Quotes about comic

A collection of quotes on the topic of comic, comics, likeness, doing.

H.P. Lovecraft quote: “The world is indeed comic, but the joke is on mankind.”

Quotes about comic

“The world is indeed comic, but the joke is on mankind.”

H.P. Lovecraft (1890–1937) American author

“I am convinced that comics should not only make people laugh. For this in my stories found tears, anger, hatred, pain and end not always happy.”

Osamu Tezuka (1928–1989) Japanese cartoonist and animator

Quoted in Helen McCarthy, Osamu Tezuka: God of manga , translated by Fabio Deotto, Edizioni BD, 2010, back cover.

Pain, People, Tear, Anger

“When I was a child, ladies and gentlemen, I was a dreamer. I read comic books, and I was the hero of the comic book. I saw movies, and I was the hero in the movie. So every dream I ever dreamed, has come true a hundred times…”

Elvis Presley (1935–1977) American singer and actor

Acceptance speech for the 1970 Ten Outstanding Young Men of the Nation Award (16 January 1971), published in Elvis — Word for Word: What He Said, Exactly As He Said It (1999) by Jerry Osborne, p. 188
Context: I'd like to thank the Jaycees for electing me as one of their outstanding young men. When I was a child, ladies and gentlemen, I was a dreamer. I read comic books, and I was the hero of the comic book. I saw movies, and I was the hero in the movie. So every dream I ever dreamed, has come true a hundred times... And these gentlemen over here, these are the type of people who care, they're dedicated, and they realize that it is possible that they might be building the kingdom of heaven, it's not just too far fetched, from reality. I'd like to say that I learned very early in life that "Without a song, the day would never end; without a song, a man ain't got a friend; without a song, the road would never bend — without a song." So I keep singing a song. Goodnight. Thank you.

Books, Dreams, Time, Reading

“As comics writers we had to have villains in our stories. And once World War II started, the Nazis gave us the greatest villains in the world to fight against. It was a slam dunk.”

Stan Lee (1922–2018) American comic book writer

How the Jews Created the Comic Book Industry Part I: The Golden Age (1933-1955) Reform Judaism http://reformjudaismmag.net/03fall/comics.shtml (2003)

War, World, Fight

“Everything in nature is lyrical in its ideal essence, tragic in its fate, and comic in its existence.”

George Santayana (1863–1952) 20th-century Spanish-American philosopher associated with Pragmatism

Beauty, Peaceful, Fate, Nature

“I don't remember when exactly I read my first comic book, but I do remember exactly how liberated and subversive I felt as a result.”

Edward Said (1935–2003) Professor of English and literature

Source: Palestine

Books, Reading

“I am not a comic, I have never told a joke… The comedian's promise is that he will go out there and make you laugh with him… My only promise is that I will try to entertain you as best I can…. They say, 'Oh wow, Andy Kaufman, he's a really funny guy.' But I'm not trying to be funny. I just want to play with their heads.”

Andy Kaufman (1949–1984) American stand-up comedian and actor

Kaufman explaining his act

Guy

“Around 1945, daily life might have been hard, but the reputation of Disney was at its highest. The voices of Mickey Mouse and Donald Duck had stabilized, Snow White and Bambi were huge hits and had received a number of international prizes. It really was like the brightness of a rising sun. And then Japanese children after the war had no choice but to face the flood of Disney comics that accompanied the brainwashing of “American democracy.””

Osamu Tezuka (1928–1989) Japanese cartoonist and animator

That was their merit as propaganda against the Japanese. Tezuka Osamu and American Comics http://www.tcj.com/tezuka-osamu-and-american-comics/, (1973), as quoted by Ryan Holmberg, The Comics Journal, Jul 16, 2012.

Life, War, Children, Democracy

“Since the decay of the belief in personal immortality, death has never seemed funny, and it will be a long time before it does so again. Hence the disappearance of the facetious epitaph, once a common feature of country churchyards. I should be astonished to see a comic epitaph dated later than 1850. There is one in Kew, if I remember rightly, which might be about that date. About half the tombstone is covered with a long panegyric on his dead wife by a bereaved husband: at the bottom of the stone is a later inscription which reads, ‘Now he’s gone, too’.”

George Orwell (1903–1950) English author and journalist

As I Please (17 February 1947) http://www.telelib.com/authors/O/OrwellGeorge/essay/tribune/AsIPlease19470214.html "As I Please" (1943–1947)

Death, Time, Reading, Personality

“I am what a romantic movie is to a profound thinker - a mere diversion, a comic interlude, something that is soon forgotten.”

Anne Frank (1929–1945) victim of the Holocaust and author of a diary

Source: The Diary of a Young Girl

“Life can be wildly tragic at times, and I've had my share. But whatever happens to you, you have to keep a slightly comic attitude. In the final analysis, you have got not to forget to laugh.”

Katharine Hepburn (1907–2003) film, stage, and television actress

Life, Time, Forgetting

“Only one letter divides the comic from the cosmic.”

Vladimir Nabokov (1899–1977) Russian-American novelist, lepidopterist, professor

“My mother wanted us to understand that the tragedies of your life one day have to potential to be the comic stories the next.”

Nora Ephron (1941–2012) Film director, author screenwriter

Life, Understanding

“Humanity is a comic role.”

Novalis (1772–1801) German poet and writer

Source: Novalis: Philosophical Writings

“Comics are a gateway drug to literacy.”

Art Spiegelman (1948) cartoonist from the United States

“I am staunchly opposed to presenting political opinions in mainstream comics. No manifestos from Spider-Man. The reader should be able to project themselves on these characters. That’s necessary when writing heroic escapist fiction. Superheroes are wish fulfillment characters. We want to be Superman. We hope we’re as principled as Captain America. It’s important that these characters portray only the most universal values.”

Chuck Dixon (1954) American comic book writer

TBU Exclusive: Chuck Dixon Talks The Batman Universe http://thebatmanuniverse.net/chuck-dixon/ (May 24, 2016)

Hope, Universe

“Comics are an international language, they can cross boundaries and generations. Comics are a bridge between all cultures”

Osamu Tezuka (1928–1989) Japanese cartoonist and animator

As quoted in Transnational Perspectives on Graphic Narratives https://books.google.com/books?isbn=1441185755 p. 5

“Those American comics themselves were heavily influenced by Keaton’s comedies, Mack Sennett, those sorts of films from the golden age of comedy. The gagmen that appeared there, for example Roscoe Arbuckle or Ben Turpin, there were lots of comics that used their style, their faces just as is. Especially Chaplin with his bowed legs and over-sized shoes. Those sorts of features were used directly in comics. In that era, all American cartoonists imitated the stars of comedy. That is what I worked so hard at copying, and so that’s why my comics are bowlegged and big-shoed. At the level of content too I was deeply influenced by the strong social caricatures of Chaplin’s comedies, the tears mixed with the laughter. The biggest influence of all was the rhythm.”

Osamu Tezuka (1928–1989) Japanese cartoonist and animator

Source: http://www.tcj.com/tezuka-osamu-and-american-comics/ Tezuka Osamu and American Comics

Age, Shoe, Star, Tear

“I feel there is sensuality … eroticism in the primary things that move, like animals and insects. Being able to inspire the movement to still images … gives me the joy of the creator that breathes life into things that do not have life. The movement must be sufficiently round and sweet … so express its eroticism. In creating cartoons I always think of an ideal, but … half the finish to doubt the rightness of what I'm doing. So I put all my expectations always work next. * * […] I often say jokingly that comics are my true wife and that the cartoons are my lover. The fact that I am fully dedicated to animation, my lover … is because it allows me to express in a sublime … the interesting metamorphosis of a changing body. For me, the greatest fun, no doubt, lies in the draw and give movement to change processes. Always look in my cartons this metamorphosis.”

Osamu Tezuka (1928–1989) Japanese cartoonist and animator

From Interview to the author , in Osamu Tezuka, Jumping ; quoted in AA.VV., Osamu Tezuka: A Manga Biography , vol. 4, translated by Marta Fogato, Coconino Press, Bologna, 2001, p. 178. ISBN 8888063188

Life, Feeling, Lovers, Thinking

“I first followed the comics of Tagawa Suihō and Yokoyama Ryūichi. But suddenly, once I became devoted to Disney, I set out to copy and master that stuffed-animal style, eventually ending up with how I now draw.”

Osamu Tezuka (1928–1989) Japanese cartoonist and animator

Source: http://www.tcj.com/tezuka-osamu-and-american-comics/ Tezuka Osamu and American Comics

Animals, Drawing

“I'm not guilty? [Laughs] Does that include the time I stole a comic book when I was five years old? I'm not guilty of the charges which have been filed against me.”

Ted Bundy (1946–1989) American serial killer

1977 interview https://www.youtube.com/watch?v=AEWsxCrMM1U in Pitkin County Prison, Colorado

Books, Time

“What most people don't know about love, sex, and relations with other human beings would fill a book. Strangers in Paradise is that book. I have long suspected that what people did in private was much funnier than it ever was erotic. Terry Moore obviously thinks so too. Strangers in Paradise is a delightful new comic, and Terry Moore is a fun writer and a fine cartoonist.”

Neil Gaiman (1960) English fantasy writer

Blurb on The Complete Strangers In Paradise (2004), Vol. 1

Love, People, Books, Sex

“Moreover, humour is itself but a superficial view of that which is in truth both tragic and terrible—the contrast between human pretence and cosmic mechanical reality. Humour is but the faint terrestrial echo of the hideous laughter of the blind mad gods that squat leeringly and sardonically in caverns beyond the Milky Way. It is a hollow thing, sweet on the outside, but filled with the pathos of fruitless aspiration. All great humorists are sad—Mark Twain was a cynic and agnostic, and wrote "The Mysterious Stranger" and "What Is Man?" When I was younger I wrote humorous matter—satire and light verse—and was known to many as a jester and parodist. … But I cannot help seeing beyond the tinsel of humour, and recognising the pitiful basis of jest—the world is indeed comic, but the joke is on mankind.”

H.P. Lovecraft (1890–1937) American author

"The Defence Remains Open!" (April 1921), published in Collected Essays, Volume 5: Philosophy edited by S. T. Joshi, p. 54
Non-Fiction

God, Truth, World, Sadness

“There are one or two rules of thumb which are useful in distinguishing sadism from exciting adventure in the comics. Threat of torture is harmless, but when the torture it’s self is shown it becomes sadism. When a lovely heroine is show bound to the stake, comics followers are sure that the rescue will arrive just in the nick of time. The readers wish is to save the girl, not to see her suffer. A bound or chained person does not suffer even embarrassment in the comics, and the reader, therefore is not being taught to enjoy suffering.”

William Moulton Marston (1893–1947) American psychologist, lawyer, inventor and comic book writer

As quoted in Olive Richard Bryne's, "Don't laugh at the comics" Family Circle, Oct 25, 1940.

Love, Girl, Suffering, Time

“The new readers have mentality, fashions, feelings completely different from those of previous readers. Should I draw comics following my first readers in their growth? Or should I stop doing the cartoonist? … More or less every three years a cartoonist for children is cornered. I, too, every three years, living a crisis. So I decide and I get back to work for my new readers as if they were the first. … This is why I am certain that the good work that will draw able to make happy readers of all time.”

Osamu Tezuka (1928–1989) Japanese cartoonist and animator

From My Diary manga , 1966; quoted in AA.VV., Osamu Tezuka: A Manga Biography , vol. 3, translated by Marta Fogato, Coconino Press, Bologna, 2001, p. 26. ISBN 8888063102

Children, Feeling, Fashion, Time

“In the early days, I was writing scripts for virtually all the books, and it was very hard to keep all the artists busy; poor little frail me, doing story after story. So I'd be writing a story for Kirby, and Steve Ditko would walk in and say, 'Hey, I need some work now.' And I'd say, 'I can't give it to you now, Steve, I'm finishing Kirby's.' But we couldn't afford to keep Steve waiting, because time is money, so I'd have to say, 'Look Steve, I can't write a script for you now, but here's the plot for the next Spider-Man. Go home and draw anything you want, as long as it's something like this, and I'll put the copy in later.' So I was able to finish Jack's story. Steve in the meantime was drawing another story….. Okay, it started out as a lazy's man's device…but we realized this was absolutely the best way to do a comic….. Don't have the writer say, 'Panel one will be a long shot of Spider-Man walking down the street.”

Stan Lee (1922–2018) American comic book writer

The artist may see it differently; maybe he feels it should be a shot of Spider-Man swinging on his web, or climbing upside-down on the ceiling or something. On the early days of work at Marvel Comics. Interview (1975) http://www.ditko.comics.org/ditko/why/whyquote.html

Money, Books, Way, Feeling

“My idea of Comic Relief is switching Victoria Wood off.”

Jerry Sadowitz (1961) Scottish comedian

The Pall-Bearer's Revue (1992)

Idea

“Man, when reduced to nothing, or in other words a survivor, is not tragic but comic, because he has no fate.”

Imre Kertész (1929–2016) Hungarian writer

Liquidation (2003)

Fate

“Darcy wants to present himself to Elizabeth as a proud gentleman, and he gets from her the message 'your pride is nothing but contemptible arrogance.' After the break in their relationship each discovers, through a series of accidents, the true nature of the other - she the sensitive and tender nature of Darcy, he her real dignity and wit - and the novel ends as it should, with their marriage. The theoretical interest of this story lies in the fact that the failure of their first encounter, the double misrecognition concerning the real nature of the other, functions as a positive condition of the final outcome: we cannot say 'if, from the very beginning, she had recognized his real nature and he hers, their story could have ended at once with their marriage.' Let us take a comical hypothesis that the first encounter of the future lovers was a success - that Elizabeth had accepted Darcy's first proposal. What would happen? Instead of being bound together in true love they would become a vulgar everyday couple, a liaison of an arrogant, rich man and a pretentious, every-minded young girl… If we want to spare ourselves the painful roundabout route through the misrecognition, we miss the truth itself: only the working-through of the misrecognition allows us to accede to the true nature of the other and at the same time to overcome our own deficiency - for Darcy, to free himself of his false pride; for Elizabeth, to get rid of her prejudices.”

Slavoj Žižek book The Sublime Object of Ideology

67
The Sublime Object of Ideology (1989)

Love, Pain, Marriage, Truth

“The good historian, then, must be thus described: he must be fearless, uncorrupted, free, the friend of truth and of liberty; one who, to use the words of the comic poet, calls a fig a fig, and a skiff a skiff, neither giving nor withholding from any, from favour or from enmity, not influenced by pity, by shame, or by remorse; a just judge, so far benevolent to all as never to give more than is due to any in his work; a stranger to all, of no country, bound only by his own laws, acknowledging no sovereign, never considering what this or that man may say of him, but relating faithfully everything as it happened.”

Lucian (120) ancient Greek writer

How to Write History

Truth, Law, Country

“The science fiction and manga readers had the same… Most fiction writers then had had some experience in the comic and some of it had even been absorbed completely… I can not understand why those who love science fiction also loves the manga and vice versa. There are two kinds characterized by a biting satire and at worst are called "extravagant"…. Both are aimed toward the future, and therefore contain romantic adventures for young people.”

Osamu Tezuka (1928–1989) Japanese cartoonist and animator

Since I cartoonist ; quoted in AA.VV., Osamu Tezuka: A Manga Biography , vol. 3, translated by Marta Fogato, Coconino Press, Bologna, 2001, p. 73.

Love, People, Understanding, Science

“It is a good thing for a man to offer himself cheerfully to the attacks of the comic writers; for then, if they say anything worth hearing, one will be able to mend; and if they do not, then all they say is unimportant.”

Socrates (-470–-399 BC) classical Greek Athenian philosopher

Diogenes Laertius

“I'm an actor. That's what I do. I'm not a stand-up comic. I do characters. I'm very good. I'll be better. But right now I'm a very good actor.”

Whoopi Goldberg (1955) American actress

As quoted in "Whoopi Goldberg, A One-Woman Character Parade" https://www.newspapers.com/image/?clipping_id=68252476 by Michael Kuchwara, AP Drama Writer, The Fremont News-Messenger (November 29, 1984), p. 31.

“There was a look of woe on his face that was almost comical. Raids, bullets, criminals… no problem. A missing duster? Crisis.”

Richelle Mead book Last Sacrifice

Source: Last Sacrifice

Problem

“Only after a while did it occur to me (in spite of the chilly silence which surrounded me) that my story was not of the tragic sort, but rather of the comic variety.

At any rate that afforded me some comfort.”

Milan Kundera book Laughable Loves

Source: Laughable Loves

Silence

“One day,' Orest said, looking at him comically, 'you will say something that is less than practical and sensible, something that is driven by no forethought and nothing but passion, and I will probably collapse with shock.”

Mercedes Lackey book Alta

Source: Alta

Passion

“I hope some historian will confirm that I was the first cartoonist to use the word 'booger' in a newspaper comic strip.”

Bill Watterson (1958) American comic artist

Source: The Calvin and Hobbes Tenth Anniversary Book

Hope

“Hippo in a skirt: this was a comic reference to one of Solomon's principal wives, the one from Moab. Childish? Yes. But in the days before printing we had limited opportunities for satire.”

Jonathan Stroud book The Ring of Solomon

Source: The Ring of Solomon

“Socrates should have written comics.”

Mark Waid (1962) American comics writer

“Although according to certain philosophers it is quite difficult to distinguish the jester from the melancholic, life itself being a comic drama or a dramatic comedy.”

Comte de Lautréamont (1846–1870) French poet

Source: Maldoror and the Complete Works

Life

“There's nothing grimmer than the tragedy that wears a comic mask.”

Edith Wharton (1862–1937) American novelist, short story writer, designer

“A gun. I had been brought down by a gun. It was practically comical. Cheaters, I thought.”

Richelle Mead book Last Sacrifice

Source: Last Sacrifice

“You can make your superhero a psychopath, you can draw gut-splattering violence, and you can call it a "graphic novel," but comic books are still incredibly stupid.”

Bill Watterson (1958) American comic artist

Books, Stupidity, Drawing

“To paint comic books as childish and illiterate is lazy. A lot of comic books are very literate — unlike most films.”

Alan Moore (1953) English writer primarily known for his work in comic books

http://www.independent.co.uk/arts-entertainment/books/features/alan-moore-the-reluctant-hero-64407.html Context: If I write a crappy comic book, it doesn't cost the budget of an emergent Third World nation. When you've got these kinds of sums involved in creating another two hours of entertainment for Western teenagers, I feel it crosses the line from being merely distasteful to being wrong. To paint comic books as childish and illiterate is lazy. A lot of comic books are very literate — unlike most films.

Books, Painting

“A quick temper, sharp tongue, and restless spirit were always getting her into scrapes, and her life was a series of ups and downs, which were both comic and pathetic.”

Louisa May Alcott book Little Women

Source: Little Women

Life

“Everything really is going to be okay. (And if not okay, then at least comic.)”

Elizabeth Gilbert book Eat, Pray, Love

Source: Eat, Pray, Love

“Everybody wanted to be the hero of their own story. Nobody wanted to be comic relief.”

Lev Grossman The Magician King

Source: The Magician King

“You used your power to toss one rock at me?" he exclaimed, an almost comic note of incredulity in his voice.
"On the contrary," I heard Dorian say pleasantly. "I didn't use magic for that. I just threw it.”

Richelle Mead (1976) American writer

Source: Storm Born

“Only if we are secure in our beliefs can we see the comical side of the universe.”

Flannery O’Connor (1925–1964) American novelist, short story writer

Universe

“Something will have gone out of us as a people if we ever let the remaining wilderness be destroyed; if we permit the last virgin forests to be turned into comic books and plastic cigarette cases; if we drive the few remaining members of the wild species into zoos or to extinction; if we pollute the last clear air and dirty the last clean streams and push our paved roads through the last of the silence, so that never again will Americans be free in their own country from the noise, the exhausts, the stinks of human and automotive waste. And so that never again can we have the chance to see ourselves single, separate, vertical and individual in the world, part of the environment of trees and rocks and soil, brother to the other animals, part of the natural world and competent to belong in it. … We need wilderness preserved — as much of it as is still left, and as many kinds — because it was the challenge against which our character as a people was formed. The reminder and the reassurance that it is still there is good for our spiritual health even if we never once in ten years set foot in it.”

Wallace Stegner (1909–1993) American historian, writer, and environmentalist

Wilderness Letter http://wilderness.org/bios/former-council-members/wallace-stegner (1960) Source: The Sound of Mountain Water

People, Health, Books, World

“I'd been upstaged, demoted from protagonist in my own drama to comic relief in my parents' tragedy”

Alison Bechdel (1960) American cartoonist, author

Source: Fun Home: A Family Tragicomic

Parent

“Do people always act this way around you? (Kiara)
You should have seen the reactions when I wore a League uniform. Those were actually comical. Except for the ones who lost control of their bowels. Then it was just messy. (Nykyrian)”

Sherrilyn Kenyon (1965) Novelist

Source: Born of the Night

People, Way

“Life is a drama full of tragedy and comedy. You should learn to enjoy the comic episodes a little more.”

Jeannette Walls book The Glass Castle

Source: The Glass Castle

Life, Learning

“That pompous phrase (graphic novel) was thought up by some idiot in the marketing department of DC. I prefer to call them Big Expensive Comics.”

Alan Moore (1953) English writer primarily known for his work in comic books

“Life isn’t divided into genres. It’s a horrifying, romantic, tragic, comical, science-fiction cowboy detective novel.”

Alan Moore (1953) English writer primarily known for his work in comic books

"The Mustard magazine interview" (January 2005)
Context: Life isn’t divided into genres. It’s a horrifying, romantic, tragic, comical, science-fiction cowboy detective novel. You know, with a bit of pornography if you're lucky.

Life, Science

“but I find her personality annoying. It's like being molested by a sleeping bag that speaks in Comic Sans with little love-hearts over the i's.”

Charles Stross Saturn's Children

Source: Saturn's Children

Love, Sleep, Heart, Personality

“I was young and not gloomy and there were always strange and comic things that happened in the worst time…”

Ernest Hemingway book A Moveable Feast

Source: A Moveable Feast

Time

“Comics are words and pictures. You can do anything with words and pictures.”

Harvey Pekar (1939–2010) writer

“If a play does anything either tragically or comically satirically or farcically — to explain to me why I am alive, it is a good play. If it seems unaware that such questions exist, I tend to suspect that it's a bad one.”

Kenneth Tynan (1927–1980) English theatre critic and writer

Foreword
Tynan Right and Left (1967)

Question

“A comic writer should of all others be the least excused for deviating from nature, since it may not be always so easy for a serious poet to meet with the great and the admirable; but life every where furnishes an accurate observer with the ridiculous.”

Henry Fielding book Joseph Andrews

Author's Preface
Joseph Andrews (1742)

Life, Nature

“The more I examined my emotions, the more I was able to put that in my writing. I wanted to concentrate more on human emotions and internal feelings in the characters, inasmuch as I could in an animated cartoon show—ostensibly one for a young audience. There were times when I felt I couldn’t put the depth of feeling that I wanted to in the cartoons at that time, because it’s for kids and you have to keep it kind of upbeat. But I did it where I could. And I put it in my other work as well, when I was writing things like comics and screenplays.”

Paul Dini (1957) writer

Harley Quinn co-creator Paul Dini discusses how Batman helped him heal https://www.dailydot.com/parsec/paul-dini-batman-dark-night-harley-quinn-interview/ (June 21, 2016)

Feeling, Time, Animals

“For years, whenever I saw Mubarak, he reminded me of a mummy. He spent a considerable time each day to “prepare” himself. That meant dying his hair and eyebrows jet black, and applying rouge to his cheeks to make them look rosy, in more or less the same way Egyptian mummy makers did with dead pharaohs. He also wore heels to look taller and used a corset to keep his belly in. Despite declining eyesight, he shunned glasses in public. Even in his 80s, he wanted to appear alive and young, just as pharaohs had done. Mubarak’s attempts at securing eternal youth were faintly comical and ultimately harmless. What was not comical and certainly harmless was the mummification of his regime.”

Amir Taheri (1942) Iranian journalist

"Curse of the mummy" http://nypost.com/2011/02/13/curse-of-the-mummy/, New York Post (February 13, 2011). New York Post

Youth, Way, Appearance, Time

“The effort really to see and really to represent is no idle business in face of the constant force that makes for muddlement. The great thing is indeed that the muddled state too is one of the very sharpest of the realities, that it also has color and form and character, has often in fact a broad and rich comicality.”

Henry James book What Maisie Knew

What Maisie Knew.
Prefaces (1907-1909)

Color, Business, Reality, Effort

“My being Jewish does not inform the things I do, necessarily. 'Exodus' is a wonderful piece, no matter what religion you are. 'The Shiva Club,' which is a movie I am attempting to make sometime soon, is about crashing a shiva, if you will. A couple of comics crash a shiva. I could have, I suppose, made it an Irish wake, but the shiva I was more familiar with.”

William Shatner (1931) Canadian actor, musician, recording artist, author, and film director

Of his album telling the story of the Exodus, "Beam Me Up Moses William Shatner Album Tells Exodus Story In Spoken Word, Song https://archive.is/20130103131701/www.jweekly.com/article/full/34780/beam-me-up-moses-william-shatner-album-tells-exodus-story-in-spoken-word-so/, Jweekly 18 April 2008.

Religion

“In the past the mood of the comic postcard could enter into the central stream of literature, and jokes barely different from McGill's could casually be uttered between the murders in Shakespeare's tragedies. That is no longer possible, and a whole category of humour, integral to our literature till 1800 or thereabouts, has dwindled down to these ill-drawn postcards, leading a barely legal existence in cheap stationers' windows. The corner of the human heart that they speak for might easily manifest itself in worse forms, and I for one should be sorry to see them vanish.”

Donald McGill (1875–1962) British artist

George Orwell "The Art of Donald McGill", in Collected Essays, Journalism and Letters (1984) Vol. 2, pp. 194-5.
Criticism

Literature, Mood, Past, Heart

“My early work in newspaper comics and comic books allowed me to entertain millions of readers weekly, but I always felt there was more to say. I pioneered the use of comics for instructional manuals for American soldiers, covering three major wars, and later used comics to educate grade school children. Both were heady responsibilities that I took very seriously. But I yearned to do still more with the medium. At an age when I could have "retired," I chose instead to create literary comics, than a decidedly oxymoronic term. Acceptance has not always been easy, but I have seen it arrive in my lifetime. It has been most gratifying to see the graphic novel and many of its exceptional creators gradually become an accepted part of the book world. I couldn't find a major publisher to take A Contract With God only a quarter century ago, and now graphic novels represent the book industry's fastest growing genre.”

Will Eisner (1917–2005) American cartoonist

XIX-XX, December 2004
A Contract With God (2004)

God, War, Children, Books

“It’s pretty amazing to be a part of the Star Trek family. It’s definitely a highlight of my career. I never imagined it’d lead to so many great opportunities to appear in other films, travel the world to make appearances, be featured in a comic strip, trading cards and even action figures. The fans are the most loyal, more than any franchise or brand. It’s pretty amazing how Star Trek continues to be relevant with so many TV series and films.”

Menina Fortunato (1980) Canadian actress

Enterprise's Orion Slave Girls https://www.startrek.com/article/enterprises-orion-slave-girls-part-2 (March 17, 2016)

World, Family, Travel, Imagination

“Comic relief raised £8 million last year. Britain sold hundreds of millions worth of weapons last year to Africa. So next year, one country in Africa will get blown to smithereens, and the next country along will get a visit from Lenny Henry. And both will feel bitterly jealous of each other.”

Frankie Boyle (1972) Scottish comedian

Give It Up for Comic Relief

Feeling, Country

“I remember hearing about an old comic strip back in the days of St. Ed's. Two guys are talking to each other, and one of them says he has a question for God. He wants to ask why God allows all of this poverty and war and suffering to exist in the world. And his friend says, "Well, why don't you ask?" The fellow shakes his head and says he's scared. When his friend asks why, he mutters, "I'm scared God will ask me the same question."”

Shane Claiborne The Irresistible Revolution

Source: The Irresistible Revolution (2006), p. 65

God, War, World, Guy

“… "shagging" - a quasi-comical activity, like belching or farting, except it was more taboo and more necessary than these.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

Friend of My Youth (2017)

“In Somalia, we know exactly what they had to gain because they told us. The chairman of the Joint Chiefs, Colin Powell, described this as the best public relations operation of the Pentagon that he could imagine. His picture, which I think is plausible, is that there was a problem about raising the Pentagon budget, and they needed something that would be, look like a kind of a cakewalk, which would give a lot of prestige to the Pentagon. Somalia looked easy. Let's look back at the background. For years, the United States had supported a really brutal dictator, who had just devastated the country, and was finally kicked out. After he's kicked out, it was 1990, the country sank into total chaos and disaster, with starvation and warfare and all kind of horrible misery. The United States refused to, certainly to pay reparations, but even to look. By the middle of 1992, it was beginning to ease. The fighting was dying down, food supplies were beginning to get in, the Red Cross was getting in, roughly 80% of their supplies they said. There was a harvest on the way. It looked like it was finally sort of settling down. At that point, all of a sudden, George Bush announced that he had been watching these heartbreaking pictures on television, on Thanksgiving, and we had to do something, we had to send in humanitarian aid. The Marines landed, in a landing which was so comical, that even the media couldn't keep a straight face. Take a look at the reports of the landing of the Marines, it must've been the first week of December 1992. They had planned a night, there was nothing that was going on, but they planned a night landing, so you could show off all the fancy new night vision equipment and so on. Of course they had called the television stations, because what's the point of a PR operation for the Pentagon if there's no one to look for it. So the television stations were all there, with their bright lights and that sort of thing, and as the Marines were coming ashore they were blinded by the television light. So they had to send people out to get the cameramen to turn off the lights, so they could land with their fancy new equipment. As I say, even the media could not keep a straight face on this one, and they reported it pretty accurately. Also reported the PR aspect. Well the idea was, you could get some nice shots of Marine colonels handing out peanut butter sandwiches to starving refugees, and that'd all look great. And so it looked for a couple of weeks, until things started to get unpleasant. As things started to get unpleasant, the United States responded with what's called the Powell Doctrine. The United States has an unusual military doctrine, it's one of the reasons why the U. S. is generally disqualified from peace keeping operations that involve civilians, again, this has to do with sovereignty. U. S. military doctrine is that U. S. soldiers are not permitted to come under any threat. That's not true for other countries. So countries like, say, Canada, the Fiji Islands, Pakistan, Norway, their soldiers are coming under threat all the time. The peace keepers in southern Lebanon for example, are being attacked by Israeli soldiers all the time, and have suffered plenty of casualties, and they don't like it. But U. S. soldiers are not permitted to come under any threat, so when Somali teenagers started shaking fists at them, and more, they came back with massive fire power, and that led to a massacre. According to the U. S., I don't know the actual numbers, but according to U. S. government, about 7 to 10 thousand Somali civilians were killed before this was over. There's a close analysis of all of this by Alex de Waal, who's one of the world's leading specialists on African famine and relief, altogether academic specialist. His estimate is that the number of people saved by the intervention and the number killed by the intervention was approximately in the same ballpark. That's Somalia. That's what's given as a stellar example of the humanitarian intervention.”

Noam Chomsky (1928) american linguist, philosopher and activist

Responding to the question, "what did the United States have to gain by intervening in Somalia?", regarding Operation Provide Relief/Operation Restore Hope/Battle of Mogadishu.
Quotes 1990s, 1995-1999, Sovereignty and World Order, 1999

People, World, Peace, Food

“I was a born club comic. Radio and TV and stage were fine, but I found my real home in cabaret.”

Bob Monkhouse (1928–2003) English entertainer

Obituary in The Independent http://web.archive.org/web/20100507114758/http://www.independent.co.uk/news/obituaries/bob-monkhouse-549171.html

Home

“My first exposure to Batman as a character was Batman the TV series. But honestly, I didn’t know it was supposed to be a parody or campy. I thought it was the coolest thing I’d ever seen. Of course, I was 5 at the time. But all in one fell swoop, I became an instant super hero fan. Later on, as I got older and started reading more comics and getting into the super hero scene, I realized that the Batman show was kind of a comedy. I was reading Neal Adams comics and thinking, "Batman is kind of cooler than that show, he’s kind of scary and mysterious." So my perception of Batman changed over time, and then I went through the periods with Frank Miller and the Tim Burton movies. So now I’ve got these warring Batmans in my head. I still love the Adam West/Batman show. I still love the Neal Adams take on Batman comics. I still love The Dark Knight. All of these things totally contradict each other, and yet it’s fine to me. I’ve said it over and over again, Batman as a character is such a strong concept, he’s the kind of character that you can take him in any number of ways and it still feels right.”

Bruce Timm (1961) Animator

ruce Timm Interview http://www.animationmagazine.net/home-entertainment/batman-under-the-red-hood-clip-and-bruce-timm-interview/ (June 25, 2010)

Love, War, Way, Feeling

“Comics seem to be cooking these days. It's like being a rock star.”

Art Spiegelman (1948) cartoonist from the United States

As quoted in "Breakfast with the FT: Art Spiegelman 'Drawn from Memory'" in Financial Times (29 November 2008).

Star, Cooking

“Comics day came and went. Another shoes day came and went. And another comics day followed that — the typical production and consumption cycles that help us survice our dismal, meaningless little lives.”

Douglas Coupland book JPod

JPod (2006)

Shoe, Help

“The vendors seemed comical, so intent were they on their slivers of meaningless profit, all unaware of the desolate ages that lay in their own near future, their own imminent deaths.”

Arthur C. Clarke book The Light of Other Days

Source: The Light of Other Days (2000), Chapter 26

Death, Age, Future

“The picture story fantasy cuts loose the hampering debris of art and artifice and touches the tender spots of universal human desires and aspirations. Comics speak, without qualm or sophistication to the innermost ears of the wishful self.”

William Moulton Marston (1893–1947) American psychologist, lawyer, inventor and comic book writer

"Why 100,000,000 Americans Read Comics", The American Scholar, 13.1 (1943): pp 35-44. as quoted in The Ages of Wonder Woman: Essays on the Amazon Princess in Changing Times, edited by Joeph J Darowski, p.9; in the essay "William Marston's Feminist Agenda" by Michelle R. Finn,

Art, Universe