Quotes about flat
page 4

Bill Maher photo

“I have always been concerned with painting that simultaneously insists on a flat surface and then denies it.”

Helen Frankenthaler (1928–2011) American artist

Quote from 'The collection', MOMA, online 1 http://www.moma.org/collection/object.php?object_id=80139
1990s - 2000s

Caitlín R. Kiernan photo
Anita Dunn photo

“It was so flat, you know, you could see the curves of the earth. And when a train came into vision at nine o'clock in the morning, it was still leaving at noon.... it took that long to get across the prairie.”

Agnes Martin (1912–2004) American artist

In Mary Lance's intimate documentary 'With My Back to the World' (2002)
Martin's quote about the landscape of her youth in Macklin, Saskatchewan, where her parents Malcolm and Margaret Martin farmed the vast, sometimes hard land
after 2000

Thae Yong-ho photo

“I often was asked questions by my British friends which caught me flat footed. Trying to justify the North Korean system when, deep down, I knew their concerns were fair and legitimate.”

Thae Yong-ho (1961) former North Korean diplomat who defected to South Korea

Remarks to the U.S. Congress (November 2017)

Anthony Burgess photo
Samuel Beckett photo
Erwin Schrödinger photo

“Thus you can throw yourself flat on the ground, stretched out upon Mother Earth, with certain conviction that you are one with her and she with you … For eternally and always there is only now, one and the same now; the present is the only thing that has no end.”

Erwin Schrödinger (1887–1961) Austrian physicist

"The Mystic Vision" as translated in Quantum Questions: Mystical Writings of the World's Great Physicists (1984) edited by Ken Wilber
Context: It is not possible that this unity of knowledge, feeling and choice which you call your own should have sprung into being from nothingness at a given moment not so long ago; rather this knowledge, feeling, and choice are essentially eternal and unchangeable and numerically one in all men, nay in all sensitive beings. But not in this sense — that you are a part, a piece, of an eternal, infinite being, an aspect or modification of it... For we should then have the same baffling question: which part, which aspect are you? what, objectively, differentiates it from the others? No, but, inconceiveable as it seems to ordinary reason, you — and all other conscious beings as such — are all in all. Hence, this life of yours... is, in a certain sense, the whole... This, as we know, is what the Brahmins express in that sacred, mystic formula... 'Tat tvam asi' — this is you. Or, again, in such words as 'I am in the east and in the west, I am below and above, I am this whole world.'
Thus you can throw yourself flat on the ground, stretched out upon Mother Earth, with certain conviction that you are one with her and she with you … For eternally and always there is only now, one and the same now; the present is the only thing that has no end.

Robert Anton Wilson photo

“The more rabid anti-Masons, of course, dismiss such testimony as flat lies.”

Robert Anton Wilson (1932–2007) American author and polymath

Freemasonry, p. 187; in the final sentence here, inimitable perhaps should be "inimicable"
Everything Is Under Control (1998)
Context: Many tribal peoples have both all-male and all-female secret societies, which help maintain the cultural values or reality tunnel. Freemasonry is certainly the largest, and probably the oldest, and still the most controversial of the all-male secret societies surviving in our world. No two scholars can even agree on how old it is, much less on how "good" or "evil" it is. … Although Masonry is often denounced as either a political or religious "conspiracy", Freemasons are forbidden to discuss either politics or religion within the lodge. Gary Dryfoos of the Massachusetts Institute of technology, who maintains the best Masonic site on the web http://web.mit.edu/dryfoo/Masonry/, always stresses these points and also offers personal testimony that after many years as a Mason, including high ranks, he has not yet been asked to engage in pagan or Satanic rituals or plot for any reason for or against any political party. The more rabid anti-Masons, of course, dismiss such testimony as flat lies.
The enemies of Masonry, who are usually Roman Catholics or Fundamentalist Protestants, insist that the rites of the order contain "pagan" elements, e. g., the Yule festival, the Spring Solstice festival, the dead-and-resurrected martyr (Jesus, allegedly historical, to Christians; Hiram, admittedly allegorical, to Masons). All these and many other elements in Christianity and Masonry have a long prehistory in paganism, as documented in the 12 volumes of Sir James George Frazer's Golden Bough.
The major offense of Masonry to orthodox churches is that it, like our First Amendment, encourages equal tolerance for all religions, and this tends, somewhat, to lessen dogmatic allegiance to any one religion. Those who insist you must accept their dogma fervently and renounce all others as devilish errors, correctly see this Masonic tendency as inimitable [sic] — to their faith.

George William Curtis photo

“Abraham Lincoln, President of the United States, walked through the streets of Richmond and respectfully lifted his hat to the men who blacked Louis Wigfall's boots and curried his horse. What did it mean? It meant that the truest American president we have ever had, the companion of Washington in our love and honor, recognized that the poorest man, however outraged, however ignorant, however despised, however black, was, as a man, his equal. The child of the American people was their most prophetic man, because, whether as small shop-keeper, as flat-boatman, as volunteer captain, as honest lawyer, as defender of the Declaration, as President of the United States, he knew by the profoundest instinct and the widest experience and reflection, that in the most vital faith of this country it is just as honorable for an honest man to curry a horse and black a boot as it is to raise cotton or corn, to sell molasses or cloth, to practice medicine or law, to gamble in stocks or speculate in petroleum. He knew the European doctrine that the king makes the gentleman; but he believed with his whole soul the doctrine, the American doctrine, that worth makes the man”

George William Curtis (1824–1892) American writer

1860s, The Good Fight (1865)
Context: In January 1865, Louis Wigfall, one of the rebel chiefs, said, in Richmond, 'Sir, I wish to live in no country where the man who blacks my boots or curries my horse is my equal'. Three months afterwards, when the rebel was skulking away to Mexico, Abraham Lincoln, President of the United States, walked through the streets of Richmond and respectfully lifted his hat to the men who blacked Louis Wigfall's boots and curried his horse. What did it mean? It meant that the truest American president we have ever had, the companion of Washington in our love and honor, recognized that the poorest man, however outraged, however ignorant, however despised, however black, was, as a man, his equal. The child of the American people was their most prophetic man, because, whether as small shop-keeper, as flat-boatman, as volunteer captain, as honest lawyer, as defender of the Declaration, as President of the United States, he knew by the profoundest instinct and the widest experience and reflection, that in the most vital faith of this country it is just as honorable for an honest man to curry a horse and black a boot as it is to raise cotton or corn, to sell molasses or cloth, to practice medicine or law, to gamble in stocks or speculate in petroleum. He knew the European doctrine that the king makes the gentleman; but he believed with his whole soul the doctrine, the American doctrine, that worth makes the man. He stood with his hand on the helm, and saw the rebel colors of caste flying in the storm of war. He heard the haughty shout of rebellion to the American principle rising above the gale, 'Capital ought to own labor and the laborer, and a few men should monopolize political power'. He heard the cracked and quavering voice of medieval Europe in which that rebel craft was equipped and launched, speaking by the tongue of Alexander Stephens, 'We build on the comer-stone of slavery'. Then calmly waiting until the wildest fury of the gale, the living America, which is our country, mistress of our souls, by the lips of Abraham Lincoln thundered jubilantly back to the dead Europe of the past, 'And we build upon fair play for every man, equality before the laws, and God for us all'.

Aristotle photo
Clive Staples Lewis photo

“There is no spiritual sustenance in flat equality. It is a dim recognition of this fact which makes much of our political propaganda sound so thin.”

Clive Staples Lewis (1898–1963) Christian apologist, novelist, and Medievalist

Equality (1943)
Context: There is no spiritual sustenance in flat equality. It is a dim recognition of this fact which makes much of our political propaganda sound so thin. We are trying to be enraptured by something which is merely the negative condition of the good life. That is why the imagination of people is so easily captured by appeals to the craving for inequality, whether in a romantic form of films about loyal courtiers or in the brutal form of Nazi ideology. The tempter always works on some real weakness in our own system of values — offers food to some need which we have starved.

Wallace Stevens photo

“There are no shadows anywhere.
The earth, for us, is flat and bare.
There are no shadows.”

Wallace Stevens (1879–1955) American poet

The Man With the Blue Guitar (1937)
Context: Do not speak to us of the greatness of poetry,
Of the torches wisping in the underground,
Of the structure of vaults upon a point of light.
There are no shadows in our sun,
Day is desire and night is sleep.
There are no shadows anywhere.
The earth, for us, is flat and bare.
There are no shadows.

Karl Jaspers photo

“It may stamp all flat; it is disinclined to tolerate independence and greatness, but prone to constrain people to become as automatic as ants.”

Karl Jaspers (1883–1969) German psychiatrist and philosopher

Man in the Modern Age (1933)
Context: The masses are our masters; and for every one who looks facts in the face his existence has become dependent on them, so that the thought of them must control his doings, his cares, and his duties.
Even an articulated mass always tends to become unspiritual and inhuman. It is life without existence, superstitions without faith. It may stamp all flat; it is disinclined to tolerate independence and greatness, but prone to constrain people to become as automatic as ants.<!-- p. 43

Doris Lessing photo

“You want me to begin a novel with The two women were alone in the London flat?”

Anna Wulf, in "The Golden Notebook"
The Golden Notebook (1962)

Robert G. Ingersoll photo

“They will find that “flat” meant “a little rounding;” that “six days” meant “six long times;” that the word “flood” should have been translated “dampness,” “dew,” or “threatened rain…””

Robert G. Ingersoll (1833–1899) Union United States Army officer

"The Brooklyn Divines." Brooklyn Union (Brooklyn, NY), 1883.
Context: They will find new readings for old texts. They will re-punctuate and re-parse the Old Testament. They will find that “flat” meant “a little rounding;” that “six days” meant “six long times;” that the word “flood” should have been translated “dampness,” “dew,” or “threatened rain...”

Ann Coulter photo

“They flat-out lie, with no higher power to constrain them, because they are gods.”

Ann Coulter (1961) author, political commentator

2003, Treason : Liberal Treachery from the Cold War to the War on Terrorism (2003)
Context: Conservatives believe man was created in God's image, while liberals believe they are gods. All of the behavioral tics of the liberals proceed from their godless belief that they can murder the unborn because they, the liberals, are themselves gods. They try to forcibly create "equality" through affirmative action and wealth redistribution because they are gods. They flat-out lie, with no higher power to constrain them, because they are gods. They adore pornography and the mechanization of sex because man is just an animal, and they are gods. They revere the U. N. and not the U. S. because they aren't Americans — they are gods.

Abraham Joshua Heschel photo

“There are many creeds but only one faith. Creeds may change, develop, and grow flat, while the substance of faith remains the same in all ages.”

Abraham Joshua Heschel (1907–1972) Polish-American Conservative Judaism Rabbi

"The Holy Dimension", p. 335 - 336
Moral Grandeur and Spiritual Audacity: Essays (1997)
Context: There are many creeds but only one faith. Creeds may change, develop, and grow flat, while the substance of faith remains the same in all ages. The overgrowth of creed may bring about the disintegration of that substance. The proper relation is a minimum of creed and a maximum of faith.

Thomas Gainsborough photo

“I am much obliged to you for your last letter, and the lessons reed, before. I think I now begin to see a little into the nature of modulation and the introduction of flats and sharps ; and when we meet you shall hear me play extempore..”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

his friend William Jackson of Exeter was composer and organist
letter to his friend William Jackson of Exeter, from Bath, 4 June 1768; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 385 (Appendix A - Letter VIII)
1760s

Carolina de Robertis photo

“We do our characters a disservice by allowing them to be flat. Our role as novelists is to do our best to portray the nuance of a whole range of life experiences. It’s one of the things that fiction is uniquely positioned to do, to bring the reader into the interior life of people’s experiences that are wildly different than our own…”

Carolina de Robertis (1975) American writer

On creating rounded characters in “A Conversation with Carolina De Robertis on Immigration, Sexuality, and the True Origins of the Tango” https://lareviewofbooks.org/article/conversation-carolina-de-robertis-immigration-sexuality-true-origins-tango/ in Los Angeles Review of Books (2016 Apr 20)

Ernest Becker photo
Victor Villaseñor photo
Man Ray photo
Joyce Carol Oates photo

“The television screen, so unlike the movie screen, sharply reduced human beings, revealed them as small, trivial, flat, in two banal dimensions, drained of color. Wasn’t there something reassuring about it!”

that human beings were in fact merely images of a kind registered in one another’s eyes and brains, phenomena composed of microscopic flickering dots like atoms. They were atoms — nothing more. A quick switch of the dial and they disappeared and who could lament the loss?
You Must Remember This (1987), pt. 1, ch. 13

Dylan Moran photo
Alex Miller photo

“The merging of different motif areas in her drawings and the transformation of spacial relationships into flat correspondences gathers towards a distortion of depicted reality and the dissolution of its phenomenal form.”

I didn't try to reach the sense of this. I understood the point of it was to transpose the locus of authority from the works to the discussion of the works. The writer had assumed the role of validating authority for the images he discussed. In order to do this he had been required to transform what he saw with his eyes into ideologies that he could 'see' with his intellect.
Page 18.
The Ancestor Game (1992)

Gilles Villeneuve photo

“He also never drove anywhere at anything less than an absolutely flat-out pace, be it on the road or the track…”

Gilles Villeneuve (1950–1982) Canadian racecar driver

Harvey Postlethwaite - Henry, pg. 25

Teal Swan photo
Tanith Lee photo

“Flat or round, there has always been hate in the world.”

Book 3 “The World’s Lure”, Chapter 5 “A Ship with Wings” (p. 167)
Tales from the Flat Earth, Night’s Master (1978)

Alexander Calder photo
William Blum photo
Stephen Vincent Benét photo
Mwanandeke Kindembo photo
Henry Miller photo

“The illusionary nature of a two dimensional work of art can sometimes frustrate my creative process. I overcome this by stepping out of the flat illusion into the three dimensional and create sculptures of wood and bronze.”

Tomasz Vetulani (1965) Polish artist

Vetulani.nl (The website of Tomasz Vetulani) https://web.archive.org/web/20220505122011/https://www.vetulani.nl/sculptures, archived from the original https://www.vetulani.nl/sculptures (accessed on May 5th, 2022)