“I still, when I judge my own pictures (either while I'm working or after I think it's finished) determine if they work in a certain kind of space through shape or color. I think all totally abstract pictures – the best ones that really come off – Newman, Pollock, Noland – have tremendous space; perspective space despite the emphasis on flat surface. For example, in Noland a band of yellow in relation to a band of blue and one of orange can move in depth although they are married to the surface. This has become a familiar explanation, but few people really see and feel it that way.... in my work, because of color and shape a lot is read in the landscape sense..”

—  Helen Frankenthaler

Source: 1960s, Interview with Henry Geldzahler', in 'Artforum', 1965, p. 37

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Helen Frankenthaler photo
Helen Frankenthaler46
American artist 1928–2011

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Source: 1960s, "Specific Objects," 1965, p. 76; As quoted in: De gids, Vol. 131, Nr. 1-5, (1968), p. 262

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