Quotes about figure
page 13

Frederick Rolfe photo
David Brewster photo
Mona Sahlin photo

“I can not figure out what Swedish culture is. I think that's what makes many Swedes jealous of immigrant groups. You have a culture, an identity, a history, something that brings you together. And what do we have? We have Midsummer's Eve and such silly things.”

Mona Sahlin (1957) Swedish politician

Mona Sahlin in a speech to the Turkish youth organization Euroturk, March, 2002 http://turkiskaungdomsforbundet.blogspot.com/2010/11/euroturk-pa-natet.html

Malcolm McDowell photo
Enoch Powell photo

“For as long as I can remember,' I said, continuing to speak to the figure standing in the archway, 'I have had an intense and highly aesthetic perception of what I call the icy bleakness of things. At the same time I have felt a great loneliness in this perception. This conjunction of feelings seems paradoxical, since such a perception, such a view of things, would seem to preclude the emotion of loneliness, or any sense of a killing sadness, as I think of it. All such heartbreaking sentiment, as usually considered, would seem to be on its knees before artworks such as yours, which so powerfully express what I have called the icy bleakness of things, submerging or devastating all sentiment in an atmosphere potent with desolate truths, permeated throughout with a visionary stagnation and lifelessness. Yet I must observe that the effect, as I now consider it, has been just the opposite. If it was your intent to evoke the icy bleakness of things with your dream monologues, then you have totally failed on both an artistic and an extra-artistic level. You have failed your art, you have failed yourself, and you have also failed me. If your artworks had really evoked the bleakness of things, then I would not have felt this need to know who you are, this killing sadness that there was actually someone who experienced the same sensations and mental states that I did and who could share them with me in the form of tape-recorded dream monologues. Who are you that I should feel this need to go to work hours before the sun comes up, that I should feel this was something I had to do and that you were someone that I had to know? This behavior violates every principle by which I have lived for as long as I can remember. Who are you to cause me to violate these long-lived principles?”

Thomas Ligotti (1953) American horror author

The Bungalow House

Will Eisner photo
Clay Shirky photo
Eugene Rotberg photo
James McNeill Whistler photo
Marino Marini photo
Mike Tyson photo
Ayaan Hirsi Ali photo
Willem de Sitter photo
Omar Khayyám photo

“Said one among them — "Surely not in vain
My substance of the common Earth was ta'en
And to this Figure moulded, to be broke,
Or trampled back to shapeless Earth again."”

Omar Khayyám (1048–1131) Persian poet, philosopher, mathematician, and astronomer

The Rubaiyat (1120)

Richard Holbrooke photo
Aron Ra photo
Henry Moore photo
Henry Moore photo
Edwin Abbott Abbott photo

“For my own part, I find it best to assume that a good sound scolding or castigation has some latent and strengthening influence on my Grandson's Configuration; though I own that I have no grounds for thinking so. At all events I am not alone in my way of extricating myself from this dilemma; for I find that many of the highest Circles, sitting as Judges in law courts, use praise and blame towards Regular and Irregular Figures; and in their homes I know by experience that, when scolding their children, they speak about "right" or "wrong" as vehemently and passionately as if they believed that these names represented real existences, and that a human Figure is really capable of choosing between them.Constantly carrying out their policy of making Configuration the leading idea in every mind, the Circles reverse the nature of that Commandment which in Spaceland regulates the relations between parents and children. With you, children are taught to honour their parents; with us — next to the Circles, who are the chief object of universal homage — a man is taught to honour his Grandson, if he has one; or, if not, his Son. By "honour", however, is by no means meant "indulgence", but a reverent regard for their highest interests: and the Circles teach that the duty of fathers is to subordinate their own interests to those of posterity, thereby advancing the welfare of the whole State as well as that of their own immediate descendants.”

Source: Flatland: A Romance of Many Dimensions (1884), PART I: THIS WORLD, Chapter 12. Of the Doctrine of our Priests

Ben Croshaw photo
Nicole Richie photo

“I don’t trust valets, waiters — nobody. I don’t waste my time anymore trying to figure out who leaks things to the press.”

Nicole Richie (1981) American television personality, musician, actress, and author

Source: [Richie, Nicole, Nicole Richie, Excerpts from Nicole Richie’s UK Marie Claire interview, Richiefan (Nicole Richie fansite), 2008, http://www.richiefan.com/excerpts-from-nicole-richies-uk-marie-claire-interview/, html, 2008-03-06]

Johannes Kepler photo
Lewis M. Branscomb photo

“Scientists are used to debating with one another about the finer points of new research. But increasingly, they find themselves battling their televisions and computer screens, which transmit ever-more-heated rhetoric from politicians, pundits, and other public figures who misinterpret, misrepresent, and malign scientific results.”

Lewis M. Branscomb (1926) physicist and science policy advisor

Lewis M. Branscomb and Andrew A. Rosenberg, " Science and Democracy http://the-scientist.com/2012/10/01/science-and-democracy" The Scientist, October 1, 2012.

Patrick Fitzgerald photo

“Let me then ask your next question: Well, why is this a leak investigation that doesn't result in a charge? I've been trying to think about how to explain this, so let me try. I know baseball analogies are the fad these days. Let me try something.If you saw a baseball game and you saw a pitcher wind up and throw a fastball and hit a batter right smack in the head, and it really, really hurt them, you'd want to know why the pitcher did that. And you'd wonder whether or not the person just reared back and decided, "I've got bad blood with this batter. He hit two home runs off me. I'm just going to hit him in the head as hard as I can."You also might wonder whether or not the pitcher just let go of the ball or his foot slipped, and he had no idea to throw the ball anywhere near the batter's head. And there's lots of shades of gray in between.You might learn that you wanted to hit the batter in the back and it hit him in the head because he moved. You might want to throw it under his chin, but it ended up hitting him on the head.And what you'd want to do is have as much information as you could. You'd want to know: What happened in the dugout? Was this guy complaining about the person he threw at? Did he talk to anyone else? What was he thinking? How does he react? All those things you'd want to know.And then you'd make a decision as to whether this person should be banned from baseball, whether they should be suspended, whether you should do nothing at all and just say, "Hey, the person threw a bad pitch. Get over it."In this case, it's a lot more serious than baseball. And the damage wasn't to one person. It wasn't just Valerie Wilson. It was done to all of us.And as you sit back, you want to learn: Why was this information going out? Why were people taking this information about Valerie Wilson and giving it to reporters? Why did Mr. Libby say what he did? Why did he tell Judith Miller three times? Why did he tell the press secretary on Monday? Why did he tell Mr. Cooper? And was this something where he intended to cause whatever damage was caused?Or did they intend to do something else and where are the shades of gray?And what we have when someone charges obstruction of justice, the umpire gets sand thrown in his eyes. He's trying to figure what happened and somebody blocked their view.”

Patrick Fitzgerald (1960) American lawyer

Fitzgerald News Conference from the Washington Post (October 28, 2005)

Marshall McLuhan photo

“Pornography and obscenity…work by specialism and fragmentation. They deal with a figure without a ground -- situations in which the human factor is suppressed in favor of sensations and kicks.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Letter to Clare Westcott, November 26 1975. Letters of Marshall McLuhan, p. 514
1970s

Brian Keith photo
Charles Babbage photo

“If this were true, the population of the world would be at a stand-still. In truth, the rate of birth is slightly in excess of death. I would suggest that the next edition of your poem should read: “Every moment dies a man, every moment 1 1/16 is born.” Strictly speaking, the actual figure is so long I cannot get it into a line, but I believe the figure 1 1/16 will be sufficiently accurate for poetry.”

Charles Babbage (1791–1871) mathematician, philosopher, inventor and mechanical engineer who originated the concept of a programmable c…

New Scientist, 4 December 1958, pg.1428.
Comment in response to Alfred Tennyson’s poem Vision of Sin, which included the line Every moment dies a man, // every moment one is born.

Mitchell Baker photo

“Mozilla believes both in equality and freedom of speech. Equality is necessary for meaningful speech, and you need free speech to fight for equality. Figuring out how to stand for both at the same time can be hard.”

Mitchell Baker (1959) Chairwoman; former CEO

cnet.com: "Mozilla CEO Eich resigns after gay-marriage controversy" 3 Apr 2014 http://www.cnet.com/news/mozilla-ceo-eich-resigns-after-controversy/; on the resignation of Brendan Eich, 3 April 2014:

Ilana Mercer photo
El Greco photo

“.. because in this way the form will be perfect and not reduced, which is the worst thing that can happen to a figure.”

El Greco (1541–1614) Greek painter, sculptor and architect

Quote of El Greco, 1582-84; as cited by Marina Lambraki-Plaka, in El Greco, p. 57-59; as quoted in Wikipedia/El Greco: 'Technique and Style'
on making his painting 'The Virgin of the Immaculate Conception' https://upload.wikimedia.org/wikipedia/commons/4/49/El_Greco_-_The_Virgin_of_the_Immaculate_Conception_-_WGA10585.jpg El Greco asked permission to lengthen the altarpiece itself by another 1.5 feet (0.46 m) - the human body became even more otherworldly in his later works

John Polkinghorne photo

“Let me end this chapter by suggesting that religion has done something for science. The latter came to full flower in its modern form in seventeenth-century Europe. Have you ever wondered why that's so? After all the ancient Greeks were pretty clever and the Chinese achieved a sophisticated culture well before we Europeans did, yet they did not hit on science as we now understand it. Quite a lot of people have thought that the missing ingredient was provided by the Christian religion. Of course, it's impossible to prove that so - we can't rerun history without Christianity and see what happens - but there's a respectable case worth considering. It runs like this.
The way Christians think about creation (and the same is true for Jews and Muslims) has four significant consequences. The first is that we expect the world to be orderly because its Creator is rational and consistent, yet God is also free to create a universe whichever way God chooses. Therefore, we can't figure it out just by thinking what the order of nature ought to be; we'll have to take a look and see. In other words, observation and experiment are indispensable. That's the bit the Greeks missed. They thought you could do it all just by cogitating. Third, because the world is God's creation, it's worthy of study. That, perhaps, was a point that the Chinese missed as they concentrated their attention on the world of humanity at the expense of the world of nature. Fourth, because the creation is not itself divine, we can prod it and investigate it without impiety. Put all these features together, and you have the intellectual setting in which science can get going.
It's certainly a historical fact that most of the pioneers of modern science were religious men. They may have had their difficulties with the Church (like Galileo) or been of an orthodox cast of mind (like Newton), but religion was important for them. They used to like to say that God had written two books for our instruction, the book of scripture and the book of nature. I think we need to try to decipher both books if we're to understand what's really happening.”

John Polkinghorne (1930) physicist and priest

page 29-30.
Quarks, Chaos & Christianity (1995)

Megan Mullally photo
William Ewart Gladstone photo
Hans Freudenthal photo
Ben Carson photo

“Always give your best and try to figure out how to do an even better job.”

Ben Carson (1951) 17th and current United States Secretary of Housing and Urban Development; American neurosurgeon

Source: Think Big (1996), p. 90

Phillip Guston photo

“I got sick and tired of all that Purity! Wanted to tell stories.. [Guston's quote in 1967, referring to his swift from Abstract expressionism to figurative painting]”

Phillip Guston (1913–1980) American artist

Abstract Expressionism, David Anfam, Thames and Hudson Ltd London, 1990, p. 207
1961 - 1980

Don DeLillo photo
Philo photo
Aryabhata photo

“Translates to: Add four to 100, multiply by eight, and then add 62,000. By this rule the circumference of a circle with a diameter of 20,000 can be approached. Thus according to the rule ((4 + 100) × 8 + 62000)/20000 = 62832/20000 = 3.1416, which is accurate to five significant figures.”

Aryabhata (476–550) Indian mathematician-astronomer

The irrationality of pi was proved by Lambert in Europe in the year 1761.
Source: Arijit Roy The Enigma of Creation and Destruction http://books.google.co.in/books?id=JFmUQqYzA7wC&pg=PA27, Author House, 28 October 2011, p. 27

“Scientific language that is correct and serious so far as teachers and students are concerned must follow these stylistic norms:
# Be as verbally explicit and universal as possible…. The effect is to make `proper' scientific statements seem to talk only about an unchanging universal realm….
# Avoid colloquial forms of language and use, even in speech, forms close to those of written language. Certain words mark language as colloquial…, as does use of first and second person…
# Use technical terms in place of colloquial synonyms or paraphrases….
# Avoid personification and use of specifically or usually human attributes or qualities…, human agents or actors, and human types of action or process…
# Avoid metaphoric and figurative language, especially those using emotional, colorful, or value laden words, hyperboles and exaggeration, irony, and humorous or comic expressions.
# Be serious and dignified in all expression of scientific content. Avoid sensationalism.
# Avoid personalities and reference to individual human beings and their actions, including (for the most part) historical figures and events….
# Avoid reference to fiction or fantasy.
# Use causal forms of explanation and avoid narrative and dramatic accounts…. Similarly forbidden are dramatic forms, including dialogue, the development of suspense or mystery, the element of surprise, dramatic action, and so on.”

Jay Lemke (1946) American academic

Source: Talking Science: Language, Learning, and Values. 1990, p. 133-134, as cited in: Mary U. Hanrahan, "Applying CDA to the analysis of productive hybrid discourses in science classrooms." (2002).

Bryant Gumbel photo

“We've got an awful lot to talk about this week, including the sexual harassment suit against the President. Of course, in that one, it’s a little tough to figure out who’s really being harassed.”

Bryant Gumbel (1948) American sportscaster

Today, May 10, 1994. Real Video http://www.mediaresearch.org/rm/projects/99/gumbel6/segment1.ram

Mark Tobey photo

“The Cubists used the figure, but they broke it up... But there was escape, too, even in those days, for there was Whistler living in the grey mists with a faded orange moon. The nocturne transformed itself into dreamy rooms with Chopin's music creating a mood that softened the hard core of self.”

Mark Tobey (1890–1976) American abstract expressionist painter

quote from conversation with Seitz
1950's
Source: 'Reminiscence and Reverie', Mark Tobey, Magazine of Art, 44, October 1951, pp. 228, 231

Tom Clancy photo
Charlie Brooker photo
Vladimir Tatlin photo

“Let's split open our figures and place the environment inside them.”

Vladimir Tatlin (1885–1953) Russian artist

Quote before 1920; ac cited by Christina Lodder, in Russian Constructivism, (New Haven: Yale University Press, 1983), 17
Quotes, 1910 - 1925

David Icke photo
Leszek Kolakowski photo
Henry Campbell-Bannerman photo
Henry Adams photo
Slavoj Žižek photo
TotalBiscuit photo
Lester del Rey photo
Albert Camus photo
Piet Mondrian photo

“the Cubists in Paris made me see that there was also a possibility of suppressing the natural aspect of form. I continued my research by abstracting the form and purifying the colour more and more. While working, I arrived at suppressing the closed effect of abstract form, expressing myself exclusively by means of the straight line in rectangular opposition; thus by rectangular planes of colour with white, grey and black. At that time, I encountered artists with approximately the same spirit, First Van der Leck, who, though still figurative, painted in compact planes of pure colour. My more or less cubist technique - in consequence still more or less picturesque - underwent the influence of his exact technique. Shortly afterwards I had the pleasure of making the acquaintance of Van Doesburg. Full of vitality and zeal for the already international movement that was called 'abstract', and most sincerely appreciative of my work, he came to ask me to collaborate in a review he intended to publish, and which he [Theo van Doesburg] was to call 'De Stijl.”

Piet Mondrian (1872–1944) Peintre Néerlandais

I was happy with an opportunity to publish my ideas on art, which I was engaged in writing down: I saw the possibility of contacts with similar efforts.
Quote of Mondrian c 1931, in 'De Stijl' (last number), p. 48; as cited in De Stijl 1917-1931 - The Dutch Contribution to Modern Art, by H.L.C. Jaffé http://www.dbnl.org/tekst/jaff001stij01_01/jaff001stij01_01.pdf; J.M. Meulenhoff, Amsterdam 1956, pp. 44-45
published in the memorial number of 'De Stijl', after the death of Theo Van Doesburg in 1931
1930's

Henry Adams photo
Diogenes Laërtius photo
Barbara Hepworth photo
Daniel Kahneman photo
Woody Allen photo
Aristide Maillol photo
Daniel Abraham photo

“Miller was staring at him like an entomologist trying to figure out exactly where the pin went.”

Daniel Abraham (1969) speculative fiction writer from the United States

Source: Leviathan Wakes (2011), Chapter 45 (p. 457)

Eugène Delacroix photo
Hope Solo photo
Ossip Zadkine photo
James Taylor photo

“It's bad to use words like 'genius' unless you are talking about the late Jean-Michel Basquiat, the black Chatterton of the 80s who, during a picturesque career as sexual hustler, addict and juvenile art-star, made a superficial mark on the cultural surface by folding the conventions of street graffiti into those of art brut before killing himself with an overdose at the age of twenty-seven. The first stage of Basquiat's fate, in the mid-80s, was to be effusively welcomed by an art industry so trivialized by fashion and blinded by money that it couldn't tell a scribble from a Leonardo. Its second stage was to be dropped by the same audience, when the novelty of his work wore off. The third was an attempt at apotheosis four years after his death, with a large retrospective at the Whitney Museum designed to sanitise his short, frantic life and position him as a kind of all-purpose, inflatable martyr-figure, thus restoring the dollar value of his oeuvre in a time of collapsing prices for American contemporary art. One contributor to the catalogue proclaimed that "Jean remains wrapped in the silent purple toga of immortality"; another opined that "he is as close to Goya as American painting has ever produced." A third, not to be outdone, extolled Basquiat's "punishing regime of self-abuse" as part of "the disciplines imposed by the principle of inverse ascetism to which he was so resolutely committed."”

Robert Hughes (1938–2012) Australian critic, historian, writer

These disciplines of inverse ascetism, one sees, mean shooting smack until you drop dead.
Page 195
Culture of Complaint (1993)

Herbert Giles photo
Calvin Coolidge photo

“Hysteria will not help us to solve the problem that confronts us. We overstate the danger when we say that twelve millions seek, because of post-war conditions abroad, to come immediately to America. Ending June 30, 1914, the year's immigration figures were 1,218,480. Then came the war and a vast slump, from which we are just recovering. Calculations placed immigration statistics for the current year as 1,079,428—figures still below the prewar status. But even though we need have no grave fears, now is the time for a careful reexamination and revision of our immigration policies. We should have no more aliens to cope with, in the immediate months to come, than our institutions are able to handle. To assume burdens we can not easily meet would lie unfair both to us and to the alien. In protecting ourselves we are protecting him as well. We can not lower our standards, or allow them to be lowered, so as to include him. We must prepare him for our standards. And that means wise education. In the home, in the school, in industry, in citizenship, we have not heretofore applied thoroughly the human test, and that is our next step in the Americanization of the alien. Much work has yet to be done in the immediate months to come. Some protective measure, therefore, seems necessary.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Whose Country Is This? (1921)

Gerhard Richter photo
Francis Wayland Parker photo
Isadora Duncan photo
David Allen photo

“If you figured out why making a list reduces overwhelm & confusion, you'd keep nothing in your head the rest of your life.”

David Allen (1945) American productivity consultant and author

12 May 2010 https://twitter.com/gtdguy/status/13858760270
Official Twitter profile (@gtdguy) https://twitter.com/gtdguy

Johnny Weir photo

“I’d love to see a 6-foot-2-tall, skinny man doing a halfpipe on figure skates.”

Johnny Weir (1984) figure skater

"Figure Skating Rivalry Pits Athleticism Against Artistry," 2008

Brigham Young photo
David Woodard photo

“The Master Great Cultural Figure cannot be communicated with, at all.”

David Woodard (1964) American writer, conductor and businessman

Breed the Unmentioned (1985)

“The picture developed – bit by bit while I was working on it – into shapes symbolic of an exuberant figure and ladder…. therefore: 'Jacob's Ladder' [= the title of the painting she made in 1966].”

Helen Frankenthaler (1928–2011) American artist

Quote on the birth of a title of her art-work 'Jacob's Ladder'; from: MoMA Highlights, New York, The Museum of Modern Art, revised 2004, originally published in 1999, p. 219 http://www.moma.org/collection/object.php?object_id=78722
1990s - 2000s

Michelle Obama photo
Edgar Rice Burroughs photo
L. Ron Hubbard photo
Paul Morphy photo

“After the passage of a century, Morphy still remains the most glamorous figure that has ever appeared in the chess world.”

Paul Morphy (1837–1884) American chess player

Edward Lasker (in The Adventure of Chess, 2nd Edition, New York, 1959)
About

John Ralston Saul photo
Joseph Beuys photo
Thomas D'Arcy McGee photo
Peter Greenaway photo
Robert A. Heinlein photo

““You have us going faster than light.”
“I thought the figures were a bit large.””

Source: The Rolling Stones (1952), Chapter 8, “The Mighty Room” (p. 100)

Stewart Brand photo