Quotes about flat
page 2

“He is the last of that old guard defending Cattle Land,
Those knights who jousted for the cause — blood brothers of the brand;
But now they’ve fenced the water-hole, they’re harrowing the plain,
They’re changing all the sagebrush flats to fields of waving grain;
The cowmen will be gone, they say, and there are no recruits —
Good-bye, brave cattle-puncher in the high-heeled boots!”

Arthur Chapman (poet) (1873–1935) American poet and newspaper columnist

The High-Heeled Boots http://www.cowboypoetry.com/ac.htm#HIGH, st. 3. Out Where the West Begins and Other Western Verses http://www.cowboypoetry.com/ac.htm#outbk (1917)

Water, Change

“No.3 Commando was very anxious to be chums with Lord Glasgow, so they offered to blow up an old tree stump for him and he was very grateful and said don't spoil the plantation of young trees near it because that is the apple of my eye and they said no of course not we can blow a tree down so it falls on a sixpence and Lord Glasgow said goodness you are clever and he asked them all to luncheon for the great explosion.
So Col. Durnford-Slater DSO said to his subaltern, have you put enough explosive in the tree?. Yes, sir, 75lbs. Is that enough? Yes sir I worked it out by mathematics it is exactly right. Well better put a bit more. Very good sir.
And when Col. D Slater DSO had had his port he sent for the subaltern and said subaltern better put a bit more explosive in that tree. I don't want to disappoint Lord Glasgow. Very good sir.
Then they all went out to see the explosion and Col. DS DSO said you will see that tree fall flat at just the angle where it will hurt no young trees and Lord Glasgow said goodness you are clever.
So soon they lit the fuse and waited for the explosion and presently the tree, instead of falling quietly sideways, rose 50 feet into the air taking with it ½ acre of soil and the whole young plantation.
And the subaltern said Sir, I made a mistake, it should have been 7½ not 75. Lord Glasgow was so upset he walked in dead silence back to his castle and when they came to the turn of the drive in sight of his castle what should they find but that every pane of glass in the building was broken.
So Lord Glasgow gave a little cry and ran to hide his emotions in the lavatory and there when he pulled the plug the entire ceiling, loosened by the explosion, fell on his head.
This is quite true.”

Evelyn Waugh (1903–1966) British writer

Letter to his wife (31 May 1942)

Disappointment, Mathematics, Tree, Silence

“We'll put aside a little time to fix a flat or 2,
my tires and tubes are doing fine but the air is showing through”

Hank Williams (1923–1953) American country music singer

"Settin' the Woods on Fire" (1952)
Lyrics

Time

“Christ doth not love believers with a low, flat, dull, common love, with such a love as most men love one another with, but with a love that is like himself. Now, men will give as they love: 1 Sam. 1:4, 5, ‘And Elkanah gave to Peninnah his wife, and to all his sons and daughters, portions, but unto Hannah he gave a worthy portion, for he loved her.’ In the Hebrew it is, ‘he gave her a gift of the face;’ that is, a great, an honourable gift. Men look upon great and honourable gifts with a sweet and cheerful countenance; so the gifts that Jesus Christ gives to believers are the gifts of the face, that is, they are the greatest gifts, the honourablest gifts, the choicest gifts, gifts fit for none but a king to give.”

Thomas Brooks (1608–1680) English Puritan

A Cabinet of Jewels

Love, Men, Christ, Daughters

“In my constituency there were a large number of privately rented flats and rooms occupied mostly by low-paid single people or by low-paid or unemployed families. Now those people are being persuaded—I use the word advisedly—to leave those places so that they can be converted into up-market flats or second or city homes for the wealthy. Those tenants are literally forced on to the street and come under the care of the local authority, if the local authority can provide anything. There is a great increase in homelessness, but there is no increase in the number of homes available at cheap rents. Decontrol has forced those people on to the streets and caused homelessness. It is the enemy of good housing and working-class people. We need much more money spent on local authority and social ownership schemes to provide cheap rented houses for the people who need them, not for the yuppies that the Conservative party wants to bring into central London.”

Jeremy Corbyn (1949) British Labour Party politician

Speech http://hansard.millbanksystems.com/commons/1987/mar/03/local-government-bill in the House of Commons (3 March 1987). 1980s

Money, People, Family, Home

“In short, the root-head turns the crab into a Darwinian cipher, a feeding machine working entirely in the parasite's service. The castrated crab can make no contribution to its own evolutionary history; its "Darwinian fitness" has become flat zero. …But ever so carefully, for the parasite must maintain the crab in constant and perfect servitude - not draining the host enough to kill this golden goose, but not letting the crab do anything for its own Darwinian benefit.”

Stephen Jay Gould book Leonardo's Mountain of Clams and the Diet of Worms

Triumph of the Root-Heads, p. 369
Leonardo's Mountain of Clams and the Diet of Worms (1998)

History, Perfection

“It was amazing how these events lost their impact, translated through the flat gaze of a video screen.”

Robert Charles Wilson book Memory Wire

Source: Memory Wire (1987), Chapter 4 (p. 33)

“Relative knowledge pertains to the mind and not to the Self. It is therefore illusory and not permanent. Take a scientist, for instance. He formulates a theory that the Earth is round and goes on to prove it on an incontrovertible basis. When he falls asleep the whole idea vanishes; his mind is left a blank. What does it matter whether the world remains round or flat when he is asleep? So you see the futility of all such relative knowledge. One should go beyond relative knowledge and abide in the Self. Real knowledge is such experience, and not apprehension by the mind.”

Ramana Maharshi (1879–1950) Indian religious leader

Abide as the Self

World, Idea, Knowledge

“Man's secret horror of his foot is one of the explanations for the tendency to conceal its length and form as much as possible. Heels of greater or lesser height, depending on the sex, distract from the foot's low and flat character. Besides the uneasiness is often confused with a sexual uneasiness; this is especially striking among the Chinese who, after having atrophied the feet of women, situate them at the most excessive point of deviance. The husband himself must not see the nude feet of his wife, and it is incorrect and immoral in general to look at the feet of women. Catholic confessors, adapting themselves to this aberration, ask their Chinese penitents "if they have not looked at women's feet.
The same aberration is found among the Turks (Volga Turks, Turks of Central Asia), who consider it immortal to show their nude feet and whoe ven go to bed in stockings.
Nothing similar can be cited from classical antiquity (apart from the use of very high soles in tragedies). The most prudish Roman matrons constantly allowed their nude toes to be seen. On the other hand, modesty concerning feet developed excessively in the modern ea and only started to disappear in the nineteenth century. M. Salomon Reinarch has studied this development in detail in the article entitled Pieds pudiques [Modest Feet], insisting on the role of Spain, where women's feet have been the object of most dreaded anxiety and thus were the cause of crimes. The simple fact of allowing the shod foot to be seen, jutting up from under a skirt, was regarded as indecent. Under no circumstances was it possible to touch the foot of a woman.”

Georges Bataille (1897–1962) French intellectual and literary figure

Source: Visions of Excess: Selected Writings 1927-1939, p.21-22

Women, Secret, Sex, Study

“My entrance into the field of abstract art came about as the result of a visit to the studio of Piet Mondrian in Paris in 1930.
I was particularly impressed by some rectangles of color he had tacked on his wall in a pattern after his nature.
I told him I would like to make them [Mondrian's flat painting] oscillate, he objected. I went home and tried to paint abstractly - but in two weeks I was back again among plastic materials.
I think that at that time and practically ever since, the underlying sense of form in my work has been the system of the Universe, or part thereof. For that is a rather large model to work from.”

Alexander Calder (1898–1976) American artist

Quote (1951), in 'What Abstract Art Means to Me' http://www.jstor.org/stable/4058250, George L. K. Morris, Willem De Kooning, Alexander Calder, Fritz Glarner, Robert Motherwell, Stuart Davis; as cited in the The Bulletin of the Museum of Modern Art, Vol. 18, No. 3, (Spring, 1951), pp. 2-15 1950s - 1960s

Art, Color, Home, Nature

“The sixth grade seemed to please him from the beginning: he went through a brief Egyptian Period that baffled me — he tried to walk flat a great deal, sticking one arm in front of him and one in back of him, putting one foot behind the other. He declared Egyptians walked that way; I said if they did I didn't see how they got anything done, but Jem said they accomplished more than the Americans ever did, they invented toilet paper and perpetual embalming, and asked where would we be today if they hadn't? Atticus told me to delete the adjectives and I'd have the facts.”

Harper Lee book To Kill a Mockingbird

Pt. 1, ch. 7
Jean Louise (Scout) Finch
To Kill a Mockingbird (1962)

Way

“An instinctive taste teaches men to build their churches in flat countries, with spire steeples, which, as they cannot be referred to any other object, point as with silent finger to the sky and star.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

The Friend, No. 14
Bartlett's Familiar Quotations, 10th ed. (1919)

Men, Star, Country

“For years I have lived in the flats, rooms and garrets of this city, the drawers in the human filing-cabinets that stand in blank rows down the streets of Kensington and Notting Hill. Yet when I talk of home I think of that damp green valley near Stroud where I was brought up. The boys I went to school with have long since grown and fattened, got married and gone bald, and they would probably have to give me a very long look before they recognized me if I turned up there again. But that is my home, and the image of it the day I left it is still more real to me than long years in this crowded capital city.”

Laurie Lee (1914–1997) British writer

An Obstinate Exile, p. 43.
I Can't Stay Long (1975)

School, Home, Boy, Thinking

“A perfectly flat roof permits up to 50 percent more heat gain that a pitched roof… This illustrates the failure of the flat-roof construction to get natural, hot air flow out from under the eaves.”

Ken Kern American writer

The Owner Built Home: A How-to-do-it Book (1972)

Failure, Nature

“Roaming through the jungle of "oohs" and "ahs," searching for a more agreeable noise, I live a life of primitivity with the mind of a child and an unquenchable thirst for sharps and flats.”

Duke Ellington (1899–1974) American jazz musician, composer and band leader

Music Is My Mistress (1973).

Life, Search

“To illustrate the point of legitimacy-beyond-legality, consider the American Nazi party, the Flat Earth Society, and Hustler magazine. All three are quite legal, but they lack legitimacy. We acquiesce in their presence as the price we pay for living in a free society; but we refuse to take them seriously as "legitimate" expressions of political action, scientific inquiry or literary endeavor.”

John Rohr (1934–2011) American political scientist

Source: To run a constitution, 1986, p. x

“Every land in South Africa should be expropriated without compensation and it will be under the state. The state should be the custodian of the land. … No one is going to lose his or her house, no one is going to lose his or her flat, no one is going to lose his or her factory or industry. All we are saying is they will not have the ownership of the land.”

Julius Malema (1981) South African political activist

On 27 February 2018 to journalists outside the National Assembly, Cape Town, as quoted by Nic Andersen, “No one will lose their house or factory” – Malema clarifies land expropriation https://www.thesouthafrican.com/no-one-will-lose-house-malema-land-expropriation/, The South African (28 February 2018)

Housing

“Android continues to stomp its competition flat. Even the post-Jobs Apple can't stem the tide; it's pretty close to the 10% niche market share I predicted back in 2009 already, with no sign that trend will or can be reversed.”

Eric S. Raymond (1957) American computer programmer, author, and advocate for the open source movement

The Smartphone Wars: Nokia gives it up for Microsoft http://esr.ibiblio.org/?p=5039 in Armed and Dangerous (3 September 2013)

“Do you like to see what can be transformed from a flat, elementary rural scene - bearing the stamp of nature, the mark of truth - into something most beautiful and graceful? Look at the works of our great [painter] Schelfhout. There you will find represented plain nature at the most elegant, but moreover with a faithfulness and truth, which only Schelfhout can represent.”

Barend Cornelis Koekkoek (1803–1862) painter from the Northern Netherlands

(original Dutch, citaat van B.C. Koekkoek:) Wilt gij zien wat er van een vlak, eenvoudig landelijk tafereel, als hetzelve den stempel der natuur, het merk der waarheid draagt, schoons en bevalligs kan gemaakt worden? Beschouwt dan de werken van onze grooten Schelfhout. Daarin zult gij de eenvoudige natuur op het sierlijkst, maar tevens met eene getrouwheid en waarheid, wat alleen een Schelfhout vermag, voorgesteld vinden.
Source: Herinneringen aan en Mededeelingen van…' (1841), p. 243

Truth, Faith, Beauty, Nature

“The icing on the cake is where I had to take second fiddle to Yaxeni Oriquen Garcia 2005 Ms Olympia that was a big stab in the back at the time we were instructed to reduce 20% in the muscularity round.. I normally compete at 160-162 that year being the embassador of the sport I must lead by example, which I did. I competed at 155lbs still same conditioning, shape etc…. Lord behold second fiddle to Yaxeni.. It looked as if Yaxeni had did the opposite of what the current ruling stated and she was being rewarded.. Come on we have two different body types! I have a small tapered waist line, fine detail flowing through out my body, nice harmony and she's displaying nothing but BIG. When someone refers to Yaxeni body they say she's a big girl.. She has great confidence about herself on stage, which is an EXCELLENT tool and having that can always gain you a few points, but to flat out win is RIDICULOUS and not possible… Anyhow, Yaxeni was more surprised then I when hearing her name announced victoriously. And believe it or not annoucing the winner that year was Lenda Murray, so she was probably soaking up every second of me losing as a mild way of payback. I was always told when going after the champ you have to completely knock the champ "OUT."”

Iris Kyle (1974) American bodybuilder

Anything close should not cause you a win.
2012-02-05
An Exclusive Interview With the Ms. Olympia Champion Iris Kyle
RX Muscle
Internet
http://www.rxmuscle.com/rx-girl-articles/female-bodybuilding/4986-an-exclusive-interview-with-the-ms-olympia-champion-iris-kyle.html
Sourced quotes, 2012

Way, Confidence, Girl, Sport

“The alien stood in shadow and he looked, Enoch thought, more than ever like the cruel clown. His lithe, flowing body had the look of smoked, tanned buckskin. The patchwork color of his hide seemed to shine with a faint luminescence and the sharp, hard angles of his face, the smooth baldness of his head, the flat, pointed ears pasted tight against the skull lent him a vicious fearsomeness.
If one did not know him for the gentle character that he was, Enoch told himself, he would be enough to scare a man out of seven years of growth.”

Clifford D. Simak book Way Station

Source: Way Station (1963), Ch. 19

Color, Past

“In the dark ages before the invention of the electronic vacuum tube there were many legends of living statues and magic pictures. One of the commonest devices of sorcerers and witches was the model of an enemy which somehow embodied his soul, so that injury to the model would be reflected by suffering or death of the original… Idolatry, witchcraft and other superstitions are so deeply rooted and widespread that it is possible that even the most detached scientific activity may be psychologically equivalent to them; such activity may help to satisfy the desire for power, to assuage the fear of the unknown or to compensate for the flatness of everyday existence.”

William Grey Walter (1910–1977) American-born British neuroscientist and roboticist

Source: An imitation of life (1950), p. 42.

Death, Age, Fear, Soul

“I've got no talent. Still sing flat as a table. I'm a sort of human spaniel. People come to see what I'm like. I make them feel, I exhaust them, I destroy them.”

Johnnie Ray (1927–1990) American singer, actor, songwriter and composer

On his audience, quoted in Awopbopaloobop Alopbamboom: The Golden Age of Rock https://books.google.com/books?id=GDqHDAAAQBAJ&pg=PT10&lpg=PT10&dq=johnnie+ray+i%27ve+got+no+talent.+Still+sing+flat+as+a+table.+I%27m+a+sort+of+human+spaniel.+People+come+to+see+what+I%27m+like.+I+make+them+feel,+I+exhaust+them,+I+destroy+them.&source=bl&ots=TA8ZYtZoiO&sig=ghfk2d2wBgArGv8PV2AlqkXAavY&hl=en&sa=X&ved=0ahUKEwjs7dWrpI7UAhUr1oMKHRwCDeMQ6AEIKjAB#v=onepage&q=johnnie%20ray%20i've%20got%20no%20talent.%20Still%20sing%20flat%20as%20a%20table.%20I'm%20a%20sort%20of%20human%20spaniel.%20People%20come%20to%20see%20what%20I'm%20like.%20I%20make%20them%20feel%2C%20I%20exhaust%20them%2C%20I%20destroy%20them.&f=false

People, Feeling, Singing

“It's a bird … it's a plane … no, it's KernelMan, faster than a speeding bullet, to your rescue. Doing new kernel versions in under 5 seconds flat …”

Linus Torvalds (1969) Finnish-American software engineer and hacker

Announcement for Linux 1.3.27, 1995-11-14, Torvalds, Linus, 2017-04-25 http://lkml.iu.edu/hypermail/linux/alpha/9509.1/0006.html, 1990s, 1995-99

Bird, Speed

“Being part of a team that belongs to everyone makes me feel good and at peace with myself. A lot of the time, it's better than sex: it lasts longer and if it all falls flat, it can't just be your fault.”

Andrea Pirlo (1979) Italian footballer

Ibid [p. 37]

Peace, Sex, Feeling, Time

“The film has written and spoken dialogue in twenty-five languages-English, French, Japanese, Mandarin, Cantonese, Vietnamese, Latin, Hebrew, necrotic Egyptian … and it has written calligraphic text on paper, wood, and flesh, on flat and curved surfaces, vertically and horizontally, on both living and dead flesh, in neon, on screens, in projection, as sub-title, inter-title, and sur-title, as High Art and low art, as advertisement and banker's check and registration plate, on photograph, on blackboard, as letter correspondence, as photocopy facsimile, and spoken, chanted, and sung, with and without music … a mocking challenge. You want text? Cinema wants text? Cinema pretends to eschew text? Then we can give you text to mock that smug suggestion that cinema thinks it is pictures.”

Peter Greenaway (1942) British film director

"105 Years of Illustrated Text" in the Zoetrope All-Story, Vol. 5 No. 1.
105 Years of Illustrated Text

Art, Music, Thinking, Dead

“These examples point to the third and most fundamental aspect of the incommensurability of competing paradigms. In a sense that I am unable to explicate further, the proponents of competing paradigms practice their trades in different worlds. One contains constrained bodies that fall slowly, the other pendulums that repeat their motions again and again. In one, solutions are compounds, in the other mixtures. One is embedded in a flat, the other in a curved, matrix of space. Practicing in different worlds, the two groups of scientists see different things when they look from the same point in the same direction. Again, that is not to say that they can see anything they please. Both are looking at the world, and what they look at has not changed. But in some areas they see different things, and they see them in different relations one to the other. That is why a law that cannot even be demonstrated to one group of scientists may occasionally seem intuitively obvious to another.”

Thomas Kuhn book The Structure of Scientific Revolutions

Source: The Structure of Scientific Revolutions (1962), XII. The Resolution of Revolutions, p. 149

World, Law, Sense, Change

“Dotty had
Great Big
Visions of
Quietude.
Dotty saw an
Ad, and it
Left her
Flat.
Dotty had a
Great Big
Snifter of
Cyanide.
And that (said Dotty)
Is that.”

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist

"When We Were Very Sore (Lines on Discovering That You Have Been Advertised as America's A. A. Milne)", first printed in New York World (10 March 1927) p. 15; based on A. A. Milne's "Happiness"
Not Much Fun: The Lost Poems of Dorothy Parker (1996)

“From 'What Happened to Auden'
His later manner leaves your neck-hair flat,
Not standing up as Housman said it should
When poetry has been achieved. For that,
In old age Auden simply grew too good.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

Poems and song lyrics

Age

“I'm flat on the floor, with my head down low, where the sky can't rain on me anymore.”

Carrie Underwood (1983) American country music singer

From Flat on the Floor from the album, Carnival Ride (2007). [Misattributed: performer not credited as writer.]

“The merging of different motif areas in her drawings and the transformation of spacial relationships into flat correspondences gathers towards a distortion of depicted reality and the dissolution of its phenomenal form.' I didn't try to reach the sense of this. I understood the point of it was to transpose the locus of authority from the works to the discussion of the works. The writer had assumed the role of validating authority for the images he discussed. In order to do this he had been required to transform what he saw with his eyes into ideologies that he could 'see' with his intellect.”

Alex Miller book The Ancestor Game

Page 18.
The Ancestor Game (1992)

Reality, Sense, Drawing

“I think present-day reason is an analogue of the flat earth of the medieval period. If you go too far beyond it you're presumed to fall off, into insanity. And people are very much afraid of that. I think this fear of insanity is comparable to the fear people once had of falling off the edge of the world. Or the fear of heretics. There's a very close analogue there.”

Robert M. Pirsig book Zen and the Art of Motorcycle Maintenance

Source: Zen and the Art of Motorcycle Maintenance (1974), Ch. 14

People, World, Fear, Thinking

“So the game plan is not merely to free the income of the wealthiest class to “offshore” itself into assets denominated in harder currencies abroad. It is to scrap the progressive tax system altogether. … How stable can a global situation be where the richest nation does not tax its population, but creates new public debt to hand out to its bankers? … The “solution” to the coming financial crisis in the United States may await the dollar’s plunge as an opportunity for a financial Tonkin Gulf resolution. Such a crisis would help catalyze the tax system’s radical change to a European-style “Steve Forbes” flat tax and VAT sales-excise tax…. More government giveaways will be made to the financial sector in a vain effort to keep bad debts afloat and banks “solvent.” As in Ireland and Latvia, public debt will replace private debt, leaving little remaining for Social Security or indeed for much social spending. … The bottom line is that after the prolonged tax giveaway exacerbates the federal budget deficit – along with the balance-of-payments deficit – we can expect the next Republican or Democratic administration to step in and “save” the country from economic emergency by scaling back Social Security while turning its funding over, Pinochet-style, to Wall Street money managers to loot as they did in Chile. And one can forget rebuilding America’s infrastructure. It is being sold off by debt-strapped cities and states to cover their budget shortfalls resulting from un-taxing real estate and from foreclosures. Welcome to debt peonage. This is worse than what was meant by a double-dip recession. It will be with us much longer.”

Michael Hudson (economist) (1939) American economist

Obama's Bushism http://michael-hudson.com/2010/12/obamas-bushism/ (December 8, 2010) Michael-Hudson.com, 1998-

Money, Game, Effort, Change

“Take the diplomacy out of war and the thing would fall flat in a week.”

Will Rogers (1879–1935) American humorist and entertainer

As quoted in Wit (2003) by Des MacHale, p. 299
As quoted in ...

War

“A motte and bailey castle consists of a man-made hill (the motte) supporting a tower and a walled yard (the bailey). (…) Early castle builders looked for a natural hill on which to erect a timber tower, but since a hill might not be available where fortifications were needed, they raised a flat-topped, conical earthen mound by digging a circular trench or ditch the desired diameter and heaping up the dirt in the center.”

Marilyn Stokstad (1929–2016) art historian

Source: Medieval castles (2005), Ch. 1 : The Great Tower : Norman and Early Plantagenet Castles

Support, Nature

“Whilst my physicians by their love are grown
Cosmographers, and their map, who lie
Flat on this bed.”

John Donne (1572–1631) English poet

Hymn to God My God, in My Sickness, stanza 2

Love, Lie

“Of all the people insistently expressing their mental vacuity, none has a better excuse for an empty head than the newspaperman: If he pauses to restock his brain, he invites onrushing headlines to trample him flat.”

Russell Baker (1925–2019) writer and satirst from the United States

"Introduction" (p.14)
There's a Country in My Cellar (1990)

People

“The stanniferous small veins, or thin flat masses, though of small extent, are sometimes very numerous, interposed between certain rocks, parallel to their beds, and are commonly called tin-floors.”

Andrew Ure (1778–1857) Scottish doctor and chemist

1878, p. 1000.
A Dictionary of Arts, Manufactures, and Mines, 1844

“We have tried occasionally to buy toads at bargain prices with results that have been chronicled in past reports. Clearly our kisses fell flat. We have done well with a couple of princes — but they were princes when purchased. At least our kisses didn’t turn them into toads. And, finally, we have occasionally been quite successful in purchasing fractional interests in easily-identifiable princes at toad-like prices.”

Warren Buffett (1930) American business magnate, investor, and philanthropist

1981 Chairman's Letter http://www.berkshirehathaway.com/letters/1981.html Letters to Shareholders (1957 - 2012)

Kiss, Success, Past

“First of all, why a descent into novelty rather than an ascent? It was my thing to do as I wanted to do it, and it seemed to me—the way I thought of time was I thought of it like a river. And so I thought of it as flowing toward its lowest level. And I thought of history as a river and Eternity as the ocean. So naturally history flows downhill to reach Eternity. I also like the fact that when the descent in elevation is rapid, the river runs faster, and when the landscape is almost flat, the river broadens out and meanders. So it was to preserve this idea of time as a fluid. The other reason is a mathematical reason. It has to do with the fact that if we have novelty moving downward, then the maximum of novelty is zero.”

Terence McKenna (1946–2000) American ethnobotanist

Talk at the Cathedral Church of Saint John the Divine, NYC https://web.archive.org/web/20120429183018/http://www.abrupt.org/abruptlog/logos/terence-mckenna-at-saint-johns-2785/ 25 April 1996

Way, History, Mathematics, Idea

“Oh Brancepeth,’ said the girl, her voice trembling, ‘why haven’t you any money? If only you had the merest pittance - enough for a flat in Mayfair and a little weekend place in the country somewhere and a couple of good cars and a villa in the South of France and a bit of trout fishing on some decent river, I would risk all for love.”

P.G. Wodehouse book Lord Emsworth and Others

Lord Emsworth and Others (1937)

Love, Money, Cars, Girl

“I was freakishly ambitious. I didn't want to be a child. I wanted my own flat, to work and be a grown up.”

Billie Piper (1982) English singer, dancer and actress

On her childhood.
Guardian interview (2008)

“Don't believe all the absurdity that skeptics say about bats not being birds, other untruths such as the Bible saying that the world is flat, and the mockery of Israel's judicial system. Every one of these weak arguments has rational explanations for those who are prepared to soften their hearts and listen.”

Ray Comfort (1949) New Zealand-born Christian minister and evangelist

Nothing Created Everything: The Scientific Impossibility of Atheistic Evolution (2009)

World, Bird, Heart

“Sir Michael Spicer: What are the characteristics of old Labour that he dislikes so much?
Tony Blair: I am afraid that the Hon. Gentleman will have to repeat that.
Sir Michael Spicer: What are the characteristics of old Labour that he dislikes so much?
Tony Blair: Basically, that it never won two successive terms of Government and, perhaps, that it never put the Conservative party flat on its back, which is where it is now. Thankfully, we are running an economy with low inflation, low mortgage rates and low unemployment; fortunately, we are doing a darn sight better than the Government of whom the right hon. Gentleman was a Member, who had—I thank him for allowing me to mention this—interest rates at 10 per cent. for four years, 3 million unemployed and two recessions. Whether it is old Labour or new Labour, it is a darn sight better than the Tories.”

Tony Blair (1953) former Prime Minister of the United Kingdom

Hansard http://archive.is/20130707074457/http://www.publications.parliament.uk/pa/cm200405/cmhansrd/cm050126/debtext/50126-03.htm%2350126-03_spnew24, House of Commons, 6th series, vol. 430, col. 302. In the House of Commons, 26 January 2005. 2000s

Success

“You got through a day and wondered what your reward was. It soon became evident the prize was you got to withstand tomorrow too. You got through it, hour by long hour, but at the end you looked up without much expectation. You had begun the understand the score. Sure enough: today's prize was the same. Outwardly calm, but with a scream building like the sound of a long-forgotten steam engine in the back corner of a basement, you got through that tomorrow too, and a flat hardpan of further tomorrows after that. You got through enough of then to realize you'd been had, that there aren't tomorrows after all but the wretched stretch of an endless today. What can you do? Rebellion gets you nowhere.”

Michael Marshall Smith (1965) British novelist, screenwriter and short story writer

Source: The Lonely Dead (2004), Ch. 21

Understanding

“The new vision…. does not proceed from a fixed point. Its viewpoint is everywhere, and not limited to any one position [in space]. Nor is it bound by space or time (in accordance with the theory of relativity) [of Einstein ]. In practice, the viewpoint is in front of the plane… Thus this new vision sees architecture as a multiplicity of planes; again flat. This multiplicity composes itself (in an abstract sense) into a flat image [in contrast to Theo van Doesburg who emphasized the dynamic position of the viewer – a central idea of Futurism in 1919].”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote, 1919, as cited in Mondrian, -The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 148
1910's

Idea, Sense, Time, Future

“In every kind of testing to see where I'm at, strength, speed, conditioning, I'm either right at or well ahead of the best marks I've ever had at this stage of training. A few weeks ago, we were concerned I was peaking too fast. I'd kick the [expletive] out of myself at the same stage of training for any of my previous fights. … The biggest thing is better recuperation from training. I don't have the days where I came in flat. It's made for the best training camp of my career.”

Jon Fitch

About his switch to a vegetarian diet. "Vegetarianism all the rage in MMA" https://www.yahoo.com/news/vegetarianism-rage-mma-145900165--mma.html, interview with Yahoo! Sports (18 February 2011).

Fight, Speed, Training

“My experience of the original Edison phonograph goes back to the period when it was first introduced into this country. In fact, I have good reason to believe that I was among the very first persons in London to make a vocal record, though I never received a copy of it, and if I did it got lost long ago. It must have been in 1881 or 1882, and the place where the deed was done was on the first floor of a shop in Hatton Garden, where I had been invited to listen to the wonderful new invention. To begin with, I heard pieces both in song and speech produced by the friction of a needle against a revolving cylinder, or spool, fixed in what looked like a musical box. It sounded to my ear like someone singing about half a mile away, or talking at the other end of a big hall; but the effect was rather pleasant, save for a peculiar nasal quality wholly due to the mechanism, though there was little of the scratching which later was a prominent feature of the flat disc. Recording for that primitive machine was a comparatively simple matter. I had to keep my mouth about six inches away from the horn and remember not to make my voice too loud if I wanted anything approximating to a clear reproduction; that was all. When it was played over to me and I heard my own voice for the first time, one or two friends who were present said that it sounded rather like mine; others declared that they would never have recognised it. I daresay both opinions were correct.”

Herman Klein (1856–1934) British musical critic journalist and singing teacher

The Gramophone magazine, December 1933

Music, Singing, Time, Personality

“The Guide sang: The new age, the new art, the new ethic and thought, And fools crying, Because it has begun It will continue as it has begun! The wheel runs fast, therefore the wheel will run Faster for ever, The old age is done, We have new lights and see without the sun. (Though they lay flat the mountains and dry up the sea, Wilt thou yet change, as though God were a god?)”

Clive Staples Lewis book The Pilgrim's Regress

Pilgrim’s Regress 186–187
The Pilgrim's Regress (1933)

God, Age, Fools, Art

“To stand still is torture; a thousand paces are wasted before the start, the heavy hoof strikes the absent flat.”
Stare adeo miserum est, pereunt vestigia mille ante fugam, absentemque ferit grauis ungula campum.

Statius book Thebaid

Source: Thebaid, Book VI, Line 400

“ Citizens of a modern society need […] more than that ordinary "common sense" which was defined by Stuart Chase as that which tells you that the world is flat. They need to be systematically aware of the powers and limitations of symbols, especially words, if they are to guard against being driven into complete bewilderment by the complexity of their semantic environment. The first of the principles governing symbols is this: The symbol is NOT the thing symbolized; the word is NOT the thing; the map is NOT the territory it stands for. (editor's link)”

S. I. Hayakawa book Language in Thought and Action

See also: The Meaning of Meaning (1923)
See also: Science and Sanity (1933)
Source: Language in Thought and Action (1949), The Word Is Not the Thing, pp. 29-30

World, Sense

“Citizens of a modern society need […] more than that ordinary "common sense" which was defined by Stuart Chase as that which tells you that the world is flat.”

Stuart Chase (1888–1985) American economist

Stuart Chase in S. I. Hayakawa (1949) Language in Thought and Action. p. 29-30

World, Sense

“The armchairs, with their flat, sedentary cushions, were designed for society, but the bed was made for solitude. It had a straitened and measured narrowness, an austere frame made to contain the curves of a single body, to circumscribe it, carry it, give it a place, and when I slept at night, I possessed it entirely.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

Afternoon Raag (1993)

Solitude, Night

“I used to think the world was flat
Rarely threw my hat into the crowd
I felt I had used up my quota of yearning
Used to look in on the children at night
In the glow of their Donald Duck light
And frighten myself with the thought of my little ones burning But ooh, the tide is turning
The tide is turning.”

Roger Waters (1943) English songwriter, bassist, and lyricist of Pink Floyd

"The Tide Is Turning (After Live Aid)", on Radio K.A.O.S. (1987) - Full lyrics at LyricWiki http://lyrics.wikia.com/Roger_Waters:The_Tide_Is_Turning_(After_Live_Aid) · Tour performance http://www.youtube.com/watch?v=66nqhVtq6xo · Video 2 https://www.youtube.com/watch?v=GvTvWJWeQ2g Live in Berlin https://www.youtube.com/watch?v=sFWCAYPWFbs

Children, World, Thinking, Light

“She said that's that.
I don't wanna chitter-chat.
Turn it down a little bit
or turn it down flat.
Pump it up when you don't really need it.
Pump it up until you can feel it.”

Elvis Costello (1954) English singer-songwriter

Pump It Up
Song lyrics, This Year's Model (1978)

Feeling

“If Algeria introduced a resolution declaring that the earth was flat and that Israel had flattened it, it would pass by a vote of 164 to 13 with 26 abstentions.”

Abba Eban (1915–2002) Israeli diplomat and politician

Comment about the United Nations General Assembly, as quoted in The Guardian (3 February 2004) http://www.guardian.co.uk/comment/story/0,3604,1137594,00.html.

“Melancholy and remorse form the deep leaden keel which enables us to sail into the wind of reality; we run aground sooner than the flat-bottomed pleasure-lovers but we venture out in weather that would sink them and we choose our direction.”

Cyril Connolly book The Unquiet Grave

Part III: La Clé des Chants (p.115)
The Unquiet Grave (1944)

Pleasure, Lovers, Reality, Weather

“If the Bible is interpreted literally, then it is clear that its authors believed that the world was a flat disc, which was originally said to be covered by a giant crystal dome. It was a common belief at the time in all the neighboring regions. But it was still wrong. The Biblical authors obviously knew nothing about the real state of this world nor the worlds beyond this one either. But we know what lies outside our atmosphere. And that proves that there is no water above where the firmament isn't, and no windows to let it drain in -if there was either water or firmament there.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

"3rd Foundational Falsehood of Creationism" https://www.youtube.com/watch?v=fnj7PlqmJ5o, Youtube (December 10, 2007) Youtube, Foundational Falsehoods of Creationism

World, Water, Time

“I will work flat out from now on to earn your trust and to dispel some of the myths that have been created about me.”

Boris Johnson (1964) British politician, historian and journalist

2000s, 2008, First Speech As London Mayor (May 3, 2008)

“The Pointillist chooses a means of expression by which he applies colour on a canvas in small dots rather than spreading it flat.”

Paul Signac (1863–1935) French painter

From Delacroix to Neo-Impressionism, 1899

“Some of Mr. Gregory’s poems have merely appeared in The New Yorker; others are New Yorker poems: the inclusive topicality, the informed and casual smartness, the flat fashionable irony, meaningless because it proceeds from a frame of reference whose amorphous superiority is the most definite thing about it—they are the trademark not simply of a magazine but of a class.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“Town Mouse, Country Mouse”, p. 70
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

Fashion, Appearance

“Leisure is permissible, we understand, because it costs money; idleness is not, because it doesn’t. Leisure is focused; whatever thinking it requires is absorbed by a certain task: sinking that putt, making that cast, watching that flat-screen TV. Idleness is unconstrained, anarchic. Leisure—particularly if it involves some kind of high-priced technology—is as American as a Fourth of July barbecue. Idleness, on the other hand, has a bad attitude. It doesn’t shave; it’s not a member of the team; it doesn’t play well with others. It thinks too much, as my high school coach used to say. So it has to be ostracized.”

Mark Slouka (1958) author

Quitting the paint factory: On the virtues of idleness

Money, School, Understanding, Thinking

“The tenement – the name derives from a fifteenth-century legal term for a multiple dwelling – always seemed to me a “ship afloat in concrete.” After all didn’t the building carry passengers on a voyage through life? No. 55 sat at the corner of Dropsie avenue near the elevated train, or the elevated as we called it in those days. It was a treasure house of stories that illustrated tenement life as I remembered it, stories that needed to be told before they faded from memory. Within its “railroad flats,” with rooms strung together train-like lived low-paid city employees or laborers and their turbulent families. Most were recent immigrants, intent n their own survival. They kept busy raising children and dreaming of the better lie they knew existed “uptown.” Hallways were filled with a rich stew of cooking aromas, sounds of arguments and the tinny wail from Victrolas. What community spirit there was stemmed from the common hostility of tenants to the landlord or his surrogate superintendent. Typically, the buildings tenants came and went with regularity, depending on the vagaries of their fortunes But many remained for a lifetime, imprisoned by poverty or old age. There was no real privacy or anonymity. Everybody knew about everybody. Human dramas, both good and bad, instantly gathered witness like ants swarming around a piece of dropped food. From window to window or on the stoop below, the tenants analyzed, evaluated and critiqued each happening, following an obligatory admission that it was really none of their business.”

Will Eisner (1917–2005) American cartoonist

XV-XVI, December 2004
A Contract With God (2004)

Life, Hostility, Children, Lie

“Today I walked into the sunset — to mail some letters —... But some way or other I didn't seem to like the redness much so after I mailed the letters I walked home — and kept walking - The Eastern sky was all grey blue — bunches of clouds — different kinds of clouds — sticking around everywhere and the whole thing — lit up — first in one place — then in another with flashes of lightning — sometimes just sheet lightning — and some times sheet lightning with a sharp bright zigzag flashing across it -. I walked out past the last house — past the last locust tree — and sat on the fence for a long time — looking — just looking at — the lightning — you see there was nothing but sky and flat prairie land — land that seems more like the ocean than anything else I know — There was a wonderful moon. Well I just sat there and had a great time by myself — Not even many night noises — just the wind —... I wondered what you were doing - It is absurd the way I love this country — Then when I came back — it was funny — roads just shoot across blocks anywhere — all the houses looked alike — and I almost got lost — I had to laugh at myself — I couldn't tell which house was home - I am loving the plains more than ever it seems — and the SKY — Anita you have never seen SKY — it is wonderful”

Georgia O'Keeffe (1887–1986) American artist

Canyon, Texas (September 11, 1916), pp. 183-184
1915 - 1920, Letters to Anita Pollitzer' (1916)

Love, Way, Home, Tree

“Here in two flat sentences are the best things I can say about our field on American television: Dr. Who is sometimes aired. Sometimes Battlestar Galactica is not.”

Gene Wolfe (1931–2019) American science fiction and fantasy writer

Guest of Honor speech at Aussiecon Two (August 1985), as published in Castle of Days (1992)
Nonfiction

“What is that sound high in the air
Murmur of maternal lamentation
Who are those hooded hordes swarming
Over endless plains, stumbling in cracked earth
Ringed by the flat horizon only
What is the city over the mountains
Cracks and reforms and bursts in the violet air
Falling towers
Jerusalem Athens Alexandria
Vienna London
Unreal”

T.S. Eliot book The Waste Land

Source: The Waste Land (1922), Line 367 et seq.

Mountain, Maternity

“Let a thin, flat metal plate be heated… so that the temperature T is not uniform… clamp or otherwise constrain the plate to keep it from buckling… [and] remain [reasonably] flat… Make simple geometric measurements… with a short metal rule, which has a certain coefficient of expansion c… What is the geometry of the plate as revealed by the results of those measurements? …[T]he geometry will not turn out to be Euclidean, for the rule will expand more in the hotter regions… [T]he plate will seem to have a negative curvature K… the kind of structure exhibited… in the neighborhood of a "saddle point."”

Howard P. Robertson (1903–1961) American mathematician and physicist

Geometry as a Branch of Physics (1949)

“Here's the thing with me and the religious thing. This is the flat-out truth: I find the religiosity and philosophy in the music. I don't find it anywhere else.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Dylan Revisited http://europe.newsweek.com/dylan-revisited-174056?rm=eu, Newsweek (1997)

Truth, Music

“I hold in fact
(1) That small portions of space are in fact of a nature analogous to little hills on a surface which is on the average flat; namely, that the ordinary laws of geometry are not valid in them.
(2) That this property of being curved or distorted is continually being passed on from one portion of space to another after the manner of a wave.
(3) That this variation of the curvature of space is what really happens in that phenomenon which we call the motion of matter, whether ponderable or etherial.
(4) That in the physical world nothing else takes place but this variation, subject possibly to the law of continuity.”

William Kingdon Clifford On the Space-Theory of Matter

Abstract
On the Space-Theory of Matter (read Feb 21, 1870)

World, Law, Nature

“Tell me some true things about fighting.'
'Tell me you love me.'
'I love you,' the girl said. 'You can publish it in the Gazzettino if you like. I love your hard, flat body and your strange eyes that frighten me when they become wicked. I love your hand and all your other wounded places.”

Ernest Hemingway book Across the River and into the Trees

Renata and Colonel Richard Cantwell in Ch. 12
Across the River and into the Trees (1950)

Love, Girl, Fight

“Beat all your feathers as flat down as pancakes.”

Thomas Middleton The Roaring Girl

The Roaring Girl (co-written with Thomas Dekker, 1611), Act i. Sc. 1.

“I began to draw from plant life and found the flat leaf forms were easier to do than thighs and breasts. I wanted to flatten. The plant drawings from that time until now have always been linear. They are exact observations of the form of the leaf or flower of fruit seen. Nothing is changed or added, no surface marking. They are not an approximation of the thing seen nor are they a personal expression or an abstraction. They are an impersonal observation of the form. When I applied the procedure to other things such as the vaulting of Notre Dame [church in Paris] or a patch of tar on the road, the subject of the drawings and the subsequent paintings were not recognizable even though they were exact copies of the thing seen. I wanted to use things that had no pictorial use.”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, pp. 25-26 : 'Notes from 1969'

Life, Flowers, Change, Time

“For Space, when the position of points is expressed by rectilinear co-ordinates, ds = \sqrt{ \sum (dx)^2 }; Space is therefore included in this simplest case. The next case in simplicity includes those manifoldnesses in which the line-element may be expressed as the fourth root of a quartic differential expression…. I restrict myself… to those manifoldnesses in which the line element is expressed as the square root of a quadric differential expression…. Manifoldnesses in which, as in the Plane and in Space, the line-element may be reduced to the form \sqrt{ \sum (dx)^2 }, are… only a particular case of the manifoldnesses to be here investigated; they require a special name, and therefore these manifoldnesses… I will call flat. In order now to review the true varieties of all the continua which may be represented in the assumed form, it is necessary to get rid of difficulties arising from the mode of representation, which is accomplished by choosing the variables in accordance with a certain principle.”

Bernhard Riemann (1826–1866) German mathematician

On the Hypotheses which lie at the Bases of Geometry (1873)

“Let us imagine that from any given point the system of shortest lines going out from it is constructed; the position of an arbitrary point may then be determined by the initial direction of the geodesic in which it lies, and by its distance measured along that line from the origin. It can therefore be expressed in terms of the ratios dx0 of the quantities dx in this geodesic, and of the length s of this line. …the square of the line-element is \sum (dx)^2 for infinitesimal values of the x, but the term of next order in it is equal to a homogeneous function of the second order… an infinitesimal, therefore, of the fourth order; so that we obtain a finite quantity on dividing this by the square of the infinitesimal triangle, whose vertices are (0,0,0,…), (x1, x2, x3,…), (dx1, dx2, dx3,…). This quantity retains the same value so long as… the two geodesics from 0 to x and from 0 to dx remain in the same surface-element; it depends therefore only on place and direction. It is obviously zero when the manifold represented is flat, i. e., when the squared line-element is reducible to \sum (dx)^2, and may therefore be regarded as the measure of the deviation of the manifoldness from flatness at the given point in the given surface-direction. Multiplied by -¾ it becomes equal to the quantity which Privy Councillor Gauss has called the total curvature of a surface. …The measure-relations of a manifoldness in which the line-element is the square root of a quadric differential may be expressed in a manner wholly independent of the choice of independent variables. A method entirely similar may for this purpose be applied also to the manifoldness in which the line-element has a less simple expression, e. g., the fourth root of a quartic differential. In this case the line-element, generally speaking, is no longer reducible to the form of the square root of a sum of squares, and therefore the deviation from flatness in the squared line-element is an infinitesimal of the second order, while in those manifoldnesses it was of the fourth order. This property of the last-named continua may thus be called flatness of the smallest parts. The most important property of these continua for our present purpose, for whose sake alone they are here investigated, is that the relations of the twofold ones may be geometrically represented by surfaces, and of the morefold ones may be reduced to those of the surfaces included in them…”

Bernhard Riemann (1826–1866) German mathematician

On the Hypotheses which lie at the Bases of Geometry (1873)

Imagination, Parting, Dependency

“This thing that's really weird about Seacrest is that he's super into grooming. He gets mani-pedi's. He gets his eyelashes dyed. He goes to Mystic Tan, he flat-irons his hair. Very butch. Very typical of straight men!”

Kathy Griffin (1960) American actress and comedian

Is... Not Nicole Kidman (2005)

Men

“Before we were old enough to practise at the nets with the Burslem men, we played most of our cricket on waste land that had been trampled flat by the clogs and boots of generations of miners.”

Bernard Hollowood (1910–1981) English cricketer

Cricket on the Brain (1970)

Men

“Here Chopin has the conviction that he has lost his power of expression. With the determination to discover whether his brain can still originate ideas, he strikes his head with a hammer (here the sixteenths and thirty-seconds are to be carried out in exact time, indicating a double stroke of the hammer). In the third and fourth measures on can hear the blood trickle (trills in the left hand). He is desperate at finding no inspiration (fifth measure); he strikes again with the hammer and with greater force (thirty-second notes twice in succession during the crescendo). In the key of A flat he finds his powers again. Appeased, he seeks his former key and closes contentedly.”

Hans von Bülow (1830–1894) German musician

On Chopin's E major Prelude Op.28 No.9, quoted in Harold C. Schonberg, The Great Pianists.

Idea, Time, Success

“I project on the surface; that is, the essence of the subject must always become visible, even if this is impossible in nature, which is not adapted to this relief style. The absence of foreshortening also plays a crucial part in the process... For I have discovered a very small, undisputed, personal possession: a particular sort of three-dimensional representation on the flat surface... I am my style.”

Paul Klee (1879–1940) German Swiss painter

Quote (July 1902), # 425, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1895 - 1902

Nature, Parting, Personality

“It couldn't have been Pan's output alone because Alobar's testicles were as flat and juiceless as trampled grapes.”

Tom Robbins book Jitterbug Perfume

Jitterbug Perfume (1984)

“In eight simple ways, my Bill seeks to provide a framework for giving pensioners a decent living standard. First, it would fix old-age pensions for couples at half average industrial earnings, and for single people it would be a third…Secondly, my Bill would require central Government to appoint a Minister responsible for the co-ordination of policy on pensioners. Thirdly, it would require local authorities to produce a comprehensive annual report about their policies on pensioners and on the conditions of pensioners in their communities. Fourthly, every health authority would also be asked to do that. Fifthly, the present anomalous system means that in some parts of the country where there are foresighted Labour local authorities there are concessionary transport schemes — free bus passes. They do not exist in some parts of Britain and the Bill would make them a national responsibility and they would be paid for nationally…My sixth point is one of the most important. It is about the introduction of a flat-rate winter heating allowance instead of the nonsensical system of waiting for the cold to run from Monday to Sunday, and then if it is sufficiently cold a rebate is paid in arrears. Last winter that resulted in many old people living in homes that were too cold because they could not afford to heat them. If they did get any aid, it was far too late. My seventh point concerns the abolition of standing charges on gas, electricity and telephones for elderly people. They are paying about £250 million a year towards the profits of the gas industry and those profits will be about £1.5 billion. Standing charges should be cancelled, unit prices maintained and the cost of the standing charge should be taken from the profits of the gas board or the electricity board — if it ends up being privatised. They could well afford to pay for that rather than forcing old people to live in cold and misery throughout the winter. Finally, the Bill would prohibit the cutting off of gas and electricity in any pensioner household.”

Jeremy Corbyn (1949) British Labour Party politician

Speech http://hansard.millbanksystems.com/commons/1987/dec/01/elimination-of-poverty-in-old-age-etc in the House of Commons (1 December 1987). 1980s

People, Health, Age, Way

“We," he said, not without complacency, "are different. We attest the divine paradox. We are barren only to be fertile. We proclaim the primary reality of the world of the spirit which has an infinitude of mansions for an infinitude of human souls. And you too are different. Your destiny is of the rarest kind. You will live to proclaim the love of Christ for man and man for Christ in a figure of earthly love." Preacher's rhetoric; it would have been better in Italian, which thrives on melodious meaninglessness.
I said, with the same weariness as before, "My destiny is to live in a state of desire both church and state condemn and to grow sourly rich in the purveying of a debased commodity. I've just finished a novel which, when I'd read it through in typescript, made me feel sick to my stomach. And yet it's what people want -- the evocation of a past golden time when there was no Mussolini or Hitler or Franco, when gods were paid for with sovereigns, Elgar's Symphony Number One in A flat trumpeted noblimente a massive hope in the future, and the romantic love of a shopgirl and a younger son of the aristocracy portended a healthful inflection but not destruction of the inherited social pattern. Comic servants and imperious duchesses. Hansom cabs and racing at Ascot. Fascists and democrats alike will love it. My destiny is to create a kind of underliterature that lacks all whiff of the subversive.”

Anthony Burgess (1917–1993) English writer

"Don't," Carlo said, "underestimate yourself."
Fiction, Earthly Powers (1980)

Love, God, People, Health

“The secret of avoiding monotony with the four-bar module was to vary the accent and the weight of the bars to avoid giving a similar emphatic accent on the first bar of every group, as if one were accenting a downbeat. After Beethoven and before Brahms, perhaps the greatest master of the technique was Chopin, as one can see from the opening of the Nocturne in D flat Major, Op. 27, no. 2, of 1836 …”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 4 : Formal Interlude

Secret

“A flat case as plain as a pack-staff.”

Thomas Middleton (1580–1627) English playwright and poet

Act v. Sc. 3. Compare: "Plain as a pike-staff", Terence in English (1641); Buckingham, Speech in the House of Lords, 1675; Gil Blas (Smollett’s translation), book xii. chap. viii. John Byrom, Epistle to a Friend.
The Family of Love (co-written with Thomas Dekker, 1602-7)

“Like the Republican Party, CPAC has become heavily Trumpified. … So it has come to this: a conservative group whose worst fault in years past may have been excessive flat tax enthusiasm now opens its doors to the blood and soil nationalists of Europe.”

Mona Charen (1957) political writer

I'm Glad I Got Booed at CPAC (2018)

Past

“Then, on the slight turn of the Lower Hope Reach, clusters of factory chimneys come distinctly into view, tall and slender above the squat ranges of cement works in Grays and Greenhithe. Smoking quietly at the top against the great blaze of a magnificent sunset, they give an industrial character to the scene, speak of work, manufactures, and trade, as palm-groves on the coral strands of distant islands speak of the luxuriant grace, beauty and vigour of tropical nature. The houses of Gravesend crowd upon the shore with an effect of confusion as if they had tumbled down haphazard from the top of the hill at the back. The flatness of the Kentish shore ends there. A fleet of steam-tugs lies at anchor in front of the various piers. A conspicuous church spire, the first seen distinctly coming from the sea, has a thoughtful grace, the serenity of a fine form above the chaotic disorder of men’s houses. But on the other side, on the flat Essex side, a shapeless and desolate red edifice, a vast pile of bricks with many windows and a slate roof more inaccessible than an Alpine slope, towers over the bend in monstrous ugliness, the tallest, heaviest building for miles around, a thing like an hotel, like a mansion of flats (all to let), exiled into these fields out of a street in West Kensington. Just round the corner, as it were, on a pier defined with stone blocks and wooden piles, a white mast, slender like a stalk of straw and crossed by a yard like a knitting-needle, flying the signals of flag and balloon, watches over a set of heavy dock-gates. Mast-heads and funnel-tops of ships peep above the ranges of corrugated iron roofs. This is the entrance to Tilbury Dock, the most recent of all London docks, the nearest to the sea.”

Joseph Conrad book The Mirror of the Sea

Hope Point to Tilbury / Gravesend
The Mirror of the Sea (1906), On the River Thames, Ch. 16

Men, Beauty, Hope, Nature

“We are sometimes up against a flat refusal to apply this law rigidly. One People's Judge told me flatly that he could never bring himself to throw someone in jail for stealing four ears. What we're up against here is a deep prejudice, imbibed with their mother's milk… a mistaken belief that people should be tried in accordance not with the Party's political guidelines but with considerations of "higher justice."”

Nikolai Krylenko (1885–1938) Russian revolutionary, politician and chess organiser

Krylenko criticizing the leniency of some Soviet officials who objected to the infamous "five ears law". Quoted in Edvard Radzinsky, Stalin: The First In-Depth Biography Based on Explosive New Documents from Russia's Secret Archives, page 258.

People, Justice, Law

“They were prodigiously shattered, from the fire of our cannon. The same evening, Colonel Tupper attempted passing the ships with the petiaugres, loaded with flour. The enemy manned several barges, two tenders, and a row-galley, and attacked them. Our people ran the petiaugres ashore, and landed and defended them. The enemy attempted to land several times, but were repulsed. The fire lasted about an hour and a half, and the enemy moved off. Colonel Tupper still thinks he can transport the provision in flat-bottomed boats. A second attempt shall be speedily made. We lost one man, mortally wounded.”

Nathanael Greene (1742–1786) American general in the American Revolutionary War

Letter to George Washington (7 October 1776)

People, Thinking, Time

“The things that are being done in Jerusalem are not much different from those being done in Rome, New York, Berlin, Paris, everywhere. A hundred years more and all cities will resemble each other with enervating sameness, with gray, uniform flatness.”

Aldo Palazzeschi book Roma

Page 80, "The Duke of Rovi"
Roma (1953)

“Wisdom is known only by contrasting it with folly; by shadow only we perceive that all visible objects are not flat. Yet Philanthropos would abolish evil!”

Ambrose Bierce (1842–1914) American editorialist, journalist, short story writer, fabulist, and satirist

Source: Epigrams, p. 373

Wisdom, Evil

“From the midst of the flat plain of human reason, there arises the terrible, fire-spewing mountain of genius.”

Constantin Brunner (1862–1937) German philosopher

Source: Our Christ : The Revolt of the Mystical Genius (1921), p. 168

Mountain

“Now, I know there are still a few who insist that climate change is one big hoax, even a political conspiracy. My friends, these people are so out of touch with science that they believe rising sea levels don’t matter, because, in their view, the extra water is just going to spill out over the sides of a flat Earth.”

John F. Kerry (1943) politician from the United States

John Kerry, December 9, 2015, Paris. Source: http://www.democracynow.org/2015/12/9/it_is_not_enough_despite_promise

People, Water, Science, Change

“Probably even more than the architecture I'd be drawn to landscape. That's my first love, landscape... All kinds of landscape, if it's not cluttered up and vandalised. Yesterday we went out to Blenheim, and I love the flatness and the trees. I like all kinds. And where I'm from, the central valley of Virginia, is not one of the most exciting landscapes in the world, but it's one of the most beautiful. It's very beautiful because it has everything. It has mountains, there are streams, there are fields, beautiful trees. And architecture sits very well in it... And I've always lived in the south of Italy, because it’s more excitable. It's volcanic. The land affects people naturally, that's part of the characteristics, for me, of a people, in a sense.”

Cy Twombly (1928–2011) American painter

Source: 2000 - 2011, Cy Twombly, 2000', by David Sylvester (June 2000), p. 173

Love, People, World, Beauty

“Every creature, every work of God, is admirably well made; but if any one appears imperfect in our eyes, it does not belong to us to criticise it. Perhaps that which we do not find right in its kind, turns to our advantage, without our being able to perceive it. Let us look at the state of the heavens, one while the sun shines, another time it does not appear; now the weather is fine; again it is unpleasant; one day is hot, another is cold; another time it is rainy, snowy or cloudy; every thing is variable and inconstant. Let us look at the surface of the earth: here the ground is flat; there it is hilly and mountainous; in other places it is sandy; in others it is barren; and elsewhere it is productive. Let us, in thought, go into an orchard or forest. What do we see? Trees high or low, large or small, upright or crooked, fruitful or unfruitful. Let us look at the birds of the air, and at the fishes of the sea, nothing resembles another thing. Let us look at the beasts. We see among the same kinds some of different forms, of different dimensions, domestic or wild, harmless or ferocious, useful or useless, pleasing or hideous. Some are bred for men's sakes; some for their own pleasures and amusements; some are of no use to us. There are faults in their organization as well as in that of men. Those who are acquainted with the veterinary art, know this well; but as for us who have not made a study of this science, we seem not to discover or remark these faults. Let us now come to ourselves. Our intellectual faculties as well as our corporeal organization have their imperfections. There are faculties both of the mind and heart, which education improve; there are others which it does not correct. I class in this number, idiotism, imbecility, dulness. But nothing can correct the infirmities of the bodily organization, such as deafness, blindness, lameness, palsy, crookedness, ugliness. The sight of a beautiful person does not make another so likewise, a blind person does not render another blind. Why then should a deaf person make others so also? Why are we Deaf and Dumb? Is it from the difference of our ears? But our ears are like yours; is it that there may be some infirmity? But they are as well organized as yours. Why then are we Deaf and Dumb? I do not know, as you do not know why there are infirmities in your bodies, nor why there are among the human kind, white, black, red and yellow men. The Deaf and Dumb are everywhere, in Asia, in Africa, as well as in Europe and America. They existed before you spoke of them and before you saw them.”

Laurent Clerc (1785–1869) French-American deaf educator

Statement of 1818, quoted in Through Deaf Eyes: A Photographic History of an American Community (2007) by Douglas C. Baynton, Jack R. Gannon, and Jean Lindquist Bergey

Men, God, Pleasure, Education

“You should know that I had problems at the end of my career as a player here and I don't know if you know that someone [put] a rifle at my head and tied me up and tied up my wife in front of the children at our flat in Barcelona. The children were going to school accompanied by the police. The police slept in our house for three or four months. I was going to matches with a bodyguard. All these things change your point of view towards many things. There are moments in life in which there are other values. We wanted to stop this and be a little more sensible. It was the moment to leave football and I couldn't play in the World Cup after this.”

Johan Cruyff (1947–2016) Dutch association football player

In an interview with Catalunya Radio (April 2008) https://www.theguardian.com/football/2008/apr/17/newsstory.sport, he said that the attempted kidnap (in 1977) was the reason he decided not to go to the 1978 World Cup in Argentina.

Life, Children, World, School

“Elyot: I met her on a house party in Norfolk.
Amanda: Very flat, Norfolk.
Elyot: There's no need to be unpleasant.
Amanda: That was no reflection on her, unless of course she made it flatter.”

Noel Coward Private Lives

Private Lives (1930)

Housing

“The windy springs and the blazing summers, one after another, had enriched and mellowed that flat tableland; all the human effort that had gone into it was coming back in long, sweeping lines of fertility. The changes seemed beautiful and harmonious to me; it was like watching the growth of a great man or of a great idea. I recognized every tree and sandbank and rugged draw. I found that I remembered the conformation of the land as one remembers the modelling of human faces.”

Willa Cather book My Ántonia

Book IV, Ch. 3
My Antonia (1918)

Beauty, Spring, Idea, Effort

“I dream of a sculpture in which landscape, architecture and city are one. It might be a city like Marseille, a city steaming with heat which suddenly transmogrifies. I becomes an immense piece of sculpture, a gigantic figure, made up of white blocks and segmented by flat, horizontal terraces, arranged in a bare and motionless landscape.”

Fritz Wotruba (1907–1975) Austrian sculptor (23 April 1907, Vienna – 28 August 1975, Vienna)

circa 1969
Quote of Wotruba in: 'Sculpture of Rotterdam', ed. Jan van Adrichem / Jelle Bouwhuis / Mariëtte Dulle, Center for the Art, 010 Publishers, Rotterdam, 2002, p. 198.

Dreams

“It's a simple fact, when you move from one color space to another color space, that if there's a value contrast you get a strong optical illusion. Strong value contrast can be expressive and dramatic. Like the difference between high or low volume or the low key and the high keys on the piano... Actually, if you're moving from one flat color to another flat color, if there's a difference of color – if one is matte and the other is shiny – that contrast of tactility can keep them visually in the same dimension. It keeps them adjacent – side by side... Another reason is that a matte color and a shiny, transparent color are emotionally different. If something is warm and fuzzy and dense we have a kind of emotional response to that. If something is clear and you can see through it, like yellow or green or red can be, we have a different emotional sensation from that. So there's an expressive difference you can get that gives you more expressive range.”

Kenneth Noland (1924–2010) American artist

Source: Color, Format and Abstract Art' (1977), pp. 99 – 105

Color, Strong