Quotes about flicker

A collection of quotes on the topic of flicker, light, lighting, likeness.

Quotes about flicker

Alexis Karpouzos photo
Bruce Lee photo
Osamu Dazai photo
Karel Čapek photo
Jim Butcher photo
Joseph Conrad photo
Erich Maria Remarque photo
Virginia Woolf photo
Terry Pratchett photo
Terry Pratchett photo
Rabindranath Tagore photo
Howard Carter photo
John Fante photo
Benjamin Disraeli photo
Cassandra Clare photo
Mike Oldfield photo

“Some are tricks of the light
You'll never know
Make a flickering midnight
Light into a glow…”

Mike Oldfield (1953) English musician, multi-instrumentalist

Song lyrics, Discovery (1984)

Antoine de Saint-Exupéry photo

“Transport of the mails, transport of the human voice, transport of flickering pictures — in this century, as in others, our highest accomplishments still have the single aim of bringing men together.”

Antoine de Saint-Exupéry (1900–1944) French writer and aviator

Ch III : The Tool
Terre des Hommes (1939)
Context: Transport of the mails, transport of the human voice, transport of flickering pictures — in this century, as in others, our highest accomplishments still have the single aim of bringing men together. Do our dreamers hold that the invention of writing, of printing, of the sailing ship, degraded the human spirit?
It seems to me that those who complain of man's progress confuse ends with means. True, that man who struggles in the unique hope of material gain will harvest nothing worth while. But how can anyone conceive that the machine is an end? It is a tool. As much a tool as is the plough. The microscope is a tool. What disservice do we do the life of the spirit when we analyze the universe through a tool created by the science of optics, or seek to bring together those who love one another and are parted in space?

Kurt Vonnegut photo
Nicholas Sparks photo
Nicholas Sparks photo
David Almond photo
Lorrie Moore photo
Laura Ingalls Wilder photo
Richelle Mead photo
Madeline Miller photo
Jimmy Buffett photo
Richelle Mead photo
Sue Monk Kidd photo
Cassandra Clare photo
Thomas Merton photo
Adrienne Rich photo

“The password is a flicker of an eyelash.”

Adrienne Rich (1929–2012) American poet, essayist and feminist

Source: Selected Poems

D.H. Lawrence photo
Joseph Conrad photo
T.S. Eliot photo

“I have seen the moment of my greatness flicker, and I have seen the eternal Footman hold my coat, and snicker, and in short, I was afraid.”

T.S. Eliot (1888–1965) 20th century English author

The Love Song of J. Alfred Prufrock (1915)
Source: The Love Song of J. Alfred Prufrock and Other Poems
Context: I am no prophet — and here's no great matter;
I have seen the moment of my greatness flicker,
And I have seen the eternal Footman hold my coat, and snicker,
And in short, I was afraid.

Nicholas Sparks photo
Carl Sandburg photo
Cassandra Clare photo
F. Scott Fitzgerald photo
Malcolm Gladwell photo

“Insight is not a lightbulb that goes off inside our heads. It is a flickering candle that can easily be snuffed out.”

Source: Blink: The Power of Thinking Without Thinking

John Updike photo
Philip K. Dick photo
Pierre-Jean de Béranger photo
Marianne von Werefkin photo
Letitia Elizabeth Landon photo
Russell Hoban photo
John McPhee photo
Woody Allen photo

“Man watches his history on the screen with apathy and an occasional passing flicker of horror or indignation.”

Conor Cruise O'Brien (1917–2008) Irish politician

In Irish Times, Dublin (July 15, 1969) ; as quoted in The Columbia Book of Quotations, ed. Robert Andrews, Columbia University Press (1993), p. 900 : ISBN 0231071949, 9780231071949

Sylvia Plath photo

“Darling, all night
I have been flickering, off, on, off, on.
The sheets grow heavy as a lecher's kiss.”

"Fever 103" http://www.angelfire.com/tn/plath/103.html
Ariel (1965)

August Macke photo
James Hamilton photo
Francois Mauriac photo

“What makes a poet is, surely, the love of these things, a desperate search for the tiny ray of sunshine which used to flicker on the floor of a child’s bedroom.”

Ce qui fait le poète, n'est-ce pas l'amour, la recherche désespérée du moindre rayon de soleil d'autrefois jouant sur le parquet d'une chambre d'enfant?
Préséances (1921), cited from Oeuvres romanesques, vol.1 (Paris: Flammarion, 1965) p. 301; Gerard Hopkins (trans.) Questions of Precedence (London: Eyre & Spottiswoode, 1958) p. 46.

Dejan Stojanovic photo

“Life is only a flicker of melted ice.”

Dejan Stojanovic (1959) poet, writer, and businessman

“Rain of the Absolute,” p. 25
The Sun Watches the Sun (1999), Sequence: “Skywalking”

Pete Doherty photo
Tom Clancy photo
Joe Biden photo

“The standard of judgment is no longer results but the flickering image of seriousness, skillfully crafted to squeeze into 30 seconds on the nightly news. In this world, emotion has become suspect - the accepted style is smooth, antiseptic and passionless.”

Joe Biden (1942) 47th Vice President of the United States (in office from 2009 to 2017)

On the national debate, Speech http://www.nytimes.com/1987/06/10/us/biden-joins-campaign-for-the-presidency.html announcing entry into 1988 presidential race, Wilmington, Delaware (June 10, 1987)
1980s

John Keats photo
Frank McCourt photo
Tom Robbins photo
Mike Oldfield photo

“I see a picture by the lamp's flicker…
Isn't it strange how dreams fade and shimmer?”

Mike Oldfield (1953) English musician, multi-instrumentalist

Song lyrics, Discovery (1984)

Terry Eagleton photo

“Reading a text is more like tracing this process of constant flickering than it is like counting the beads on a necklace.”

Terry Eagleton (1943) British writer, academic and educator

Source: 1980s, Literary Theory: An Introduction (1983), Chapter 4, p. 111

Letitia Elizabeth Landon photo
Sten Nadolny photo
Glen Cook photo

“Listen to me, skull!
Under your thin brittle boneplates
what black memories haunt you?
What do you want? What do you dream of? …
Is it your soul you think of,
flickering through frightful nights? …
Skull, I must have been raving mad
to smash you with my bare fist.
Scarlet blood thickens on my fingers,
plagues me to spew these rhymes, and still
my teeth want to tear you to pieces!
Like a raven I'll swallow even the sucked-out bones
to get a fresh taste of the past,
a drop from the torrent of months and years.”

Chế Lan Viên (1920–1989) Vietnamese writer

"Skull", in A Thousand Years of Vietnamese Poetry, ed. Nguyễn Ngọc Bích (Alfred A. Knopf, 1975), ISBN 978-0394494722, p. 166
Original in Vietnamese https://www.asymptotejournal.com/poetry/che-lan-vien-to-a-skull/vietnamese/, and an English translation by Hai-Dang Phan https://www.asymptotejournal.com/poetry/che-lan-vien-to-a-skull/, available at Asymptote.

Thomas Carlyle photo
Alan Moore photo
Jerome K. Jerome photo
Clifford D. Simak photo
Bram Stoker photo
Octavio Paz photo

“time in an allegory of itself imparts to us lessons of wisdom which the moment they are formulated are immediately destroyed by the merest flickers of light or shadow which are nothing more than time in its incarnations and disincarnations which are the phrases that I am writing on this paper and that disappears as I read them:
they are not the sensations, the perceptions, the mental images, and the thoughts which flare up and die away here, now, as I write or as I read what I write: they are not what I see or what I have seen, they are the reverse of what is seen and of the power of sight—but they are not the invisible: they are the unsaid residuum;
they are not the other side of reality but, rather, the other side of language, what we have on the tip of our tongue that vanishes before it is said, the other side that cannot be named because it is the opposite of a name:
what is not said is not this or that which we leave unsaid, nor is it neither-this-nor-that: it is not the tree that I say I see but the sensation that I feel on sensing that I see it at the moment when I am just about to say that I see it, an insubstantial but real conjunction of vibrations and sounds and meanings that on being combined suggest the configuration of a green-bronze-black-woody-leafy-sonorous-silent presence;
no, it is not that either, if it is not a name it surely cannot be the description of a name or the description of the sensation of the name or the name of the sensation:
a tree is not the name tree, nor is it the sensation of tree: it is the sensation of a perception of tree that dies away at the very moment of the perception of the sensation of tree;
names, as we already know, are empty, but what we did not know, or if we did know, had forgotten, is that sensations are perceptions of sensations that die away, sensations that vanish on becoming perceptions, since if they were not perceptions, how would we know that they are sensations?;
sensations that are not perceptions are not sensations, perceptions that are not names—what are they?
if you didn’t know it before, you know now: everything is empty;
and the moment I say everything-is-empty, I am aware that I am falling into a trap: if everything is empty, this everything-is-empty is empty too;
no, it is full, full to overflowing, everything-is-empty is replete with itself, what we touch and see and taste and smell and think, the realities that we invent and the realities that touch us, look at us, hear us, and invent us, everything that we weave and unweave and everything that weaves and unweaves us, momentary appearances and disappearances, each one different and unique, is always the same full reality, always the same fabric that is woven as it is unwoven: even total emptiness and utter privation are plenitude (perhaps they are the apogee, the acme, the consummation and the calm of plenitude), everything is full to the brim, everything is real, all these invented realities and all these very real inventions are full of themselves, each and every one of them, replete with their own reality;
and the moment I say this, they empty themselves: things empty themselves and names fill themselves, they are no longer empty, names are plethoras, they are donors, they are full to bursting with blood, milk, semen, sap, they are swollen with minutes, hours, centuries, pregnant with meanings and significations and signals, they are the secret signs that time makes to itself, names suck the marrow from things, things die on this page but names increase and multiply, things die in order that names may live:”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Source: The Monkey Grammarian (1974), Ch. 9

Michael Swanwick photo
Winston S. Churchill photo
John Updike photo
Jacques Ellul photo
Li Bai photo

“A cup of wine, under the flowering trees;
I drink alone, for no friend is near.
Raising my cup I beckon the bright moon,
For he, with my shadow, will make three men.
The moon, alas, is no drinker of wine;
Listless, my shadow creeps about at my side.
Yet with the moon as friend and the shadow as slave
I must make merry before the Spring is spent.
To the songs I sing the moon flickers her beams;
In the dance I weave my shadow tangles and breaks.
While we were sober, three shared the fun;
Now we are drunk, each goes his way.
May we long share our odd, inanimate feast,
And meet at last on the Cloudy River of the sky.”

Li Bai (701–762) Chinese poet of the Tang dynasty poetry period

"Drinking Alone by Moonlight" (月下獨酌), one of Li Bai's best-known poems, as translated by Arthur Waley in More Translations From the Chinese (1919)
Variant translation:
From a pot of wine among the flowers
I drank alone. There was no one with me—
Till, raising my cup, I asked the bright moon
To bring me my shadow and make us three.
Alas, the moon was unable to drink
And my shadow tagged me vacantly;
But still for a while I had these friends
To cheer me through the end of spring...
I sang. The moon encouraged me.
I danced. My shadow tumbled after.
As long as I knew, we were boon companions.
And then I was drunk, and we lost one another.
...Shall goodwill ever be secure?
I watch the long road of the River of Stars.
"Drinking Alone with the Moon" (trans. Witter Bynner and Kiang Kang-hu)

Jane Roberts photo
Paramahansa Yogananda photo

“Direct me gods, whose changes are all holy,
To where it flickers deep in grass, the moly.”

Thom Gunn (1929–2004) English poet

Moly (l. 21-22)
Collected Poems by Thom Gunn (1994)

Richard Bach photo
Gore Vidal photo
Zia Haider Rahman photo
Lydia Maria Child photo
John Berger photo
Nathan Bedford Forrest photo
Lucius Shepard photo
Neil Peart photo
Nathaniel Hawthorne photo
Richard Henry Dana Jr. photo
Joyce Carol Oates photo
Adam Zagajewski photo
Sri Aurobindo photo

“I find it difficult to take these psycho-analysts at all seriously when they try to scrutinise spiritual experience by the flicker of their torch-lights,'yet perhaps one ought to, for half-knowledge is a powerful thing and can be a great obstacle to the coming in front of the true Truth. This new psychology looks to me very much like children learning some summary and not very adequate alphabet, exulting in putting their a-b-c-d of the subconscient and the mysterious underground super-ego together and imagining that their first book of obscure beginnings (c-a-t cat, t-r-e-e tree) is the very heart of the real knowledge. They look from down up and explain the higher lights by the lower obscurities; but the foundation of these things is above and not below, upari budhna esam [Rig-Veda, 1.24.7]. The superconscient, not the subconscient, is the true foundation of things. The significance of the lotus is not to be found by analysing the secrets of the mud from which it grows here; its secret is to be found in the heavenly archetype of the lotus that blooms for ever in the Light above. The self-chosen field of these psychologists is besides poor, dark and limited; you must know the whole before you can know the part and the highest before you can truly understand the lowest. That is the promise of the greater psychology awaiting its hour before which these poor gropings will disappear and come to nothing…. Wanton waste, careless spoiling of physical things in an incredibly short time, loose disorder, misuse of service and materials due either to vital grasping or to tamasic inertia are baneful to prosperity and tend to drive away or discourage the Wealth-Power. These things have long been rampant in the society and, if that continues, an increase in our means might well mean a proportionate increase in the wastage and disorder and neutralise the material advantage. This must be remedied if there is to be any sound progress…. Asceticism for its own sake is not the ideal of this yoga, but self-control in the vital and right order in the material are a very important part of it… and even an ascetic discipline is better for our purpose than a loose absence of true control. Mastery of the material does not mean having plenty and profusely throwing it out or spoiling it as fast as it comes or faster. Mastery implies in it the right and careful utilisation of things and also a self-control in their use…. There is a consciousness in [things], a life which is not the life and consciousness of man and animal which we know, but still secret and real. That is why we must have a respect for physical things and use them rightly, not misuse and waste, ill-treat or handle with a careless roughness. This feeling of all being consciousness or alive comes when our own physical consciousness'and not the mind only'awakes out of its obscurity and becomes aware of the One in all things, the Divine everywhere.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

Undated
India's Rebirth