Quotes about figure
page 12

Donald J. Trump photo
Richard Feynman photo
Glenn Jacobs photo
Philip K. Dick photo
Brian Leiter photo
Henri Fantin-Latour photo
Auguste Rodin photo

“The landscape painter, perhaps, goes even further. It is not only in living beings that he sees the reflection of the universal soul; it is in the trees, the bushes, the valleys, the hills. What to other men is only wood and earth appears to the great landscapist like the face of a great being. Corot saw kindness abroad in the trunks of the trees, in the grass of the fields, in the mirroring water of the lakes. But there Millet read suffering and resignation.
Everywhere the great artist hears spirit answer to his spirit. Where, then, can you find a more religious man?
Does not the sculptor perform his act of adoration when he perceives the majestic character of the forms that he studies? — when, from the midst of fleeting lines, he knows how to extricate the eternal type of each being? — when he seems to discern in the very breast of the divinity the immutable models on which all living creatures are moulded? Study, for example, the masterpieces of the Egyptian sculptors, either human or animal figures, and tell me if the accentuation of the essential lines does not produce the effect of a sacred hymn. Every artist who has the gift of generalizing forms, that is to say, of accenting their logic without depriving them of their living reality, provokes the same religious emotion; for he communicates to us the thrill he himself felt before the immortal verities.”

Auguste Rodin (1840–1917) French sculptor

Art, 1912, Ch. Mystery in Art

Dinesh D'Souza photo
Amir Taheri photo

“It might come as a surprise to many, but the truth is that Islam today no longer has a living and evolving theology. In fact, with few exceptions, Islam’s last genuine theologians belong to the early part of the 19th century. Go to any mosque anywhere, whether it is in New York or Mecca, and you are more likely to hear a political sermon rather than a theological reflection. In the highly politicized version of Islam promoted by Da’esh, al Qaeda, the Khomeinists in Iran, the Taliban in Afghanistan and Boko Haram in Nigeria, God plays a cameo role at best. Deprived of its theological moorings, today’s Islam is a wayward vessel under the captaincy of ambitious adventurers leading it into sectarian feuds, wars and terrorism. Many, especially Muslims in Europe and North America, use it as a shibboleth defining identity and even ethnicity. A glance at Islam’s history in the past 200 years highlights the rapid fading of theologians. Today, Western scholars speak of Wahhabism as if that meant a theological school. In truth, Muhammad Abdul-Wahhabi was a political figure. His supposedly theological writings consist of nine pages denouncing worship at shrines of saints. Nineteenth-century “reformers” such as Jamaleddin Assadabadi and Rashid Rada were also more interested in politics than theology. The late Ayatollah Khomeini, sometimes regarded as a theologian, was in fact a politician wearing clerical costume. His grandson has collected more than 100,000 pages of his writings and speeches and poetry. Of these, only 11 pages, commenting on the first and shortest verse of the Koran, could be regarded as dabbling in theology, albeit not with great success.”

Amir Taheri (1942) Iranian journalist

"The mad dream of a dead empire that unites Islamic rebels" http://nypost.com/2014/06/14/the-mad-dream-of-a-dead-empire-that-unites-islamic-rebels/, New York Post (June 14, 2014).
New York Post

Edward Thomson photo
Jacques Bertin photo
Max Stirner photo
Paul A. Samuelson photo
Jerry Coyne photo
Don DeLillo photo
Henry Adams photo
John Gray photo
L. P. Hartley photo
Sarah Jessica Parker photo
Marshall McLuhan photo

“In Catch-22, the figure of the black market and the ground of war merge into a monster presided over by the syndicate. When war and market merge, all money transactions begin to drip blood.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1970s, Take Today : The Executive as Dropout (1972), p. 211

Theodore Gray photo

“Lawyers exist to tell you everything that could possibly go wrong with anything you want to do. The correct way to interact with them is to say thank you very much, and then do it anyway. Actually no one told me that; I had to figure it out myself.”

Theodore Gray (1964) American science writer

As quoted in Getting Personal: Theodore Gray http://www.news-gazette.com/news/local/2013-02-10/getting-personal-theodore-gray.html

Georg Wilhelm Friedrich Hegel photo

“Among the Romans in Christian times Mithras-worship as very widely spread, and so late as the Middle Ages we meet with a secret Mithras-worship ostensibly connected with the order of the Knights-Templars. Mithras thrusting the knife into the neck of the ox is a figurative representation belonging essentially to the cult of Mithras, of which examples have been frequently found in Europe.”

Georg Wilhelm Friedrich Hegel (1770–1831) German philosopher

Hegel, Georg Wilhelm Friedrich, Lectures on the philosophy of religion, together with a work on the proofs of the existence of God. Vol 2 Translated from the 2d German ed. 1895 Ebenezer Brown Speirs 1854-1900, and J Burdon Sanderson p. 81-82
Lectures on Philosophy of Religion, Volume 2

Antonio Negri photo
F. Scott Fitzgerald photo
Marshall McLuhan photo
John Updike photo
Charles-François Daubigny photo

“I have bought at Auverse thirty perches of land, all covered with beans, on which I shall plant some legs of mutton when you come to see me. They are building me a studio there, some eight by six meters, with several rooms around it, which will serve me, I hope, next Spring [of 1861]. Father Corot has found Auvers very fine, and has engaged me to fix myself there for a part of the year, wishing to make rustic landscapes with figures. I shall be truly well of there, in the midst of a good farming country, where the ploughs do not yet go by steam.”

Charles-François Daubigny (1817–1878) French painter

Quote in his letter to his friend Frédéric Henriet, https://commons.wikimedia.org/w/index.php?search=Fr%C3%A9d%C3%A9ric+Henriet&title=Special:Search&go=Go&searchToken=dt4h140y68u3oxynlcr55rftr#/media/File:Eaux-fortes._(Frontispiece)_(NYPL_b12616975-1690388).jpg, 1860; as cited in 'Charles-francois Daubigny', by Robert J. Wichenden, in The Century Illustrated Montly Magazine, Vol. XLIV, July 1892, p. 335
Daubigny bought property in Auvers-sur-Oise in 1860; four years later Corot would decorate there his Villa des Vallées, with beautiful murals.
1840s - 1850s

Mahmoud Ahmadinejad photo

“Almost all governments and known figures strongly condemned this incident [the September 11 attacks]. But then a propaganda machine came into full force; it was implied that the whole world was exposed to a huge danger, namely terrorism, and that the only way to save the world would be to deploy forces into Afghanistan. Eventually Afghanistan, and, shortly thereafter, Iraq were occupied.… In identifying those responsible for the attack, there were three viewpoints: (1) That a very powerful and complex terrorist group, able to successfully cross all layers of the American intelligence and security, carried out the attack. This is the main viewpoint advocated by American statesmen. (2) That some segments within the U. S. government orchestrated the attack to reverse the declining American economy and its grips on the Middle East in order also to save the Zionist regime. The majority of the American people as well as other nations and politicians agree with this view. (3) It was carried out by a terrorist group but the American government supported and took advantage of the situation. Apparently, this viewpoint has fewer proponents.”

Mahmoud Ahmadinejad (1956) 6th President of the Islamic Republic of Iran

Speech to the United Nations General Assembly http://www.politicaltheatrics.net/2010/09/transcript-of-president-mahmoud-ahmadinejads-un-speech/ (22 September 2010). CNN and other American news agencies reported the emphasized remark as Ahmadinejad's expression of a personal belief.
2010

Bernie Sanders photo

“Anybody help me out here, because I don't remember the figures, but my recollection is over 10,000 innocent people were killed in Gaza. Does that sound right? I don't have it in my number… but I think it's over 10,000. My understanding is that a whole lot of apartment houses were leveled. Hospitals, I think, were bombed. So yeah, I do believe and I don't think I'm alone in believing that Israel's force was more indiscriminate than it should have been.”

Bernie Sanders (1941) American politician, senator for Vermont

As quoted in "Massively inflating toll, Sanders suggests Israel killed ‘over 10,000 innocents’ in Gaza" http://www.timesofisrael.com/massively-inflating-death-toll-sanders-says-israel-killed-over-10000-innocents-in-gaza/ by Eric Cortellessa, The Times of Israel (5 April 2016)
"Sanders' estimate far exceeds even Palestinian sources, which estimate that 1,462 Palestinians were killed out of the 2,251 Gaza War fatalities in 2014. Israeli figures are lower." Ariel Cohen, "Sanders: Israel 'indiscriminately' killed '10,000' Palestinians" http://www.washingtonexaminer.com/sanders-israel-indiscriminately-killed-10000-palestinians/article/2587752 Washington Examiner (5 April 2016)
2010s, 2016

“On the side of physics, there were a few key figures in Oxford who realized, in all probability unlike the majority of their colleagues in the physics department, that physics without interpretation is only part of the story, and that theories like quantum mechanics need careful foundational reflection.”

Harvey Brown (philosopher) (1950) Philosopher of physics

Physics and Philiosophy in Oxford: a prosperous example of interdisciplinarity, in [Innovation and interdisciplinarity in the university, EDIPUCRS, 2007, 8-574-30677-0, 304 http://books.google.com/books?id=-OGr007TQ0AC&printsec=frontcover#PPA304,M1]

Viswanathan Anand photo
Willa Cather photo
Giordano Bruno photo
Jacques Derrida photo
Thomas Gainsborough photo

“Do you consider, my dear maggotty sir [cosy-name for his friend], what a deal of work history pictures require to what little dirty subjects of coal horses and jackasses and such figures as I fill up with; no, you don't consider anything about that part of the story... But to be serious (as I know you love to be), do you really think that a regular composition in the Landskip [landscape] way should ever be filled with History, or any figures but such as fill a place (I won't say stop a gap) or create a little business for the eye to be drawn from the trees in order to return to them with more glee.”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

Quote from Gainsborough's letter to his friend William Jackson of Exeter, from Bath 23 Aug. 1767; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 379 (Appendix A - Letter I)
1755 - 1769

Plutarch photo
Bernard Cornwell photo

“[Institutional entrepreneurs must] size up the condition of the organizational field and figure out what kinds of action make sense.”

Neil Fligstein (1951) American sociologist

Source: "Social skill and institutional theory." 1997, p. 398

Samuel Johnson photo

“A fellow that makes no figure in company, and has a mind as narrow as the neck of a vinegar-cruet.”

Samuel Johnson (1709–1784) English writer

Tour to the Hebrides, Sept. 30, 1773
Bartlett's Familiar Quotations, 10th ed. (1919)

Maimónides photo
John Crowley photo
Jeremy Clarkson photo
Tiffany Trump photo
Bruce Fein photo

“Like Benito Mussolini, Armenians believe truth is an assertion at the head of a figurative bayonet.”

Bruce Fein (1947) American lawyer

Armenian crime amnesia? (2007)

Adolf Hitler photo
James C. Collins photo
Henri Matisse photo
Henry Adams photo

“…analogies […] are figures intended to serve as fatal weapons if they succeed, and as innocent toys if they fail.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)

Ernst Ludwig Kirchner photo

“.. art is made by man. His own figure is the center of all art... Therefore one must begin with the man himself.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

c. 1910; as quoted in: Der Blick auf Fränzi und Marcella: Zwei Modelle der Brücke-Künstler Heckel, Kirchner und Pechstein, Norbert Nobis; Sprengel Museum Hannover und Stiftung Moritzburg, 2011, p 17
1905 - 1915

Paul Krugman photo
Tsangyang Gyatso, 6th Dalai Lama photo

“I know her body's softness
but not her love.
I draw figures in sand
to measure great distances
through the sky.”

Tsangyang Gyatso, 6th Dalai Lama (1683–1706) sixth Dalai Lama of Tibet

Source: Attributed, Poems of Sadness: The Erotic Verse of the Sixth Dalai Lama Tsangyang Gyatso tr. Paul Williams 2004, p.72

Sam Harris photo

“This is a common criticism: the idea that the atheist is guilty of a literalist reading of scripture, and that it’s a very naive way of approaching religion, and there’s a far more sophisticated and nuanced view of religion on offer and the atheist is disregarding that. A few problems with this: anyone making that argument is failing to acknowledge just how many people really do approach these texts literally or functionally - whether they’re selective literalists, or literal all the way down the line. There are certain passages in scripture that just cannot be read figuratively. And people really do live by the lights of what is literally laid out in these books. So, the Koran says “hate the infidel” and Muslims hate the infidel because the Koran spells it out ad nauseam. Now, it’s true that you can cherry-pick scripture, and you can look for all the good parts. You can ignore where it says in Leviticus that if a woman is not a virgin on her wedding night you’re supposed to stone her to death on her father’s doorstep. Most religious people ignore those passages, which really can only be read literally, and say that “they were only appropriate for the time” and “they don’t apply now”. And likewise, Muslims try to have the same reading of passages that advocate holy war. They say “well, these were appropriate to those battles that Mohammed was fighting, but now we don’t have to fight those battles”. This is all a good thing, but we should recognize what’s happening here: people are feeling pressure from a host of all-too-human concerns that have nothing, in principle, to do with God: secularism, and human rights, and democracy, and scientific progress. These have made certain passages in scripture untenable. This is coming from outside religion, and religion is now making a great show of its sophistication in grappling with these pressures. This is an example of religion losing the argument with modernity.”

Sam Harris (1967) American author, philosopher and neuroscientist

Sam Harris in interview by Big Think (04/07/2007) http://www.youtube.com/watch?v=8zV3vIXZ-1Y&t=6s
2000s

Jacoba van Heemskerck photo

“I got the idea to paint people, in the way I see them. From one face I take to my own idea some very characteristic features of it and then I make of the whole a picture in colors and lines, in the way how I meet that person. The whole thing becomes not at all a portrait in the usual sense... I have tried to make types, but will built in more and more personal qualities and all that kind of things... Everything will be figured out fully abstract of course, it is just a personal feeling and no system at all.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from German, Fons Heijnsbroek, 2018
(original version, written by Jacoba in German:) Meine Idee ist es die Menschen zu malen, wie ich sie sehe. Ich nehme aus einem Gesicht einige meiner Ansicht nach am meisten sprechende Züge und ich mache dann vom ganzen ein Bild in den Farben und Linien, wie die Person mir entgegentritt. Das Ganze ist gar kein Porträt im gewöhnlichen Sinne.. .Ich habe mich bemüht, jetz noch Typen zu machen und werde mehr und mehr persönliche Eigenschaften und alle mögliche hereinbringen.. .Alles muss man sich natürlich ganz abstrakt denken, es ist ein persönliches Gefühl und gar kein System.
in a letter to Herwarth Walden, 6 Feb. 1918; as cited by Arend H. Huussen Jr. in Jacoba van Heemskerck, kunstenares van het Expressionisme, Haags Gemeentemuseum The Hague, 1982, p. 20
1910's

Trevor Noah photo

“Juggling is such a white thing, as well, when you think about it. No, just the whole concept. You have so much stuff that, at some point, you are like: "I can't even hold all of this stuff! I'll have to throw some of it in the air!" That's probably how juggling started. Someone was like: "Wow, you have three things, but you only have two hands. Would you like to share something with me?" "No, no, I'll figure this out."”

Trevor Noah (1984) South African comedian

9 marzo 2017
The Daily Show
Source: Visible at 01:00 White People Are Having a Good Time in America http://www.cc.com/video-clips/sb2sj5/the-daily-show-with-trevor-noah-white-people-are-having-a-good-time-in-america, CC.com, 9 March 2017.

Charles Krauthammer photo
Max Boot photo

“As media scramble to figure out Trump's evolving position on immigration, remember he cares *only* about feeding his ego. Policy irrelevant.”

Max Boot (1969) American writer and historian

Twitter, August 20, 2016 https://twitter.com/MaxBoot/status/767160352262029312

David Crystal photo
Loreena McKennitt photo
Elizabeth Hand photo
Hyman George Rickover photo
Fernand Léger photo
Leszek Kolakowski photo

“To prevent the starving peasants from fleeing to the towns an internal passport system was introduced and unauthorized change of residence was made punishable with imprisonment. Peasants were not allowed passports at all, and were therefore tied to the soil as in the worst days of feudal serfdom: this state of things was not altered until the 1970s. The concentration camps filled with new hordes of prisoners sentenced to hard labour. The object of destroying the peasants’ independence and herding them into collective farms was to create a population of slaves, the benefit of whose labour would accrue to industry. The immediate effect was to reduce Soviet agriculture to a state of decline from which it has not yet recovered, despite innumerable measures of reorganization and reform. At the time of Stalin’ s death, almost a quarter of a century after mass collectivization was initiated, the output of grain per head of population was still below the 1913 level; yet throughout this period, despite misery and starvation, large quantities of farm produce were exported all over the world for the sake of Soviet industry. The terror and oppression of those years cannot be expressed merely by the figures for loss of human life, enormous as these are; perhaps the most vivid picture of what collectivization meant is in Vasily Grossman’ s posthumous novel Forever Flowing.”

Leszek Kolakowski (1927–2009) Philosopher, historian of ideas

pg. 39
Main Currents Of Marxism (1978), Three Volume edition, Volume III: The Breakdown

Jean Metzinger photo
Ferdinand Foch photo
George Carlin photo
Alexej von Jawlensky photo
Alauddin Khalji photo

“They took captive a great number of handsome and elegant maidens, amounting to 20,000, and children of both sexes, 'more than the pen can enumerate'… In short, the Muhammadan army brought the country to utter ruin, and destroyed the lives of the inhabitants, and plundered the cities, and captured their offspring, so that many temples were deserted and the idols were broken and trodden under foot, the largest of which was one called Somnat, fixed upon stone, polished like a mirror of charming shape and admirable workmanship' Its head was adorned with a crown set with gold and rubies and pearls and other precious stones' and a necklace of large shining pearls, like the belt of Orion, depended from the shoulder towards the side of the body….
'The Muhammadan soldiers plundered all these jewels and rapidly set themselves to demolish the idol. The surviving infidels were deeply affected with grief, and they engaged 'to pay a thousand pieces of gold' as ransom for the idol, but they were indignantly rejected, and the idol was destroyed, and 'its limbs, which were anointed with ambergris and perfumed, were cut off. The fragments were conveyed to Delhi, and the entrance of the Jami' Masjid was paved with them, that people might remember and talk of this brilliant victory.' Praise be to God, the Lord of the worlds. Amen! After some time, among the ruins of the temples, a most beautiful jasper-coloured stone was discovered, on which one of the merchants had designed some beautiful figures of fighting men and other ornamental figures of globes, lamps, etc., and on the margin of it were sculptured verses from the Kurdn. This stone was sent as an offering to the shrine of the pole of saints… At that time they were building a lofty octagonal dome to the tomb. The stone was placed at the right of the entrance. "At this time, that is, in the year 707 h. (1307 a. d.), 'Alau-d din is the acknowledged Sultan of this country. On all its borders there are infidels, whom it is his duty to attack in the prosecution of a holy war, and return laden with countless booty."”

Alauddin Khalji (1266–1316) Ruler of the Khalji dynasty

Somnath. Abdu’llah ibn Fazlu’llah of Shiraz (Wassaf) : Tarikh-i-Wassaf (Tazjiyatu’l Amsar Wa Tajriyatu’l Ãsar), in Elliot and Dowson, Vol. III : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 43-44. Also quoted in Jain, Meenakshi (2011). The India they saw: Foreign accounts.
Quotes from The History of India as told by its own Historians

Henry Adams photo
Carl Schmitt photo

“In a community, the constitution of which provides for a legislator and a law, it is the concern of the legislator and of the laws given by him to ascertain the mediation through calculable and attainable rules and to prevent the terror of the direct and automatic enactment of values. That is a very complicated problem, indeed. One may understand why law-givers all along world history, from Lycurgus to Solon and Napoleon have been turned into mythical figures. In the highly industrialized nations of our times, with their provisions for the organization of the lives of the masses, the mediation would give rise to a new problem. Under the circumstances, there is no room for the law-giver, and so there is no substitute for him. At best, there is only a makeshift which sooner or later is turned into a scapegoat, due to the unthankful role it was given to play.
A jurist who interferes, and wants to become the direct executor of values should know what he is doing. He must recall the origins and the structure of values and dare not treat lightly the problem of the tyranny of values and of the unmediated enactment of values. He must attain a clear understanding of the modern philosophy of values before he decides to become valuator, revaluator, upgrader of values. As a value-carrier and value-sensitive person, he must do that before he goes on to proclaim the positings of a subjective, as well as objective, rank-order of values in the form of pronouncements with the force of law.”

Carl Schmitt (1888–1985) German jurist, political theorist and professor of law

"The Tyranny of Values" (1959)

Jozef Israëls photo

“No, the Dutchman is not cold, not insensitive, our people are still full of enthusiasm for what is noble and good. Holland above all! We artists, from Rembrandt to Maris, rave over our country. We find our Holland a delicious beautiful country with its meadows, its beaches, its sea, its domestic interiors, its figures, peasants, farmers, Jews, merchants, everything is similar picturesque as it is all just up for grabs. The most beautifully in the Netherlands is however Amsterdam, that delicious spacious Amsterdam, which is expressing so much and uniting so much in itself.”

Jozef Israëls (1824–1911) Dutch painter

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat van Jozef Israëls, in Nederlands): Neen, de Nederlander is niet koud, niet ongevoelig, ons volk is nog steeds vol geestdrift voor wat edel en goed is. Holland bovenal! Wij kunstenaars, van Rembrandt tot Maris, dwepen met ons land. Wij vinden ons Holland een heerlijk mooi land met zijn weiden, zijn stranden, zijn zee, zijn binnenhuizen, zijn figuren, boeren, landlieden, joden, kooplieden, alles is even schilderachtig, als maar voor het grijpen. Het mooiste van Nederland is echter Amsterdam, het heerlijk ruim Amsterdam, waarvan zoveel uitgaat en dat zooveel in zich vereenigt.
Quote from Israëls' speech of thanks at the honoring-party for his 70th birthday in Arti et Amacitiae in Amsterdam, Feb 1885; as cited in 'Jozef Israëls in Arti', in Algemeen Hadelsblad, 6 Feb. 1895
Quotes of Jozef Israels, 1871 - 1900

William Jones photo

“The fundamental tenet of the Védántí school, to which in a more modern age the incomparable Sancara was a firm and illustrious adherent, consisted, not in denying the existence of matter, that is, of solidity, impenetrability, and extended figure (to deny which would be lunacy), but, in correcting the popular notion of it, and in contending, that it has no essence independent of mental perception, that existence and perceptibility are convertible terms, that external appearances and sensations are illusory, and would vanish into nothing if the divine energy, which alone sustains them, were suspended but for a moment; an opinion which Epicharmus and Plato seem to have adopted, and which has been maintained in the present century with great elegance, but with little publick applause; partly because it has been misunderstood, and partly because it has been misapplied by the false reasoning of some unpopular writers, who are said to have disbelieved in the moral attributes of God, whose omnipresence, wisdom, and goodness are the basis of the Indian philosophy… [N]othing can be farther removed from impiety than a system wholly built on the purest devotion; and the inexpressible difficulty, which any man, who shall make the attempt, will assuredly find in giving a satisfactory definition of material substance, must induce us to deliberate with coolness, before we censure the learned and pious restorer of the ancient Véda; though we cannot but admit, that, if the common opinions of mankind be the criterion of philosophical truth, we must adhere to the system of Gotama, which the Bráhmens of this province almost universally follow.”

William Jones (1746–1794) Anglo-Welsh philologist and scholar of ancient India

II. pp. 238-239
"On the Philosophy of the Asiatics" (1794)

Woody Allen photo

“It figures you’ve got to hate yourself if you’ve got any integrity at all.”

Woody Allen (1935) American screenwriter, director, actor, comedian, author, playwright, and musician

Quoted by Douglas Brode in Woody Allen – His Films and Career (1985).

Ezra Pound photo
Donald J. Trump photo
Robert Lynn Asprin photo
Peter Kropotkin photo

“Lenin is not comparable to any revolutionary figure in history. Revolutionaries have had ideals. Lenin has none. He is a madman, an immolator, wishful of burning, and slaughter, and sacrificing.”

Peter Kropotkin (1842–1921) Russian zoologist, evolutionary theorist, philosopher, scientist, revolutionary, economist, activist, geogr…

As quoted in Peter Kropotkin : From Prince to Rebel (1990) by George Woodcock and Ivan Avakumovic, p. 407

Auguste Rodin photo

“In sculpture the projection of the fasciculi must be accentuated, the foreshortening forced, the hollows deepened; sculpture is the art of the hole and the lump, not of clear, well-smoothed, unmodelled figures. Ignorant people, when they see close-knitted true surfaces, say that 'it is not finished.' No notion is falser than that of finish unless it be that of elegance; by means of these two ideas people would kill our art. The way to obtain solidity and life is by work carried out to the fullest, not in the direction of achievement and of copying détails, but in that of truth in the successive schemes. The public, perverted by académie préjudices, confounds art with neatness. The simplicity of the 'École' is a painted cardboard ideal, A cast from life is a copy, the exactest possible copy, and yet it has neither motion nor eloquence. Art intervenes to exaggerate certain surfaces, and also to fine down others. In sculpture everything depends upon the way in which the modelling is carried out with a constant thought of the main line of the scheme, upon the rendering of the hollows, of the projections and of their connections; thus it is that one may get fine lights, and especially fine shadows that are not opaque. Everything should be emphasised according to the accent that it is desired to render, and the degree of amplification is personal, according to the tact and the temperament of each sculptor; and for this reason there is no transmissible process, no studio recipe, but only a true law. I see it in the antique and in Michael Angelo. To work by the profiles, in depth not by surfaces, always thinking of the few geometrical forms from which all nature proceeds, and to make these eternal forms perceptible in the individual case of the object studied, that is my criterion. That is not idealism, it is a part of the handicraft. My ideas have nothing to do with it but for that method; my Danaids and my Dante figures would be weak, bad things. From the large design that I get your mind deduces ideas.”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 61-63

Richard Stallman photo
William Herschel photo
Camille Pissarro photo

“I can quite understand the effort he is making; it is a very good thing not to want to go on repeating oneself. But he has concentrated all his attention on line; the figures stand out against each other without any sort of relationship, and so the whole thing is meaningless. Renoir is no draughtman, and without the lovely colours he used to use so instinctively, he is incoherent.”

Camille Pissarro (1830–1903) French painter

In a letter to his son w:Lucien Pissarro, 14th May 1887, as quoted in Renoir – his life and work, Francois Fosca, Book Club Associates /Thames and Hudson Ltd, London 1975, p. 188
Pissarro's critical quote on Renoir's painting art
1880's

Ralph Waldo Emerson photo

“The days …. come and go like muffled and veiled figures, sent from a distant friendly party; but they say nothing, and if we do not use the gifts they bring, they carry them as silently away.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Works and Days http://www.rwe.org/comm/index.php?option=com_content&task=view&id=37&Itemid=148
1870s, Society and Solitude (1870)

Auguste Rodin photo

“I feel it, but I cannot express it,… I cannot analyse the Celtic genius to my own satisfaction. In the Middle Ages art came from groups, not from individuals. It was anonymous; the sculptors of cathedrals no more put their names to their works than our workmen put theirs on the pavement that they lay. Ah! what an admirable scorn of notoriety! The signature is what destroys us. We do portraits, but what we do is not so great. Thèse kings and queens, on the cathedrals, were not portraits. The fellow-workers stood for one another, and they interpreted; they did not copy. They made clothed figures; the nude and portraiture only date from the Renascence. And then those fellows cut with the tool's end into the block, that is why they were called sculptors. As for us, we are modellers. And what a disgraceful thing that casting from life is, which so many well-known sculptors do not blush to use! It is a mere swindling in art. Art was a vital function to the image-makers of the thirteenth century; they would hâve laughed at the idea of signing what they did, and never dreamed of honours and titles. When once their work was finished, they said no more about it, or else they talked among themselves. How curious it would hâve been to hear them, to be present at their gatherings, where they must hâve discussed in amusing phrases, and with simple, deep ideas!… Whenever the cathedrals disappear civilisation will go down one step. And even now we no longer understand them, we no longer know how to read their silent language. We need to make excavations not in the earth, but towards heaven…”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 63-64; About the genius of the Gothic sculptors.

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