Quotes about contention
page 7

Jacques Ellul photo
Jean Cocteau photo

“In Paris, everybody wants to be an actor; nobody is content to be a spectator.”

Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker

Le Coq et l’Arlequin (1918)

Sinclair Lewis photo
Percy Bysshe Shelley photo
Joseph Beuys photo
John Lancaster Spalding photo
Michael Moorcock photo
Emma Goldman photo
Erwin Schrödinger photo
Alfred North Whitehead photo

“A man really writes for an audience of about ten persons. Of course if others like it, that is clear gain. But if those ten are satisfied, he is content.”

Alfred North Whitehead (1861–1947) English mathematician and philosopher

Source: Attributed from posthumous publications, Dialogues of Alfred North Whitehead (1954), p. 66

Gerhard Richter photo

“Composition is a side issue. Its role in my selection of photographs is a negative one at best. By which I mean that the fascination of a photograph is not in its eccentric composition but in what it has to say: its information content. And, on the other hand, composition always also has its own fortuitous rightness.”

Gerhard Richter (1932) German visual artist, born 1932

Notes, 1964; as cited on collected quotes on the website of Gerhard Richter: 'on Techniques' https://www.gerhard-richter.com/en/quotes/techniques-5
1960's

Frederick Douglass photo

“I was not more than thirteen years old, when in my loneliness and destitution I longed for some one to whom I could go, as to a father and protector. The preaching of a white Methodist minister, named Hanson, was the means of causing me to feel that in God I had such a friend. He thought that all men, great and small, bond and free, were sinners in the sight of God: that they were by nature rebels against His government; and that they must repent of their sins, and be reconciled to God through Christ. I cannot say that I had a very distinct notion of what was required of me, but one thing I did know well: I was wretched and had no means of making myself otherwise. I consulted a good old colored man named Charles Lawson, and in tones of holy affection he told me to pray, and to 'cast all my care upon God'. This I sought to do; and though for weeks I was a poor, broken-hearted mourner, traveling through doubts and fears, I finally found my burden lightened, and my heart relieved. I loved all mankind, slaveholders not excepted, though I abhorred slavery more than ever. I saw the world in a new light, and my great concern was to have everybody converted. My desire to learn increased, and especially, did I want a thorough acquaintance with the contents of the Bible”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Source: 1880s, Life and Times of Frederick Douglass (1881), pp. 110–111.

John Berger photo
Derren Brown photo
Anne Bancroft photo
Enoch Powell photo
Carl Friedrich Gauss photo

“To praise it would amount to praising myself. For the entire content of the work … coincides almost exactly with my own meditations which have occupied my mind for the past thirty or thirty-five years.”

Carl Friedrich Gauss (1777–1855) German mathematician and physical scientist

Letter to Farkas Bolyai, on his son János Bolyai's 1832 publishings on non-Euclidean geometry.

James Thomson (poet) photo
John Dalberg-Acton, 1st Baron Acton photo
Jerry Coyne photo

“Remember three things about censorship. First, it doesn’t work to suppress art or words that you don’t like. Second, trying to censor something just arouses interest in it, as well as resentment towards those who try to tell others what they can or cannot see. Third, exhibiting art or recommending that students read a book does not mean an endorsement of the image or contents.”

Jerry Coyne (1949) American biologist

" National Coalition Against Censorship and PEN defend Met’s showing of a “controversial” painting https://whyevolutionistrue.wordpress.com/2017/12/09/national-coalition-against-censorship-and-pen-defend-mets-showing-of-a-controversial-painting/" December 9, 2017

John McLaughlin photo

“…The music was evolving with society, and society, if you recall, there was a narcissism that entered society in the 80s. Saturday Night Fever, you know, hey! This whole LOOK, the LOOK about things, and the look almost became more important of the content…”

John McLaughlin (1942) guitarist, founder of the Mahavishnu Orchestra

On music and society in the 1980s, as quoted in "John McLaughlin: Challenges to creative music", by The Snapshots Foundation, YouTube, Nov 8, 2016 https://www.youtube.com/watch?v=5iubDTkT3Y4

Thomas Wolfe photo
Margaret Mead photo

“[Mead described the Arapesh as a culture in which both sexes were] placid and contented, unaggressive and noninitiatory, noncompetitive and responsive, warm, docile, and trusting.”

Margaret Mead (1901–1978) American anthropologist

Source: 1930s, Sex and Temperament in Three Primitive Societies (1935), p. 39 as cited in: Guy R. Lefrançois (1973) Of children; an introduction to child development. p. 65

Thomas Dekker photo

“Art thou poor, yet hast thou golden slumbers?
O sweet content!
Art thou rich, yet is thy mind perplex'd?
O punishment!”

Thomas Dekker (1572–1632) English dramatist and pamphleteer

Poem Sweet Content http://www.bartleby.com/101/204.html

Frances Burney photo
Mary Wollstonecraft Shelley photo
Samuel Beckett photo
Reggie Fils-Aimé photo
Amartya Sen photo
Aldo Leopold photo
Robert Greene (dramatist) photo

“Sweet are the thoughts that savour of content;
The quiet mind is richer than a crown.”

Robert Greene (dramatist) (1558–1592) English author

Song, "Sweet are the thoughts that savour of content", line 1, from Farewell to Folly (1591); Dyce p. 309.

Elizabeth Barrett Browning photo
Thomas Browne photo
Noam Chomsky photo
Max Pechstein photo

“Contented sleep releases the limbs. We await full moon. Await the dance!”

Max Pechstein (1881–1955) German artist

4 short quotes of Max Pechstein, 1918, in Aus dem Palau-Tagebuch, 'Das Kunstblatt' 2, no. 6, p. 179; as cited in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 43

Rupert Murdoch photo

“Content is not just king, it is the emperor of all things electronic.”

Rupert Murdoch (1931) Australian-American media mogul

Source: The 64-gigabyte shape of the future, Washington Post, May 7, 2010 http://www.washingtonpost.com/wp-dyn/content/article/2010/05/06/AR2010050603353.html

Newton Lee photo
Auguste Rodin photo
A.E. Housman photo

“Nature, not content with denying to Mr — the faculty of thought, has endowed him with the faculty of writing.”

A.E. Housman (1859–1936) English classical scholar and poet

From a list of insults drafted by A E Housman, and posthumously published in Laurence Housman's A. E. H. (1937) pp. 89-90. The name was left blank in the original, but was intended to be filled in and used when a suitable subject should turn up.

Hilaire Belloc photo

“Be content to remember that those who can make omelettes properly can do nothing else.”

Hilaire Belloc (1870–1953) writer

IV. On Making an Omelette
A Conversation with a Cat, and Others (1931)

Mary McCarthy photo
Rutherford B. Hayes photo

“I am not liked as a President by the politicians in office, in the press, or in Congress. But I am content to abide the judgment — the sober second thought — of the people.”

Rutherford B. Hayes (1822–1893) American politician, 19th President of the United States (in office from 1877 to 1881)

Diary (1 March 1878)
Diary and Letters of Rutherford Birchard Hayes (1922 - 1926)

Ze Frank photo
Herbert Marcuse photo
Chen Shui-bian photo

“Now I am a grandfather, I am very content. I can focus on improving the economy in Taiwan now.”

Chen Shui-bian (1950) Taiwanese politician

After his daughter gave birth to his grandson, October 7, 2002
Pet Phrases, 2002

Hadewijch photo

“They who stand ready to content Love are also eternal and unfathomable. For their conversation is in heaven, and their souls follow everywhere their Beloved who is unfathomable”

Hadewijch (1200–1260) 13th-century Dutch poet and mystic

P. Mommaers, Hadewijch: Writer, Beguine, Love Mystic, p. 82.

Muhammad photo

“Abu Muhammad Fadala ibn 'Ubayd al-Ansari reported that he heard the Messenger of Allah, may Allah bless him and grant him peace, say, "O the delight of the one who is guided to Islam, has adequate livelihood, and is contented."”

Muhammad (570–632) Arabian religious leader and the founder of Islam

Riyadh-as-Saliheen by Imam Al-Nawawi, volume 4, hadith number 513
Sunni Hadith

W. H. Auden photo
Bal Gangadhar Tilak photo

“The Vedic hymns were sung in post glacial times (8,000BC) by poets who had inherited their knowledge or contents thereof from their antediluvian forefathers.”

Bal Gangadhar Tilak (1856–1920) Indian independence activist

[Ashok Pant, The Truth of Babri Mosque, http://books.google.com/books?id=39tW7k_0MI4C&pg=PA15, August 2012, iUniverse, 978-1-4759-4289-7, 15–]

Gerald Durrell photo
Prem Rawat photo
Martin Amis photo

“Never content just to be, America is also obliged to mean; America signifies, hence its constant and riveting vulnerability to illusion.”

Martin Amis (1949) Welsh novelist

"Phantom of the Opera: The Republicans in 1988" (1988)
Visiting Mrs. Nabokov and Other Excursions (1993)

Moshe Chaim Luzzatto photo
Herbert Marcuse photo

“The world of their [the bourgeois’] predecessors was a backward, pre-technological world, a world with the good conscience of inequality and toil, in which labor was still a fated misfortune; but a world in which man and nature were not yet organized as things and instrumentalities. With its code of forms and manners. with the style and vocabulary of its literature and philosophy. this past culture expressed the rhythm and content of a universe in which valleys and forests, villages and inns, nobles and villains, salons and courts were a part of the experienced reality. In the verse and prose of this pre-technological culture is the rhythm of those who wander or ride in carriages. who have the time and the pleasure to think, contemplate, feel and narrate. It is an outdated and surpassed culture, and only dreams and childlike regressions can recapture it. But this culture is, in some of its decisive elements. also a post-technological one. Its most advanced images and positions seem to survive their absorption into administered comforts and stimuli; they continue to haunt the consciousness with the possibility of their rebirth in the consummation of technical progress. They are the expression of that free and conscious alienation from the established forms of life with which literature and the arts opposed these forms even where they adorned them. In contrast to the Marxian concept, which denotes man's relation to himself and to his work in capitalist society, the artistic alienation is the conscious transcendence of the alienated existence—a “higher level” or mediated alienation. The conflict with the world of progress, the negation of the order of business, the anti-bourgeois elements in bourgeois literature and art are neither due to the aesthetic lowliness of this order nor to romantic reaction—nostalgic consecration of a disappearing stage of civilization. “Romantic” is a term of condescending defamation which is easily applied to disparaging avant-garde positions, just as the term “decadent” far more often denounces the genuinely progressive traits of a dying culture than the real factors of decay. The traditional images of artistic alienation are indeed romantic in as much as they are in aesthetic incompatibility with the developing society. This incompatibility is the token of their truth. What they recall and preserve in memory pertains to the future: images of a gratification that would dissolve the society which suppresses it”

Source: One-Dimensional Man (1964), pp. 59-60

Juan Cole photo
Herbert Marcuse photo
H.L. Mencken photo
John McCain photo

“Did you hear the one about the woman who is attacked on the street by a gorilla, beaten senseless, raped repeatedly and left to die? When she finally regains consciousness and tries to speak, her doctor leans over to hear her sigh contently and to feebly ask, "Where is that marvelous ape?"”

John McCain (1936–2018) politician from the United States

Allegedly said in March 1986 during the U.S. senate race. The above quotation was pieced together by a journalist from the recollection of one or more sources, and prived in the Tucson Citizen on October 27, 1986 http://www.huffingtonpost.com/2008/07/15/sources-recall-mccains-jo_n_112955.html http://www.rumromanismrebellion.net/2008/07/15/the-comedy-stylings-of-shecky-mccain/
Disputed

Peter Cook photo
Enoch Powell photo

“The reality of the situation is obscured when population is expressed as a percentage proportion taken over the whole of the United Kingdom. The ethnic minority is geographically concentrated, so that areas in which it forms a majority already exists, and these areas are destined inevitably to grow. It is here that the compatibility of such an ethnic minority with the functioning of parliamentary democracy comes into question. Parliamentary democracy depends at all levels upon the valid acceptance of majority decision, by which the nation as a whole is content to be bound because of the continually available prospect that what one majority has decided another majority can subsequently alter. From this point of view, the political homogeneity of the electorate is crucial. What we do not, as yet, know is whether the voting behaviour of our altered population will be able to use the majority vote as a political instrument and not as a means of self-identification, self-assertion and self-enumeration. It may be that the United Kingdom will escape the political consequences of communalism; but communalism and democracy, as the experience of India demonstrates, are incompatible. That is the spectre which the Conservative party's policy of assisted repatriation in the 1960s aimed to banish; but time and events have swept over and passed the already outdated remedies of the 1960s. We are entering unknown territory where the only certainty for the future is the relative increase of the ethnic minority due to the age structure of that population which has been established.”

Enoch Powell (1912–1998) British politician

Article on the 25th anniversary of his 'Rivers of Blood speech', The Times (20 April 1993), p. 18
1990s

Dave Eggers photo
Bill Gates photo

“Stolen's a strong word. It's copyrighted content that the owner wasn't paid for. So yes.”

Bill Gates (1955) American business magnate and philanthropist

On his use of YouTube to watch videos. "Bill Gates on ...the Competition" in The Wall Street Journal (19 June 2006); also quoted in "Bill Gates' piracy confession" http://www.computerworld.com/blogs/node/2803 at ComputerWorld.com
2000s

James Wolfe photo

“Now God be praised, I die contented.”

James Wolfe (1727–1759) British Army officer

Source: Last words, on hearing of the defeat of the French at Quebec. Quoted in Francis Parkman's Montcalm and Wolfe

Cato the Elder photo

“When you have decided to purchase a farm, be careful not to buy rashly; do not spare your visits and be not content with a single tour of inspection. The more you go, the more will the place please you, if it be worth your attention. Give heed to the appearance of the neighbourhood, - a flourishing country should show its prosperity. "When you go in, look about, so that, when needs be, you can find your way out."”

Of buying a farm; Cited in John Claudius Loudon (1825) An Encyclopædia of Agriculture. Part 1. p. 14
Loudon commented: In the time of Cato the Censor, the author of The Husbandry of the Ancients observed, though the operations of agriculture were generally performed by servants, yet the great men among the Roman continued to give particular attention to it, studied its improvement, and were very careful and exact in the management of nil their country affairs. This appears from the directions given them by this most attentive farmer. Those great men had both houses in town, and villas in the country; and, as they resided frequently in town, the management of their country affairs was committed to a bailiff or overseer. Now their attention to the culture of their land and to every other branch of husbandry, appears, from the directions given them how to behave upon their arrival from the city at their villas.
De Agri Cultura, about 160 BC

Herbert Marcuse photo

“They [great works of literature] are invalidated not because of their literary obsolescence. Some of these images pertain to contemporary literature and survive in its most advanced creations. What has been invalidated is their subversive force, their destructive content—their truth. In this transformation, they find their home in everyday living. The alien and alienating oeuvres of intellectual culture become familiar goods and services. Is their massive reproduction and consumption only a change in quantity, namely, growing appreciation and understanding, democratization of culture? The truth of literature and art has always been granted (if it was granted at all) as one of a “higher” order, which should not and indeed did not disturb the order of business. What has changed in the contemporary period is the difference between the two orders and their truths. The absorbent power of society depletes the artistic dimension by assimilating its antagonistic contents. In the realm of culture, the new totalitarianism manifests itself precisely in a harmonizing pluralism, where the most contradictory works and truths peacefully coexist in indifference. Prior to the advent of this cultural reconciliation, literature and art were essentially alienation, sustaining and protecting the contradiction—the unhappy consciousness of the divided world, the defeated possibilities, the hopes unfulfilled, and the promises betrayed. They were a rational, cognitive force, revealing a dimension of man and nature which was repressed and repelled in reality.”

Source: One-Dimensional Man (1964), pp. 60-61

Martin Buber photo
Morris Raphael Cohen photo
Arshile Gorky photo
Simone Weil photo
David Eugene Smith photo

“It is difficult to say when algebra as a science began in China. Problems which we should solve by equations appear in works as early as the Nine Sections (K'iu-ch'ang Suan-shu) and so may have been known by the year 1000 B. C. In Liu Hui's commentary on this work (c. 250) there are problems of pursuit, the Rule of False Position… and an arrangement of terms in a kind of determinant notation. The rules given by Liu Hui form a kind of rhetorical algebra.
The work of Sun-tzï contains various problems which would today be considered algebraic. These include questions involving indeterminate equations. …Sun-tzï solved such problems by analysis and was content with a single result…
The Chinese certainly knew how to solve quadratics as early as the 1st century B. C., and rules given even as early as the K'iu-ch'ang Suan-shu… involve the solution of such equations.
Liu Hui (c. 250) gave various rules which would now be stated as algebraic formulas and seems to have deduced these from other rules in much the same way as we should…
By the 7th century the cubic equation had begun to attract attention, as is evident from the Ch'i-ku Suan-king of Wang Hs'iao-t'ung (c. 625).
The culmination of Chinese is found in the 13th century. …numerical higher equations attracted the special attention of scholars like Ch'in Kiu-shao (c.1250), Li Yeh (c. 1250), and Chu-Shï-kié (c. 1300), the result being the perfecting of an ancient method which resembles the one later developed by W. G. Horner”

David Eugene Smith (1860–1944) American mathematician

1819
Source: History of Mathematics (1925) Vol.2, Ch. 6: Algebra

Roger Wolcott Sperry photo
John Napier photo

“20 Proposition. Gods Temple, although in heaven, is also taken for his holy Church among his heavenly Elect upon the earth, and metonymicè for the whole contents thereof.”

John Napier (1550–1617) Scottish mathematician

A Plaine Discovery of the Whole Revelation of St. John (1593), The First and Introductory Treatise

Karl Kraus photo
C. Rajagopalachari photo
R. H. Tawney photo
Thomas Carlyle photo
Clive Staples Lewis photo
Rembrandt van Rijn photo

“My [dear] Sir: Let me first offer my kind regards. I agree that I should come soon to see how the picture accords with the rest. As regards the price, I certainly deserve 200 pounds for it, but shall be content with whatever His Excellency pays me. And if you, Sir, do not deem it presumptuous, I shall not neglect to requite the favor. Your humble and devoted servant Rembrandt - It [the picture] will show to [the] best advantage in His Excellency's gallery, since there it will be [displayed] in bright light.”

Rembrandt van Rijn (1606–1669) Dutch 17th century painter and etcher

Letter to Constantijn Huygens (Amsterdam, after Feb. 1636) http://remdoc.huygens.knaw.nl/#/document/remdoc/e4429
Rembrandt emphasizes here the urge for a place with bright light, necessary to view his painting well. Not certain is which painting by Rembrandt is meant here.
1630 - 1640

Mary Howitt photo

“Yes, in the poor man's garden grow
Far more than herbs and flowers—
Kind thoughts, contentment, peace of mind,
And joy for weary hours.”

Mary Howitt (1799–1888) English poet, and author

The poor Man's , reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Thomas Fuller (writer) photo
Asger Jorn photo

“True realism, materialist realism lies in the search for the expression of forms faithful to their content. But there is no content detached from human interest.”

Asger Jorn (1914–1973) Danish artist

As quoted in Aftermath France, 1945-54: New Images of Man: An Exhibition (1982), p. 107
1959 - 1973, Various sources

F. E. Smith, 1st Earl of Birkenhead photo
Thomas Henry Huxley photo
Akeel Bilgrami photo
Russell Brand photo
Clive Staples Lewis photo
Jonathan Haidt photo
Alan Rusbridger photo
Margaret Thatcher photo