Quotes about flat
page 3

“He nestles himself flat in the meeting of her buttocks. An excruciating douche.”

A Sport and a Pastime (1967)

“Tolerance? What does that mean? I am a very tolerant and hospitable person, like you. Would you accept 12 illegal immigrants moving into your flat? You would not! On top of that, they start to remove the wallpaper! Some of them would steal your wallet and brutalise your wife. You would not accept that! Consequently, we are hospitable, but we decide with whom we want to be.”

Marine Le Pen (1968) French lawyer and politician

SBS Interview with Mark Davis (8 May 2012) http://www.sbs.com.au/dateline/story/transcript/id/601463/n/Marine-Le-Pen

Personality

“In almost every edition (and consequently most performances) of Chopin's Sonata in B flat Minor, Op. 35, there is a serious error that makes awkward nonsense of an important moment in the first movement. The repeat of the exposition begins in the wrong place.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 5 : Chopin: Counterpoint and the Narrative Forms

Error

“Norfolk: I'm not a scholar, as Master Cromwell never tires of pointing out, and frankly I don't know whether the marriage was lawful or not. But damn it, Thomas, look at those names… You know those men! Can't you do what I did, and come with us for friendship?
More: And when we stand before God, and you are sent to Paradise for doing according to your conscience, and I am damned for not doing according to mine, will you come with me, for friendship?
Cranmer: So those of us whose names are there are damned, Sir Thomas?
More: I don't know, Your Grace. I have no window to look into another man's conscience. I condemn no one.
Cranmer: Then the matter is capable of question?
More: Certainly.
Cranmer: But that you owe obedience to your King is not capable of question. So weigh a doubt against a certainty — and sign.
More: Some men think the Earth is round, others think it flat; it is a matter capable of question. But if it is flat, will the King's command make it round? And if it is round, will the King's command flatten it? No, I will not sign.”

Robert Bolt A Man for All Seasons

Act II
A Man for All Seasons (1960)

Men, God, Friendship, Marriage

“We need a reserve of life, every kind of life,” he explained. “Today for the spirit—a glimpse of space and green. Tomorrow for survival, flat-out survival.”

Poul Anderson book There Will Be Time

Source: There Will Be Time (1972), Chapter 5 (p. 53)

Life

“The mad road, lonely, leading around the bend into the openings of space towards the horizon Wasatch snows promised us in the vision of the West, spine heights at the world's end, coast of blue Pacific starry night — nobone halfbanana moons sloping in the tangled night sky, the torments of great formations in mist, the huddled invisible insect in the car racing onwards, illuminate. — The raw cut, the drag, the butte, the star, the draw, the sunflower in the grass — orangebutted west lands of Arcadia, forlorn sands of the isolate earth, dewy exposures to infinity in black space, home of the rattlesnake and the gopher the level of the world, low and flat: the charging restless mute unvoiced road keening in a seizure of tarpaulin power into the route.”

Jack Kerouac book Visions of Cody

Visions of Cody (1960)

World, Cars, Home, Star

“With regard to the diagonal, too, I am in complete agreement with you [with Theo van Doesburg ]. As soon as it appears together with straight [horizontal and vertical] lines, I believe it should be condemned... A while back I started a thing entirely in diamonds [diamond-shape] like this [his sketch in the letter of several diamond-forms]. I have to find out if it's possible: intellectually I'm inclined to say it is. There's something to be said for the idea, because perpendicular and flat lines can be seen everywhere in nature; by using a diagonal line I would be canceling that out. But I'm inclined to say that this cannot be combined with perpendicular and flat lines or with different kinds of slanting lines.”

Piet Mondrian (1872–1944) Peintre Néerlandais

quote about the growing controversy between Mondrian and Van Doesburg. concerning the use of diagonal lines
Source: quote from a letter of Mondrian to Theo van Doesburg, undated, c. May 1918; as cited in Mondrian, -The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 120

Idea, Nature, Appearance

“I still, when I judge my own pictures (either while I'm working or after I think it's finished) determine if they work in a certain kind of space through shape or color. I think all totally abstract pictures – the best ones that really come off – Newman, Pollock, Noland – have tremendous space; perspective space despite the emphasis on flat surface. For example, in Noland a band of yellow in relation to a band of blue and one of orange can move in depth although they are married to the surface. This has become a familiar explanation, but few people really see and feel it that way.... in my work, because of color and shape a lot is read in the landscape sense..”

Helen Frankenthaler (1928–2011) American artist

Source: 1960s, Interview with Henry Geldzahler', in 'Artforum', 1965, p. 37

People, Color, Way, Feeling

“Therefore we should not try to alter circumstances but to adapt ourselves to them as they really are, just as sailors do. They don't try to change the winds or the sea but ensure that they are always ready to adapt themselves to conditions. In a flat calm they use the oars; with a following breeze they hoist full sail; in a head wind they shorten sail or heave to. Adapt yourself to circumstances in the same way.”

Bion of Borysthenes (-325–-246 BC) ancient greek philosopher

As quoted by Teles of Megara, fr. 2, On Self-Sufficiency

Way, Change, Sea

“On account of their savage nature, the Bedouins are people who plunder and cause damage. They plunder whatever they are able to lay their hands on without having to fight or to expose themselves to danger. They then retreat to their pastures in the desert. They do not attack or fight except in self-defence. Every stronghold or (locality) that seems difficult to attack, they by-pass in favour of some less difficult (enterprise). Tribes that are protected by inaccessible mountains are safe from their mischief and destructiveness. The Bedouins would not cross hills or undergo hardship and danger in order to get to them. Flat territory, on the other hand, falls victim to their looting and prey to their appetite whenever they (have the opportunity of) gaining power over it. Then they raid, plunder, and attack that territory repeatedly, because it is easily (accessible) to them. Eventually, its inhabitants succumb utterly to the Bedouins and then are pushed around by them in accordance with changes of control and shifts in leadership. Eventually, their civilization is wiped out. God has power over His creatures.”

Ibn Khaldun book Muqaddimah

Muqaddimah, Translated by Franz Rosenthal, p. 118, Princeton University Press, 1981.
Muqaddimah (1377)

God, People, Mountain, Nature

“I've seen these so-called journalists flat-out lie. I say that because incompetence doesn't begin to explain the inaccurate stories they have written.”

Donald J. Trump (1946) 45th President of the United States of America

Source: 2010s, 2015, Crippled America: How to Make America Great Again (2015), p. 12

Lie

“All these flat earth guys!… Here's the Hovind theory on the flat earth… I suspect, I do not know this, I just have a sneaking suspicion that some atheists someplace have got in a club together to say "Hey, let's start pushing this idea that the earth is flat, and let's see if the Christians fall for it." They've done that several times before over the last hundred years, spread some stupid idea and sometimes a lot of Christians do fall for it… And then they'll use that to sit around and laugh and say "Wow, look at how stupid these Bible-believers are!"”

Kent Hovind (1953) American young Earth creationist

I think this whole flat earth thing is another one of those. Dr. Kent Hovind Q/A - Atheism/Evolution Questions https://www.youtube.com/watch?v=OiftK13Qwl0, Youtube (July 26, 2015)

Stupidity, Guy, Idea, Thinking

“The waxen line of the bowstrings struck their leather bracers with a light whapping sound … A man dropped from each end of the attackers' rough formation, with the flat punching smack of arrowheads striking flesh loud enough to hear.”

S.M. Stirling (1953) Canadian-American author, primarily of speculative fiction

The Sword of the Lady https://en.wikipedia.org/wiki/The_Sword_of_the_Lady

Light

“Consider this point carefully: nowadays, suicide is just a way of disappearing. It is carried out timidly, quietly, and falls flat. It is no longer an action, only a submission.”

Cesare Pavese (1908–1950) Italian poet, novelist, literary critic, and translator

This Business of Living (1935-1950)

Way, Suicide

“Over the years I felt call to motherland that sometimes I even wanted to cry because of nostalgia. You will not believe but my present flat is a real Ukrainian house. I collect embroidered towels and embroidered shirts. More and more often I recollect the words of Nina Matvienko, whom I respect a lot: "Where your navel is dug there you will always feel a call."”

Yaroslav Alexandrovich Evdokimov (1946) Russian singer

And it is true.
Марчук Л. Ярослав Євдокимов: "Я пишаюсь тим, що я українець"/ Людмила Марчук // Рівне Час.
2007. - 11 жовтня. - С. 6.

Feeling, Nostalgia, Housing, Cry

“Good morning everyone. This past week we've seen the best and the worst of humanity. The heinous terrorist attacks in Paris and Beirut, in Iraq and Nigeria. They showed us once again the depths of the terrorist's depravity. And at the same time we saw the world come together in solidarity. Parisians opening their doors to anyone trapped in the street, taxi drivers turning off their meters to get people home safety, people lining up to donate blood. These simple human acts are a powerful reminder that we cannot be broken and in the face of terror we stand as one. In the wake of these terrible events, I understand the anxiety that many Americans feel. I really do. I don't dismiss the fear of a terrorist bomb going off. There's nothing President Obama and I take more seriously though, than keeping the American people safe. In the past few weeks though, we've heard an awful lot of people suggest that the best way to keep America safe is to prevent any Syrian refugee from gaining asylum in the United States. So let's set the record straight how it works for a refugee to get asylum. Refugees face the most rigorous screening of anyone who comes to the United States. First they are finger printed, then they undergo a thorough background check, then they are interviewed by the Department of Homeland Security. And after that the FBI, the National Counterterrorism Center, the Department of Defense and the Department of State, they all have to sign off on access. And to address the specific terrorism concerns we are talking about now, we've instituted another layer of checks just for Syrian refugees. There is no possibility of being overwhelmed by a flood of refugees landing on our doorstep tomorrow. Right now, refugees wait 18 to 24 months while the screening process is completed. And unlike in Europe, refugees don't set foot in the United States until they are thoroughly vetted. Let's also remember who the vast majority of these refugees are: women, children, orphans, survivors of torture, people desperately in need medical help. To turn them away and say there is no way you can ever get here would play right into the terrorists' hands. We know what ISIL - we know what they hope to accomplish. They flat-out told us. Earlier this year, the top ISIL leader al-Baghdadi revealed the true goal of their attacks. Here's what he said: "Compel the crusaders to actively destroy the gray zone themselves. Muslims in the West will quickly find themselves between one and two choices. Either apostatize or emigrate to the Islamic State and thereby escape persecution." So it's clear. It's clear what ISIL wants. They want to manufacture a clash between civilizations. They want frightened people to think in terms of "us versus them."They want us to turn our backs on Muslims victimized by terrorism. But this gang of thugs peddling a warped ideology, they will never prevail. The world is united in our resolve to end their evil. And the only thing ISIL can do is spread terror in hopes that we will in turn, turn on ourselves. We will betray our ideals and take actions, actions motivated by fear that will drive more recruits into the arms of ISIL. That's how they win. We win by prioritizing our security as we've been doing. Refusing to compromise our fundamental American values: freedom, openness, tolerance. That's who we are. That's how we win. May God continue to bless the United States of America and God bless our troops.”

Joe Biden (1942) 47th Vice President of the United States (in office from 2009 to 2017)

Weekly presidential address http://www.c-span.org/video/?401096-1/weekly-presidential-address (21 November 2015). 2010s

Women, God, Children, People

“As we made the high point off San Diego, Point Loma, we were greeted by the cheering presence of a lighthouse. As we swept round it in the early morning, there, before us, lay the little harbor of San Diego, its low spit of sand, where the water runs so deep; the opposite flats, where the Alert grounded in starting for home; the low hills, without trees, and almost without brush; the quiet little beach; but the chief objects, the hide houses, my eye looked for in vain. They were gone, all, and left no mark behind. I wished to be alone, so I let the other passengers go up to the town, and was quietly pulled ashore in a boat, and left to myself. The recollections and the emotions were all sad… and only sad.”

Richard Henry Dana Jr. (1815–1882) United States author and lawyer

Twenty-Four Years After (1869)

Sadness, Home, Tree, Water

““Pascal’s Wager never appealed to me. It seems logically… shallow.”
“Perhaps because it posits only two choices,” said Aenea. Somewhere in the desert night, an owl made a short, sharp sound. “Spiritual resurrection and immortality or death and damnation,” she said.
“Those last two aren’t the same thing,” I said.
“No, but perhaps to someone like Blaise Pascal they were. Someone terrified of ‘the eternal silence of these infinite spaces.’”
“A spiritual agoraphobic,” I said.
Aenea laughed. The sound was so sincere and spontaneous that I could not help loving it. Her.
“Religion seems to have always offered that false duality,” she said, setting her cup of tea on a flat stone. “The silences of infinite space or the cozy comfort of inner certainty.””

Dan Simmons book The Rise of Endymion

Source: The Rise of Endymion (1997), Chapter 10 (p. 166)

Love, Death, Religion, Silence

“Ez fer war, I call it murder—
There you hev it plain an' flat;
I don't want to go no furder
Than my Testyment fer that.”

James Russell Lowell (1819–1891) American poet, critic, editor, and diplomat

No. 1, st. 2
The Biglow Papers (1848–1866), Series I (1848)

War

“Quite all right, sir. Plenty of time. You have a sleep, sir.’
Hood turned over with his fat bottom towards Nabby Adams. Thank God. Nabby Adams tiptoed over again to the serving-hatch, ordered another, downed it. He began to feel a great deal better. After yet another he felt better still. Poor old Robin Hood wasn’t such a bad type. Stupid, didn’t know a gear-box from a spare tyre, but he meant well. The world generally looked better. The sun shone, the palms shook in the faint breeze, a really lovely Malay girl passed by the window. Proud of carriage, in tight baju and rich sarong, she balanced voluptuous haunches. Her blue-black hair had some sort of a flower in it; how delicate the warm brown of her flat flower-like face.
‘What time is it, Nabby?’….”

Anthony Burgess (1917–1993) English writer

Fiction, Time for a Tiger (1956)

Love, God, Stupidity, World

“.. the flat surface of a perfectly calm ocean [which] disturbs us.... by all the unknown that is hidden in the depth.”

Giorgio de Chirico (1888–1978) Italian artist

Quote of De Chirico, April/May 1919; as quoted in 'Giorgio de Chirico', MoMa online https://www.moma.org/artists/1106#fnref1 De Chirico compared the metaphysical work of art to this image of a calm ocean 1908 - 1920

“The flat tax I got on my first meeting with Margaret Thatcher, who I admired very much and who was a great admirer of Milton Friedman. I met her first when I had been prime minister I think for some months and so on, and when I told her what I am planning to do, she looked at me with these big eyes and said “you are one brave young man.” And then a little bit introduced me on the realities of the Western world on which I was not very well informed. But I didn’t stop.”

Mart Laar (1960) Estonian politician and historian

Interview with Stephen J. Dubner, for 'Freakonomics Radio' podcast (24 March 2010), when asked how he learned the fate of Friedman's policies in the Western world.

World, Thinking, Reality

“Coming in from the eastward, the bright colouring of the [Nore] lightship marking the part of the river committed to the charge of an Admiral (the Commander-in-Chief at the Nore) accentuates the dreariness and the great breadth of the Thames Estuary. But soon the course of the ship opens the entrance of the Medway, with its men-of-war moored in line, and the long wooden jetty of Port Victoria, with its few low buildings like the beginning of a hasty settlement upon a wild and unexplored shore. The famous Thames barges sit in brown clusters upon the water with an effect of birds floating upon a pond… [The inward-bound ships] all converge upon the Nore, the warm speck of red upon the tones of drab and gray, with the distant shores running together towards the west, low and flat, like the sides of an enormous canal. The sea-reach of the Thames is straight, and, once Sheerness is left behind, its banks seem very uninhabited, except for the cluster of houses which is Southend, or here and there a lonely wooden jetty where petroleum ships discharge their dangerous cargoes, and the oil-storage tanks, low and round with slightly-domed roofs, peep over the edge of the fore-shore, as it were a village of Central African huts imitated in iron. Bordered by the black and shining mud-flats, the level marsh extends for miles. Away in the far background the land rises, closing the view with a continuous wooded slope, forming in the distance an interminable rampart overgrown with bushes.”

Joseph Conrad book The Mirror of the Sea

The Nore to Hope Point
The Mirror of the Sea (1906), On the River Thames, Ch. 16

Men, War, Bird, Water

“The tired whine of 'But the Republicans are worse' will fall flat as more young Americans take charge of their future and move, with their reenergized elders, toward the Green Party and parallel civic and political movements.”

Ralph Nader (1934) American consumer rights activist and corporate critic

Crashing the Party (2002)

Future

“I'm opposed to the idea of a flat-rate tax, and I doubt I'd sign it. Attempts to introduce a liberal utopia need to be opposed. The presidential office should oppose such ideas and care for social equilibrium to be maintained.”

Lech Kaczyński (1949–2010) Polish politician, president of Poland

Rzeczpospolita interview (March 2005)

Idea

“Hey folks, tonight I wanna talk about global warming. Now, The World is Hot and Flat Society is growing increasingly hysterical and that indeed is causing me to sweat a little. In the last month or so, I've heard suggestions that those skeptical of Al Gore's spiritual crisis are deniers and one good way to serve the planet would be to have one less kid and I've also read that mankind is 'a virus' and human beings are 'the AIDS of the earth.' Global warming is officially becoming creepy and I can't tell yet if it's facisitc or fetishistic but it's kinda like piercing or tattoos, I don't even wanna get one, because I see how hooked people are and it spooks me. I just find it odd that we've come to a point in history where if I don't concede that if Manhattan will be completely submerged in 2057 I'm thought to be a delusional contrarian by some of my more zealous fellow citizens. I'm sorry Angst Squad, but if we commissioned a public works project (let's call it 'The Manhattan Project') and tried our hardest to submerge Manhattan in the next 50 years, we couldn't pull it off, mainly because it wouldn't be environmentally sound and you guys would hang it up in the permitting process. Simply put, I can't worry about the earth right now because I'm too worried about the world. Why can't I take terrorism as seriously as Al Gore takes global warming? There are times that you think that liberals only fear car bombs if they have leaky exhaust systems. And why am I constantly beaten over the head with 'the delicate balance of nature'? Am I the only one who watches Animal Planet? Every time I turn it on, I see some demented harp seal chucking peguins down his gullet like they were maitre d'Tic-Tacs. To me, nature always appears more unbalanced than Gary Busey with a clogged eustachian tube. Listen, the weather is just like Hilary's explanation for her war vote: we just don't know, do we? We're here to miss our next Tuesday's weather much less the year 2057. Relax, we'll replace oil when we need to. American ingenuity will kick in and the next great fortune will be made. It's not pretty, but it is historically accurate. We need to run out of oil first. That's why I drive an SUV: so we run out of it more quickly. I consider myself at the vanguard of the environmental movement and I think the individuals who insist on driving hybrids are just prolonging our dillemma and I think that's just selfish. Come on, don't you care about our Mother Earth? Don'tcha?”

Dennis Miller (1953) American stand-up comedian, television host, and actor

6/17 The Half Hour News Hour
The Buck Starts Here

War, People, World, Fear

“A ship is alive, and he is like a man, with a true man’s heart. Treat him well and care for him properly, and he will fight for you against the worst sea. He will fight to keep you alive even after the sea has long since given him his own deathstroke. Neglect him, though, ignore the small warnings he gives of danger, and he will drown you in a flat sea beneath a cloudless sky.”

Robert Jordan (1948–2007) American writer

Jorin din Jubai White Wing
(15 September 1992)

Heart, Fight, Sea

“However, new plasticism is pure painting [in contrast with the opinion of Theo van Doesburg, then]: the means of expression still are form and color, though these are completely interiorized; the straight line and flat color remain purely pictorial means of expression.”

Piet Mondrian (1872–1944) Peintre Néerlandais

1910's, Natural Reality and Abstract Reality', 1919

Color, Painting

“I wish the world was flat like the old days
Then i could travel just by folding a map
No more airplanes, or speed trains, or freeways
There'd be no distance that could hold us back”

Ben Gibbard (1976) American singer, songwriter and guitarist

The New Year
Transatlanticism (2003)

World, Travel, Speed, Training

“I'm a Cranky Old Yank in a Clanky Old Tank on the Streets of Yokohama with my Honolulu Mama Doin’ Those Beat-o, Beat-o Flat-On-My-Seat-o, Hirohito Blues”

Hoagy Carmichael (1899–1981) American composer, pianist, singer, actor and bandleader

1947 song title, generally agreed to be the longest title of any commercially published song.

“The election's coming just in a couple of weeks, and I hope you're praying about your vote. One of the propositions, of course, that I want to mention is Proposition 8, which is the proposition that had to be instituted because the courts threw out the will of the people. And a court of four guys actually voted to change a definition of marriage that has been going for 5,000 years.
Now let me say this really clearly: we support Proposition 8 — and if you believe what the Bible says about marriage, you need to support Proposition 8. I never support a candidate, but on moral issues I come out very clear.
This is one thing, friends, that all politicians tend to agree on. Both John McCain and Barack Obama, I flat out asked them "what is your definition of marriage?" and they both said the same thing. It is the traditional, historic, universal definition of marriage: one man and one woman, for life. … There are about 2% of Americans are homosexual or gay, lesbian people. We should not let 2% of the population determine — to change a definition of marriage that has been supported by every single culture, and every single religion, for 5,000 years. … So I urge you to support Proposition 8, and pass that word on. I'm going to be sending out a note to pastors on what I believe about this, but everybody knows what I believe about it, and they heard me at the civil forum when I asked both Obama and McCain on their views.”

Rick Warren (1954) Christian religious leader

regarding California Proposition 8 to amend the state constitution to not recognize same-sex marriage, as quoted in "News & Views 10/23/2008 Part 3 (Prop 8)" in Pastor Rick's News and Views (23 October 2008) http://www.saddleback.com/blogs/newsandviews/index.html?contentid=1502

Life, Marriage, People, Religion

“Jumbled black rocks adorned an otherwise pale, flat landscape of salmons and khakis. Mountains rose in distant ridges. Out there in the Namaqua sea, I found myself thinking of South Africa as an island. Like Robinson Crusoe, I was walking its perimeter, noting the extent of my domain, checking for cannibals, finding fresh water. Sure, there were 47 million others who might make such a claim, but theirs were no more valid than mine, only similar. Beating my drum, singing the land, proclaiming it mine from coast to coast.”

Justin D. Fox (1967) South African author, photojournalist, lecturer and editor

The Marginal Safari: Scouting the Edge of South Africa (2010)

Mountain, Thinking, Water, Distant

“We have watched mutant creatures crawl from sewers into cold flat starlight and whisper shyly to each other, drawing maps and messages in faecal mud.
I have sat with the wind at my side and seen cruel things, wicked things.
My scars and bonestubs itch. I am forgetting the weight, the sweep, the motion of wings. If I were not garuda I would pray. But I will not obeise myself before arrogant spirits.”

China Miéville book Perdido Street Station

Source: Perdido Street Station (2000), p. 51

Drawing, Forgetting

“The soft seduction of consumer global capitalism reduce the nations of the West to a rootless mass of Americanised consumers, without identity, without pride and without a future. Children identify with the grotesque and vulgar instead of noble heroes and beautiful princesses in castles. Teenagers ape the antics of degenerate pop-stars whose example leads hundreds of thousands into the living death of drug addiction, not to mention the tragedy of the image conscious girls (mainly) who feel compelled to starve themselves to get "the look" and of course the spiralling number of abortions. Adults perform meaningless jobs, in conditions of mind-destroying boredom, to earn enough money to buy the latest needlessly created want to be pushed on television as the thing without which their neighbours will regard them as worthless failures. Old folk die unnoticed and lie rotting for weeks, even months, in barred and bolted flats in inhuman tower blocks, unofficial prisons which become tombs for those who no longer have any economic value. Do not be fooled by the glossy packaging of the consumer society. Where state socialism was a creed of terror and stagnation, capitalism is one of apathy and death.”

Nick Griffin (1959) British politician

Nick Griffin, The Deadly Twins.

Death, Money, Children, Lie

“I have sometimes come upon the Iguana, the big lizard, as they were sunning themselves upon a flat stone in a river-bed. They are not pretty in shape, but nothing can be imagined more beautiful than their colouring. They shine like a heap of precious stones or like a pane cut out of an old church window. When, as you approach, they swish away, there is a flash of azure, green and purple over the stones, the color seems to be standing behind them in the air, like a comet's luminous tail.
Once I shot an Iguana. I thought that I should be able to make some pretty things from his skin. A strange thing happened then, that I have never afterwards forgotten. As I went up to him, where he was lying dead upon his stone, and actually while I was walking the few steps, he faded and grew pale, all colour died out of him as in one long sigh, and by the time that I touched him he was grey and dull like a lump of concrete. It was the live impetuous blood pulsating within the animal, which had radiated out all that glow and splendor. Now that the flame was put out, and the soul had flown, the Iguana was as dead as a sandbag.”

Karen Blixen book Out of Africa

Out of Africa (1937)

Beauty, Color, Soul, Imagination

“Roper: So now you'd give the Devil benefit of law!
More: Yes. What would you do? Cut a great road through the law to get after the Devil?
Roper: I'd cut down every law in England to do that!
More: Oh? And when the last law was down, and the Devil turned round on you — where would you hide, Roper, the laws all being flat? This country's planted thick with laws from coast to coast — man's laws, not God's — and if you cut them down — and you're just the man to do it — d'you really think you could stand upright in the winds that would blow then? Yes, I'd give the Devil benefit of law, for my own safety's sake.”

Robert Bolt A Man for All Seasons

Act I
A Man for All Seasons (1960)

God, Law, Thinking, Country

“I'd grown up thinking I was ugly, ugly, ugly. I was much too tall, I was much too skinny, I was flat-chested, I had my mother's Asian eyes and cheekbones so I looked foreign compared to all my girlfriends, my mouth was too big and my teeth were too big so I never smiled. And then Françoise Hardy had her breakthrough in France and everything suddenly changed. Before her you were supposed to look like Brigitte Bardot, blonde, curvy and busty. But I was about twenty when people started telling me "You know what, you look a little like Françoise Hardy, you could be a model" and then out of the blue this famous woman, the great Catherine Harlé turns up. By sheer accident she happened to see me in the street in Paris and asked me if I wanted to be a fashion model and I thought she was joking! And she said "No, no, no, you're exactly the type of girl we're looking for" and all of a sudden all of these flaws, all the things I'd been so ashamed of, became my greatest assets. By sheer accident, as most things in my career.
Confessions Orbitales (Radio broadcast). Europe 1. 8 March 2003.”

Amanda Lear (1939) singer, lyricist, composer, painter, television presenter, actress, model

People, Smile, Girl, Fashion

“Even children know that drafting rule is easier to bend flat than across the edges; and… they will not be much surprised if told that for the same width of the rule its resistance is proportional to the square of the thickness and the deflection is inversely proportional to the cube of the thickness. Nevertheless some modern designers seem to be unaware… since they require… beams of such slenderness that they resemble springboards…”

Eduardo Torroja (1899–1961) Spanish architect

p, 125
Philosophy of Structures (1958)

Children

“The south was not far behind the north in recognizing Abraham Lincoln as the natural leader of the rising political sentiment of the country against slavery, and it was equally quick in its efforts to counteract and destroy his influence. Its papers teemed with the bitterest invectives against the 'backwoodsman of Illinois', the 'flat-boatman', the 'rail-splitter', the 'third-rate lawyer', and much else and worse.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Source: 1880s, Life and Times of Frederick Douglass (1881), p. 364.

Nature, Effort, Country

“If i were a little braver i would have asked her something like, "Do you think Kickass: the movie is a comedy in the traditional, classical sense?" and we could have that conversation and it would lead to other conversations during the flat and lonely times.”

Daniel Handler book Adverbs

Adverbs (2006), Obviously

Thinking, Sense, Time

“On working at La Passione (1996): Day one, the damage was done. All it was meant to be was one hour of a little boy’s dreams. And I had things I wanted to do with the guitar that hadn’t been done before. Like, there’s one number called "Olive Oil", where I was actually playing slide guitar in the same scale as a saxophone. […] But then in came millions of executives from America. So in the end, it fell flat on its arse. And it came out the same week that Britpop took off. Blair had just won the election. Oasis. Spice Girls. So something a bit Fellini-ish – about a little boy who loved red cars – went straight over the top. It was like, ‘Well, don’t you have a 335 guitar with a Union Jack on it?’”

Chris Rea (1951) English singer-songwriter

2015

Love, Dreams, Cars, Girl

“Instead of opposing comic and tragic characters [as Molière and Shakespeare] and contrary scenic states, I organize the opposition of contrasting values, lines, and curves. I oppose curves to straight lines, flat surfaces to molded forms, pure local colors to nuances of gray. These initial plastic forms are either superimposed on objective elements or not, it makes no difference to me. There is only a question of variety.”

Fernand Léger (1881–1955) French painter

Quote from 'Notes on Contemporary Plastic Life', 'Kunstblatt', Berlin 1923; as quoted in The documents of 20th century art – Functions of Painting by Fernand Léger, in Thames and Hudson Ltd, London 1973, p. 25
Quotes of Fernand Leger, 1920's

Color, Question

“Evolution is an obstacle course not a freeway; the correct analogue for long-term success is a distant punt receiver evading legions of would-be tacklers in an oddly zigzagged path toward a goal, not a horse thundering down the flat.”

Stephen Jay Gould book Eight Little Piggies

"Tires to Sandals", p. 318
Eight Little Piggies (1993)

Distant, Success, Horse

“For when I construct lines and colour combinations on a flat surface, it is with the aim of portraying 'universally beauty' as consciously as possible. Nature (or that which I see) inspires me, provides me – as it does every painter – with the emotion by which I am moved to create something, but I want to approach the truth as closely as possible, abstracting everything until I come to the foundation – still only an outward foundation! – of things. It is for me a clear truth that one does not want to say something 'specific', it is then that one says what is most specific: the truth (which is of great universality).”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote in a letter to H. P. Bremmer, Paris 29 January 1914; ; as cited in Mondrian, - The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 81
1910's

Truth, Beauty, Nature, Universe

“Almost all new French art [ French Impressionism ] has for me a flat, empty character without any distance and depth in colors. The paintings look like white sheets of paper with colors on it.”

Jacob Maris (1837–1899) Dutch painter

Bijna alle nieuwe Fransche kunst [Impressionisme] heeft voor mij een plat, leeg karakter zonder afstand en diepte in kleur. De schilderijen lijken witte velletjes papier met kleurtjes erop. Quote of Jacob Maris, in: 'Veerpont - Jacob Maris', Frank van der Velden https://www.rembrandtcirkel.nl/ul/cms/attachment/file/document/6/0/7/607/607/1/veerpont.pdf; Vereniging Rembrandt, Spring 2005, p. 24 he lived for several years in Paris, till 1871

Art, Color, Painting

“The man of frank and strong prejudices, far from being a political and social menace and an obstacle in the path of progress, is often a benign character and helpful citizen. The chance is far greater, furthermore, that he will be more creative than the man who can never come to more than a few gingerly held conclusions, or who thinks that all ideas should be received with equal hospitality. There is such a thing as being so broad you are flat.”

Richard M. Weaver (1910–1963) American scholar

“Life without prejudice,” p. 11-12.
Life Without Prejudice (1965)

Idea, Thinking, Strong, Chance

“This misplacing hath caused a deficience, or at least a great improficience in the sciences themselves. For the handling of final causes, mixed with the rest in physical inquiries, hath intercepted the severe and diligent inquiry of all real and physical causes, and given men the occasion to stay upon these satisfactory and specious causes, to the great arrest and prejudice of further discovery. For this I find done not only by Plato, who ever anchoreth upon that shore, but by Aristotle, Galen, and others which do usually likewise fall upon these flats of discoursing causes.”

Francis Bacon book The Advancement of Learning

Book VII, 7
The Advancement of Learning (1605)

Men, Science

“It is a feeling at once stimulating and flat, to know that someone you do not love is in love with you.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Love

Love, Feeling

“I am much obliged to you for your last letter, and the lessons reed, before. I think I now begin to see a little into the nature of modulation and the introduction of flats and sharps; and when we meet you shall hear me play extempore.. [his friend William Jackson of Exeter was composer and organist]”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

1755 - 1769

Nature, Thinking

“And she was good to me: strong, fun, and fiercely loyal. And if I didn't have many other friends because of her-most girls were intimidated by her looks, or thought she was too pushy, or just flat-out feared for their boyfriends-it never bothered me. I never missed having a wide, thick circle of girlfriends: Rina was more than enough. We were comfortable with each other's flaws and weaknesses, so we stuck together and kept to ourselves.”

Sarah Dessen book Dreamland

Dreamland (2000)

Fear, Girl, Strong

“There is a remedy for all things but death, which will be sure to lay us out flat some time or other.”

Miguel de Cervantes (1547–1616) Spanish novelist, poet, and playwright

Source: Don Quixote de la Mancha (1605–1615), Part II (1615), Book III, Ch. 10.

Death, Time

“Life is short. Art, or something not life, is long, stretching out endless, like concrete worm. Flat, white, unsmoothed by any passage over or across it. Here I stand. But no longer.”

Philip K. Dick book The Man in the High Castle

The Man in the High Castle (1962)

Life, Art

““They say that they’re a punishment on godly people for allowing sin to walk the earth unanswered—”
“Who is this ‘they’ you’re always referring to?” Stanton glared at Rose, his eyes gleaming with unhidden malice. “Your mongoloid Aunt Kindy? Your drunken Uncle Sal? Or are you talking about the slack-jawed hacks who bang out those dime novels for a bottle of whiskey and the price of a flophouse?”
Rose stared at him, her mouth open in astonishment. But Stanton pressed on, his voice flat and awful.
“Or maybe you’re just using the word ‘they’ as so many pea-brained idiots use it, as a cowardly rhetorical device, an excuse to say the things you really believe without giving anyone the chance to judge you for the narrow-minded, stupid creature you are.””

M. K. Hobson book The Native Star

Source: The Native Star (2010), Chapter 15, “Ososolyeh” (pp. 211-212)

People, Stupidity, Chance

“History has a way of reducing individuals to flat, two-dimensional portraits. It is the enemy of subjectivity, which is why Stephen Dedalus called it "a nightmare from which I am trying to awake". If we think of Kierkegaard, of Nietzsche, of Hölderlin, we see them standing alone, outside of history. They are spotlighted by their intensity, and the background is all darkness. They intersect history, but are not a part of it. There is something anti-history about such men; they are not subject to time, accident and death, but their intensity is a protest against it. I have elsewhere called such men "Outsiders" because they attempt to stand outside history. which defines humanity on terms of limitation, not of possibility.”

Colin Wilson (1931–2013) author

Source: Rasputin and the Fall of the Romanovs (1964), p. 13-14

Death, Men, Way, History

“As flat as an open can of coke, left on a programmer's desk over the weekend.”

Rick Cook (1944) American writer

The Wizardry Consulted (1995)

“We came down from the trees, up from the grasslands, and into an SUV. We drove. We motored. We headed for that Texas horizon, flat as the flat-line on a heart monitor, straight to the brink of extinction, all the while pumping gas.”

Andrea Lewis (writer) Microsoft employee

"Cryonic Freeze" Cutthroat, A Journal of the Arts, Vol. 14, No. 1 (Winter 2013) "Felix, Living History Enactor, Despairs."
2010-

Tree, Heart

“We went to a club where singers and stand-up comedians performed in the hope of being discovered. A thin girl with bright red hair and sequined T-shirt reached the end of her passionately murmured song on a sudden shrill, impossible top note. All conversation ceased. Someone, perhaps maliciously, dropped a glass. Halfway through, the note became a warbling vibrato and the singer collapsed on the stage in an abject curtsy, arms held stiffly in front of her, fists clenched. Then she sprang to her tiptoes and held her arms high above her head with the palms flat as if to forestall the sporadic and indifferent applause."They all want to be Barbra Streisand or Liza Minnelli," George explained as he sucked a giant cocktail through a pink plastic straw. "But no one's looking for that kind of stuff anymore."”

Ian McEwan book In Between the Sheets

Page 139. (From the seventh and final short story, 'Psychopolis')
In Between the Sheets (1978)

Hope, Girl, Passion, Indifference

“Well they are very frightening for me because their stupidity is so flat. You look into the eyes of a chicken and you lose yourself in a completely flat, frightening stupidity. They are like a great metaphor for me… I kind of love chicken, but they frighten me more than any other animal.”

Werner Herzog (1942) German film director, producer, screenwriter, actor and opera director

About chickens, on the Signs of Life (1968) DVD audio commentary (2005).

Love, Stupidity, Animals

“Then again, in the human body the central point is naturally the navel. For if a man be placed flat on his back, with his hands and feet extended, and a pair of compasses centered at his navel, the fingers and toes of his two hands and feet will touch the circumference of a circle described therefrom.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book III, Chapter I, Sec. 3

Nature

“Three distinct geometries on S7 arise as solutions of the classical equations of motion in eleven dimensions. In addition to the conventional riemannian geometry, one can also obtain the two exceptional Cartan-Schouten compact flat geometries with torsion.”

François Englert (1932) Belgian theoretical physicist

[10.1016/0370-2693(82)90684-0, 1982, Spontaneous compactification of eleven-dimensional supergravity, Physics Letters B, 119, 4–6, 339–342]

“Rita: Will they sack you.
Frank: [lying flat on the floor] The sack? God no; that would involve making a decision. Pissed is all right. To get the sack, it'd have to be rape on a grand scale; and not just with students either. [Rita gets up and moves across to look at him] That would only amount to a slight misdemeanour. For dismissal it'd have to be nothing less than buggering the bursar.”

Willy Russell book Educating Rita

Pages 42-43.
Educating Rita (1980)

God, Lying, Decision

“Art has poisoned our life. Aesthetics has infected everyone… If one chooses a typewriter or a sewing machine in the living room, the housewife say: 'Please take it away; it destroys the harmony of the room'. Post-cards, stamps, pouches, railway-tickets, pots umbrellas, towels, pyamas, chairs, blankets, handkerchiefs and ties – everything is 'arty'. How much more refreshing are those articles which are not called art: bathrooms, bath-tubs, bicycles, automobiles, engine-rooms and flat-irons. There are still people who can make beautiful things without art. They are the progressives.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote of Van Doesburg in his article: 'The end of art'; in 'De Stijl' series XII, 1924-5, pp. 135–136
1920 – 1926

Life, People, Beauty, Art

“In the morning when we began straggling out in small parties on our way to the trial, several of us went down in the elevator with three entirely correct old gentlemen looking much alike in their sleekness, pinkness, baldness, glossiness of grooming, such stereotypes as no proletarian novelist of the time would have dared to use as the example of a capitalist monster in his novel. We were pale and tightfaced; our eyelids were swollen; no doubt in spite of hot coffee and cold baths, we looked rumpled, unkempt, disreputable, discredited, vaguely guilty, pretty well frayed out by then. The gentlemen regarded us glossily, then turned to each other. As we descended the many floors in silence, one of them said to the others in a cream-cheese voice, "It is very pleasant to know we may expect things to settle down properly again," and the others nodded with wise, smug, complacent faces.
To this day, I can feel again my violent desire just to slap his whole slick face all over at once, hard, with the flat of my hand, or better, some kind of washing bat or any useful domestic appliance being applied where it would really make an impression — a butter paddle — something he would feel through that smug layer of too-well-fed fat.”

Katherine Anne Porter (1890–1980) American journalist, essayist, short story writer, novelist, and political activist

The Never-Ending Wrong (1977)

Way, Feeling, Coffee, Silence

“My proposal is this: once this technology [genetically engineered intelligence] becomes available, why not offer it free of charge to parents on low incomes with below-average IQs? Provided there is sufficient take-up, it could help to address the problem of flat-lining inter-generational social mobility and serve as a counterweight to the tendency for the meritocratic elite to become a hereditary elite. It might make all the difference when it comes to the long-term sustainability of advanced meritocratic societies.”

Toby Young (1963) British journalist

The Quadrant (2015)

Intelligence, Problem, Parent, Help

“I admit, of course, that the artist does not see nature as the vulgar do. His emotion reveals to him the inner truths that underlie appearance. But the only principle In art is to copy what one sees. Every other method is ruinous. No one can embellish Nature. It is simply and solely a question of seeing. Doubtless a mediocre man, when he copies will never produce a work of art. He looks without seeing. No matter how minutely he observes, the result will be flat and without character. But the artist's trade is not for mediocre men, and no amount of training can supply them with talent. The artist sees - he sees with his heart. He sees deep into the heart of Nature. To the artist everything in Nature is beautiful.
The vulgarian imagines that what looks to him ugly In Nature is not material for the artist. He would forbid us to represent what displeases and offends him. He makes a grave mistake. What is commonly called ugliness in Nature may become a great beauty in art.
In the realm of realities, people regard as ugly everything that is deformed and diseased and that suggests sickness, weakness and suffering. They regard as ugly everything that defies regularity, which is to them the symbol and condition of health and strength. A hump is ugly, bow-legs are ugly, misery in rags is ugly. Ugly, again, are the soul and conduct of the immoral, the vicious, the criminal man, the abnormal man who is an enemy of society; ugly is the soul of the parricide, the traitor, the unscrupulous slave of ambition. And it is right that the lives and the of which we can expect only evil should be given an odious epithet.”

Auguste Rodin (1840–1917) French sculptor

Rodin on realism, 1910

Men, People, Health, Truth

“O deary, deary me," moaned the dragon; "this is too awful. I won't see him, and that's flat. I don't want to know the fellow at all. I'm sure he's not nice. You must tell him to go away at once, please. Say he can write if he likes, but I can't give him an interview. I'm not seeing anybody at present.”

Kenneth Grahame book The Reluctant Dragon

The dragon to the Boy.
Dream Days (1898), The Reluctant Dragon

“Janeway Smithson was a little, insane, grey-haired bantam rooster of a man. He loaded five or six of us in one cab, and we rolled down to the bed of the L. A. River. Now in those days the L. A. River was a fake - there was no water, just a wide, flat, dry cement runway. The bums lived down there by the hundreds in little cement alcoves under the bridges and overpasses. Some of them even had potted plants in front of their places. All they needed to live like kings was canned heat (Sterno) and what they picked out of the nearby garbage dump. They were tan and relaxed and most of them looked a hell of a lot healthier than the average Los Angeles business man. Those guys down there had no problems with women, income tax, landlords, burial expenses, dentists, time payments, car repairs, or with climbing into a voting booth and pulling the curtain closed.”

Charles Bukowski book Factotum

Source: Factotum (1975), Ch. 71

Women, Angels, Cars, Guy

“There were a lot of people living in his time who never did latch on to the idea that the curve of technological progress was not a flat slanting line like a diving board, but a geometrical curve like a ski-jump. These wistful and mixed-up souls were always suffering from attacks of belated conservatism, clutching suddenly at this dying thing and that, trying to keep it or bring it back. It wasn’t real conservatism at all, of course, but an unthought longing for the dear old days when one could predict what would be there tomorrow, if not next week. Unable to get the big picture, they welcomed the conveniences, the miniaturization of this and the speed of that, and then were angrily confused when their support of these things changed their world.”

Theodore Sturgeon book Venus Plus X

Section 11 (p. 33)
Venus Plus X (1960)

People, World, Soul, Idea

“When I was 13, I was flat as a board and totally unhappy about it. I would write in my diary every day, Oh, if I could just have a B cup by summer! I actually prayed for big boobs. So I developed at about 14, and then I was 15, 16, 17, and they kept going.”

Katherine Heigl (1978) American actress and film producer

Discussing her bust in an interview with Maxim (June 2000)

Summer

“There is something in painting which cannot be explained, and that something is the essential. You come to Nature with your theories, and she knocks them all flat.”

Pierre-Auguste Renoir (1841–1919) French painter and sculptor

As quoted in Masterpieces of painting from the National Gallery of Art (1944), p. 168
undated quotes

Nature, Painting

“I call to mind a winter landscape in Amsterdam — a flat foreground of waste land, with here and there stacks of timber, like the huts of a camp of some very miserable tribe; the long stretch of the Handelskade; cold, stone-faced quays, with the snow-sprinkled ground and the hard, frozen water of the canal, in which were set ships one behind another with their frosty mooring-ropes hanging slack and their decks idle and deserted, because… their cargoes were frozen-in up-country on barges and schuyts. In the distance, beyond the waste ground, and running parallel with the line of ships, a line of brown, warm-toned houses seemed bowed under snow-laden roofs. From afar at the end of Tsar Peter Straat, issued in the frosty air the tinkle of bells of the horse tramcars, appearing and disappearing in the opening between the buildings, like little toy carriages harnessed with toy horses and played with by people that appeared no bigger than children.”

Joseph Conrad book The Mirror of the Sea

On Amsterdam, Ch. 14
The Mirror of the Sea (1906)

Children, People, Water, Appearance

“The climate-change deniers are rapidly ending up with as much intellectual credibility as creationists and Flat Earthers… They are denying the reality of a force that — unless we change the way we live pretty fast — will kill millions.”

Johann Hari (1979) British journalist

The shame of the climate change deniers, JohannHari.com, April 24, 2005, 2007-01-26 http://www.johannhari.com/archive/article.php?id=606,

Way, Reality, Change

“My views are more akin to the nineteenth-century liberal philosophy espoused by Milton Friedman, especially in his Capitalism and Freedom. In that work, he proposed many policies that are harmonious with free markets and are receiving serious attention in the United States and other countries. This list includes school choice, the flat-rate income tax, rules for monetary stability, privatized social security, and the elimination of affirmative-action programs.”

Robert Barro (1944) American classical macroeconomist

Getting It Right (1997); Introduction

School, Freedom, Country

“I knew I was destined for London, so I came to live with my nan in her council flat. It was the summer after my A-levels. Got a job in Willesden cemetery. I was getting a man’s wage, filling in graves. Stood around while they did the last rites. Cut the grass. A lot of the time I’d just sit on the gravestones and read and write. Scribbling away.”

Pete Doherty (1979) English musician, writer, actor, poet and artist

The Sunday Times, May 16, 2006
Britain

Grass, Time, Reading, Summer

“When God made the world he made the big plain just for the cavalry. It was firm, or would be when the sun had dried off the night's rain, and it was mostly level. The sabres could fall like scythes in the corn. The Arapiles, Greater and Lesser, God made for the gunners. From their summits, conveniently made flat so that the artillery could have a stable platform, the guns could dominate the plain. God had made nothing for the infantry, except a soil easily dug into graves, but the infantry were used to that.”

Bernard Cornwell (1944) British writer

Narrator, p. 234
Sharpe (Novel Series), Sharpe's Sword (1983)

God, World, Sun, Night

“You see some classes of the human family that are black, uncouth, uncomely, disagreeable and low in their habits, wild, and seemingly deprived of nearly all the blessings of the intelligence that is generally bestowed upon mankind…. Cain slew his brother. Cain might have been killed, and that would have put a termination to that line of human beings. This was not to be, and the Lord put a mark upon him, which is the flat nose and black skin.”

Brigham Young (1801–1877) Latter Day Saint movement leader

Journal of Discourses, vol. 7, 1863, p. 290.
1860s

Family, Intelligence

“A question: when is a bed not a bed? When it is angled lie-flat. My back hurts, my legs ache and my clothes are all rumpled - and all because the airline, which claimed to have a bed, actually offered up a torture machine which I prefer to call a slide.”

Richard Quest (1962) English television journalist

Tuesday, August 21, 2007 His blog for CNN http://edition.cnn.com/TRAVEL/blogs/richard.quest/

Lie, Question, Hurt, Clothes

“The hour of death waits for no order. Death does not even come from the front. It is ever pressing on from behind. All men know of death, but they do not expect it of a sudden, and it comes upon them unawares. So, though the dry flats extend far out, soon the tide comes and floods the beach.”

Yoshida Kenkō (1283–1350) japanese writer

155b
Tsurezure-Gusa (Essays in Idleness)

Death, Men, Waiting

“Defiling their shadows, infidels, accursed of Allah, with fingernails that are foot-long daggers, with mouths agape like cauldrons full of teeth on the boil, with eyes all fire, shaitans possessed of Iblis, clanking into their wars all linked, like slaves, with iron chains. Murad Bey, the huge, the single-blowed ox-beheader, saw without too much surprise mild-looking pale men dressed in blue, holding guns, drawn up in squares six deep as though in some massed dance depictive of orchard walls. At the corners of the squares were heavy giins and gunners. There did not seem to be many horsemen. Murad said a prayer within, raised his scimitar to heaven and yelled a fierce and holy word. The word was taken up, many thousandfold, and in a kind of gloved thunder the Mamelukes threw themselves on to the infidel right and nearly broke it. But the squares healed themselves at once, and the cavalry of the faithful crashed in three avenging prongs along the fire-spitting avenues between the walls. A great gun uttered earthquake language at them from within a square, and, rearing and cursing the curses of the archangels of Islam on to the uncircumcized, they wheeled and swung towards their protective village of Embabeh. There they encountered certain of the blue-clad infidel horde on the flat roofs of the houses, coughing musket-fire at them. But then disaster sang along their lines from the rear as shell after shell crunched and the Mamelukes roared in panic and burden to the screams of their terrified mounts, to whose ears these noises were new. Their rear dissolving, their retreat cut off, most sought the only way, that of the river. They plunged in, horseless, seeking to swim across to join the inactive horde of Ibrahim, waiting for. action that could now never come. Murad Bey, with such of his horsemen as were left, yelped off inland to Gizeh.”

Anthony Burgess (1917–1993) English writer

Fiction, Napoleon Symphony (1974)

Men, War, Faith, Way

“The great argument made by Cosmas to show that the earth must be flat, was the fact that the Bible stated that when Christ should come the second time, in glory, the whole world should see him. “Now,” said Cosmas, “if the world is round, how could the people on the other side see the Lord when he comes?” This settled the question.”

Robert G. Ingersoll (1833–1899) Union United States Army officer

My Reviewers Reviewed (lecture from June 27, 1877, San Francisco, CA)

People, World, Question, Time

“Despite the awfulness of what was happening, the backdrop was a scene of beauty: a clear sky, a bright moon, clearly visible stars, flat undisturbed water, and an immense liner blazing with pinholes of light.”

Steve Turner (1949) British writer

Source: The Band That Played On (Thomas Nelson, 2011), p. 142

Beauty, Star, Light, Water

“In televisionland we are all sophisticated enough now to realize that every statistic has an equal and opposite statistic somewhere in the universe. It is not a candidate's favorite statistic per se that engages us, but the assurance with which he can use it.
We are testing the candidates for self-confidence, for "Presidentiality" in statistical bombardment. It doesn't really matter if their statistics be homemade. What settles the business is the cool with which they are dropped.
And so, as the second half hour treads the decimaled path toward the third hour, we become aware of being locked in a tacit conspiracy with the candidates. We know their statistics go to nothing of importance, and they know we know, and we know they know we know.
There is total but unspoken agreement that the "debate," the arguments which are being mustered here, are of only the slightest importance.
As in some primitive ritual, we all agree — candidates and onlookers — to pretend we are involved in a debate, although the real exercise is a test of style and manners. Which of the competitors can better execute the intricate maneuvers prescribed by a largely irrelevant ritual?
This accounts for the curious lack of passion in both performers. Even when Ford accuses Carter of inconsistency, it is done in a flat, emotionless, game-playing style. The delivery has the tuneless ring of an old press release from the Republican National Committee. Just so, when Carter has an opportunity to set pulses pounding by denouncing the Nixon pardon, he dances delicately around the invitation like a maiden skirting a bog.
We judge that both men judge us to be drained of desire for passion in public life, to be looking for Presidents who are cool and noninflammable. They present themselves as passionless technocrats using an English singularly devoid of poetry, metaphor and even coherent forthright declaration.
Caught up in the conspiracy, we watch their coolness with fine technical understanding and, in the final half hour, begin asking each other for technical judgments. How well is Carter exploiting the event to improve our image of him? Is Ford's television manner sufficiently self-confident to make us sense him as "Presidential"?
It is quite extraordinary. Here we are, fully aware that we are being manipulated by image projectionists, yet happily asking ourselves how obligingly we are submitting to the manipulation. It is as though a rat running a maze were more interested in the psychologist's charts on his behavior than in getting the cheese at the goal line.”

Russell Baker (1925–2019) writer and satirst from the United States

"And All of Us So Cool" (p.340)
There's a Country in My Cellar (1990)

Life, Men, Behavior, Exercises

“In the imagination of those who are sensitive to the realities of our era, the earth has become a space ship, and this, perhaps, is the most important single fact of our day. For millennia, the earth in men's minds was flat and illimitable. Today, as a result of exploration, speed, and the explosion of scientific knowledge, earth has become a tiny sphere, closed, limited, crowded, and hurtling through space to unknown destinations. This change in man's image of his home affects his behaviour in many ways, and is likely to affect it much more in the future.”

Kenneth E. Boulding (1910–1993) British-American economist

Kenneth Boulding (1965) Earth as a Spaceship http://earthmind.net/earthmind/docs/boulding-1965.pdf Lecture May 10, 1965, Washington State University, Committee on Spaces Sciences 1960s

Men, Way, Home, Imagination

“I think he Pollock responded to rhythm more than anything else in art. Indeed, perhaps it is not to much to assert that his greatest works are marked by the intensity and violence of his rhythm, modified by an incorruptible respect for the work's flat surface, an art masculine and lyrical and, as in a Celtic dance, measured, despite its original primitive impulse. That he also meant to me, his rhythm…”

Robert Motherwell (1915–1991) American artist

'Jackson Pollock: An Artists' Symposium', in 'ARTnews', Vol. 66, no. 2 April 1967
1960s

Art, Thinking, Dance

“Be very careful of what you allow to infiltrate your consciousness and subconsciousness. When you watch too much television, you'll start to feel inferior from all the commercials hard selling the idea that you're not complete unless you buy their product […] The ad agencies appeal to your fear of not being wanted or loved. It's the same with the local news. They get you to stay tuned with a constant stream of fear tactics […] It's as if our culture is addicted to fear and the flat screen is our drug dealer. Don't allow that crap into your head!”

RuPaul (1960) Actriz de Televisa, dueña y señora de los ejidos cacaoahuateros

Source: Veronica Well You Better Werk! 10 Life Lessons From RuPaul In (Mostly) Gif Form http://madamenoire.com/288751/you-better-werk-10-life-lessons-from-rupaul-in-mostly-gif-form/7/, MadameNoire, 30 July 2013

Love, Fear, Feeling, Idea

“.. it is really beautiful here with that freezing weather. o you should see now the distance, and the fields with their black earth and flat shadows it would strike you, how lovely the sun is shining in the Betuwe.. (translation from original Dutch, Fons Heijnsbroek, 2018)”

Anton Mauve (1838–1888) Dutch painter (1838–1888)

(version in original Dutch / origineel citaat van Anton Mauve, uit zijn brief:) ..het is hier zo mooi met dat vriesende weer. o je moest thans de verschieten eens zien, en die akkers met zijn zwarte aarde en vlakken schaduwen dat zou je frapperen, heerlijk schijnt de zon in de .. in a letter to Willem Maris, 1860's; as cited in 'Zó Hollands - Het Hollandse landschap in de Nederlandse kunst sinds 1850', Antoon Erftemeijer https://www.franshalsmuseum.nl/wp-content/uploads/2017/12/zohollands_eindversie_def_1.pdf; Frans Hals museum | De Hallen, Haarlem 2011, p. 31 1860's

Love, Beauty, Sun, Weather

“Remember that a picture, before being a battle horse, a female nude or some sort of anecdote, is essentially a flat surface covered with colors assembled in a certain order.”

Maurice Denis (1870–1943) French painter

1890 - 1920

Color, Horse

“[JawlenskyPickWerefkin] Yes, we [ Marianne Werefkin and Gabriéle] shared very much the same tastes and ideas, when we lived together in this house (the so-called 'Russian house' in Murnau]. She was extremely perceptive and intelligent, but Jawlensky [living with Marianne Werefkin] didn't always approve her work... Suddenly Jawlensky would pick on some tiny detail of one of Marianne's best and most original pictures and exclaim: 'That patch of color, there, is laid on much too flat and smoothly. It's just like old Riepin' [famous Russian painter Ilya Repin ] and their common former teacher in Russia]. Of course it was nonsense and he was only saying it to annoy her. But Jawlensky really was a devotee of the 'touche de peinture' of the French Fauvists, rather than an innovator, a believer in a new kind of art of the future.”

Gabriele Münter (1877–1962) German painter

Source: Interview by Edouard Roditi (1958), pp. 118-119

Art, Color, Intelligence, Idea

“Since in this view dictatorships generate development while development leads to democracy, the best way to democracy was said to be a circuitous one. Yet common sense would indicate that in order to strengthen democracy we should strengthen democracy, not support dictatorships. And, even if G. B. Shaw warned that "common sense is that which tells us that the world is flat," the lesson of our analysis is that this time it is the best guide. With development, democracy can flourish in poor countries.”

Adam Przeworski (1940) Polish-American academic

Adam Przeworski and Fernando Limongi, "Modernization: Theories and Facts", World Politics (Jan., 1997)

World, Way, Democracy, Support

“Neither Dexter nor I knew the first thing about running a small business. We were entrepreneurs the way Abbott and Costello were watercolorists. And so naturally it came to pass that Pieces of Mind was a hands-down, thumbs-up, flat-out success.”

James K. Morrow (1947) (1947-) science fiction author

Source: The Philosopher's Apprentice (2008), Chapter 8 (p. 170)

Way, Business, Nature, Success

“What makes the Hohokam noteworthy is the development of irrigation works. The earliest… dates from some 2,000 years ago. …They built dams that redirected the flow of water into irrigation canals, some of them… extending for more than twenty-five miles. …They built flat-topped pyramids and ball courts, where they used rubber balls imported from Central America. The Hohokam may also have been the first to use the technique of etching with acid in their remarkable designs on marine shells.”

Peter Farb (1929–1980) American academic and writer

Man's Rise to Civilization (1968)

Water

“The Zebra is striped all over so that the Lion can see him and eat him. Some people say he is striped so that the Lion can not see him. These people believe that the stripes of the Zebra simulate the bars of sunlight falling through the tall jungle grasses and that therefore the Zebra is invisible and that the earth is flat.”

Will Cuppy (1884–1949) American writer

The Zebra
How to Tell Your Friends from the Apes (1931)

People, Grass

“The television screen, so unlike the movie screen, sharply reduced human beings, revealed them as small, trivial, flat, in two banal dimensions, drained of color. Wasn’t there something reassuring about it! — that human beings were in fact merely images of a kind registered in one another’s eyes and brains, phenomena composed of microscopic flickering dots like atoms. They were atoms — nothing more. A quick switch of the dial and they disappeared and who could lament the loss?”

Joyce Carol Oates book You Must Remember This

You Must Remember This (1987), pt. 1, ch. 13

Color, Loss

“It spurs me on. I'm going to get over that, I'm a good songwriter, my kids are happy, the band is great and I've almost sorted out all my debts. At least I've never sold my story. I've had countless offers but I'd rather be in a bedsit council flat than splashed all over Hello! or the tabloids. I really would, I have a responsibility to my band and my children as well. I don't believe in it, I'm never ever tempted.”

Lisa Moorish (1972) British singer

Source: " A life on the edge http://www.theguardian.com/music/2004/aug/20/popandrock8" at The Guardian, 20 August 2004 : On conquering her past.

Happiness, Children

“In time, of course, Paul's day world ceased to be flat, and became a huge ball. At this stage the universe was more like a dumpling than a sandwich. Vaguely Paul still conceived the three levels of existence. The nether night was deep down within the ball of the day world. The starry night was all around it. On the ball were all the countries except Fairyland, which was nowhere.”

Olaf Stapledon book Last Men in London

Source: Last Men in London (1932), Chapter III: The Child Paul

World, Universe, Time, Night

“Engvall pulls his car into a gas station after his tire goes flat.
Attendant: Tire go flat?
Engvall: Nope, I was drivin' along and the other three just swelled right up!
Attendant: Well, the heat'll do that.
Engvall: Here's your sign.”

Bill Engvall (1957) American comedian and actor

Here's Your Sign (1996)
Here's Your Sign

Cars

“As far as I am concerned, I learned this technique [the use of flat areas, painted in bright color - sometimes in contrasting juxtaposition, sometimes like pieces of colored glass in heavy dark outlines] from Kandinsky and, at the same time, from the glass paintings of the Bavarian peasants of the Murneau area, who had painted for centuries in this style.”

Gabriele Münter (1877–1962) German painter

Source: Interview by Edouard Roditi (1958), p. 117

Color, Learning, Time, Painting

“Today, the global warming alarmists are the equivalent of the flat-Earthers. It used to be [that] it is accepted scientific wisdom the Earth is flat, and this heretic named Galileo was branded a denier.”

Ted Cruz (1970) American politician

Interview with the Texas Tribune https://www.washingtonpost.com/news/the-fix/wp/2015/03/25/ted-cruz-compares-climate-change-activists-to-flat-earthers-where-to-begin/, Washington Post (March 24, 2015) 2010s

Wisdom

“Europeans are not having children for lots of reasons. A static and fossilized economy without much growth gives little hope to a 20-something European that he or she can get a good job, buy a home, have three children, and provide for those offspring lives with unlimited choices. Instead, the young European bides his time, satisfying his appetites, as a perpetual adolescent who lives in his parents’ flat, seeks to milk the system, and waits for someone to die at the tribal government bureau. After a lost decade, one hopes to hook up with some like soul in her or his late thirties.”

Victor Davis Hanson (1953) American military historian, essayist, university professor

2010s, Europe at the Edge of the Abyss (2016)

Children, Hope, Home, Soul

“Sometimes captured from the great arboreal freedom of their jungle homes, monkeys are closely confined in cages only three or four feet square. … They can never sit or lie down on a flat, soft or yielding surface. Little wonder that by the time they are needed for the knife or the needle they are so crazed or inert that they are no longer representative examples of animal life. Psychologists who study the behaviour of thousands of such creatures annually, rarely make allowances for the fact that their pathetic subjects have been so deprived that they have become more like monsters than animals. Many people who have experienced close affectionate relationships with individuals of other species testify to the considerable potential for emotional and intellectual development that animals have. When properly cared for a pet dog or cat can develop great subtleties of behaviour that the laboratory animal never shows. Those who have been fortunate enough to closely observe unfrightened animals living in the wild are often struck by the complexity and richness of the life they lead. These positive pleasures the laboratory animal never knows; for him the same four white walls and the smell of disinfectant.”

Richard D. Ryder (1940) British psychologist

Experiments on Animals (1971)

Life, People, Pleasure, Lie

Quotes about flat page 3

Quotes about flat
page 3