Tigran Petrosian (1929–1984) Soviet Georgian Armenian chess player and chess writer
Attributed without citation in "Tigran Petrosian's Best Games" http://www.chessgames.com/perl/chesscollection?cid=1014968 at chessgames.com
Foreword
Tynan Right and Left (1967)
Tigran Petrosian (1929–1984) Soviet Georgian Armenian chess player and chess writer
Attributed without citation in "Tigran Petrosian's Best Games" http://www.chessgames.com/perl/chesscollection?cid=1014968 at chessgames.com
Roberto Clemente (1934–1972) Puerto Rican baseball player
As quoted in "Change of Pace" by Bill Nunn, Jr. in The New Pittsburgh Courier (August 10, 1963), p. 22
Baseball-related, <big><big>1960s</big></big>, <big>1963</big>
Dipika Kakar (1986) Indian actress
About the character http://timesofindia.indiatimes.com/tv/news/hindi/Dipika-Simar-Kakar-I-wasnt-uncomfortable-playing-a-makkhi-nor-found-it-funny/articleshow/54364901.cms
Christopher Walken (1943) American actor
Terry Lawson: Knight-Ridder Newspapers (February 18, 1996) "Weird, As In Walken - No, He's Not Really Nuts … Maybe", St. Louis Post-Dispatch, p. 3D.
“If one plays good music, people don't listen, and if one plays bad music people don't talk.”
Oscar Wilde The Importance of Being Earnest
Algernon, Act I.
Source: The Importance of Being Earnest (1895)
Context: Of course the music is a great difficulty. You see, if one plays good music, people don't listen, and if one plays bad music people don't talk.
Miles Davis (1926–1991) American jazz musician
In the Jazz Review with Nat Hentoff (1958); also in , and in many other books https://www.google.com/search?tbm=bks&hl=en&q=%22play+anything+on+a+horn%22+miles+davis<br>On Louis Armstrong in a Playboy magazine interview. <br class="br">1950s
J. J. C. Smart (1920–2012) Australian philosopher and academic
The Existence of God, Church Quarterly Review, 156(319): 194 (1955).
Other quotes
John S. Hall (1960) Poet, author, singer, lawyer
July 16
Quotes from Daily Negations (2007)
Martin Heidegger (1889–1976) German philosopher
The Principle of Reason (1955–1956) as translated by Reginald Lilly (1991) <!-- Bloomington: Indiana UP -->
Context: The Geschick of being: a child that plays... Why does it play, the great child of the world-play Heraclitus brought into view in the aiôn? It plays, because it plays. The "because" withers away in the play. The play is without "why." It plays since it plays. It simply remains a play: the most elevated and the most profound. But this "simply" is everything, the one, the only... The question remains whether and how we, hearing the movements of this play, play along and accommodate ourselves to the play.