Quotes about comic
page 2

“Composing a score is like getting in one of those mini-submarines that take you to the bottom of the ocean. You crawl into this little bubble, seal yourself away from the outside world and dive deep into uncharted territory. Sometimes the places you explore are dark, sometimes they’re light. If you have the right tools and knowledge you can explore wherever you like and have a great experience. It’s a crude analogy to genre hopping, but it’s accurate. I was lucky as a kid to be exposed to so much different material. I watched cartoons and read all kinds of comics as much as I buried my head in scary stuff. It makes going from talking animals one day to shape-shifters the next pretty easy. Truth is, most composers are pinballs. They can bounce around from style to style and adapt really well.”

Michael Wandmacher (1967) composer

Michael Wandmacher (‘The Last Exorcism II’) On Composing Horror http://bloody-disgusting.com/news/3233495/interview-michael-wandmacher-the-last-exorcism-ii-on-composing-horror/ (May 17, 2013)

Truth, World, Knowledge, Light

“He was without any rival whatever, the first comic genius who ever installed himself in Downing Street”

Michael Foot (1913–2010) British politician

On Benjamin Disraeli, in his own book, Debts of Honour
1980s

“The small triumph of "The Graduate" was to have domesticated alienation and the difficulty of communication, by making what Benjamin is alienated from a middle-class comic strip and making it absurdly evident that he has nothing to communicate — which is just what makes him an acceptable hero for the large movie audience. If he said anything or had any ideas, the audience would probably hate him.”

Pauline Kael book Going Steady

Going Steady (1969), Trash, Art and the Movies (February 1969)

Hate, Communication, Idea

“I'm really interested with the way light plays on images and one of the artists that really reawakened my interest in comic books was Frank Miller and his treatment of Daredevil, and then Wolverine and, of course, Batman.”

James Marsters (1962) American actor

Worlds Of Westfield James Marsters Interview (Feb '99) http://www.morethanspike.com/articles.php?ID=164

Books, Way, Light

“What was crucial to the partnership, it should be noted, is that Flavor Flav was a clown — in the tradition of the best black comics — yet he was a clown with consciousness, empowered with knowledge of self, an entirely different persona from the "Stepin Fetchit" and "Sambo" stereotypes of subservient and uncouth black Americans. Flavor Flav was and is a fool, but a fool on a mission. On the cover of Nation of Millions, he wears a gigantic clock as a medallion — a preposterous getup — yet it is designed to illustrate, through a comic medium, that time is indeed running out.”

Flavor Flav (1959) American rapper

Rickey Vincent, Funk: The Music, the People, and the Rhythm of the One (1996), p. 309.
About

Fools, Knowledge, Time, Partnership

“I was taking LSD periodically, every couple of months. I was in a strange state of mind, influenced by these visions. … I was trying to draw it in my sketchbook, and that began to coalesce into these comic strips that were stylistically based on grotesque, vulgar humor comics of the thirties and forties. … All of those characters came out of that crazy visionary period that I couldn’t shut off. It was spontaneous, but I was so crazy, I was really out of my mind, it was like schizophrenia. It was like what produces art by crazy people in a madhouse. Anything could be an influence, anything I heard. I was in Chicago in early ’66 and the radio was on, there was some tune playing, it was a black station, and this announcer said, That was Mr. Natural. I just started drawing Mr. Natural, this bearded guru-type character in my sketchbook, it just came out.”

Robert Crumb (1943) American cartoonist

"R. Crumb, The Art of Comics No. 1" http://www.theparisreview.org/interviews/6017/the-art-of-comics-no-1-r-crumb, The Paris Review, Summer 2010, No. 193.

People, Art, Nature, Drawing

“The buffoonery of Haydn, Beethoven, and Mozart is only an exaggeration of an essential quality of the classical style. This style was, in its origins, basically a comic one.”

Charles Rosen book The Classical Style

Part II. The Classical Style. 1. The Coherence of the Musical Language
Classical Style: Haydn, Mozart, Beethoven (Expanded edition, 1997)

“In his prime, the young comic walked onto a stage with the confidence of a man who owned it, and by the time he walked off, he did.”

Bob Hope (1903–2003) American comedian, actor, singer and dancer

Obituary, Television Week, 4 August 2003 http://goliath.ecnext.com/coms2/gi_0199-3030403/Guest-Commentary-Hope-Everlasting-Press.html About

Confidence, Time

“Surely the most comically deluded people on this planet, outside creationists, Jehovah's Witnesses and Scientologists, are idealistic left-wing gay people who think they share a common cause with Muslims as two oppressed minorities, when opinion polls tell us that most Muslims are disgusted by homosexuality and think it's completely unacceptable. Among U. K. Muslims, disapproval is 100%. Admittedly, that's from a sample of only 500 people, who all happened to agree unanimously, but that's hardly representative. After all, not all Muslims were included, so we can't reasonably extrapolate anything from it without being racist. That's a relief. I thought we might have to face an unpleasant truth there for a second, didn't you?”

Pat Condell (1949) Stand-up comedian, writer, and Internet personality

"How gay is Islam?" (11 November 2013) https://youtube.com/watch?v=nLbltj-tD1Y 2013

People, Truth, Thinking

“As for comics, one has only to turn to the characteristic output of Marvel Comics, for the period from about 1961 to about 1975, to find not an expression of base and cynical impulses but of good, old-fashioned liberal humanism of a kind that may strike us today, God help us, as quaint, but which nevertheless appealed, in story after story, to ideals such as tolerance, technological optimism, and self-sacrifice for the benefit of others.”

Michael Chabon (1963) Novelist, short story writer, essayist

Unpublished Letter of Complaint to The New York Review of Books

God, Fashion, Optimism, Help

“Nell: Nothing is funnier than unhappiness.Nagg: Oh?Nell: Yes, yes, it's the most comical thing in the world. And we laugh, we laugh, with a will, in the beginning. But it's always the same thing. Yes, it's like the funny story we have heard too often, we still find it funny, but we don't laugh any more.”

Samuel Beckett (1906–1989) Irish novelist, playwright, and poet

Endgame (1957)

World

“Self-love, my friend, bewitches parents to give too much indulgence to infantine foibles;- the constant cry is, "Poor little soul, it knows no better!" If it swears, that's a sign of wit and spirit; if it fibs, it's so cunning and comical; if it steals, 'tis only a paw trick- and the mother exultingly cries, "My Jacky is so sharp, we can keep nothing from him!"”

Ignatius Sancho (1729–1780) British composer, writer and grocer

(from vol 1, letter 28: 4 Oct 1775, to Miss L___ ).

Love, Soul, Parent, Cry

“"Eh bien, Mademoiselle, all through my life I have observed one thing — 'All one wants one gets!' Who knows?" His face screwed itself up comically. "You may get more than you bargain for."”

Agatha Christie book The Mystery of the Blue Train

Hercule Poirot
The Mystery of the Blue Train (1928)

Life

“To be comic is merely to be playful, but wit is a serious matter. To laugh at it is to confess that you do not understand.”

Ambrose Bierce (1842–1914) American editorialist, journalist, short story writer, fabulist, and satirist

Source: Epigrams, p. 346

Understanding

“my work is actually different from comic strips in that every mark is really in a different place, however slight the difference seems to some. The difference is often not great, but it is crucial.”

Roy Lichtenstein (1923–1997) American pop artist

Source: 1960's, What is Pop Art? Interviews with eight painters' (1963), pp. 25-27

“To think that the internet allowing fans to feel that they are “not alone as readers” plays to the “clubhouse” mentality that is a large part of what’s wrong with comics today. When you have isolated fans, reading the books on their own and not knowing (or much caring) if anybody else is, then the prime reason for reading is enjoyment—it’s all about the books themselves. It’s not about “getting together” with fellow fans to dissect and deconstruct…”

John Byrne (1950) American author and artist of comic books

On the idea of comic fans utilizing the Internet to interact and share their hobby with each other

Books, Feeling, Thinking, Reading

“When someone asks me, 'Why do you write comics?' I tell them, for the same reason I write editorials, essays, and articles; the same reason I give speeches; the same reason I appear on TV programs, and give interviews. Same message; different forum. There is no universal forum, so the more outreach we can do, the better the chance of forming coalitions.”

Andrew Vachss (1942) American writer and lawyer

Borderline, January 2003

Universe, Appearance, Chance

“Sometimes I think there must be two Yogi Berras. There is the one who grew up on the Hill in St, Louis, who's been playing ball for the Yankees for fourteen years, has a beautiful wife named Carmen and three boys, Larry, Timmy, and Dale, and lives in a nice house in Montclair, N. J. That's me. Then there's the one you read about in the papers who is a kind of a comic-strip character, like Li'l Abner or Joe Palooka. […] I don't know that Yogi at all, because he doesn't exist.”

Yogi Berra (1925–2015) American baseball player, manager, coach

From Yogi: The Autobiography of a Professional Baseball Player (February 1961) by Berra with Ed Fitzgerald; reproduced in "Berra Dispels Li'l Abner Myth" by Berra and Fitzgerald, in The Boston Globe (Saturday, July 2, 1961), p. A1.

Beauty, Boy, Thinking, Reading

“Dramatists have always made fun of the friendship between a husband and his wife's lover. But is it so comic? These two men undoubtedly have more to say to one another than the lover and his mistress. They get on perfectly well, and it is often the husband's presence that makes endurable the intolerable boredom of certain affairs of this sort. Cases have been known where a break occurred almost immediately following the husband's withdrawal from the scene.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Friendship

Men, Friendship, Lovers

“Perhaps it is the positive knowledge that humans now possess the means to destroy their whole planet, the fear that they have in this way themselves become the gods, dreadfully charged with their own continued existence, that has made comic-book and movie myth escapist.”

Nadine Gordimer (1923–2014) South african Nobel-winning writer

Writing and Being (1991)

God, Books, Fear, Way

“I read all the movie reviews, especially those of Ebert, a graceful and witty prose stylist with profound erudition, whose reviews are worth reading just for themselves, whether or not I have any intention of viewing the movie … Ebert, the smart and handsome one, gave thumbs up to my first movie Garfield: The Movie], but [Richard] Roeper, the other one, gave thumbs down and was particularly unkind. He went on forever attacking Ebert for liking Garfield. This from a man with enough taste to praise Duma. How very disappointing. One of Roeper's complaints was that I was animated and all of the other characters in the movie were "real." Do you have any idea how a statement like that hurts an actor who has worked all of his life as a media cat? Yes, Richard Roeper, I was animated. Read my lips: I am a character in a comic strip.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/garfield-a-tail-of-two-kitties-2006 of Garfield: A Tail of Two Kitties, written in the first person as Garfield. (16 June 2006) Reviews, Three star reviews

Life, Disappointment, Cats, Idea

“The 'Planet X' story was partially intended as a comment on the exhausted, circular nature of the X-Men's ever-popular battle with Magneto and by extension, the equally cyclical nature of superhero franchise re-inventions. I ended the book exactly where I came on board, with Logan killing Magneto AGAIN, as he had done at the end of Scott Lobdell's run. Evil never dies in comic book universes. It just keeps coming back. Imagine Hitler back for the hundredth time to menace mankind. (2004)”

Grant Morrison (1960) writer

https://web.archive.org/web/20040803001942/http://www.popimage.com/content/grant20044.html Popimage interview
On The X-Men

Men, Books, Imagination, Nature

“No. Sorry, but no. I fully appreciate how much “trouble” I will get into for this, but no. I cannot let this pass without comment. Using the only hours past death of your own mother to make a point about a comic book story? There are not sufficient words in the English language to properly express my disgust.”

John Byrne (1950) American author and artist of comic books

2008
http://www.byrnerobotics.com/forum/forum_posts.asp?TID=22720&PN=0&TPN=43
When a fan and forum member made the announcement in one of the message board threads that his mother had passed earlier in the day

Death, Books, Past

“It’s not like my standards are that high to begin with. As someone who has spent the greater part of a decade being sexually neglected because I don’t perform gender properly, my standards are comically low. You don’t have to be talented to get in my pants. You don’t have to be charming or funny or witty or able to make great conversation to make me fall for you. You don’t have to have a well-furnished apartment or a beautiful house in order to take me home. Just tell me that you don’t believe in the gender binary, let me know that you want to put it in, and I am pretty much yours.”

Jacob Tobia (1991) american LGBTIQ activist

Sissy Diaries: The Harsh Realities of Dating for Gender-Nonconforming Femmes https://www.them.us/story/sissy-diaries-dating-while-nonbinary (April 25, 2018).

Beauty, Home, Parting, Housing

“But our Don Quixote, the inward, the immortal Don Quixote, conscious of his own comicness, does not believe that his doctrines will triumph in this world, because they are not of it. And it is better that they should not triumph. And if the world wished to make Don Quixote king, he would retire alone to the mountain, fleeing from the king-making crowds, as Christ retired alone to the mountain when, after the miracle of the loaves and fishes, they sought to proclaim him king. He left the title of king for the inscription written over the cross.”

Miguel de Unamuno (1864–1936) 19th-20th century Spanish writer and philosopher

The Tragic Sense of Life (1913), Conclusion : Don Quixote in the Contemporary European Tragi-Comedy

World, Mountain, Fish, Christ

“Tragedy dramatizes human life as potentiality and fulfillment. Its virtual future, or Destiny, is therefore quite different from that created in comedy. Comic Destiny is Fortune—what the world will bring, and the man will take or miss, encounter or escape; tragic Destiny is what the man brings, and the world will demand of him. That is his Fate.”

Susanne K. Langer (1895–1985) American philosopher

Feeling and Form, ch. 19, Scribner (1953)

Life, Fate, World, Future

“Also, I love my google ads. I have no idea if I make a dime off them, and in fact would pay to have them for what they add to the overall nuklearpower. com experience. Case in point: I just saw an ad for "Rodent Supplies." The obvious question now is, "How do I plug those damn google ad things into Photoshop so I can retire while the comic factory pumps out comedy gold three times a week?"”

Brian Clevinger (1978) writer

http://www.nuklearpower.com/daily.php?date=060523

Love, Idea, Question, Time

“I never worry about people not taking my work seriously as a result of the humor. In the end, the comic’s best trick is the illusion that comedy is effortless. That people imagine what he’s doing is easy is an occupational hazard. Cary Grant never won an Oscar, primarily, I suspect, because he made everything look so effortless. Why reward someone for having fun, for being charming? In "serious" fiction (as in "serious" film) you can feel the weight of the material. You expect to see the effort and the strain of all that heavy lifting, and we reward the effort as much as the success. Comedy is often just as serious, and to ignore that seriousness is misguided, of course, but most writers with comic world views have accustomed themselves to being sold at a discount. Most of us wouldn’t have it any other way.”

Richard Russo (1949) American novelist, short story writer and screenwriter

Interview with Richard Russo, Failbetter.com, Volume II, Issue III, Summer/Fall 2001, September 24, 2009 http://www.failbetter.com/04/Russo.htm,

People, World, Way, Feeling

“Do you see that kitten chasing so prettily her own tail? If you could look with her eyes, you might see her surrounded with hundreds of figures performing complex dramas, with tragic and comic issues, long conversations, many characters, many ups and downs of fate, — and meantime it is only puss and her tail. How long before our masquerade will end its noise of tambourines, laughter, and shouting, and we shall find it was a solitary performance?”

Ralph Waldo Emerson book Experience

1840s, Essays: Second Series (1844), Experience

Fate, Laughter

“If somebody accuses you in a story of being a crook, you can demand that they prove it. But if a comic says it and you protest, people say, 'What's the matter, you can't take a joke?”

Robert Orben (1928) American magician and writer

Thomas J. Brazaitis (March 14, 1992) "Comics' Barbs Keep White House Hopefuls On The Run", The Plain Dealer, p. 4A.

People

“We," he said, not without complacency, "are different. We attest the divine paradox. We are barren only to be fertile. We proclaim the primary reality of the world of the spirit which has an infinitude of mansions for an infinitude of human souls. And you too are different. Your destiny is of the rarest kind. You will live to proclaim the love of Christ for man and man for Christ in a figure of earthly love." Preacher's rhetoric; it would have been better in Italian, which thrives on melodious meaninglessness.
I said, with the same weariness as before, "My destiny is to live in a state of desire both church and state condemn and to grow sourly rich in the purveying of a debased commodity. I've just finished a novel which, when I'd read it through in typescript, made me feel sick to my stomach. And yet it's what people want -- the evocation of a past golden time when there was no Mussolini or Hitler or Franco, when gods were paid for with sovereigns, Elgar's Symphony Number One in A flat trumpeted noblimente a massive hope in the future, and the romantic love of a shopgirl and a younger son of the aristocracy portended a healthful inflection but not destruction of the inherited social pattern. Comic servants and imperious duchesses. Hansom cabs and racing at Ascot. Fascists and democrats alike will love it. My destiny is to create a kind of underliterature that lacks all whiff of the subversive.”

Anthony Burgess (1917–1993) English writer

"Don't," Carlo said, "underestimate yourself."
Fiction, Earthly Powers (1980)

Love, God, People, Health

“Initially, we were turned down by almost every comics publisher in the country.”

Jerry Siegel (1914–1996) American co-creator of Superman

In the beginning (1983)

Country

“Most comic writers like to think they could play it straight if only their public would let them. Waugh is able to be grave without difficulty for he has always been comic for serious reasons. He has his own, almost romantic sense of propriety.”

V.S. Pritchett (1900–1997) British writer and critic

"Evelyn Waugh: Club and Country", p. 101
The Tale Bearers: English and American Writers (1980)

Thinking, Sense

“Here come your pride and joyThe comic little drunk you call your boy,Making everybody smile<BR”

Elliott Smith (1969–2003) American singer-songwriter

All Cleaned Out.
Lyrics, New Moon (posthumous, 2007)

Smile, Boy

“My favorite thing about Kirby’s artwork was his storytelling. He was really a film director doing comics.”

Jack Kirby (1917–1994) American comic book artist, writer and editor

Source: Stan Lee, Jack Kirby, the abandoned hero of Marvel’s grand Hollywood adventure, and his family’s quest http://herocomplex.latimes.com/uncategorized/jack-kirby-the-forgotten-hero-in-marvels-grand-hollywood-adventure/, Los Angeles Times, (September 25, 2009).

“If the assembled company rags you for a failing, you can usually play up to it for comic effect: it's the failing they don't mention that you have to watch out for.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

Source: Memoirs, North Face of Soho (2006), p. 190

“My generation comes from a world that has been molded by crass TV programs, movies, comic books, popular music, advertisements and commercials. My brain is a huge garbage dump of all this stuff and it is this, mainly, that my work comes out of, for better or for worse. I hope that whatever synthesis I make of all this crap contains something worthwhile, that it's something other than just more smarmy entertainment—or at least, that it's genuine high quality entertainment. I also hope that perhaps it's revealing of something, maybe. On the other hand, I want to avoid becoming pretentious in the eagerness to give my work deep meanings! I have an enormous ego and must resist the urge to come on like a know-it-all. Some of the imagery in my work is sorta scary because I'm basically a fearful, pessimistic person. I'm always seeing the predatory nature of the universe, which can harm you or kill you very easily and very quickly, no matter how well you watch your step. The way I see it, we are all just so much chopped liver. We have this great gift of human intelligence to help us pick our way through this treacherous tangle, but unfortunately we don't seem to value it very much. Most of us are not brought up in environments that encourage us to appreciate and cultivate our intelligence. To me, human society appears mostly to be a living nightmare of ignorant, depraved behavior. We're all depraved, me included. I can't help it if my work reflects this sordid view of the world. Also, I feel that I have to counteract all the lame, hero-worshipping crap that is dished out by the mass-media in a never-ending deluge.”

Robert Crumb (1943) American cartoonist

The R. Crumb Handbook by Robert Crumb and Peter Poplaski (2005), p. 363

Books, World, Fear, Hope

“One time I woke up on the day of a concert with a stiff neck, and not just a regular stiff neck, I was standing croocked, like the hunchback of Notre Dame. I got some shots then, which did not work. They could have easily put the stage croocked that day so it at least would have looked like I was walking normally. I did perform that night, but I remember nothing from it, was so high from the shots. Later I heared from my manager that I was doin never ending talks between songs. The guy’s at the mix table where trying via the monitor to get me to start singing the next song, but I just kept talking ‘wait wait wait, just one more fun thing I want to say…” I was the stand up comic from hell.”

Anastacia (1968) American singer-songwriter

Het stomende dubbelinterview: Natalia en Anastacia http://www.humo.be/humo-archief/29756/het-stomende-dubbelinterview-natalia-en-anastacia, Humo, September 27, 2010. General Quotes

Guy, Hell, Singing, Time

“I feel like I was particularly impressed by Richard Corben's work. But in general I would not say the underground made that big of an impression except for Corben… His science-fiction stories, those almost primitive black and white comics he did back then. I was very struck by the visceral punch they had, by the unusual artistic point of view. And also by the unabashed exaggeration. It's as if you wanted a woman to have big breasts, you drew it. There was something just so joyously excessive and erotic about his stuff, that I just ate it up.|Frank Miller }}”

Richard Corben (1940) American illustrator

Feeling, Science

“I don't think I shall ever forget my first sight of Hercule Poirot. Of course, I got used to him later on, but to begin with it was a shock, and I think everyone else must have felt the same! I don't know what I'd imagined — something like Sherlock Holmes — […] Of course, I knew he was a foreigner, but I hadn't expected him to be quite as foreign as he was, if you know what I mean. When you saw him you just wanted to laugh! He was like something on the stage or at the pictures. […] He looked like a hairdresser in a comic play!”

Agatha Christie book Murder in Mesopotamia

Amy Leatheran
Murder in Mesopotamia (1936)

Imagination, Thinking, Forgetting

“Zeno is one of the comic masterpieces of the century; as Svevo had previously used Flaubert more intelligently than any Italian before him, here he uses Freud in a way that no Italian has done since.”

Italo Svevo (1861–1928) Italian writer

Martin Seymour-Smith Guide to Modern World Literature (London: Hodder and Stoughton, 1975) vol. 3, p. 23.
Criticism

Way, Intelligence

“So much about today’s adult industry seems like an undeft parody of Hollywood and the nation writ large. The top performers are comic-book caricatures of sexual allure. The prosthetic breasts and lifted buttocks and (no kidding) artificial cheekbones are nothing more than accentuations of a mentality that yields huge liposuction and collagen industries. The gynecologically explicit sexuality of Jenna, Jasmin, et al. seems more than anything like a Mad magazine spoof of the “smoldering” sexuality of Sharon Stone and Madonna and so many other mainstream iconettes. Not to mention the fact that the adult industry takes many of the psychological deformities that Hollywood is famous for—the vanity, the vulgarity, the rank commercialism—and not only makes them overt and grotesque but seems then to revel in that grotesquerie.”

David Foster Wallace book Consider the Lobster

"Big Red Son", p.29-30
Consider the Lobster (2007)

Books, Madness

“For the mockers are those who die comically, and God laughs at their comic ending, while the nobler part, the part of tragedy, is theirs who endured the mockery.”

Miguel de Unamuno (1864–1936) 19th-20th century Spanish writer and philosopher

The Tragic Sense of Life (1913), Conclusion : Don Quixote in the Contemporary European Tragi-Comedy

God, Parting

“You know, if I would have understood the potential of… doing, or adapting comic book characters to feature films, and also the tie-in to gaming and digital technology, when I was doing the first Blade films, then I’d be in a different business right now. I’d be in a whole different ball game.”

Wesley Snipes (1962) film actor, Martial artist, film producer

Wesley Snipes, Wesley Snipes interview: 'Robert Downey Jr called me for advice about Iron Man' http://www.telegraph.co.uk/culture/film/11016602/Wesley-Snipes-interview-Robert-Downey-Jr-called-me-for-advice-about-Iron-Man.html, Daily Telegraph, 9 August 2014

Books, Game, Business

“The chief impression left by a study of Crowley's life and works is that he wasted an immense amount of time and energy trying to shock everyone he came into contact with, and his dislike of orthodoxy turned him into an unconsciously comic figure, like Don Quixote.”

Colin Wilson (1931–2013) author

Source: Aleister Crowley: The Nature of the Beast (1987), p. 153-154

Life, Study, Time

“Artists have never worked with the model – just with the painting. What you [G. R. Swenson, the interviewer] are really saying is that an artist like Cézanne transforms what we think the painting ought to look like into something he thinks it ought to look like. He’s working with paint, not nature; he’s making a painting, he's forming. I think my work is different from comic strips – but I wouldn't call it transformation; I don't think that whatever is meant by it is important to art. What I do is form, whereas the comic strip is not formed in the sense I’m using the word; the comics have shapes but there has been no effort to make them intensely unified. The purpose is different, one intends to depict and I intend to unify.”

Roy Lichtenstein (1923–1997) American pop artist

Source: 1960's, What is Pop Art? Interviews with eight painters' (1963), pp. 25-27

Art, Nature, Thinking, Sense

“As a science fiction fan, I have long been very familiar with the various themes in the field. The superman theme has been one of them ever since Samson and Hercules. I just sat down and wrote a story of that type — only in this first story, the Superman was a villain.
A couple of months after I published this story, it occurred to me that a Superman as a hero rather than as a villain might make a great comic strip character in the vein of Tarzan, only more super and sensational than that great character. Joe and I drew it up as a comic book.”

Jerry Siegel (1914–1996) American co-creator of Superman

In the beginning (1983)

Books, Science

“The clarity of Socrates' situation is remarkable. … his exit is wonderfully seductive. It is calm, clear, convincing. Friends are present, wise words are said, the ethical unfolding of life is tied up in a neat package. And then he slips away, slowly becoming stone-cold from the feet up. It is our fantasy of the normal death, with the addition of social and prophetic implications, to say nothing of heroic proportions. Again, most of us will likely drop dead on a subway platform, in the middle of an orgasm or straining on a toilet seat early in the morning. The real tragedy of death may be just how often it is comic.”

John Ralston Saul (1947) Canadian author and essayist

On Equilibrium (2001)

Life, Death, Dead

“Music would probably go. A lot of art would. That’s what I’m saying – I’m really into comics and movies and video games, and I don’t want to give that stuff up. At the same time, I think it’s filling the void for the stuff we’re missing.”

Andrew Hurley (1980) American musician

On if rock bands would ruin civilization
The Boys With the Car-Crash Hearts (March 8, 2007)

Art, Music, Game, Thinking

“Ralph Wood argues quite persuasively that the Christian vision of the world is fundamentally comic. Drawing on the insights of Karl Löwith, Wood observes that because Christians do not, as the ancients did, regard the universe as eternal or divine but as created, comedy is made possible by the acknowledgment of the sheer contingency of all that is.”

Stanley Hauerwas (1940) American theologian

Source: The Work of Theology (2015), p. 217 http://books.google.com/books?id=lY1yCgAAQBAJ&pg=PT217

World, Universe, Drawing

“A man who is convinced of the truth of his religion is indeed never tolerant. At the least, he is to feel pity for the adherent of another religion but usually it does not stop there. The faithful adherent of a religion will try first of all to convince those that believe in another religion and usually he goes on to hatred if he is not successful. However, hatred then leads to persecution when the might of the majority is behind it.
In the case of a Christian clergyman, the tragic-comical is found in this: that the Christian religion demands love from the faithful, even love for the enemy. This demand, because it is indeed superhuman, he is unable to fulfill. Thus intolerance and hatred ring through the oily words of the clergyman. The love, which on the Christian side is the basis for the conciliatory attempt towards Judaism is the same as the love of a child for a cake. That means that it contains the hope that the object of the love will be eaten up…”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Letter to Rabbi Solomon Goldman of Chicago's Anshe Emet Congregation, p. 51
Attributed in posthumous publications, Einstein's God (1997)

Love, Truth, Faith, Religion

“I wish I had the answer to that, because if I knew how to create an instantly popular character like that, I would do more of them. It’s weird to me because, on one hand, she’s appealing, but you look at her and she’s not exactly a good role model for girls. And in the past, we have definitely explored some of the darker edges of her story. She was kind of in an on-going abusive relationship with the Joker. So it is weird but maybe a lot of her appeal, at least recently, is because they have separated her from the Joker in comics. She’s become her own standalone character and definitely not in an abusive relationship with the Joker anymore. I guess that is somewhat empowering and people can relate to it. But truthfully, she was a really, really popular character even before all this. I think part of it is probably, to pat my own back, design. She was a really simple basic character in red and black, cute face, cute figure, one and done. So that definitely has to be a part of it.”

Bruce Timm (1961) Animator

People, Girl, Thinking, Past

“I had a lot of growing pains adjusting to the comic book writing format. The whole writing process just didn’t make sense to me. I had to somehow construct each panel just by describing it? But how many panels to a page? How much dialogue should be in each panel? How much time should pass between each panel? All these sorts of things were mind-boggling to me. By the end of writing the script, I sort of figured out some of my mistakes.”

Patrick McHale (artist) (1983) writer, storyboard artist, animator, filmmaker

EXCLUSIVE: Patrick McHale Talks Bringing Over The Garden Wall to Cartoon Network and BOOM! Studious http://nerdist.com/exclusive-patrick-mchale-talks-bringing-over-the-garden-wall-to-cartoon-network-and-boom-studios/ (October 13, 2014)

Pain, Books, Sense, Time

“In the Napoleonic Museum in Arenenberg I was rather impressed just how richly clad in the costume of Antiquity the First Empire in fact was - dressed up even comically with its laurels and eagles and togas. Return to Rome wherever you look, though of course not to the Holy Roman Empire - to Caesar's Rome. But the French Revolution itself had fallen back on more or less genuine or imaginary classical models: Brutus and Tiberius Gracchus and Gaius Gracchus, the Gracchi, consuls and Roman virtues - even these revolutionaries couldn't resolve to start from scratch with something really new.”

Ida Friederike Görres (1901–1971) Austrian writer and noble

Broken Lights Diaries 1957-59.

“Corben's technique introduced the airbrush to comics. His sophisticated knowledge of how color is printed allowed him to get fantastic results. His work has maintained a sense of humor and spectacle in tales of barbarians, time travelers and Arabian nights.|Harvey Kurtzman”

Richard Corben (1940) American illustrator

[Kurtzman, Harvey, From Aargh! to Zap!, Prentice Hall Press, New York, 1991, 88, 978-0-13-363680-2]</ref>}}

Color, Travel, Knowledge, Sense

“I have been surprised, excited and pleasantly shocked by these comics that are extensions of the songs that I have loved and therefore welcome these amazing stories of pictures and words because they are uncompromisingly inspiring. It shows you thought is a powerful, formidable essence and can have a breathtaking domino effect.”

Tori Amos (1963) American singer

On Comic Book Tattoo, http://www.toriamos.com/main_comic.asp

Love

“Opening my first Donald Duck comic book felt like seeing the daylight again for someone who had been trapped underground by a mine-disaster for many days. I squinted cautiously because my eyes hadn't gotten used to the dazzlingly bright sun of Duckburg yet, and I greedily sucked the fresh breeze into my dusty lungs that came drifting over from Uncle Scrooge's money bin. I was back home again, in a decent world where one could get flattened by steam-rollers and perforated by bullets without serious harm. A world in which people still looked proper, with yellow beaks or black knobs instead of noses. And it was here that I met the man who would forever change my life - Donald Duck.”

Gottfried Helnwein (1948) Austrian photographer and painter

Memories of Duckburg, http://www.helnwein.com/texte/helnweintexts/artikel_398.html, Zeit Magazin, Hamburg, 1989

Life, Money, People, Books

“I love to work in the comics medium -- I really do -- and I've realised that a total contempt for the intelligence of the audience is the key to success. You know that Doom Force thing I did recently for D. C.? -- the pisstake of X-Force, right? Well, eighty percent of the people who sent letters of comment in on the story actually took the thing seriously! They didn't see the joke! It's horrific. Tom Peyer phoned me up and read page after page of these insane letters. That was the turning point. That is the moment that I became a super-villain.”

Grant Morrison (1960) writer

1992
http://web.archive.org/web/20040920205650/www.crgn.demon.co.uk/morrison/irony3.jpg
On comics

Love, People, Intelligence, Reading

“Keep in mind that this is only my opinion, but also keep in mind that I'm always right. (The Only Good Comics on the Internet)”

Ben Croshaw (1983) English video game journalist

Fully Ramblomatic, Features

“During the LA riots English people were trying to sympathize with me, "Oh Bill, crime is horrible. If it's any consolation, crime is awful here, too." Shut up. This is Hobbiton and I'm Bill-bo Hicks … You gotta see English crime. It's hilarious. You don't know if you're reading the front page or the comic section over there. I swear to God. I read an article front page of the paper one day, in England: "Yesterday, some hooligans knocked over a dustbin in Shaftesbury." … Wooooo. The hooligans are loose! The hooligans are loose! … What if they become ruffians? I would hate to be a dustbin in Shaftesbury tonight. [to the tune of "Behind Blue Eyes" by The Who] "No one knows what it's like … to be a dustbin … in Shaftesbury … with hooligans …"”

Bill Hicks (1961–1994) American comedian

Arizona Bay (1997)

God, Hate, People, Reading

“It's not movies and it's not "fine art." The beauty of a comic is that it's clear, direct communication. My work is getting simpler and more cartoony because I'm much more interested in communication now than in any illustrative value.”

Frank Miller (1957) American writer, artist, film director

p 276
Eisner/Miller (2005)

Beauty, Art, Communication

“The imagination of teenagers is often -- I'm tempted to say always -- the only sure capital they possess apart from the love of their parents, which is a force far beyond their capacity to comprehend or control.During my own adolescence, my imagination, the kingdom inside my own skull, was my sole source of refuge, my fortress of solitude, at times my prison. Like all teenagers, I provisioned my garrison with art: books, movies, music, comic books, television, role-playing games. Given their nature as human creations, as artifacts and devices of human nature, some of the provisions I consumed were bound to be of a dark, violent, even bloody and horrifying nature; otherwise I would not have cared for them.”

Michael Chabon (1963) Novelist, short story writer, essayist

Nanny Nation http://www.sfgate.com/cgi-bin/article.cgi?file=/chronicle/archive/2004/04/15/EDG8D64JFR1.DTL, San Francisco Chronicle (April 15, 2004)

Love, Books, Art, Music

“I do not believe—indeed, I deem it a comic blunder to believe—that the exercise of reason is sufficient to explain our condition and where necessary to remedy it, but I do believe that the exercise of reason is at all times necessary…”

Peter Medawar (1915–1987) scientist

The Limits of Science. (New York: Harper & Row, 1984) p. 98.
1980s

Exercises, Time

“You can argue truly enough, for example, that general respect for the prohibition on murder makes life more commodious. If people really respect the prohibition against murder life is pleasanter for all of us - but this argument is exceedingly comic. Because utility presupposes the life of those who are to be convenienced, and everybody perceives quite clearly that the wrong done in murder is done first and foremost to the victim, whose life is not inconvenienced, it just isn't there any more. He isn't there to complain; so the utilitarian argument has to be on behalf of the rest of us. Therefore, though true, it is highly comic and is not the foundation: the objection to murder is supra-utilitarian.”

G. E. M. Anscombe (1919–2001) British analytic philosopher

Contraception and Chastity (1975)

Life, People

“…whereas the vices of Messalina were in themselves venial, being mostly a passion for sensual gratification which subordinated all things to its encompassing, Agrippina lived solely for power, frightening enough in a man but terrifying in a woman…. she would sleep with anyone, though not for physical pleasure, only for political advantage. She was cursed or blessed with a certain sexual coldness, knowing as much as a temple prostitute about the arousing of male passion and the procurement of its ecstatic release but keeping herself aloof, despite an occasional simulation of desire and the odd false orgiastic shudder and scream of fulfilment, from a process she found distressingly bestial when it was not frankly comic.”

Anthony Burgess (1917–1993) English writer

Fiction, The Kingdom of the Wicked (1985)

Pleasure, Sleep, Passion, Falseness

“It's a natural aspect of the marketplace. It's always been that way in storytelling. The guy who was good at playing the lover plays the lover, the funny guy gets the comic role. Movies are so expensive, when they put them together they want to have a couple of solid blocks in what they're building. I accept that. In theater, though, I tend to look for other things, I think I tend to be best in comedy.”

Christopher Walken (1943) American actor

Terry Lawson: Knight-Ridder Newspapers (February 18, 1996) "Weird, As In Walken - No, He's Not Really Nuts … Maybe", St. Louis Post-Dispatch, p. 3D.

Way, Guy, Lovers, Nature

“There mere idea that the planning authority could ever possess a complete inventory of the amounts and qualities of all the different materials and instruments of production of which the manager of a particular plant will know or be able to find out makes the whole proposal a somewhat comic fiction. Once this is recognised it becomes obvious that what prices ought to be can never be determined without relying on competitive markets.”

Friedrich Hayek (1899–1992) Austrian and British economist and Nobel Prize for Economics laureate

1980s and later, "Two Pages of Fiction" (1982)

Idea

“We had some problems with the Howard newspaper strip, which led to problems with the Howard book, which ultimately led to the lawsuit. Marvel wouldn't pay the artist to draw it. Gene Colan and I were supposed to get a percentage of the syndicate's take for the strip. The problem was, the money came in 90 days, 120 days, six months — I don't remember how long exactly — after the strips were published. So, essentially, the artist was working for nothing up until that time, and no artist can afford to do that. [In comparison with Stan Lee and 's Spider-Man comic strip, ] Stan, as publisher of Marvel, had a regular salary coming in, and John Romita, I believe, was also on staff at the time. They didn't have quite the same problem.”

Steve Gerber (1947–2008) Comic writer

Comic Book Artist #7 (reprinted in Comic Book Artist Collection Volume 3 (TwoMorrows Publishing, 2005)): "Steve Gerber's Crazy Days", p. 66

Money, Books, Problem, Time

“My work ethic is rigorous, brutal, and uncompromising. I've had my pension plans in place for a long time and I never spend more than I have or forget to pay my tax bills. My repressed, inner Protestant is an absolute Godsend in that respect. I also have lots of highly-paid and well-regarded work outside the comics field now and with Jupiter in the second house on my horoscope, I shouldn't have to worry too much about my dotage. I love the future and it loves me.”

Grant Morrison (1960) writer

2003
http://www.comicon.com/cgi-bin/ultimatebb.cgi?ubb=get_topic&f=36&t=001597
On himself

Love, Time, Future, Housing

“I despise the comic industry, but I will always love the comic medium.”

Alan Moore (1953) English writer primarily known for his work in comic books

New York Press interview (15 June 2006) http://www.nypress.com/19/24/books/feature2.cfm

Love

“Gay and straight men have much more in common than do gay men with lesbians or straight men with straight women. Every man must define his identity against his mother. If he does not, he he just falls back into her and is swallowed up. This is the agonizing myth-pattern in the comic, matricidal Psycho (1960), one of the hauntingly emblematic films of our time.”

Camille Paglia (1947) American writer

Source: Sex, Art and American Culture : New Essays (1992), p. 23

Women, Men, Time

“Instead of opposing comic and tragic characters [as Molière and Shakespeare] and contrary scenic states, I organize the opposition of contrasting values, lines, and curves. I oppose curves to straight lines, flat surfaces to molded forms, pure local colors to nuances of gray. These initial plastic forms are either superimposed on objective elements or not, it makes no difference to me. There is only a question of variety.”

Fernand Léger (1881–1955) French painter

Quote from 'Notes on Contemporary Plastic Life', 'Kunstblatt', Berlin 1923; as quoted in The documents of 20th century art – Functions of Painting by Fernand Léger, in Thames and Hudson Ltd, London 1973, p. 25
Quotes of Fernand Leger, 1920's

Color, Question

“The comic spirit is given to us in order that we may analyze, weigh, and clarify things in us which nettle us, or which we are outgrowing, or trying to reshape.”

Thornton Wilder (1897–1975) American playwright and novelist

Writers at Work interview (1958)

“Film-making encompasses everything, from tricking people into investing in it, to putting on the show, to trying to distill down to moments in time, and ape reality but send this other message. It's got everything. When I was a kid I loved to draw, and I loved my electric football sets, and I painted little things and made sculptures and did matte painting and comic books and illustrated stuff, and took pictures, had a darkroom, loved to tape-record stuff. It's all of that. It's not having to grow up. It's four-dimensional chess, it's strategy, and it's being painfully honest, and unbelievably deceitful, and everything in between.”

David Fincher (1962) American film director

Gavin Smith goes one-on-one with David Fincher (1999)

Love, People, Books, Reality

“In the most commonplace, tiresome, ridiculous, malicious, coarse, crude, or even crooked people or events I had to seek out rare things, good things, comic things, and I did so.”

William Saroyan (1908–1981) American writer

The Bicycle Rider In Beverly Hills (1952)

People

“…You'll never find someone calling A Softer World good natured. I don't think we do a completely bleak comic, but good natured just isn't a way you could ever describe it. Or my novels. Not the way I want.”

Joey Comeau (1980) writer

Interview with Ryan North, of Dinosaur Comics.
I Am Other People

World, Way, Nature, Thinking

“The Pop artists did images that anybody walking down Broadway could recognize in a split second – comics, picnic tables, men's trousers, celebrities, shower curtains, refrigerators, Coke bottles – all the great modern things that the Abstract Expressionists tried so hard not to notice at all.”

Andy Warhol (1928–1987) American artist

1960's
1975 - 1987

Men

“I used to hang out with Bryan down at The Rec. They were going to a comic book show, Kevin, Bryan and Walter. Bryan invited me and told Kevin that Jason Mewes kid's gonna come. And Kevin was like, "Oh, man, I don't want that dude going." He's like, "I ain't driving him." And Bryan was like, "All right. I'll drive." Kevin tells the story better, but when we were driving up — I don't remember, really, but he said I was saying all this stuff and Bryan and Walter were laughing and the whole time he was like, "This guy ain't funny. He ain't funny." He seemed like he really didn't like me. I think that was the first time I met him — he didn't want me coming with them to the comic book show. He didn't even know me, really, but he just didn't want me going. And then one day at The Rec I wound up doing something funny and that's when he started to like me.”

Jason Mewes (1974) American actor

View Askew interview (1999)

Books, Guy, Thinking, Time

“There is no reason why someone who is in doubt about the existence of God should not pray for help and guidance on this topic as in other matters. Some find something comic in the idea of an agnostic praying to a God whose existence he doubts. It is surely no more unreasonable than the act of a man adrift in the ocean, trapped if a cave, or stranded on a mountainside, who cries for help though he may never be heard or fires a signal which may never be seen.”

Anthony Kenny (1931) British philosopher

The God of the Philosophers (1979), p. 129

God, Idea, Help

“Wild Things is lurid trash, with a plot so twisted they're still explaining it during the closing titles. It's like a three-way collision between a softcore sex film, a soap opera and a B-grade noir. I liked it. Movies such as this either entertain or offend audiences; there's no neutral ground. Either you're a connoisseur of melodramatic comic vulgarity, or you're not. You know who you are. I don't want to get any postcards telling me this movie is in bad taste. I'm warning you: It is in bad taste. Bad taste elevated to the level of demented sleaze.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/wild-things-1998 of Wild Things (20 March 1998) Reviews, Three star reviews

Sex, Way

“I never considered myself a comic. I don't have much experience doing improv or stand-up. I moved to New York and studied at the Strasberg Institute. I wanted to be a serious, dramatic actor.”

Will Arnett (1970) Canadian actor

"The Wit & Wisdom of Will Arnett," Playboy Magazine (March 29, 2007) http://blutharnett.blogspot.com/search/label/Playboy%20Magazine 2007

Study

“Modern Romans insisted that there was only one god, a notion that struck Alobar as comically simplistic.”

Tom Robbins book Jitterbug Perfume

Jitterbug Perfume (1984)

God

“"To me, Clark Kent in a phone booth and Houdini in a packing crate, they were one and the same thing," he would learnedly expound at WonderCon or Angoulême or to the editor of The Comics Journal. "You weren't the same person when you came out as when you went in."”

Michael Chabon book The Amazing Adventures of Kavalier & Clay

Part I, ch. 1
The Amazing Adventures of Kavalier & Clay (2000)

Personality

“Manner and morals have improved, improved wages and world travel during the war have had effect, and the farm labourer now is an intelligent, self respecting workman, on a level at least with the town artisan. The village rustic of the past no longer exists outside of the comic papers.”

Flora Thompson (1876–1947) English author and poet

October Chapter The Peverel Papers - A yearbook of the countryside ed Julian Shuckburgh Century Hutchinson 1986
The Peverel Papers

War, World, Travel, Intelligence

“I've seen most of Nathan's work, but it was seeing both 'Lisbon Traviata' and 'Laughter on the 23rd Floor' that I realized just what a superb physical comic he was.”

Nathan Lane (1956) American actor

Mike Nichols — reported in Kenneth M. Chanko, Entertainment News Wire (March 11, 1996) "Dragged Into The Limelight", Press-Telegram, p. D1.
About

Laughter

“The happiest screen collaboration of Elsa Lanchester and Charles Laughton — they're both wonderful — is in this adaptation of a Somerset Maugham story, "The Vessel of Wrath." It's set on an island in the Pacific, which Maugham calls Baru, and it's concerned with the efforts of the prim missionary (Lanchester) to reform the carnal, ribald beachcomber (Laughton). The situation is the reverse of that in Maugham's Sadie Thompson story, but with a light, comic tone. The Hepburn-Bogart "African Queen" probably took a few notions from it.”

Pauline Kael (1919–2001) American film critic

"The Beachcomber," p. 56.
5001 Nights at the Movies (1982)

Effort, Light

“I didn't even try to penetrate the comics, though many years later I came, somewhat grudgingly, to admire Pogo.”

Mark Kac (1914–1984) Polish-American mathematician

Source: Enigmas Of Chance (1985), Chapter 5, Cornell, p. 96.

“Originally I was content to just simply accept the money, that was offered when people had adapted my comic books into films. Eventually I decided to refuse to accept any of the money for the films, and to ask if my name could be taken off of them, so that I no longer had to endure the embarrasment of seeing my work travested in this manner. The first film that they made of my work was "From Hell" Which was an adaptation of my "Jack the Ripper" narrative … In which they replaced my gruff Dorset police constable with Johnny Depp's Absinthe-swigging dandy. The next film to be made from one of my books was the regrettable "League of Extraordinary Gentlemen"… Where the only resemblence it had to my book was a similar title. The most recent film that they have made of mine is apparently this new "V for Vendetta" movie which was probably the final straw between me and Hollywood. They were written to be impossible to reproduce in terms of cinema, and so why not leave them simply as a comic in the way that they were intended to be. And if you are going to make them into films, please try to make them into better ones, than the ones I have been cursed with thus far.”

Alan Moore (1953) English writer primarily known for his work in comic books

From the BBC2 show The Culture Show (9 March 2006) (separate quotes shown; edited together for the segment of the show)

Money, People, Books, Way

“Comics are essentially films with fewer frames per second.”

Brian K. Vaughan (1976) American screenwriter, comic book creator

TALKING "Y" WITH BKV: THE BRIAN K. VAUGHN INTERVIEW conducted by Nolan Reese May 21, 2003 http://www.moviepoopshoot.com/interviews/18.html

“As a kid growing up in the 1950s I became acutely aware of the changes taking place in American culture and I must say I didn't much like it. I witnessed the debasement of architecture, and I could see a decline in the quality of things like comic books and toys, things made for kids. Old things seemed to have more life, more substance, more humanity in them.”

Robert Crumb (1943) American cartoonist

The R. Crumb Handbook by Robert Crumb and Peter Poplaski (2005), p. 23

Life, Books, Change

“Rage is caused by a conviction, almost comic in its optimistic origins (however tragic in its effects), that a given frustration has not been written into the contract of life.”

Alain de Botton book The Consolations of Philosophy

Source: The Consolations of Philosophy (2000), Chapter III, Consolation For Frustration, p. 84.

Life, Rage

“Comics they say are not literature – adventure strips lack artistic form, mental substance, and emotional appeal to any but the most moronic of minds. Can it be that 100,000,000 Americans are morons?”

William Moulton Marston (1893–1947) American psychologist, lawyer, inventor and comic book writer

Why 100,000,000 Americans Read Comics. p. 35-44.

Literature

“In the January, 1933 issue of "SCIENCE FICTION" appeared a story I had written in 1932 entitled, "The Reign of the Superman." I used the pseudonym "Herbert S. Fine" which combined the name of a cousin of mine together with my mother's maiden name.
After the publication of "Reign of the Superman", it occurred to me that a different version of Superman could be the basis of an extremely powerful and successful comic book. And so I originated, together with Joe Shuster, the comic book "THE SUPERMAN", back in 1933.”

Jerry Siegel Superman

"Happy Anniversary, Superman!" http://theages.superman.ws/siegel.php (1983)

Books, Appearance, Science, Success

“I wanted adventures. I wanted to go up the Nung river to the heart of darkness in Cambodia. I wanted to ride out into a desert on camelback, sand and dunes in every direction, eat whole roasted lamb with my fingers. I wanted to kick snow off my boots in a Mafiya nightclub in Russia. I wanted to play with automatic weapons in Phnom Penh, recapture the past in a small oyster village in France, step into a seedy neon-lit pulqueria in rural Mexico. I wanted to run roadblocks in the middle of the night, blowing past angry militia with a handful of hurled Marlboro packs, experience fear, excitement, wonder. I wanted kicks – the kind of melodramatic thrills and chills I’d yearned for since childhood, the kind of adventure I’d found as a little boy in the pages of my Tintin comic books. I wanted to see the world – and I wanted the world to be just like the movies.”

Anthony Bourdain book A Cook's Tour

A Cook's Tour (2001)

Books, World, Fear, Boy

“I see no reason why children as young as six, seven, or even three shouldn't be allowed to produce corporate comic books to relentless monthly deadlines. And have to write several titles at once to make a decent living. That's what a proper childhood's all about isn't it? This is the 21st century after all and these unruly little bastards have been milking post-Victorian sentimentality for all it's worth for way too long. Time to get kids back where they belong - up chimneys, down mines, and tied to the printing presses! If you can pick up a brick to smash a car window, then you can build me a textile factory, son … here's a whole half dollar for your day's labor. Now put down that Justin Timberlake bio-comic and get back on the production line!”

Grant Morrison (1960) writer

2003
http://www.comicon.com/cgi-bin/ultimatebb.cgi?ubb=get_topic&f=36&t=001597
On comics

Children, Books, Cars, Way

“Scientific language that is correct and serious so far as teachers and students are concerned must follow these stylistic norms:
# Be as verbally explicit and universal as possible…. The effect is to make `proper' scientific statements seem to talk only about an unchanging universal realm….
# Avoid colloquial forms of language and use, even in speech, forms close to those of written language. Certain words mark language as colloquial…, as does use of first and second person…
# Use technical terms in place of colloquial synonyms or paraphrases….
# Avoid personification and use of specifically or usually human attributes or qualities…, human agents or actors, and human types of action or process…
# Avoid metaphoric and figurative language, especially those using emotional, colorful, or value laden words, hyperboles and exaggeration, irony, and humorous or comic expressions.
# Be serious and dignified in all expression of scientific content. Avoid sensationalism.
# Avoid personalities and reference to individual human beings and their actions, including (for the most part) historical figures and events….
# Avoid reference to fiction or fantasy.
# Use causal forms of explanation and avoid narrative and dramatic accounts…. Similarly forbidden are dramatic forms, including dialogue, the development of suspense or mystery, the element of surprise, dramatic action, and so on.”

Jay Lemke (1946) American academic

Source: Talking Science: Language, Learning, and Values. 1990, p. 133-134, as cited in: Mary U. Hanrahan, "Applying CDA to the analysis of productive hybrid discourses in science classrooms." (2002).

Color, Teachers, Universe, Parting

“The British…used to regard foreigners as either a comic turn or a sexual menace. To learn a European language…was, at best, to seek to acquire a sort of girls’-finishing-school ornament, at worst, to capitulate feebly to the enemy.”

Anthony Burgess (1917–1993) English writer

Non-Fiction, A Mouthful of Air: Language and Languages, Especially English (1992)

School, Girl, Learning

“I'm the biggest nerd - I love comic books and stuff like that!”

Megan Fox (1986) American actress

Megan Fox: 'Biggest Nerd', likes comic books, men over girlfriends http://www.news.com.au/news/foxy-megan-biggest-nerd/story-fna7dq6e-1111117553949, 23 September 2008

Love, Books

“The Don's difficult role never seemed to tax Juozapaitis excellent dramatic voice. Throughout the opera listeners were charmed by his great expressive range as he moved with ease from comic exchanges with Leporello to tender love sings.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Martha Fawbush, "Bravo Concerts opens with excellent performance of Mozart classic". Asheville Citizen Times (October, 2003)

Love, Singing

“The great modern novel of the comic-pathetic illusion of freedom is Confessions of Zeno.”

Italo Svevo (1861–1928) Italian writer

James Wood in London Review of Books, January 3, 2002. http://www.lrb.co.uk/v24/n01/wood02_.html. Criticism

Freedom

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