
Escrevo rangendo os dentes, fera para a beleza disto,
Para a beleza disto totalmente desconhecida dos antigos.</p><p>Ó rodas, ó engrenagens, r-r-r-r-r-r-r eterno!
Forte espasmo retido dos maquinismos em fúria!
Em fúria fora e dentro de mim,
Por todos os meus nervos dissecados fora,
Por todas as papilas fora de tudo com que eu sinto!
Tenho os lábios secos, ó grandes ruídos modernos,
De vos ouvir demasiadamente de perto,
E arde-me a cabeça de vos querer cantar com um excesso
De expressão de todas as minhas sensações,
Com um excesso contemporâneo de vós, ó máquinas!</p>
Álvaro de Campos (heteronym), Ode Triunfal ["Triumphal Ode"] (1914), in A Little Larger Than the Entire Universe, trans. Richard Zenith (Penguin, 2006)
Ps. 30:19
Source: On the Mystical Body of Christ, p.425
The Sarcastic Fair
“I have the kiss of Walt Whitman still on my lip.”
In a journal or later note by George Cecil Ives recording a meeting with Wilde in 1900, Oscar Wilde: Myths, Miracles and Imitations (Cambridge University Press,1996), John Stokes
The Song Of Wandering Aengus http://poetry.poetryx.com/poems/1690/
The Wind Among the Reeds (1899)
Alice's Adventures Under Ground (1886), Introduction, p. v
Sample of Bradwardine devotional writing quoted by James Burnes, The Church of England Magazine under the superintendence of clergymen of the United Church of England and Ireland Vol. IV (January to June 1838)
1850s, Letter to Joshua F. Speed (1855)
XXIV. 505–506 (tr. Robert Fagles); Priam to Achilles.
Richmond Lattimore's translation:
: I have gone through what no other mortal on earth has gone through;
I put my lips to the hands of the man who has killed my children.
Iliad (c. 750 BC)
“You paint your smile on your lips.”
Music, Slippery When Wet (1986)
V, 6
Variation on the middle sentence: A thing is not necessarily true because badly uttered, nor false because spoken magnificently.
Variation on the middle sentence: A thing is not necessarily false because it is badly expressed, nor true because it is expressed magnificently.
Confessions (c. 397)
Context: Already I had learned from thee that because a thing is eloquently expressed it should not be taken to be as necessarily true; nor because it is uttered with stammering lips should it be supposed false. Nor, again, is it necessarily true because rudely uttered, nor untrue because the language is brilliant. Wisdom and folly both are like meats that are wholesome and unwholesome, and courtly or simple words are like town-made or rustic vessels — both kinds of food may be served in either kind of dish.
“Love lieth deep; Love dwells not in lip-depths.”
The Lover's Tale (1879), line 466
"Blind Man's Holiday"
Whirligigs (1910)
Context: Man is too thoroughly an egoist not to be also an egotist; if he love, the object shall know it. During a lifetime he may conceal it through stress of expediency and honour, but it shall bubble from his dying lips, though it disrupt a neighbourhood. It is known, however, that most men do not wait so long to disclose their passion. In the case of Lorison, his particular ethics positively forbade him to declare his sentiments, but he must needs dally with the subject, and woo by innuendo at least.
“A speech comes alive only if it rises from the heart, not if it floats on the lips.”
in The Erasmus Reader (1990), p. 130.
Ciceronianus (1528)
Original: (it) Raggiungendomi con le tue mani ed avvertendo le mie dita, sussurro sulle tue labbra la mia infinita voglia di te.
Source: prevale.net
Source: The Great Gatsby
“Eternity was in our lips and eyes.”
As quoted, Antony and Cleopatra by William Shakespeare, Act I, scene ii (1623)
Source: First of all, I'm not narcissistic."..."I know Narkissos of Thespiae--while we might share traits, I came first, so he's Lothairistic, not the other way around"-- Lothaire