Quotes about flat
page 2

Evelyn Waugh photo

“No.3 Commando was very anxious to be chums with Lord Glasgow, so they offered to blow up an old tree stump for him and he was very grateful and said don't spoil the plantation of young trees near it because that is the apple of my eye and they said no of course not we can blow a tree down so it falls on a sixpence and Lord Glasgow said goodness you are clever and he asked them all to luncheon for the great explosion.
So Col. Durnford-Slater DSO said to his subaltern, have you put enough explosive in the tree?. Yes, sir, 75lbs. Is that enough? Yes sir I worked it out by mathematics it is exactly right. Well better put a bit more. Very good sir.
And when Col. D Slater DSO had had his port he sent for the subaltern and said subaltern better put a bit more explosive in that tree. I don't want to disappoint Lord Glasgow. Very good sir.
Then they all went out to see the explosion and Col. DS DSO said you will see that tree fall flat at just the angle where it will hurt no young trees and Lord Glasgow said goodness you are clever.
So soon they lit the fuse and waited for the explosion and presently the tree, instead of falling quietly sideways, rose 50 feet into the air taking with it ½ acre of soil and the whole young plantation.
And the subaltern said Sir, I made a mistake, it should have been 7½ not 75. Lord Glasgow was so upset he walked in dead silence back to his castle and when they came to the turn of the drive in sight of his castle what should they find but that every pane of glass in the building was broken.
So Lord Glasgow gave a little cry and ran to hide his emotions in the lavatory and there when he pulled the plug the entire ceiling, loosened by the explosion, fell on his head.
This is quite true.”

Evelyn Waugh (1903–1966) British writer

Letter to his wife (31 May 1942)

Hank Williams photo

“We'll put aside a little time to fix a flat or 2,
my tires and tubes are doing fine but the air is showing through”

Hank Williams (1923–1953) American country music singer

"Settin' the Woods on Fire" (1952)
Lyrics

Thomas Brooks photo
Jeremy Corbyn photo
Robert Charles Wilson photo
Ramana Maharshi photo
Georges Bataille photo

“Man's secret horror of his foot is one of the explanations for the tendency to conceal its length and form as much as possible. Heels of greater or lesser height, depending on the sex, distract from the foot's low and flat character. Besides the uneasiness is often confused with a sexual uneasiness; this is especially striking among the Chinese who, after having atrophied the feet of women, situate them at the most excessive point of deviance. The husband himself must not see the nude feet of his wife, and it is incorrect and immoral in general to look at the feet of women. Catholic confessors, adapting themselves to this aberration, ask their Chinese penitents "if they have not looked at women's feet.
The same aberration is found among the Turks (Volga Turks, Turks of Central Asia), who consider it immortal to show their nude feet and whoe ven go to bed in stockings.
Nothing similar can be cited from classical antiquity (apart from the use of very high soles in tragedies). The most prudish Roman matrons constantly allowed their nude toes to be seen. On the other hand, modesty concerning feet developed excessively in the modern ea and only started to disappear in the nineteenth century. M. Salomon Reinarch has studied this development in detail in the article entitled Pieds pudiques [Modest Feet], insisting on the role of Spain, where women's feet have been the object of most dreaded anxiety and thus were the cause of crimes. The simple fact of allowing the shod foot to be seen, jutting up from under a skirt, was regarded as indecent. Under no circumstances was it possible to touch the foot of a woman.”

Georges Bataille (1897–1962) French intellectual and literary figure

Source: Visions of Excess: Selected Writings 1927-1939, p.21-22

Alexander Calder photo
Harper Lee photo
Samuel Taylor Coleridge photo
Duke Ellington photo
Julius Malema photo

“Every land in South Africa should be expropriated without compensation and it will be under the state. The state should be the custodian of the land. … No one is going to lose his or her house, no one is going to lose his or her flat, no one is going to lose his or her factory or industry. All we are saying is they will not have the ownership of the land.”

Julius Malema (1981) South African political activist

On 27 February 2018 to journalists outside the National Assembly, Cape Town, as quoted by Nic Andersen, “No one will lose their house or factory” – Malema clarifies land expropriation https://www.thesouthafrican.com/no-one-will-lose-house-malema-land-expropriation/, The South African (28 February 2018)

Eric S. Raymond photo

“Android continues to stomp its competition flat. Even the post-Jobs Apple can't stem the tide; it's pretty close to the 10% niche market share I predicted back in 2009 already, with no sign that trend will or can be reversed.”

Eric S. Raymond (1957) American computer programmer, author, and advocate for the open source movement

The Smartphone Wars: Nokia gives it up for Microsoft http://esr.ibiblio.org/?p=5039 in Armed and Dangerous (3 September 2013)

Barend Cornelis Koekkoek photo

“Do you like to see what can be transformed from a flat, elementary rural scene - bearing the stamp of nature, the mark of truth - into something most beautiful and graceful? Look at the works of our great [painter] Schelfhout. There you will find represented plain nature at the most elegant, but moreover with a faithfulness and truth, which only Schelfhout can represent.”

Barend Cornelis Koekkoek (1803–1862) painter from the Northern Netherlands

(original Dutch, citaat van B.C. Koekkoek:) Wilt gij zien wat er van een vlak, eenvoudig landelijk tafereel, als hetzelve den stempel der natuur, het merk der waarheid draagt, schoons en bevalligs kan gemaakt worden? Beschouwt dan de werken van onze grooten Schelfhout. Daarin zult gij de eenvoudige natuur op het sierlijkst, maar tevens met eene getrouwheid en waarheid, wat alleen een Schelfhout vermag, voorgesteld vinden.
Source: Herinneringen aan en Mededeelingen van…' (1841), p. 243

“The icing on the cake is where I had to take second fiddle to Yaxeni Oriquen Garcia 2005 Ms Olympia that was a big stab in the back at the time we were instructed to reduce 20% in the muscularity round.. I normally compete at 160-162 that year being the embassador of the sport I must lead by example, which I did. I competed at 155lbs still same conditioning, shape etc…. Lord behold second fiddle to Yaxeni.. It looked as if Yaxeni had did the opposite of what the current ruling stated and she was being rewarded.. Come on we have two different body types! I have a small tapered waist line, fine detail flowing through out my body, nice harmony and she's displaying nothing but BIG. When someone refers to Yaxeni body they say she's a big girl.. She has great confidence about herself on stage, which is an EXCELLENT tool and having that can always gain you a few points, but to flat out win is RIDICULOUS and not possible… Anyhow, Yaxeni was more surprised then I when hearing her name announced victoriously. And believe it or not annoucing the winner that year was Lenda Murray, so she was probably soaking up every second of me losing as a mild way of payback. I was always told when going after the champ you have to completely knock the champ "OUT."”

Iris Kyle (1974) American bodybuilder

Anything close should not cause you a win.
2012-02-05
An Exclusive Interview With the Ms. Olympia Champion Iris Kyle
RX Muscle
Internet
http://www.rxmuscle.com/rx-girl-articles/female-bodybuilding/4986-an-exclusive-interview-with-the-ms-olympia-champion-iris-kyle.html
Sourced quotes, 2012

Clifford D. Simak photo
William Grey Walter photo
Johnnie Ray photo

“I've got no talent. Still sing flat as a table. I'm a sort of human spaniel. People come to see what I'm like. I make them feel, I exhaust them, I destroy them.”

Johnnie Ray (1927–1990) American singer, actor, songwriter and composer

On his audience, quoted in Awopbopaloobop Alopbamboom: The Golden Age of Rock https://books.google.com/books?id=GDqHDAAAQBAJ&pg=PT10&lpg=PT10&dq=johnnie+ray+i%27ve+got+no+talent.+Still+sing+flat+as+a+table.+I%27m+a+sort+of+human+spaniel.+People+come+to+see+what+I%27m+like.+I+make+them+feel,+I+exhaust+them,+I+destroy+them.&source=bl&ots=TA8ZYtZoiO&sig=ghfk2d2wBgArGv8PV2AlqkXAavY&hl=en&sa=X&ved=0ahUKEwjs7dWrpI7UAhUr1oMKHRwCDeMQ6AEIKjAB#v=onepage&q=johnnie%20ray%20i've%20got%20no%20talent.%20Still%20sing%20flat%20as%20a%20table.%20I'm%20a%20sort%20of%20human%20spaniel.%20People%20come%20to%20see%20what%20I'm%20like.%20I%20make%20them%20feel%2C%20I%20exhaust%20them%2C%20I%20destroy%20them.&f=false

Linus Torvalds photo

“It's a bird … it's a plane … no, it's KernelMan, faster than a speeding bullet, to your rescue. Doing new kernel versions in under 5 seconds flat …”

Linus Torvalds (1969) Finnish-American software engineer and hacker

Announcement for Linux 1.3.27, 1995-11-14, Torvalds, Linus, 2017-04-25 http://lkml.iu.edu/hypermail/linux/alpha/9509.1/0006.html,
1990s, 1995-99

Andrea Pirlo photo
Peter Greenaway photo
Thomas Kuhn photo
Dorothy Parker photo

“Dotty had
Great Big
Visions of
Quietude.
Dotty saw an
Ad, and it
Left her
Flat.
Dotty had a
Great Big
Snifter of
Cyanide.
And that (said Dotty)
Is that.”

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist

"When We Were Very Sore (Lines on Discovering That You Have Been Advertised as America's A. A. Milne)", first printed in New York World (10 March 1927) p. 15; based on A. A. Milne's "Happiness"
Not Much Fun: The Lost Poems of Dorothy Parker (1996)

Carrie Underwood photo

“I'm flat on the floor, with my head down low, where the sky can't rain on me anymore.”

Carrie Underwood (1983) American country music singer

From Flat on the Floor from the album, Carnival Ride (2007). [Misattributed: performer not credited as writer.]

Alex Miller photo
Robert M. Pirsig photo
Michael Hudson (economist) photo

“So the game plan is not merely to free the income of the wealthiest class to “offshore” itself into assets denominated in harder currencies abroad. It is to scrap the progressive tax system altogether. … How stable can a global situation be where the richest nation does not tax its population, but creates new public debt to hand out to its bankers? … The “solution” to the coming financial crisis in the United States may await the dollar’s plunge as an opportunity for a financial Tonkin Gulf resolution. Such a crisis would help catalyze the tax system’s radical change to a European-style “Steve Forbes” flat tax and VAT sales-excise tax…. More government giveaways will be made to the financial sector in a vain effort to keep bad debts afloat and banks “solvent.” As in Ireland and Latvia, public debt will replace private debt, leaving little remaining for Social Security or indeed for much social spending. … The bottom line is that after the prolonged tax giveaway exacerbates the federal budget deficit – along with the balance-of-payments deficit – we can expect the next Republican or Democratic administration to step in and “save” the country from economic emergency by scaling back Social Security while turning its funding over, Pinochet-style, to Wall Street money managers to loot as they did in Chile. And one can forget rebuilding America’s infrastructure. It is being sold off by debt-strapped cities and states to cover their budget shortfalls resulting from un-taxing real estate and from foreclosures. Welcome to debt peonage. This is worse than what was meant by a double-dip recession. It will be with us much longer.”

Michael Hudson (economist) (1939) American economist

Obama's Bushism http://michael-hudson.com/2010/12/obamas-bushism/ (December 8, 2010)
Michael-Hudson.com, 1998-

Will Rogers photo

“Take the diplomacy out of war and the thing would fall flat in a week.”

Will Rogers (1879–1935) American humorist and entertainer

As quoted in Wit (2003) by Des MacHale, p. 299
As quoted in ...

John Donne photo

“Whilst my physicians by their love are grown
Cosmographers, and their map, who lie
Flat on this bed.”

John Donne (1572–1631) English poet

Hymn to God My God, in My Sickness, stanza 2

Andrew Ure photo

“The stanniferous small veins, or thin flat masses, though of small extent, are sometimes very numerous, interposed between certain rocks, parallel to their beds, and are commonly called tin-floors.”

Andrew Ure (1778–1857) Scottish doctor and chemist

1878, p. 1000.
A Dictionary of Arts, Manufactures, and Mines, 1844

Warren Buffett photo
Terence McKenna photo
P.G. Wodehouse photo
Billie Piper photo

“I was freakishly ambitious. I didn't want to be a child. I wanted my own flat, to work and be a grown up.”

Billie Piper (1982) English singer, dancer and actress

On her childhood.
Guardian interview (2008)

Ray Comfort photo
Tony Blair photo
Piet Mondrian photo

“My experience of the original Edison phonograph goes back to the period when it was first introduced into this country. In fact, I have good reason to believe that I was among the very first persons in London to make a vocal record, though I never received a copy of it, and if I did it got lost long ago. It must have been in 1881 or 1882, and the place where the deed was done was on the first floor of a shop in Hatton Garden, where I had been invited to listen to the wonderful new invention. To begin with, I heard pieces both in song and speech produced by the friction of a needle against a revolving cylinder, or spool, fixed in what looked like a musical box. It sounded to my ear like someone singing about half a mile away, or talking at the other end of a big hall; but the effect was rather pleasant, save for a peculiar nasal quality wholly due to the mechanism, though there was little of the scratching which later was a prominent feature of the flat disc. Recording for that primitive machine was a comparatively simple matter. I had to keep my mouth about six inches away from the horn and remember not to make my voice too loud if I wanted anything approximating to a clear reproduction; that was all. When it was played over to me and I heard my own voice for the first time, one or two friends who were present said that it sounded rather like mine; others declared that they would never have recognised it. I daresay both opinions were correct.”

Herman Klein (1856–1934) British musical critic journalist and singing teacher

The Gramophone magazine, December 1933

Clive Staples Lewis photo
Statius photo

“To stand still is torture; a thousand paces are wasted before the start, the heavy hoof strikes the absent flat.”
Stare adeo miserum est, pereunt vestigia mille ante fugam, absentemque ferit grauis ungula campum.

Source: Thebaid, Book VI, Line 400

S. I. Hayakawa photo

“Citizens of a modern society need […] more than that ordinary "common sense" which was defined by Stuart Chase as that which tells you that the world is flat.”

Stuart Chase (1888–1985) American economist

Stuart Chase in S. I. Hayakawa (1949) Language in Thought and Action. p. 29-30

Amit Chaudhuri photo
Roger Waters photo

“I used to think the world was flat
Rarely threw my hat into the crowd
I felt I had used up my quota of yearning
Used to look in on the children at night
In the glow of their Donald Duck light
And frighten myself with the thought of my little ones burning But ooh, the tide is turning
The tide is turning.”

Roger Waters (1943) English songwriter, bassist, and lyricist of Pink Floyd

"The Tide Is Turning (After Live Aid)", on Radio K.A.O.S. (1987) - Full lyrics at LyricWiki http://lyrics.wikia.com/Roger_Waters:The_Tide_Is_Turning_(After_Live_Aid) · Tour performance http://www.youtube.com/watch?v=66nqhVtq6xo · Video 2 https://www.youtube.com/watch?v=GvTvWJWeQ2g Live in Berlin https://www.youtube.com/watch?v=sFWCAYPWFbs

Elvis Costello photo
Abba Eban photo

“If Algeria introduced a resolution declaring that the earth was flat and that Israel had flattened it, it would pass by a vote of 164 to 13 with 26 abstentions.”

Abba Eban (1915–2002) Israeli diplomat and politician

Comment about the United Nations General Assembly, as quoted in The Guardian (3 February 2004) http://www.guardian.co.uk/comment/story/0,3604,1137594,00.html.

Cyril Connolly photo
Aron Ra photo
Boris Johnson photo

“I will work flat out from now on to earn your trust and to dispel some of the myths that have been created about me.”

Boris Johnson (1964) British politician, historian and journalist

2000s, 2008, First Speech As London Mayor (May 3, 2008)

Paul Signac photo

“The Pointillist chooses a means of expression by which he applies colour on a canvas in small dots rather than spreading it flat.”

Paul Signac (1863–1935) French painter

From Delacroix to Neo-Impressionism, 1899

Will Eisner photo

“The tenement – the name derives from a fifteenth-century legal term for a multiple dwelling – always seemed to me a “ship afloat in concrete.” After all didn’t the building carry passengers on a voyage through life? No. 55 sat at the corner of Dropsie avenue near the elevated train, or the elevated as we called it in those days. It was a treasure house of stories that illustrated tenement life as I remembered it, stories that needed to be told before they faded from memory. Within its “railroad flats,” with rooms strung together train-like lived low-paid city employees or laborers and their turbulent families. Most were recent immigrants, intent n their own survival. They kept busy raising children and dreaming of the better lie they knew existed “uptown.” Hallways were filled with a rich stew of cooking aromas, sounds of arguments and the tinny wail from Victrolas. What community spirit there was stemmed from the common hostility of tenants to the landlord or his surrogate superintendent. Typically, the buildings tenants came and went with regularity, depending on the vagaries of their fortunes But many remained for a lifetime, imprisoned by poverty or old age. There was no real privacy or anonymity. Everybody knew about everybody. Human dramas, both good and bad, instantly gathered witness like ants swarming around a piece of dropped food. From window to window or on the stoop below, the tenants analyzed, evaluated and critiqued each happening, following an obligatory admission that it was really none of their business.”

Will Eisner (1917–2005) American cartoonist

XV-XVI, December 2004
A Contract With God (2004)

Georgia O'Keeffe photo

“Today I walked into the sunset — to mail some letters —... But some way or other I didn't seem to like the redness much so after I mailed the letters I walked home — and kept walking - The Eastern sky was all grey blue — bunches of clouds — different kinds of clouds — sticking around everywhere and the whole thing — lit up — first in one place — then in another with flashes of lightning — sometimes just sheet lightning — and some times sheet lightning with a sharp bright zigzag flashing across it -. I walked out past the last house — past the last locust tree — and sat on the fence for a long time — looking — just looking at — the lightning — you see there was nothing but sky and flat prairie land — land that seems more like the ocean than anything else I know — There was a wonderful moon. Well I just sat there and had a great time by myself — Not even many night noises — just the wind —... I wondered what you were doing - It is absurd the way I love this country — Then when I came back — it was funny — roads just shoot across blocks anywhere — all the houses looked alike — and I almost got lost — I had to laugh at myself — I couldn't tell which house was home - I am loving the plains more than ever it seems — and the SKY — Anita you have never seen SKY — it is wonderful”

Georgia O'Keeffe (1887–1986) American artist

Canyon, Texas (September 11, 1916), pp. 183-184
1915 - 1920, Letters to Anita Pollitzer' (1916)

Gene Wolfe photo

“Here in two flat sentences are the best things I can say about our field on American television: Dr. Who is sometimes aired. Sometimes Battlestar Galactica is not.”

Gene Wolfe (1931–2019) American science fiction and fantasy writer

Guest of Honor speech at Aussiecon Two (August 1985), as published in Castle of Days (1992)
Nonfiction

T.S. Eliot photo
Bob Dylan photo

“Here's the thing with me and the religious thing. This is the flat-out truth: I find the religiosity and philosophy in the music. I don't find it anywhere else.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Dylan Revisited http://europe.newsweek.com/dylan-revisited-174056?rm=eu, Newsweek (1997)

William Kingdon Clifford photo
Ernest Hemingway photo
Thomas Middleton photo

“Beat all your feathers as flat down as pancakes.”

The Roaring Girl (co-written with Thomas Dekker, 1611), Act i. Sc. 1.

Ellsworth Kelly photo
Bernhard Riemann photo
Bernhard Riemann photo

“Let us imagine that from any given point the system of shortest lines going out from it is constructed; the position of an arbitrary point may then be determined by the initial direction of the geodesic in which it lies, and by its distance measured along that line from the origin. It can therefore be expressed in terms of the ratios dx0 of the quantities dx in this geodesic, and of the length s of this line. …the square of the line-element is \sum (dx)^2 for infinitesimal values of the x, but the term of next order in it is equal to a homogeneous function of the second order… an infinitesimal, therefore, of the fourth order; so that we obtain a finite quantity on dividing this by the square of the infinitesimal triangle, whose vertices are (0,0,0,…), (x1, x2, x3,…), (dx1, dx2, dx3,…). This quantity retains the same value so long as… the two geodesics from 0 to x and from 0 to dx remain in the same surface-element; it depends therefore only on place and direction. It is obviously zero when the manifold represented is flat, i. e., when the squared line-element is reducible to \sum (dx)^2, and may therefore be regarded as the measure of the deviation of the manifoldness from flatness at the given point in the given surface-direction. Multiplied by -¾ it becomes equal to the quantity which Privy Councillor Gauss has called the total curvature of a surface. …The measure-relations of a manifoldness in which the line-element is the square root of a quadric differential may be expressed in a manner wholly independent of the choice of independent variables. A method entirely similar may for this purpose be applied also to the manifoldness in which the line-element has a less simple expression, e. g., the fourth root of a quartic differential. In this case the line-element, generally speaking, is no longer reducible to the form of the square root of a sum of squares, and therefore the deviation from flatness in the squared line-element is an infinitesimal of the second order, while in those manifoldnesses it was of the fourth order. This property of the last-named continua may thus be called flatness of the smallest parts. The most important property of these continua for our present purpose, for whose sake alone they are here investigated, is that the relations of the twofold ones may be geometrically represented by surfaces, and of the morefold ones may be reduced to those of the surfaces included in them…”

Bernhard Riemann (1826–1866) German mathematician

On the Hypotheses which lie at the Bases of Geometry (1873)

Kathy Griffin photo
Hans von Bülow photo
Paul Klee photo
Tom Robbins photo
Jeremy Corbyn photo

“In eight simple ways, my Bill seeks to provide a framework for giving pensioners a decent living standard. First, it would fix old-age pensions for couples at half average industrial earnings, and for single people it would be a third…Secondly, my Bill would require central Government to appoint a Minister responsible for the co-ordination of policy on pensioners. Thirdly, it would require local authorities to produce a comprehensive annual report about their policies on pensioners and on the conditions of pensioners in their communities. Fourthly, every health authority would also be asked to do that. Fifthly, the present anomalous system means that in some parts of the country where there are foresighted Labour local authorities there are concessionary transport schemes — free bus passes. They do not exist in some parts of Britain and the Bill would make them a national responsibility and they would be paid for nationally…My sixth point is one of the most important. It is about the introduction of a flat-rate winter heating allowance instead of the nonsensical system of waiting for the cold to run from Monday to Sunday, and then if it is sufficiently cold a rebate is paid in arrears. Last winter that resulted in many old people living in homes that were too cold because they could not afford to heat them. If they did get any aid, it was far too late. My seventh point concerns the abolition of standing charges on gas, electricity and telephones for elderly people. They are paying about £250 million a year towards the profits of the gas industry and those profits will be about £1.5 billion. Standing charges should be cancelled, unit prices maintained and the cost of the standing charge should be taken from the profits of the gas board or the electricity board — if it ends up being privatised. They could well afford to pay for that rather than forcing old people to live in cold and misery throughout the winter. Finally, the Bill would prohibit the cutting off of gas and electricity in any pensioner household.”

Jeremy Corbyn (1949) British Labour Party politician

Speech http://hansard.millbanksystems.com/commons/1987/dec/01/elimination-of-poverty-in-old-age-etc in the House of Commons (1 December 1987).
1980s

Anthony Burgess photo

“We," he said, not without complacency, "are different. We attest the divine paradox. We are barren only to be fertile. We proclaim the primary reality of the world of the spirit which has an infinitude of mansions for an infinitude of human souls. And you too are different. Your destiny is of the rarest kind. You will live to proclaim the love of Christ for man and man for Christ in a figure of earthly love." Preacher's rhetoric; it would have been better in Italian, which thrives on melodious meaninglessness.
I said, with the same weariness as before, "My destiny is to live in a state of desire both church and state condemn and to grow sourly rich in the purveying of a debased commodity. I've just finished a novel which, when I'd read it through in typescript, made me feel sick to my stomach. And yet it's what people want -- the evocation of a past golden time when there was no Mussolini or Hitler or Franco, when gods were paid for with sovereigns, Elgar's Symphony Number One in A flat trumpeted noblimente a massive hope in the future, and the romantic love of a shopgirl and a younger son of the aristocracy portended a healthful inflection but not destruction of the inherited social pattern. Comic servants and imperious duchesses. Hansom cabs and racing at Ascot. Fascists and democrats alike will love it. My destiny is to create a kind of underliterature that lacks all whiff of the subversive.”

Anthony Burgess (1917–1993) English writer

"Don't," Carlo said, "underestimate yourself."
Fiction, Earthly Powers (1980)

Thomas Middleton photo

“A flat case as plain as a pack-staff.”

Thomas Middleton (1580–1627) English playwright and poet

Act v. Sc. 3. Compare: "Plain as a pike-staff", Terence in English (1641); Buckingham, Speech in the House of Lords, 1675; Gil Blas (Smollett’s translation), book xii. chap. viii. John Byrom, Epistle to a Friend.
The Family of Love (co-written with Thomas Dekker, 1602-7)

Mona Charen photo
Joseph Conrad photo

“Then, on the slight turn of the Lower Hope Reach, clusters of factory chimneys come distinctly into view, tall and slender above the squat ranges of cement works in Grays and Greenhithe. Smoking quietly at the top against the great blaze of a magnificent sunset, they give an industrial character to the scene, speak of work, manufactures, and trade, as palm-groves on the coral strands of distant islands speak of the luxuriant grace, beauty and vigour of tropical nature. The houses of Gravesend crowd upon the shore with an effect of confusion as if they had tumbled down haphazard from the top of the hill at the back. The flatness of the Kentish shore ends there. A fleet of steam-tugs lies at anchor in front of the various piers. A conspicuous church spire, the first seen distinctly coming from the sea, has a thoughtful grace, the serenity of a fine form above the chaotic disorder of men’s houses. But on the other side, on the flat Essex side, a shapeless and desolate red edifice, a vast pile of bricks with many windows and a slate roof more inaccessible than an Alpine slope, towers over the bend in monstrous ugliness, the tallest, heaviest building for miles around, a thing like an hotel, like a mansion of flats (all to let), exiled into these fields out of a street in West Kensington. Just round the corner, as it were, on a pier defined with stone blocks and wooden piles, a white mast, slender like a stalk of straw and crossed by a yard like a knitting-needle, flying the signals of flag and balloon, watches over a set of heavy dock-gates. Mast-heads and funnel-tops of ships peep above the ranges of corrugated iron roofs. This is the entrance to Tilbury Dock, the most recent of all London docks, the nearest to the sea.”

Hope Point to Tilbury / Gravesend
The Mirror of the Sea (1906), On the River Thames, Ch. 16

Nikolai Krylenko photo

“We are sometimes up against a flat refusal to apply this law rigidly. One People's Judge told me flatly that he could never bring himself to throw someone in jail for stealing four ears. What we're up against here is a deep prejudice, imbibed with their mother's milk… a mistaken belief that people should be tried in accordance not with the Party's political guidelines but with considerations of "higher justice."”

Nikolai Krylenko (1885–1938) Russian revolutionary, politician and chess organiser

Krylenko criticizing the leniency of some Soviet officials who objected to the infamous "five ears law". Quoted in Edvard Radzinsky, Stalin: The First In-Depth Biography Based on Explosive New Documents from Russia's Secret Archives, page 258.

Nathanael Greene photo
Aldo Palazzeschi photo
Ambrose Bierce photo

“Wisdom is known only by contrasting it with folly; by shadow only we perceive that all visible objects are not flat. Yet Philanthropos would abolish evil!”

Ambrose Bierce (1842–1914) American editorialist, journalist, short story writer, fabulist, and satirist

Source: Epigrams, p. 373

“From the midst of the flat plain of human reason, there arises the terrible, fire-spewing mountain of genius.”

Constantin Brunner (1862–1937) German philosopher

Source: Our Christ : The Revolt of the Mystical Genius (1921), p. 168

John F. Kerry photo
Laurent Clerc photo

“Every creature, every work of God, is admirably well made; but if any one appears imperfect in our eyes, it does not belong to us to criticise it. Perhaps that which we do not find right in its kind, turns to our advantage, without our being able to perceive it. Let us look at the state of the heavens, one while the sun shines, another time it does not appear; now the weather is fine; again it is unpleasant; one day is hot, another is cold; another time it is rainy, snowy or cloudy; every thing is variable and inconstant. Let us look at the surface of the earth: here the ground is flat; there it is hilly and mountainous; in other places it is sandy; in others it is barren; and elsewhere it is productive. Let us, in thought, go into an orchard or forest. What do we see? Trees high or low, large or small, upright or crooked, fruitful or unfruitful. Let us look at the birds of the air, and at the fishes of the sea, nothing resembles another thing. Let us look at the beasts. We see among the same kinds some of different forms, of different dimensions, domestic or wild, harmless or ferocious, useful or useless, pleasing or hideous. Some are bred for men's sakes; some for their own pleasures and amusements; some are of no use to us. There are faults in their organization as well as in that of men. Those who are acquainted with the veterinary art, know this well; but as for us who have not made a study of this science, we seem not to discover or remark these faults. Let us now come to ourselves. Our intellectual faculties as well as our corporeal organization have their imperfections. There are faculties both of the mind and heart, which education improve; there are others which it does not correct. I class in this number, idiotism, imbecility, dulness. But nothing can correct the infirmities of the bodily organization, such as deafness, blindness, lameness, palsy, crookedness, ugliness. The sight of a beautiful person does not make another so likewise, a blind person does not render another blind. Why then should a deaf person make others so also? Why are we Deaf and Dumb? Is it from the difference of our ears? But our ears are like yours; is it that there may be some infirmity? But they are as well organized as yours. Why then are we Deaf and Dumb? I do not know, as you do not know why there are infirmities in your bodies, nor why there are among the human kind, white, black, red and yellow men. The Deaf and Dumb are everywhere, in Asia, in Africa, as well as in Europe and America. They existed before you spoke of them and before you saw them.”

Laurent Clerc (1785–1869) French-American deaf educator

Statement of 1818, quoted in Through Deaf Eyes: A Photographic History of an American Community (2007) by Douglas C. Baynton, Jack R. Gannon, and Jean Lindquist Bergey

Johan Cruyff photo
Noel Coward photo
Willa Cather photo

“I dream of a sculpture in which landscape, architecture and city are one. It might be a city like Marseille, a city steaming with heat which suddenly transmogrifies. I becomes an immense piece of sculpture, a gigantic figure, made up of white blocks and segmented by flat, horizontal terraces, arranged in a bare and motionless landscape.”

Fritz Wotruba (1907–1975) Austrian sculptor (23 April 1907, Vienna – 28 August 1975, Vienna)

circa 1969
Quote of Wotruba in: 'Sculpture of Rotterdam', ed. Jan van Adrichem / Jelle Bouwhuis / Mariëtte Dulle, Center for the Art, 010 Publishers, Rotterdam, 2002, p. 198.

Khaled Hosseini photo
Boris Johnson photo