Quotes about character
page 7

Arthur Schopenhauer photo
F. Scott Fitzgerald photo

“Action is Character.”

F. Scott Fitzgerald (1896–1940) American novelist and screenwriter

“This is one of the cruelties of the theatre of life; we all think of ourselves as stars and rarely recognize it when we are indeed mere supporting characters or even supernumeraries.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

Source: The Deptford Trilogy: Fifth Business/The Manticore/World of Wonders

Jenny Offill photo
Joss Whedon photo
Michael Chabon photo
Agatha Christie photo

“To set a forest on fire, you light a match. To set a character on fire, you put him in conflict.”

James N. Frey (1943) American writer

Source: How to Write a Damn Good Novel: A Step-by-Step No Nonsense Guide to Dramatic Storytelling

Zelda Fitzgerald photo

“Father said conflict develops the character”

Source: Save Me the Waltz

Dietrich Bonhoeffer photo
John Locke photo

“We are like chameleons; we take our hue and the color of our moral character from those who are around us.”

John Locke (1632–1704) English philosopher and physician

Attributed to Locke on various quotes sites and on social media, this quotation is a false rendering of "We are all a sort of chameleons, that still take a tincture from things near us: nor is it to be wondered at in children, who better understand what they see, than what they hear" from Some Thoughts Concerning Education (1693).
Misattributed

“All people live in a fantasy in which they are the main character.”

Keiichi Sigsawa (1972) Japanese writer

Source: Kino no Tabi: The Beautiful World

James Patterson photo
Sylvia Plath photo

“Character is fate.”

Sylvia Plath (1932–1963) American poet, novelist and short story writer

Source: The Unabridged Journals of Sylvia Plath

Joss Whedon photo

“Q: So, why do you write these strong female characters?
A: Because you’re still asking me that question.”

Joss Whedon (1964) American director, writer, and producer for television and film

"American Rhetoric: Joss Whedon - Equality Now Address" (15 May 2006) http://www.americanrhetoric.com/speeches/josswhedonequalitynow.htm

Ralph Waldo Emerson photo

“People seem not to see that their opinion of the world is also a confession of character.”

The Conduct of Life, Chapter 6, “Worship,” p. 214
1860s, The Conduct of Life (1860)

Stephen Colbert photo

“My character is self-important, poorly informed, well-intentioned, but an idiot… So we said, "Let's give him a promotion."”

Stephen Colbert (1964) American political satirist, writer, comedian, television host, and actor

"Colbert spoofs cable news on Daily Show spinoff" Associated Press report (31 October 2005)

“Each thing in its way, when true to its own character, is equally beautiful.”

"Cliffrose and Bayonets", p. 37
Source: Desert Solitaire (1968)

John D. Rockefeller photo

“The most important thing for a young man is to establish a credit — a reputation, character.”

John D. Rockefeller (1839–1937) American business magnate and philanthropist

The Men Who Are Making America (1918) by Bertie Charles Forbes

Gillian Flynn photo
Gordon Korman photo
Jennifer Weiner photo
Richelle Mead photo
T. B. Joshua photo
Max Horkheimer photo
Richard Cobden photo
Edith Stein photo
John Hall photo

“We must keep up the standard of Christian living in the Christian laborer. Clean hands are needed to do Christian work. Character is before co-operation, being before doing. "Take heed unto thyself, and unto the doctrine."”

John Hall (1829–1898) Presbyterian pastor from Northern Ireland in New York, died 1898

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 316.

Joseph Massad photo
Tina Fey photo
Wallace Stevens photo

“They married well because the marriage-place
Was what they loved. It was neither heaven nor hell.
They were love’s characters come face to face.”

Wallace Stevens (1879–1955) American poet

Notes Toward a Supreme Fiction (1942), It Must Give Pleasure

Marshall Goldsmith photo
Otto Weininger photo
Kurien Kunnumpuram photo
Benoît Mandelbrot photo
William Stanley Jevons photo
Khalil Gibran photo

“Out of suffering have emerged the strongest souls; the most massive characters are seared with scars.”

Khalil Gibran (1883–1931) Lebanese artist, poet, and writer

Edwin Hubbell Chapin, as quoted in Dictionary of Burning Words of Brilliant Writers (1895) by Josiah Hotchkiss Gilbert
Misattributed

Maimónides photo
Frederick Winslow Taylor photo
Jorge Luis Borges photo

“Villari took no notice of them because the idea of a coincidence between art and reality was alien to him. Unlike people who read novels, he never saw himself as a character in a work of art.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

"The Waiting" translated by James E. Irby (1959)

Paul Tillich photo
William Paley photo
Roger Ebert photo
James Finlay Weir Johnston photo

“Among the friends and patrons of the society at York who paid kind and hospitable attention to those whom the love of science had brought to the meeting, the clergy must not be passed over in silence. They had been the zealous promoters of the meeting; had done much towards facilitating the preliminary arrangements; and exerted themselves by their influence and example to secure to the association that respect and general attention which it deserved, and which at York it amply received. To the church, therefore, the British Association is deeply indebted; and convinced, as I am, that true religion and true science ever lead to the same great end, manifesting and exalting the glory and goodness of the great object of our common worship, I trust that the firmer the association is established, and the more influential it becomes, the more willing and the more efficient an ally it will prove in the cause of religion. While in former times science was said to lead to infidelity, because then it was less profoundly studied, or with less zeal for truth, it is one of the happy characters of the science of this day that it renders men more devout; and it is a pleasing evidence that such is the received opinion, when discerning and educated men — the friends and teachers of religion — of all ranks, step forward not only to patronize science, but to enlist themselves among its cultivators, and to distinguish those who have most successfully advanced it.”

James Finlay Weir Johnston (1796–1855) Scottish agricultural chemist

Report of the First Meeting of the British Association for the Advancement of Science held at York in September 1831. By James F. W. Johnston, A. M. &c. &c. As found in David Brewster's The Edinburgh Journal Of Science. Vol. 8 https://archive.org/stream/edinburghjourna09brewgoog#page/n29/mode/2up, p. 29.

Margaret Fuller photo
Judah P. Benjamin photo
Max Wertheimer photo

“It has long seemed obvious — and is, in fact, the characteristic tone of European science — that “science” means breaking up complexes into their component elements. Isolate the elements, discover their laws, then reassemble them, and the problem is solved. All wholes are reduced to pieces and piecewise relations between pieces.
The fundamental “formula” of Gestalt theory might be expressed in this way. There are wholes, the behaviour of which is not determined by that of their individual elements, but where the part-processes are themselves determined by the intrinsic nature of the whole. It is the hope of Gestalt theory to determine the nature of such wholes…
We hear a melody and then, upon hearing it again, memory enables us to recognize it. But what is it that enables us to recognize the melody when it is played in a new key? The sum of the elements is different, yet the melody is the same; indeed, one is often not even aware that a transposition has been made… Is it really true that when I hear a melody I have a sum of individual tones (pieces) which constitute the primary foundation of my experience? Is not perhaps the reverse of this true? What I really have, what I hear of each individual note, what I experience at each place in the melody is apart which is itself determined by the character of the whole,”

Max Wertheimer (1880–1943) Co-founder of Gestalt psychology

As quoted in: George Klir (2013), Facets of Systems Science, p. 25
"Gestalt Theory," 1924

Jan Smuts photo

“The free creativeness of mind is possible because, […] the world ultimately exists, not of material stuff, but of patterns, of organization, the evolution of which involves no absolute creation of an alien world of material from nothing. The purely structural character of reality thus helps to render possible and intelligible the free creativeness of life and mind, … The energy which is being dissipated by the decay of physical structure is being partly taken up and organized into life structures … Life and mind thus appear as products of the cosmic decline, … Our origin is thus accidental, our position is exceptional and our fate is sealed, with the inevitable running down of the solar system. Life and mind, […] are thus reduced to a very casual and inferior status in the cosmic order […] – a transient and embarrassed phantom in an alien, if not hostile universe. […] The human spirit is not a pathetic, wandering phantom of the universe, […] but meets with spiritual hospitality and response everywhere. Our deepest thoughts and emotions are but responses to stimuli which come to us not from an alien, but from an essentially friendly and kindred universe.”

Jan Smuts (1870–1950) military leader, politician and statesman from South Africa

Smuts expounding a confrontation of opposites in his presidential address to the British Association in September 1931, as cited by W. K. Hancock in SMUTS 2: The Fields of Force 1919-1950, p. 232-234

Joel Barlow photo

“As the government of the United States is not in any sense founded on the Christian Religion,—as it has in itself no character of enmity against the laws, religion or tranquility of Musselmen,—and as the said States never have entered into any war or act of hostility against any Mehomitan nation, it is declared by the parties that no pretext arising from religious opinions shall ever produce an interruption of the harmony existing between the two countries.”

Joel Barlow (1754–1812) American diplomat

Treaty of Tripoli, Article 11 http://avalon.law.yale.edu/18th_century/bar1796t.asp#art11, signed at Tripoli on November 4, 1796, and at Algiers on January 3, 1797 and received ratification unanimously from the U.S. Senate on June 7, 1797; it was signed into law by John Adams (the original language is by Joel Barlow, U.S. Consul). This is a declaration of the secular character of the government of the United States, sometimes misattributed to John Adams, who signed the treaty into law. A portion is also sometimes misattributed to George Washington, and also misquoted as "This nation of ours was not founded on Christian principles."
Treaty of Tripoli (1797)

Aurelia Henry Reinhardt photo

“Horace Mann said that one former was worth a thousand reformers. And if you are going to keep justice and liberty alive, you lawyers, we teachers will try to become what we were meant to be, the formers of the character of our citizens.”

Aurelia Henry Reinhardt (1877–1948) American educator and social activist

Speech delivered in 1917 to the California Bar Association, in [California, State Bar of, Proceedings ... Annual Convention, California Bar Association, https://books.google.com/books?id=-GsdAQAAMAAJ, 1917, 170-172]

Peter Greenaway photo
Lloyd Kenyon, 1st Baron Kenyon photo

“Apprentices and servants are characters perfectly distinct: the one receives instruction, the other a stipulated price for his labour.”

Lloyd Kenyon, 1st Baron Kenyon (1732–1802) British Baron

The King v. Inhabitants of St. Paul's, Bedford (1797), 6 T. R. 454.

James Allen photo
Robert Crumb photo
Robert Musil photo
Burt Ward photo
Michael Oakeshott photo
Paul Dini photo
Hélène Binet photo

“On the other end of this process, there are the finished forms which I sometimes portray at night with sporadic illumination. The obscurity isolates them and the light accentuates their volumes. My focus is on creating images of the buildings which have a sense of being unreal and that have a certain autonomy. Small and big parts of the building can now stand on their own and become independent characters.”

Hélène Binet (1959) Swiss photographer

In: Hélène Binet’s ‘Forming | Portrait – Architecture of Zaha Hadid’ @ Gabrielle Ammann // Gallery http://sandsof.com/2012/11/24/helene-binets-forming-portrait-architecture-of-zaha-hadid-gabrielle-ammann-gallery/, sandsof.com, 24 November 2012

Emil Nolde photo

“I want so much for my work to grow forth out of the material, just as in nature the plants grow forth out of the earth, which corresponds to their character. In the print 'Lebensfreude' [Joy of living] I worked for the most part with my finger, and the effect I hoped for was achieved. There is hidden in the print a bit of wantonness, in the representation as well as in the boldness of the technique. If I were to make the "ragged and moving" contours "correctly" in the academic sense, this effect would not nearly be achieved.”

Emil Nolde (1867–1956) German artist

in a letter to his friend Gustav Schiefler, 1906, in 'Gustav Schiefler and Christel Mosel', Emil Nolde: Das graphische Werk, vol. 2.; M. DuMont Schauberg, Cologne, 1966-67, p. 8; as quoted in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p.50
Nolde described how the exhilarating new sense of collaboration with the medium had freed him from the constraints of traditional etching techniques and encouraged a bolder, freer expression
1900 - 1920

James Whitbread Lee Glaisher photo
Walter Bagehot photo
James Legge photo

“When we see men of worth, we should think of equaling them; when we see men of a contrary character, we should turn inwards and examine ourselves.”

James Legge (1815–1897) missionary in China

Bk. 4, Ch. 17 (p. 45)
Translations, The Confucian Analects

Henry James photo
Charles Lyell photo
Marie-Louise von Franz photo
Patrick White photo
Enoch Powell photo
Robert Sarah photo

“Aha! The Alien Planet Canada series, where the planet the characters are marooned on seems to be Manitoba. Bad bad world building.”

James Nicoll (1961) Canadian fiction reviewer

ibid.: About Genellan: Planetfall by Scott Gier:
2000s

Rowland Hill (preacher) photo
Erving Goffman photo
W. H. Auden photo

“Every autobiography is concerned with two characters, a Don Quixote, the Ego, and a Sancho Panza, the Self.”

"Hic et Ille", p. 96
The Dyer's Hand, and Other Essays (1962)

Jerry Coyne photo

“Even more than religious belief, acceptance or denial of evolution is a test of character. For if you deny evolution is true, you are either pandering to the public even though you know better (showing that you’re ambitious but lack character), are truly ignorant of the facts (which means you can’t be trusted to be informed about crucial issues), or are a flat-out creationist”

Jerry Coyne (1949) American biologist

showing that you’re batshit crazy
" Lying and/or ignorant Republican candidates still refuse to accept evolution https://whyevolutionistrue.wordpress.com/2015/05/07/lying-andor-ignorant-republican-candidates-still-refuse-to-accept-evolution/" May 7, 2015

Frank Welker photo

“I like looking at the characters. Seeing them always brings up some voice or attitude. I am much more visual and that works so much better than having someone tell me what the character is all about”

Frank Welker (1946) American actor

Frank Welker Q&A http://www.ign.com/articles/2009/09/16/frank-welker-qa (September 15, 2009)

Roger Ebert photo
Letitia Elizabeth Landon photo
Ursula K. Le Guin photo
J. C. Watts photo
Vytautas Juozapaitis photo
Calvin Coolidge photo
Francis Parkman photo