Quotes about figure
page 11

“Half the campus was designed by Bottom the Weaver, half by Ludwig Mies van der Rohe; Benton had been endowed with one to begin with, and had smiled and sweated and and spoken for the other. A visitor looked under black beams, through leaded casements (past apple boughs, past box, past chairs like bath-tubs on broomsticks) to a lawn ornamented with one of the statues of David Smith; in the months since the figure had been put in its place a shrike had deserted for it a neighboring thorn tree, and an archer had skinned her leg against its farthest spike. On the table in the President’s waiting-room there were copies of Town and Country, the Journal of the History of Ideas, and a small magazine—a little magazine—that had no name. One walked by a mahogany hat-rack, glanced at the coat of arms on an umbrella-stand, and brushed with one’s sleeve something that gave a ghostly tinkle—four or five black and orange ellipsoids, set on grey wires, trembled in the faint breeze of the air-conditioning unit: a mobile. A cloud passed over the sun, and there came trailing from the gymnasium, in maillots and blue jeans, a melancholy procession, four dancers helping to the infirmary a friend who had dislocated her shoulder in the final variation of The Eye of Anguish.”

Randall Jarrell book Pictures from an Institution

Source: Pictures from an Institution (1954) [novel], Chapter 1: “The President, Mrs., and Derek Robbins”, p. 3; opening paragraph of novel

Smile, History, Idea, Tree

“If every trace of any single religion were wiped out and nothing were passed on, it would never be created exactly that way again. There might be some other nonsense in its place, but not that exact nonsense. If all of science were wiped out, it would still be true and someone would find a way to figure it all out again.”

Penn Jillette (1955) American magician

p. 129 http://books.google.com/books?id=KsI3sswEg14C&pg=PA129&dq=%22if+every+trace+of+any+single+religion%22 2010s, God, No!: Signs You May Already Be an Atheist and Other Magical Tales (2011)

Religion, Way, Science

“The reason liberals despise Clarence Thomas or caricature a Ben Carson, more so than they do white conservative justices or public figures, is the threat that they pose to the entire engine of liberal condescension — and Democratic politics. When successful blacks prove that they easily compete in the marketplace of talent and ideas without liberal racial policies and their political henchmen, then the entire architecture of liberal racial politics collapses. The disdain shown a Thomas or Carson suggests that liberal racial politics serve as private medieval penance in the abstract, and at little personal cost for assuaging guilt over liberal apartheid.”

Victor Davis Hanson (1953) American military historian, essayist, university professor

2010s, "Black Lives Matter"—a Year From Now (2015)

Justice, Idea, Success, Personality

“Maybe because I had been out very late the night before and was not able to put up my usual resistance, but it seemed to me, sitting there with the sound of his voice dying in my ears, that I could fall in love with him.
And then, as unexpected as a hidden step, I felt myself actually stumble and fall. And there it was, I was in love with him! As simple as that.
He was the first real person I’d ever been in love with. I couldn’t get over it. What I was trying to figure out was why I had never been in love with him before. I mean I’d had plenty of chance to. I’d seen him almost daily that summer in Maine two years ago when we were both in a Summer Stock company. … He was always rather nice to me in his insolent way, but there was also, I now remembered with a passing pang, an utterly ravishing girl, a model, the absolute epitome of glamour, called Lila. She used to come up at week ends to see him.
Then I heard from someone that he’d quit college the next winter and gone abroad to become a genius. I’d met him again when I first landed in Paris. He’d been very nice, bought me a drink, taken down my telephone number and never called me.
You’re a dead duck now, I told myself, as I relaxed back into my coma. You’re gone. I looked at him, smiling idly. I tried to imagine what was going on in his mind.”

Elaine Dundy (1921–2008) American journalist, actress

Part One, One
The Dud Avocado (1958)

Love, Smile, Way, Imagination

“1,024 Colours in 4 Permutations'
In order to represent all extant colour shades in one painting, I worked out a system which – starting from the three primaries, plus grey – made possible a continual subdivision (differentiation) through equal gradations. 4 x 4 = 16 x 4 = 64 x 4 = 256 x 4 = 1,024. The multiplier 4 was necessary because I wanted to keep the image size, the square size and the number of squares in a constant proportion to each other. To use more than 1,024 tones (4,096, for instance) seemed pointless, since the difference between one shade and the next would no longer have been detectable.
The arrangement of the colours on the squares was done by a random process, to obtain a diffuse, undifferentiated overall effect, combined with stimulating detail. The rigid grid precludes the generation of figurations, although with an effort these can be detected. This aspect of artificial naturalism fascinates me – as does the fact that, if I had painted all the possible permutations, light would have taken more than 400 billion years to travel from the first painting to the last. I wanted to paint four large, colourful pictures.”

Gerhard Richter (1932) German visual artist, born 1932

Richter's quote from the catalog of a group exhibition in 'Palais des Beaux-Arts', Brussels, 1974
1970's

Travel, Nature, Effort, Light

“Pop art is neither an American invention nor an import, yet the terms and names were coined in the US, where they were popularised much faster than in Germany. This kind of art has evolved organically and independently over here, yet at the same time it becomes an analogy to American pop art due to certain psychological, cultural and economical preconditions that are the same in Germany as they are in the US.... For the first time we are showing paintings in Germany that relate to those terms, representing pop art, junk culture, imperial or capitalistic realism, new figuration, naturalism, German pop and other comparable terms.”

Gerhard Richter (1932) German visual artist, born 1932

Quote from Richter's letter to 'Neue Deutsche Wochenschau', 29 April 1963; as cited on collected quotes on the website of Gerhard Richter: 'on Art' https://www.gerhard-richter.com/en/quotes/art-1 1960's

Art, Nature, Time, Painting

“There is something that happens to the mind in moments of terror. Perhaps we figure it's the last we'll ever have and we record it for the rest of our long journey. We take perfect snapshots, an album to despair over. We trim the edges and place them in plastic. We tuck the scrapbook away to take out in our ruined times.”

Colum McCann book Let the Great World Spin

Let the Great World Spin (2009), Book One: A Fear of Love

Time, Perfection, Despair

“The disturbing quality of life goes hand in hand with the disturbing quality of our time. The temporal emphasizes the perpetual... I willingly accept what I try to bring together. In the heads of my 'King and Queen' (Moore created in 1952/53] or in the head and the body of my 'Warrior' [1953/54], some mixture of degrees of realism is implicit. But we got used to this mixture in Chartres [the famous Gothic cathedral], and we shall get used to it again. I do not suggest that I have intentionally done it... It is just that in the head part I could focus, in essence, the intention of the entire figure... By contrasting the head to the natural structure of the rest, the whole idea of the figure is pointed out – it is these contrasts which do it.”

Henry Moore (1898–1986) English artist

Quote of Moore in 'Conversations with Henri Moore', J.P. Hodin, in 'The Observer', 24 Nov. 1958
1955 - 1970

Life, Idea, Nature, Time

“... the principle that where there is fear, there will be wrong figures....”

W. Edwards Deming (1900–1993) American professor, author, and consultant

The New Economics for Industry, Government, Education (1993)

Fear

“I think there are things of which I and the people who have worked with me can feel deservedly proud. They include restoring Russia's territorial integrity, strengthening the state, progress towards establishing a multiparty system, strengthening the parliamentary system, restoring the Armed Forces' potential and, of course, developing the economy. As you know, our economy has been growing by 6.9 percent a year on average over this time, and our GDP has increased by 7.7 percent over the first four months of this year alone.
When I began my work in the year 2000, 30 percent of our population was living below the poverty line. There has been a two-fold drop in the number of people living below the poverty line since then and the figure today is around 15 percent. By 2009-2010, we will bring this figure down to 10 percent, and this will bring us in line with the European average.
We had enormous debts, simply catastrophic for our economy, but we have paid them off in full now. Not only have we paid our debts, but we now have the best foreign debt to GDP ratio in Europe. Our gold and currency reserve figures are well known: in 2000, they stood at just $12 billion and we had a debt of more than 100 percent of GDP, but now we have the third-biggest gold and currency reserves in the world and they have increased by $90 billion over the first four months of this year alone.
During the 1990s and even in 2000-2001, we had massive capital flight from Russia with $15 billion, $20 billion or $25 billion leaving the country every year. Last year we reversed this situation for the first time and had capital inflow of $41 billion. We have already had capital inflow of $40 billion over the first four months of this year. Russia's stock market capitalisation showed immense growth last year and increased by more than 50 percent. This is one of the best results in the world, perhaps even the best. Our economy was near the bottom of the list of world economies in terms of size but today it has climbed to ninth place and in some areas has even overtaken some of the other G8 countries' economies. This means that today we are able to tackle social problems. Real incomes are growing by around 12 percent a year. Real income growth over the first four months of this year came to just over 18 percent, while wages rose by 11-12 percent.
Looking at the problems we have yet to resolve, one of the biggest is the huge income gap between the people at the top and the bottom of the scale. Combating poverty is obviously one of our top priorities in the immediate term and we still have to do a lot to improve our pension system too because the correlation between pensions and the average wage is still lower here than in Europe. The gap between incomes at the top and bottom end of the scale is still high here – a 15.6-15.7-fold difference. This is less than in the United States today (they have a figure of 15.9) but more than in the UK or Italy (where they have 13.6-13.7). But this remains a big gap for us and fighting poverty is one of our biggest priorities.”

Vladimir Putin (1952) President of Russia, former Prime Minister

When asked in June 2007 at the interview with G8 journalists about main achievements of his presidency http://web.archive.org/web/20070607221025/http://www.kremlin.ru/eng/speeches/2007/06/04/2149_type82916_132772.shtml.

People, World, Feeling, Problem

“We are like figures which some great demonstrator draws upon the blackboard of Time. A problem is to be solved, without doubt; what the problem is, we, the figures, cannot know and do not need to know; all we know is that sooner or later we shall be sponged off the board and other figures take our places, and the demonstration go on.”

John Burroughs (1837–1921) American naturalist and essayist

Preface
The Light of Day (1900)

Problem, Time, Drawing

“Over and above the specific theorems created by men such as Desargues, Pascal and La Hire, several new ideas and outlooks were beginning to appear. The first is the idea of continuous change of a mathematical entity from one state to another… [i. e., of a] a geometrical figure. It was Kepler, in his Astronomiae Optica of 1604, who first seemed to grasp the fact that parabola, ellipse, hyperbola, circle, and the degenerate conic consisting of a pair of lines are continuously derivable from each other…. The notion of a continuous change in a figure was also employed by Pascal. He allowed two consecutive vertices of his hexagon to approach each other so that the figure became a pentagon. In the same manner he passed from pentagons to quadrilaterals.
The second idea to emerge from the work of the projective geometers is that of transformation and invariance. To project a figure from some point and then take a section of that projection is to transform the figure to a new one. The properties… of interest are those that remain invariant under transformation. Other geometers of the seventeenth century, for example, Gregory of St. Vincent… and Newton, introduced transformations other than projection and section.”

Morris Kline (1908–1992) American mathematician

Source: Mathematical Thought from Ancient to Modern Times (1972), pp. 298-299

Men, Mathematics, Idea, Appearance

“A crowd of ordinary decent folk
Watched from without and neither moved nor spoke
As three pale figures were led forth and bound
To three posts driven upright in the ground.”

W. H. Auden book The Shield of Achilles

The Shield of Achilles (1952)

“The boats, and trains, and cows and horses were quite meaningless to him, but not quite so baffling as the odd little figures which appeared beneath and between the colored pictures — some strange kind of bug he thought they might be, for many of them had legs though nowhere could he find one with eyes and a mouth. It was his first introduction to the letters of the alphabet, and he was over ten years old.”

Edgar Rice Burroughs book Tarzan of the Apes

Source: Tarzan of the Apes (1912), Ch. 6 : Jungle Battles

Color, Appearance, Horse, Training

“I am extremely pained by the methodology adopted by the Comptroller and Auditor General of India in coming to some figures which have no basis whatsoever. Their exercise was fraught with very serious errors.”

Kapil Sibal (1948) Indian lawyer and politician

On the claims of loss of revenue during the allocation of 2G spectrum, as quoted in Kapil Sibal trashes CAG math on Rs 1.76 lakh-cr 2G loss http://articles.economictimes.indiatimes.com/2011-01-08/news/28432219_1_telecom-minister-kapil-sibal-national-auditor-cag-report, The Economic Times (8 January 2011)

Pain, Error, Exercises

“Recently I dreamed of you [of the artist Herman van der Weele and his wife] and that you two were very rich and lived in a beautiful place and that I sat in your room with you and Herman, with beautiful fabrics and wallpapers that I couldn't stop looking to them and you wore black glasses, just like me now [to protect his eyes], but they [black glasses] were so amazingly beautiful and they suited you so well, as is only possible in a dream, and your dress was beautifully deep red blue black with exotic figures woven into it and the walls were yellow and pink. Anyway it was all a miracle of beauty and I wished that.... my eyes were healthy again and that we each could spent hundred thousand guilders a week, then we had built a beautiful yacht and we all sailed to the country of the Mikado [Japan], to have a look there.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch, Fons Heijnsbroek
version in original Dutch / citaat uit de brief van Breitner, in het Nederlands: Laatst heb ik van jelui [de kunstenaar Herman van der Weele en zijn vrouw] gedroomd en dat jelui heel rijk waren en prachtig woonden en dat ik met U en Herman in een vertrek daarvan zat, met zulke prachtige stoffen en behangen, dat ik mij niet kan verzadigen er naar te kijken en gij hadt een zwarte bril op net als ik nu, maar die was zo verbazend mooi en stond U zoo goed, als dat alleen maar in een droom mogelijk is en uw costuum was prachtig diep rood blauw zwart met exotische figuren daarin geweven en de wanden waren geel en rose, enfin het was een wonder van pracht en ik wou dat.. ..mijn oogen weer heel waren en dat we ieder honderdduizend gld in de week te verteren hadden, dan lieten we een mooi jacht bouwen en zeilden allemaal naar het land van den Mikado, om daar eens te kijken.
Quote of Breitner, in a letter to Herman van der Weele, c. 1892-96; as cited in Meisjes in kimono. Schilderijen, tekeningen en foto's van George Hendrik Breitner (1857-1923) en zijn Japanse tijdgenoten, J.H.G. Bergsma & H. Shimoyama; Hotei Publishing, Leiden 2001, pp. 15-16
1890 - 1900

Beauty, Dreams, Country

“The chief impression left by a study of Crowley's life and works is that he wasted an immense amount of time and energy trying to shock everyone he came into contact with, and his dislike of orthodoxy turned him into an unconsciously comic figure, like Don Quixote.”

Colin Wilson (1931–2013) author

Source: Aleister Crowley: The Nature of the Beast (1987), p. 153-154

Life, Study, Time

“Mathematics, from the earliest times to which the history of human reason can reach, has followed, among that wonderful people of the Greeks, the safe way of science. But it must not be supposed that it was as easy for mathematics as for logic, in which reason is concerned with itself alone, to find, or rather to make for itself that royal road. I believe, on the contrary, that there was a long period of tentative work (chiefly still among the Egyptians), and that the change is to be ascribed to a revolution, produced by the happy thought of a single man, whose experiments pointed unmistakably to the path that had to be followed, and opened and traced out for the most distant times the safe way of a science. The history of that intellectual revolution, which was far more important than the passage round the celebrated Cape of Good Hope, and the name of its fortunate author, have not been preserved to us. … A new light flashed on the first man who demonstrated the properties of the isosceles triangle (whether his name was Thales or any other name), for he found that he had not to investigate what he saw hi the figure, or the mere concepts of that figure, and thus to learn its properties; but that he had to produce (by construction) what he had himself, according to concepts a priori, placed into that figure and represented in it, so that, in order to know anything with certainty a priori, he must not attribute to that figure anything beyond what necessarily follows from what he has himself placed into it, in accordance with the concept.”

Immanuel Kant book Critique of Pure Reason

Preface to the Second Edition [Tr. F. Max Müller], (New York, 1900), p. 690; as cited in: Robert Edouard Moritz, Memorabilia mathematica or, The philomath's quotation-book https://openlibrary.org/books/OL14022383M/Memorabilia_mathematica, Published 1914. p. 10 Critique of Pure Reason (1781; 1787)

People, Hope, Way, History

“Sculpture is based on the abstract of the planes and volumes that determine the forms, not their figurative value.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

1912, Boccioni's 'Sculptural Manifesto', 1912,

“As we see our face, figure, and dress in the glass, and are interested in them because they are ours, and pleased or otherwise with them according as they do or do not answer to what we should like them to be; so in imagination we perceive in another's mind some thought of our appearance, manners, aims, deeds, character, friends, and so on, and are variously affected by it.”

Charles Cooley (1864–1929) American sociologist

Source: Human Nature and the Social Order, 1902, p. 182 (1922)

Imagination, Appearance

“Older cliches are retrieved both as inherent principles that inform the new ground and new awareness, and as archetypal nostalgia figures with transformed meaning in relation to the new ground.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 105

Nostalgia

“How much longer are we English to assist foreign nations in misunderstand us, by holding up that ridiculous lay-figure of our race known by the style and title of John Bull?”

Charles Dickens All the Year Round

"One Grand Tour Deserves Another" in All the Year Round: A Weekly Journal (27 December 1862) http://books.google.com/books?id=13VdAAAAcAAJ&pg=PA378

“In the human figure as it approaches perfection… is contained the sure guide for the determination of all true principles of design. …it was because the ancient Greeks… realized this truth that they excelled all others in art.”

Ernest Flagg (1857–1947) American architect

Small Houses: Their Economic Design and Construction (1922)

Truth, Art, Perfection

“Schumann’s Kreisleriana: No other cycle among Schumann’s great works so perfectly expresses the sensation of dark nocturnal things, of chaos, lurking in the background. The last piece of this collection shows this particularly well. Like skeletons on horseback, shadowy figures flit before us in a soft, sustained rhythm; in the middle section horn-calls enliven the scene with visions of knightly strength and nobility, but at the end the figures vanish ghost - like into night and mystery. Looking into the first volume of Schumann’s diaries we find ‘Midnight Piece,’ a prose passage which provides moving, indeed alarming evidence of his perilously depressive mental state. It contains elements of a highly personal kind which memorably convey the particular quality of his imagination, mortally cold and never far from visions of death. It could have served perfectly as a model for the final, disturbing piece in the Kreisleriana set.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Death, Imagination, Personality, Night

“[Regarding Flashdance-related fame] It was very clear to me that it’s not real. It’s not real…I was never the little girl who thought I wanted to be famous. My first real quest that I can recall…other than wanting to be a jockey…was trying to figure out who or what God was. That really drove me for quite some time…I had a notion that there was this mystery that I didn’t really know anything about, and I wanted to try to figure it out…. so fame was not my driving force.”

Jennifer Beals (1963) American actress and a former teen model

Interview with Jian Gomeshi, CBC Radio Q (16 February 2011) http://www.cbc.ca/video/#/Shows/QTV_on_bol...2/ID=1886977325/

God, Girl, Time

“Adam Smith and Malthus and Ricardo! There is something about these three figures to evoke more than ordinary sentiments from us their children in the spirit.”

John Maynard Keynes (1883–1946) British economist

Source: Essays In Biography (1933), Robert Malthus: The First of the Cambridge Economists, p. 148

Children

“My choice of colors does not rest on any scientific theory; it is based on observation, on feeling, on the very nature of each experience. I.... merely try to find a color that will fit my sensation. There is an impelling proportion of tones that can induce me to change the shape of a figure or to transform my composition. Until I have achieved this proportion in all the parts of the composition I strive towards it and keep on working. Then a moment comes when every part has found its definite relationship, and from then on it would be impossible for me to add a stroke to my picture without having to paint it all over again.”

Henri Matisse (1869–1954) French artist

Source: 1905 - 1910, Notes d'un Peintre' (Notes of a Painter) (1908), p. 412

Color, Feeling, Nature, Change

“If ordinary people can really figure out how to set the alarm at a hotel, then we are going to make OpenOffice default to vi keybindings in the next Novell Linux Desktop.”

Nat Friedman (1977) American computer programmer

2005-01-14, 2006-09-22, January 14, 2005 blog entry http://www.nat.org/2005/january/#14-January-2005,

People

“Thus we must carefully distinguish between two kinds of reality, one which has an individual character, and one which has a universal appearance... It is, however, wrong to think that the non-figurative artist finds impressions and emotions received from the outside useless, and regards it even as necessary to fight against them... It is equally wrong to think that the non-figurative artist creates through 'the pure intention of his mechanical process', that he makes 'calculated abstractions' and that he wish to 'suppress sentiment not only in himself but in the spectator'... It is thus clear that he has not become a mechanic, but that the progress of science, of technique, of machinery, of life as a whole, has only made him into a living machine, capable of realizing in a pure manner the essence of art.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote in: 'Plastic Art and Pure Plastic Art', Piet Mondrian (1937); in 'Documents of modern Art' ed. Robert Motherwell for Wittenborn, Schulz, New York 1945
1930's

Life, Art, Thinking, Reality

“[Director Christopher] Nolan … gives us enough multilayered subplots to at least fool us into thinking this is a work of intellectual and moral complexity. But as a piece of visual storytelling, from shot to shot, The Dark Knight is a mess. Characters disappear from one locale and show up inexplicably in another, thanks to the magic of editing. At one point, we learn two characters have been abducted, but Nolan doesn't bother to show us who did it or how. (Later, he explains the "who did it" with dialogue -- the lazy way.) At the end, a major character is left hanging, literally, as we are figuratively. If this is genius, give me hackery.”

Stephanie Zacharek (1963) American film critic

Review http://www.salon.com/ent/movies/review/2008/07/17/dark_knight/index.html of The Dark Knight (2008)

Fools, Way, Thinking, Learning

“It was unbelievable seeing me as an action figure! In a few months, toddlers all around the country will be biting my head off!”

Emma Watson (1990) British actress and model

Profile on BBC website http://www.bbc.co.uk/dna/h2g2/A1996879

Country

“I was wondering the other day, why it is we turn pop figures into idols? I have a theory, of course. I think we have this need to be cool, that there is this undercurrent in society that says some people are cool and some people aren't. And it is very, very important that we are cool. So when we find somebody who is cool on television or on the radio, we associate ourselves with this person to feel valid ourselves. And the problem I have with this is that we rarely know what the person believes whom we are associating ourselves with. The problem with this is that it indicates there is less value in what people believe, what they stand for; it only matters that they are cool. In other words, who cares what I believe about life, I only care that I am cool. Because in the end, the undercurrent running through culture is not giving people value based upon what they believe and what they are doing to aid society, the undercurrent is deciding their value based upon whether of not they are cool.”

Donald Miller book Blue Like Jazz: nonreligious thoughts on Christian spirituality

Blue Like Jazz (2003, Nelson Books)

Life, People, Feeling, Problem

“In 1934 I warned Mr. Baldwin that the Germans had a secret Air Force and were rapidly overhauling ours. I gave definite figures and forecasts. Of course, it was all denied with all the weight of official authority. I was depicted a scaremonger. Less than six months after Mr. Baldwin had to come down to the House and admit he was wrong. … He got more applause for making this mistake, which may prove fatal to the British Empire and to British freedom, than ordinary people would do after they rendered some great service which added to its security and power. Well, Mr. Chamberlain was, next to Mr. Baldwin, the most powerful Member of that Government. He was Chancellor of the Exchequer. He knew all the facts. His judgment failed just like that of Mr. Baldwin and we are are suffering from the consequences today.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

Speech in Chingford (9 December 1938), quoted in Martin Gilbert, Prophet of Truth: Winston S. Churchill, 1922–1939 (London: Minerva, 1990), p. 1026
The 1930s

People, Secret, Freedom, Suffering

“Our political life favors the extremes of speech; the man who is gifted in the arts of abuse is bound to be a notable, if not always a great figure.”

John Kenneth Galbraith book The Great Crash, 1929

Chapter VI https://openlibrary.org/books/OL25728842M/The_Great_Crash_1929, Things Become More Serious, Section II, p 110 The Great Crash, 1929 (1954 and 1997 https://openlibrary.org/books/OL25728842M/The_Great_Crash_1929)

Life, Art

“Women will never succeed at the level or in the numbers they deserve until they get over their genteel reluctance to take abuse in the attack and counterattack of territorial warfare. The recent trend in feminism, notably in sexual harassment policy, has been to overrely on regulation and legislation rather than to promote personal responsibility. Women must not become wards and supplicants of authority figures. Freedom means rejecting dependency.”

Camille Paglia (1947) American writer

Source: Vamps and Tramps (1994), p. x

Women, Freedom, Dependency, Personality

“Some philosophers have believed that a philosophical clarification of space also provided a solution of the problem of time. Kant presented space and time as analogous forms of visualization and treated them in a common chapter in his major epistemological work. Time therefore seems to be much less problematic since it has none of the difficulties resulting from multidimensionality. Time does not have the problem of mirror-image congruence, i. e., the problem of equal and similarly shaped figures that cannot be superimposed, a problem that has played some role in Kant's philosophy. Furthermore, time has no problem analogous to non-Euclidean geometry. In a one-dimensional schema it is impossible to distinguish between straightness and curvature. …A line may have external curvature but never an internal one, since this possibility exists only for a two-dimensional or higher continuum. Thus time lacks, because of its one-dimensionality, all those problems which have led to philosophical analysis of the problems of space.”

Hans Reichenbach (1891–1953) American philosopher

The Philosophy of Space and Time (1928, tr. 1957)

Problem, Time

“These early [Windows Phone sales] reports don't provide any credible figures. But even if sales are as bad as all get-out, you're forgetting one thing: It almost doesn't matter, because Microsoft is in this for the long haul. They're going to continue pushing this system ahead, and pushing it to developers and users.”

Paul Thurrott (1966) American podcaster, author, and blogger

About those Windows Phone Chicken Little stories... http://windowsphonesecrets.com/2010/11/29/about-those-windows-phone-chicken-little-stories in Windows Phone Secrets (29 November 2010)

Forgetting

“Through it all, I've learned to trust that God does indeed have a plan and purpose for me. Trust doesn't come into play when you can figure everything out; that's mere reason. Trust operates when you can't understand why circumstances or events happen. That's where it takes faith to believe that God knows what is best for our lives.”

John Ashcroft (1942) American politician

Source: Never Again: Securing America and Restoring Justice (2006), p. 32

God, Faith, Understanding, Learning

“I imagined, indeed, that you would have been cloyed and tired with the uniformity of adventures and expressions, inseparable from a subject of this sort, whose bottom or groundwork being, in the nature of things, eternally one and the same, whatever variety of forms and modes the situations are susceptible of, there is no escaping a repetition of near the same images, the same figures, the same expressions.”

John Cleland book Fanny Hill

Page 129
Memoirs of a Woman of Pleasure

Imagination, Nature

“We visited Meudon [c.1938] to see Hans Arp and though, to our disappointment, he was not there and his wife, Sofie Täuber showed us his studio. It was very quiet in the room so that one was aware of the movement in the forms... I thought of the poetic idea in [Hans] Arp's sculptures. I had never had any first-hand knowledge of the Dadaist movement, so that seeing his work for the first time freed me of many inhibitions and this helped me to see the figure in landscape with new eyes... Perhaps in freeing himself from material demands his idea transcended all possible limitations. I began to imagine the earth rising and becoming human.”

Barbara Hepworth (1903–1975) English sculptor

Source: 1961 - 1975, Barbara Hepworth, A Pictorial autobiography', 1970, p. 283

Disappointment, Imagination, Idea, Knowledge

“As for myself, I confess to a preference for clear-cut situations, for radical and even extreme positions. But I also feel a secret and very strong attraction to ambiguous situations… for example, that hovering moment when it is no longer day and not yet night, the shades of emotion between indifference and friendship… (they) are so fascinating because they are so indefinable. That which is pure transition, is all the more appealing to the mind because of its elusiveness. It is the same in the cases of Mondrian, Kandinsky and the Cubists: abstraction and figuration have a common frontier in their work that is so tenuous that we often do not know which side we are on. It is this ambiguity that imports a rare poetic charm to their paintings. Artists like Klee, Miro and Dubuffet have also pitched their tents on this borderline and constantly travel from one side tot the other.”

Michel Seuphor (1901–1999) designer, draughtsman, painter

Source: Abstract Painting (1964), pp. 43/44: (1962)

Friendship, Secret, Travel, Feeling

“The light falls so unfavorably on the altar that one can hardly discern the figures or enjoy the beauty of color and the delicacy of the heads and draperies which I executed with great care from nature and completely successfully according to the judgement of all. Therefore, seeing that all the merit in the work is thrown away and since I cannot obtain the honor due my efforts unless the results can be seen, I do not think I will unveil it.”

Peter Paul Rubens (1577–1640) Flemish painter

Quote of Rubens, in his letter to Count Annibale Chieppio (minister of the Duke of Mantua), February 2, 1608; as cited in Rembrandts Eyes', by w:Simon Schrama, Alfred A. Knopf, Borzoi Books, New York 1999, p. 130 (LPPR, 42)
Rubens reports in this quote about the overdoses of light, falling upon his recently-made altar-painting 'Virgin and Child Adored by Angels', (Rome, Santa Maria, Vallicella), 1607 which is fading the colors for the viewer.
1605 - 1625

Beauty, Color, Nature, Thinking

“I believe in "intelligence," and I believe also that there are inherited differences in intellectual ability, but I do not believe that intelligence is a simple scalar endowment that can be quanitified by attaching a single figure to it—an I. Q. or the like.”

Peter Medawar (1915–1987) scientist

1970s, Advice to a Young Scientist (1979)

Intelligence

“Metaphor has traditionally been regarded as the matrix and pattern of the figures of speech.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 231

“I think General Pershing was the most military figure I’ve ever seen.”

Frank Buckles (1901–2011) United States Army soldier and centenarian

On meeting General John Pershing
Kansascity.com.

Thinking

“I simultaneously believe that languages are wonderful and awful. You have to hold both of those. Ugly things can be beautiful. And beautiful can get ugly very fast. You know, take Lisp. You know, it's the most beautiful language in the world. At least up until Haskell came along. (laughter) But, you know, every program in Lisp is just ugly. I don't figure how that works.”

Larry Wall (1954) American computer programmer and author, creator of Perl

Public Talks, "Present Continuous - Future Perfect"

World, Beauty, Laughter

“My toils in the quotation field have led me to formulate two or three laws about the way people use and abuse quotations. My first law is: When in doubt, ascribe all quotations to Bernard Shaw – which I don't mean to be taken literally, but as a general observation of the habit people have of attaching remarks to the nearest obvious speaker. Churchill, Wilde, Orson Welles and Alexander Woollcott are other useful figures upon whom to father remarks when you don't know who really said them.”

Nigel Rees (1944) British writer and broadcaster

Sayings of the Century (London: Allen & Unwin, 1987), p. iv.

People, Law, Way

“I don't know whether it's the governor's problem, or it's the president's problem, but somebody needs to get … on a plane and sit down, the two of them, and figure this out right now.”

Ray Nagin (1956) politician, businessman

2005, Interview with New Orleans radio station WWL (2005)

Problem

“When I got back to Ornans, I spent a few days hunting. I quite like the subject of violent exercise... It makes the most surprising painting you can imagine. There are thirty life-size figures in it. It is the moral and physical history of my studio”

Gustave Courbet (1819–1877) French painter

Quote from a letter of Courbet to Bruyas, (December 1854); as cited in 'Courbet Speaks', 'Courbet-dossier', Musée-dOrsay http://www.musee-orsay.fr/en/collections/courbet-dossier/courbet-speaks.html 1840s - 1850s

Life, Exercises, Imagination, History

“Worst of all, it [speculation of notable figures] provides fodder for the special educators, special education attorneys, ABA therapists etc. to legitimize their profits and to encourage the false hope and tears for toasted snow that so many parents of these children have.”

Jonathan Mitchell (1955) American writer and activist

Undiagnosing Gates, Jefferson and Einstein

Children, Education, Hope, Parent

“In order to try to remove what we are going to say from what risks happening, if we judge by the many signs, to Marx's work today, which is to say also to his injunction. What risks happening is that one will try to play Marx off against Marxism so as to neutralize, or at any rate muffle the political imperative in the untroubled exegesis of a classified work. One can sense a coming fashion or stylishness in this regard in the culture and more precisely in the university. And what is there to worry about here? Why fear what may also become a cushioning operation? This recent stereotype would be destined, whether one wishes it or not, to depoliticize profoundly the Marxist reference, to do its best, by putting on a tolerant face, to neutralize a potential force, first of all by enervating a corpus, by silencing in it the revolt [the return is acceptable provided that the revolt, which initially inspired uprising, indignation, insurrection, revolutionary momentum, does not come back]. People would be ready to accept the return of Marx or the return to Marx, on the condition that a silence is maintained about Marx's injunction not just to decipher but to act and to make the deciphering [the interpretation] into a transformation that "changes the world. In the name of an old concept of reading, such an ongoing neutralization would attempt to conjure away a danger: now that Marx is dead, and especially now that Marxism seems to be in rapid decomposition, some people seem to say, we are going to be able to concern ourselves with Marx without being bothered-by the Marxists and, why not, by Marx himself, that is, by a ghost that goes on speaking. We'll treat him calmly, objectively, without bias: according to the academic rules, in the University, in the library, in colloquia! We'll do it systematically, by respecting the norms of hermeneutical, philological, philosophical exegesis. If one listens closely, one already hears whispered: "Marx, you see, was despite everything a philosopher like any other; what is more [and one can say this now that so many Marxists have fallen silent], he was a great-philosopher who deserves to figure on the list of those works we assign for study and from which he has been banned for too long.29 He doesn't belong to the communists, to the Marxists, to the parties-, he ought to figure within our great canon of Western political philosophy. Return to Marx, let's finally read him as a great philosopher."”

Jacques Derrida book Specters of Marx

We have heard this and we will hear it again.
Injunctions of Marx
Specters of Marx (1993)

People, World, Fear, Fashion

“I now began to collect pubic hair, which I figured was a much safer way to go. I’d look for pubic hair in every bathroom after the girls showered, and in my mind’s eye, I’d try to match up each hair with each girl, all the while imaging her beautiful, luscious, wet, hairy, good-feeling bush. I mean, this was the summer that our pool area just seemed to be full of girls all the time. I was quickly becoming a pubic hair expert”

Victor Villaseñor (1940) American writer

Crazy Loco Love: A Memoir (2008)

Beauty, Way, Feeling, Girl

“I wish I had the answer to that, because if I knew how to create an instantly popular character like that, I would do more of them. It’s weird to me because, on one hand, she’s appealing, but you look at her and she’s not exactly a good role model for girls. And in the past, we have definitely explored some of the darker edges of her story. She was kind of in an on-going abusive relationship with the Joker. So it is weird but maybe a lot of her appeal, at least recently, is because they have separated her from the Joker in comics. She’s become her own standalone character and definitely not in an abusive relationship with the Joker anymore. I guess that is somewhat empowering and people can relate to it. But truthfully, she was a really, really popular character even before all this. I think part of it is probably, to pat my own back, design. She was a really simple basic character in red and black, cute face, cute figure, one and done. So that definitely has to be a part of it.”

Bruce Timm (1961) Animator

People, Girl, Thinking, Past

“I don't think the father figures who let me down are bad people. They were doing the best they could, and sometimes that's just not enough. It's less their fault than it is the circumstances they were in. I can't really blame them for what happened. Now I'm so far away from these issues that it doesn't hurt anymore. In those moments, it was excruciating, but you can't stay in pain too long. You have to let it wash over you and pass, or else it will drown you.”

Erika Jayne (1969) American singer, actress and television personality

pg. 59-60
Pretty Mess book (2018)

Pain, People, Thinking, Hurt

“Gun ownership is a problem, not because it represents any physical danger to [the IRS]. Americans have proven dismayingly forbearing in that regard. But people who own guns often look at the world differently than those who don't. That's the real danger to social and political parasites. Roughly 25% of Americans own guns. The number increases each time there's widespread discussion of more gun control - call it what it is: 'victim disarmament'. If the figure ever rises to 50%, I suspect the widespread discussion will be about repealing the 16th Amendment.”

L. Neil Smith (1946) American writer

"Vermont Fudge," http://www.ncc-1776.org/tle2009/tle511-20090322-04.html originally published in The Sierra Times 18 March 2002.

People, World, Problem, Time

“As a matter of fact, these attributes are their fate, no longer separate objects they can carry.... part of their actual presence. I try to signify this by reorganizing the objective form of such a legendary figure so as to create an allegorical form that is complete in itself, no longer requiring an attribute that must be carried like the German businessman’s briefcase; the lyre becomes part of the poet's presence, its text written all over his body, as if tattooed on his skin.”

Ossip Zadkine (1890–1967) French sculptor

quote, c. 1960, in France
Source: 1960 - 1968, Dialogues – conversations with.., quotes, c. 1960, p. 153

Fate, Quotes, Tattoo, Parting

“Humanly speaking the Church as a whole will never cut a good figure, and her exceptions seem almost like another species.”

Ida Friederike Görres (1901–1971) Austrian writer and noble

Broken Lights Diaries 1955-57.

“The Sufism that survived and even prospered was tame and promised to subserve prophetism. Some great Sufi poets like Rumi and Attar convey a wrong impression of Islamic Sufism in general; they have been its show-pieces, not its representative figures. Mainstream Sufism has been represented by its silsilas like the Naqshbandiyya, Qadiriyya, Chishtiyya, Dervish, Marabout, Ribat, etc. They had no independent ideology of their own and they only served the spiritual-intellectual categories (manisha) of prophetic Islam; in fact, they became its most willing spokesmen. They never questioned its dogmas, not even its barbaric ideas about the kafirs, the jihad, the zimmis, the dar al-harb. There is nothing to show that they ever spoke against Islamic wars and oppression. On the other hand, as their history shows they were part and parcel of Islamic Imperialism, its enthusiastic sappers and miners and also its beneficiaries. According to the Encyclopaedia Britannica, the Dervish and Sufis have fought against the unbelievers in time of war. The devotees have accompanied the Shaikh or Murshid or Pir to the threatened frontiers. … In India, the sufis have been an important limb of Islamic Imperialism and expansion.”

Ram Swarup (1920–1998) Indian historian

Hindu View of Christianity and Islam (1992)

War, History, Idea, Question

“I had a lot of growing pains adjusting to the comic book writing format. The whole writing process just didn’t make sense to me. I had to somehow construct each panel just by describing it? But how many panels to a page? How much dialogue should be in each panel? How much time should pass between each panel? All these sorts of things were mind-boggling to me. By the end of writing the script, I sort of figured out some of my mistakes.”

Patrick McHale (artist) (1983) writer, storyboard artist, animator, filmmaker

EXCLUSIVE: Patrick McHale Talks Bringing Over The Garden Wall to Cartoon Network and BOOM! Studious http://nerdist.com/exclusive-patrick-mchale-talks-bringing-over-the-garden-wall-to-cartoon-network-and-boom-studios/ (October 13, 2014)

Pain, Books, Sense, Time

“By the sixth century A. D., …a distinctively Chinese Buddhist art had arisen, in which figures with Chinese dress and Chinese faces nonetheless continued to conform to Indian conventions of gesture and ornament.”

William H. McNeill book The Rise of the West: A History of the Human Community

The Rise of the West: A History of the Human Community (1963)

Art

“Where do you go when hard times hit? Most of the time, our tendency is to enter our internal cave…we naturally shut down, withdraw from it all, and try to figure things out on our own, reemerging from life when we have some sense of centeredness.”

John Townsend (1952) Canadian clinical psychologist and author

Where Is God (2009, Thomas Nelson publishers)

Life, Nature, Sense, Time

“If you read Peter Farb's book, Man's Rise of Civilization, he goes through all these different cultures at first contact, and they very often figure out in very different ways, but typically the things that were in common among them, were that the idea of the accumulation of private property beyond your needs was considered a mental illness.”

Peter Farb (1929–1980) American academic and writer

Thom Hartmann, in the documentary film "I Am" written, directed, and narrated by Tom Shadyac
Disputed

Books, Way, Idea, Reading

“I would fight the world for you, but I'm damned if I can figure out how to save you from yourself.”

Lois McMaster Bujold Vorkosigan Saga

Vorkosigan Saga, Barrayar (1991)

World, Fight

“The sentence, 'stopping the printing presses,' is a figurative expression, because it is being done now by creating credit by the Federal Reserve System. But this is government action — all inflation is ultimately the result of activities which government determines and can control. And all inflations have been stopped in the past by the government stopping creating money, or preventing the central bank from creating more money. May I add just one thing? See, all inflations have been stopped by people who created or believed in a very naive form of the Quantity Theory, and acted on that. It may be wrong, but it is the only adequate theory effective to stop an inflation.”

Friedrich Hayek (1899–1992) Austrian and British economist and Nobel Prize for Economics laureate

1975 interview https://mises.org/library/hayek-meets-press-1975 on "Meet the Press." 1960s–1970s

Money, People, Past

“He ambles along the platform."Lots of times people say about systems analysis, why don't you guys do an experiment? What the hell are you sitting here figuring things? Why don't you go out and run an experiment? Well we'd love to run experiments, but there are two difficulties. One, in realistic experiments, people get shot down. That's not the major difficulty. We're willing to do it." The audience laughs. "We are. The real difficulty is we're talking weapons which aren't in existence yet."”

Herman Kahn (1922–1983) American futurist

pg: 12
The Worlds of Herman Kahn: the intuitive science of thermonuclear war.

Love, People, Guy, Hell

“I had allowed myself to be deceived into unknowingly passing along a falsehood. It would ultimately prove fatal to my ability to serve the President effectively. I didn't learn that what I'd said was untrue until the media began to figure it out almost two years later. … Neither, I believe, did President Bush. he too had been deceived, and therefore became unwittingly involved in deceiving me. But the top White House officials who know the truth -- including Rove, Libby, and possibly Vice President Cheney -- allowed me, even encouraged me, to repeat a lie.”

Scott McClellan book What Happened

Bush press secretary Scott McClellan, on the illegal outing of CIA agent Valerie Plame by White House officials, What Happened; Politico.com http://dyn.politico.com/printstory.cfm?uuid=2C2AD8E6-3048-5C12-00DD5B339097C9F9

Truth, Lie, Learning, Housing

“But trying to be a painter did teach me to look at the world in a very particular way—looking very closely at things, at colors, at how things form themselves in space — and I've always been grateful for that. You have all this space, and you have a figure: what do you do with it? And in a way that’s what all art is. How do we find a place for our creatures, or inventions, in this incoherent space into which we’re thrown?”

John Banville (1945) Irish writer

John Banville, The Art of Fiction No. 200 (2009)

World, Art, Color, Way

“The evolution of earth-cult to sky-cult shifts woman into the nether realm. Her mysterious procreative powers and the resemblance of her rounded breasts, belly, and hips to earth’s contours put her at the center of early symbolism. She was the model for the Great Mother figures who crowded the birth of religion worldwide. But the mother cults did not mean freedom for women. On the contrary […] cult objects are prisoners of their own symbolic inflation. Every totem lives in taboo.”

Camille Paglia (1947) American writer

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 8

Women, Religion, Birth, Freedom

“Since it seems to be the nature of man that he wants to go to hell as quickly as possible, it is not surprising that effective base rhetoricians can greatly accelerate this process for millions. … Many individuals try to drive men into slavery, as if they were cattle, but only a few succeed. These we hail as “great historical figures.” I submit that we cannot judge the noble rhetorician by this standard. Since he urges men to be better than they are, the noble rhetorician cannot possibly succeed in changing those who prefer to remain as they are or become evil. Indeed, because his task is to bring men to themselves, not to him, the noble rhetorician ought not to be judged by his manifest effect on others at all. Rather, he ought to be judged by the clarity and steadfastness with which he proclaims his counsel. Should not a single person heed his advice, the noble rhetorician would still have to be judged successful in proportion as he succeeds in perfecting his own language. … In the final analysis, what Karl Kraus sought was to purify himself by purifying his own language. He achieved his goal. He dies a semantic saint in a semantically satanic society.”

Thomas Szasz (1920–2012) Hungarian psychiatrist

Source: Anti-Freud (1990), pp. 56-57.

Men, Hell, Nature, Evil

“Of course, the media did not have to manufacture dissent and antiwar feeling in the United States; there was enough of the real article to provide them with legitimate subject matter. Every war critic capable of producing a headline contributed, in proportion to his eminence, some comfort if not aid to the enemy. Unfortunately, from 1967 onward there was no shortage of eminent figures among the opponents of the war willing to make this contribution.”

Maxwell D. Taylor (1901–1987) United States general

Source: Swords and Plowshares (1972), p. 408

War, Feeling

“I suppose he had the good luck to be executed, no? I had an hour's chat with him in Buenos Aires. He struck me as a kind of play actor, no? Living up to a certain role. I mean, being a professional Andalusian… But in the case of Lorca, it was very strange because I lived in Andalusia and the Andalusians aren't a bit like that. His were stage Andalusians. Maybe he thought that in Buenos Aires he had to live up to that character, but in Andalusia, people are not like that. In fact, if you are in Andalusia, if you are talking to a man of letters and you speak to him about bullfights, he'll say, 'Oh well, that sort of this pleases people, I suppose, but really the torero works in no danger whatsoever. Because they are bored by these things, because every writer is bored by the local color in his own country. Well, when I met Lorca, he was being a professional Andalusian… Besides, Lorca wanted to astonish us. He said to me that he was very troubled about a very important figure in the contemporary world. A character in whom he could see all the tragedy of American life. And then he went on in this way until I asked him who was this character and it turned out this character was Mickey Mouse. I suppose he was trying to be clever. And I thought, 'That's the kind of thing you say when you are very, very young and you want to astonish somebody.' But after all, he was a grown man, he had no need, he could have talked in a different way. But when he started in about Mickey Mouse being a symbol of America, there was a friend of mine there and he looked at me and I looked at him and we both walked away because we were too old for that kind of game, no? Even at that time.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

Richard Burgin, Conversation with Jorge Luis Borges, pages 92-93.
Conversations with Jorge Luis Borges (1968)

Life, People, World, Color

“The key to the understanding and to the full comprehension of all that the Prophets have said is found in the knowledge of the figures, their general ideas, and the meaning of each word they contain.”

Maimónides book The Guide for the Perplexed

Guide for the Perplexed (c. 1190), Introduction

Idea, Understanding, Knowledge

“What Alvin figured out was that when you’re Making, you don’t use people like tools. You don’t wear them out to achieve your purpose. You wear yourself out helping them achieve theirs. You wear yourself out teaching and guiding, persuading and listening to advice and letting folks persuade you, when it happens they’re right.”

Orson Scott Card (1951) American science fiction novelist

Source: The Tales of Alvin Maker, Alvin Journeyman (1995), Chapter 14.

People, Help

“[the 'Surfboards' - series works Noland made mid-70's] were almost like cut-out figures without being figurative… I think of them, in some way, as being like figures; they remind me of figures in vertical Cubist paintings. Even the small pictures have that kind of human proportion in the rectangles. It's not exactly a reference, but the relation of length to width in the rectangles is like a person.”

Kenneth Noland (1924–2010) American artist

Kenneth Noland, pp. 23-24
Conversation with Karen Wilkin' (1986-1988)

Way, Thinking, Painting, Personality

“Autobiography. Apparently one should not name the names of those one has been to bed with, or give explicit figures on the amount of money one has earned, those being the two data most eagerly sought by readers; all the rest is legitimate to reveal.”

Robert Silverberg (1935) American speculative fiction writer and editor

"Sounding Brass, Tinkling Cymbal" in Hell's Cartographers (1975) edited by Brian Aldiss and Harry Harrison

Money

“We figure to ourselves
The thing we like; and then we build it up,
As chance will have it, on the rock or sand,—
For thought is tired of wandering o’er the world,
And homebound Fancy runs her bark ashore.”

Henry Taylor (1800–1886) English playwright and poet

Act I, sc. 5.
Philip van Artevelde (1834)

World, Chance

“I am biased towards the belief that every painter must be grounded in strong and faultless drawing skills, and until one has not experimented with all styles of painting and has not comprehended their potentialities one's work is not complete. Even an abstract painter must know how to draw as well as a figurative artist. As for me, drawing has never created any problem, since I know how to draw anatomy correctly if I had to, I understand the function of muscle groups and sculpture.”

Guity Novin (1944) artist

Source: Ayandegan (1973), p. 4

Understanding, Problem, Strong, Drawing

“It is worth recalling that during the 1960s, and again in the 1970s, Britain's growth rate was the lowest of all the major European economies. By contrast, during the 1980s, our growth rate has been the highest of all the major European economies. This greatly improved growth performance has been accompanied by falling inflation, which at 3½ per cent. in 1986 reached the lowest figure for almost 20 years.”

Nigel Lawson (1932) British Conservative politician and journalist

Speech http://hansard.millbanksystems.com/commons/1987/mar/17/the-economic-background in the House of Commons (17 March 1987)

“In the near future, the web is going to be the master copy of human knowledge. We need to figure out ways to use that knowledge.”

Håkon Wium Lie (1965) Norwegian software engineer

The Web Will Be the Master Copy of Human Knowledge http://gigaom.com/2010/05/21/web-will-be-the-master-copy-of-human-knowledge/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+OmMalik+(GigaOM), an interview with GigaOM, May 21, 2010.

Way, Knowledge, Future

“Over decades that seem but a moment in time, lines of scarlet figures shuttled among the sorghum stalks to weave a vast human tapestry. They killed, they looted, and they defended their country in a valiant, stirring ballet that makes us unfilial descendants who now occupy the land pale by comparison.”

Mo Yan book Red Sorghum

Red Sorghum: A Novel of China (1986/1987)

Time, Country

“Dear Reichsführer, among 10's of millions of Jews in Europe, there are, I figure, at least 2-3 millions of men and women who are fit enough to work. Considering the extraordinary difficulties the labor problem presents us with, I hold the view that those 2-3 millions should be specially selected and preserved. This can however only be done if at the same time they are rendered incapable to propagate. About a year ago I reported to you that agents of mine have completed the experiments necessary for this purpose. I would like to recall these facts once more. Sterilization, as normally performed on persons with hereditary diseases is here out of the question, because it takes too long and is too expensive. Castration by X-ray however is not only relatively cheap, but can also be performed on many thousands in the shortest time. I think that at this time it is already irrelevant whether the people in question become aware of having been castrated after some weeks or months, once they feel the effects. Should you, Reichsführer, decide to choose this way in the interest of the preservation of labor, then Reichsleiter Bouhler would be prepared to place all physicians and other personnel needed for this work at your disposal. Likewise he requested me to inform you that then I would have to order the apparatus so urgently needed with the greatest speed. Heil Hitler! Yours, Viktor Brack.”

Viktor Brack (1904–1948) SS officer

Letter written to Heinrich Himmler (23 June 1942).

Women, Men, People, Disease

“I say without fear of my figures being successfully challenged that India today is more illiterate than it was before a fifty or hundred years ago, and so is Burma, because the British administrators when they came to India, instead of taking hold of things as they were, began to root them out. They scratched the soil and began to look at the root and left the root like that and the beautiful tree perished.”

Mahatma Gandhi (1869–1948) pre-eminent leader of Indian nationalism during British-ruled India

Mahatma Gandhi, Speech at Chatham House, London, on October 20, 1931. Quoted in Essential Writings of Dharampal by Dharampal, and quoted in S.R. Goel, Hindu Society under siege http://web.archive.org/web/20170202032436/http://bharatvani.org/books/hsus/ch4.htm 1930s

Fear, Beauty, Tree

“For what is a nation? What is our mother-country? It is not a piece of earth, nor a figure of speech, nor a fiction of the mind. It is a mighty Shakti, composed of the Shaktis of all the millions of units that make up the nation, just as Bhawani Mahisha Mardini sprang into being from the Shakti of all the millions of gods assembled in one mass of force and welded into unity. The Shakti we call India, Bhawani Bharati, is the living unity of the Shaktis of three hundred million people, but she is inactive, imprisoned in the magic circle of Tamas, the self-indulgent inertia and ignorance of her sons…”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

Bhawani Mandir, 1905
India's Rebirth

God, People, Country

“Anybody can find infinite Mandelbrot figures in his navel.”

Poul Anderson (1926–2001) American science fiction and fantasy writer

Source: Harvest of Stars (1993), Ch. 60

“I watched and tried to figure out what he would have done. I was only sure of one thing: he wouldn't have left something like that sit there in the day room with his name tacked on it for twenty or thirty years so the Big Nurse could use it as an example of what can happen if you buck the system. I was sure of that.”

Ken Kesey book One Flew Over the Cuckoo's Nest

"Chief, in Ch. 29
One Flew Over the Cuckoo's Nest (1962)

“Many of my friends are under the impression that I write these humorous nothings in idle moments when the wearied brain is unable to perform the serious labours of the economist. My own experience is exactly the other way. The writing of solid, instructive stuff fortified by facts and figures is easy enough. There is no trouble in writing a scientific treatise on the folk-lore of Central China, or a statistical enquiry into the declining population of Prince Edward Island. But to write something out of one's own mind, worth reading for its own sake, is an arduous contrivance only to be achieved in fortunate moments, few and far between. Personally, I would sooner have written "Alice in Wonderland" than the whole Encyclopaedia Britannica.”

Stephen Leacock book Sunshine Sketches of a Little Town

Preface
Sunshine Sketches of a Little Town (1912)

Way, Reading, Personality

“It is a fairly consistent law of humanity that men spend about half their lives at war. A Frenchman, called Lapouge, calculated that from the year 1100 to the year 1500, England had been 207 years at war and 212 years from 1500 to 1900. In France the corresponding figures would be 192 and 181 years. According to that same man Lapouge, nineteen million men are killed in war every century. Their blood would fill three million barrels of 180 liters each, and would feed a fountain of blood running 700 liters an hour from the beginning of history.”

André Maurois (1885–1967) French writer

Les silences du colonel Bramble (The Silence of Colonel Bramble)

Men, War, Law, History

“It's all going to go sometime. You can't take it with you. I'm not saying you should wake up every day with sunshine streaming out of your head. If I could get one day a month, I would be very grateful. But I don't want to sound like I'm complaining. I'm just figuring certain things out. It's taken me a while, and some things I could probably do without knowing.”

Mark Wahlberg (1971) American actor, television producer and rap musician

Chris Heath, The making of Mark, The Observer, Sunday 27 February 2000 http://www.guardian.co.uk/film/2000/feb/27/1

“Painting responded to the plague-darkened vision of the human condition provoked by repeated exposure to sudden, inexplicable death. Tuscan painters reacted against Giotto's serenity, preferring sterner, hieratic portrayals of religious scenes and figures. The "Dance of Death" became a common theme for art; and several other macabre motifs entered the European repertory.”

William H. McNeill (1917–2016) Canadian historian

Source: Plagues and Peoples (1976), Ch.4 "The Impact of the Mongol Empire on Shifting Disease Balances, 1200-1500".

Death, Art, Dance, Painting

“In 1949, I ceased figurative painting and began works that were object oriented. The drawings from plant life seem to be a bridge to the way of seeing that brought about the paintings in 1949 that are the basis for all my later work. After arriving in Paris in 1948, I realized that figurative painting and also abstract painting (though my knowledge of the latter was very limited) as I had known in the 20th century no longer interested me as a solution to my own problems. I wanted to give up easel painting which I felt was too personal.”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, p. 9 : 'Notes from 1969'

Life, Way, Knowledge, Problem

“I don’t mind people admiring me if they want to but I don’t think it’s very logical. It’s not like I was St. George knocking off some dumb dragon or anything like that. First of all, you’re talking about something I did a long, long time ago. Secondly, we were doing things that were not expected to last a lifetime. We figured they’d last about three years and then disappear forever. Remember there was no television back then and no place for the cartoons to go after they left the theaters. But I’m not trying to demean what we did. I always took the work very seriously and I’m proud to have been associated with the work we did. It’s just that adulation is impractical and makes me uncomfortable. Nobody noticed us back then. Nobody called us geniuses. And we didn’t feel like artists. We were just trying to make people laugh.”

Chuck Jones (1912–2002) American animator, cartoon artist, screenwriter, producer, and director of animated films

Orange County Register, October 22, 1989

People, Feeling, Thinking, Time

“I like looser clothes, which always prompts my mom to say something classic like, 'You have such a darling figure - show it off more!”

Megan Mullally (1958) American actress

Attributed

Moms, Clothes

“The subject of a gestalt demonstration knows that his perception has shifted because he can make it shift back and forth repeatedly while he holds the same book or piece of paper in his hands. Aware that nothing in his environment has changed, he directs his attention increasingly not to the figure (duck or rabbit) but to the lines of the paper he is looking at. Ultimately he may even learn to see those lines without seeing either of the figures, and he may then say (what he could not legitimately have said earlier) that it is these lines that he really sees but that he sees them alternately as a duck and as a rabbit. …As in all similar psychological experiments, the effectiveness of the demonstration depends upon its being analyzable in this way. Unless there were an external standard with respect to which a switch of vision could be demonstrated, no conclusion about alternate perceptual possibilities could be drawn.”

Thomas Kuhn book The Structure of Scientific Revolutions

Source: The Structure of Scientific Revolutions (1962), X. Revolutions as Changes of World View, p. 114 (3rd edn.)

Books, Way, Learning, Change

“l don't know what Nordic art is worth in other people's minds.... but in today's cosmopolitan art world it doesn't figure at all... Nordic art is dangerous. It compresses all its power inside ourselves. It is not a hedonistic or sensuous art. It neither claims to be objectively intelligible, nor does it deal in clear and conscious symbols. The Danish author Jakob Knudsen hit on something important when he said that Nordic art has mood and works on the mood more than on the senses or the understanding..”

Asger Jorn (1914–1973) Danish artist

as quoted on the website of the Jorn Museum 'Articles' by Jorn http://www.museumjorn.dk/en/article_presentation.asp?AjrDcmntId=255, 1959 - 1973, Alpha and Omega', (1963–64)

People, World, Art, Intelligence

“The chroniclers of the early Turkish rulers of India take pride in affirming that Qutbuddin Aibak was a killer of lakhs of infidels. Leave aside enthusiastic killers like Alauddin Khalji and Muhammad bin Tughlaq, even the "kind-hearted" Firoz Tughlaq killed more than a lakh Bengalis when he invaded their country. Timur Lang or Tamerlane says he killed a hundred thousand infidel prisoners of war in Delhi. He built victory pillars from severed heads at many places. These were acts of sultans. The nobles were not lagging behind. One Shaikh Daud Kambu is said to have killed 20,000 with his dagger. The Bahmani sultans of Gulbarga and Bidar considered it meritorious to kill a hundred thousand Hindu men, women and children every year….. The rite of Jauhar killed the women, the tradition of not deserting the field of battle made Rajputs and others die fighting in large numbers. When Malwa was attacked (1305), its Raja is said to have possessed 40,000 horse and 100,000 foot.43 After the battle, "so far as human eye could see, the ground was muddy with blood"…. Under Muhammad Tughlaq, wars and rebellions knew no end. His expeditions to Bengal, Sindh and the Deccan, as well as ruthless suppression of twenty-two rebellions, meant only depopulation in the thirteenth and first half of the fourteenth century. For one thing, in spite of constant efforts no addition of territory could be made by Turkish rulers from 1210 to 1296; for another the Turkish rulers were more ruthless in war and less merciful in peace. Hence the extirpating massacres of Balban, and the repeated attacks by others on regions already devastated but not completely subdued….. Mulla Daud of Bidar vividly describes the war between Muhammad Shah Bahmani and the Vijayanagar King in 1366 in which "Farishtah computes the victims on the Hindu side alone as numbering no less than half a million." Muhammad also devastated the Karnatak region with vengeance….. Under Akbar and Jahangir "five or six hundred thousand human beings were killed," says emperor Jahangir. The figures given by these killers and their chroniclers may be a few thousand less or a few thousand more, but what bred this ambition of cutting down human beings without compunction was the Muslim theory, practice and spirit of Jihad, as spelled out in Muslim scriptures and rules of administration.”

K. S. Lal book Theory and Practice of Muslim State in India

Ch 3
Theory and Practice of Muslim State in India (1999)

Women, Men, War, Children