“With Vytautas Juozapaitis as a perfectly evil Don Giovanni, the Teatro Lirico d'Europa seduced an audience of about 850 at the Garde Arts Center Monday night. Juozapaitis, a singer with the Lithuanian National Opera, stood out as the despicable title character of this most famous of Mozart operas. He took over the stage with both his supple and strong voice as well as a stage presence that seemed so natural it was hard to look at him without thinking he was Don Giovanni.”

Lee Howard, "'Don Giovanni' Delights Opera Fans at the Garde". The New London Day (April 1, 2004)

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Lithuanian opera singer 1963

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“The Mozart Festival Opera's production of Don Giovanni made the three hours fly. The miming between Stefano de Peppo and Vytautas Juozapaitis as Don Giovanni was great physical comedy that had the audience laughing out loud. Juozapaitis possessed the voice, swagger and stage presence to match and dominate Leporello, and his costumes are among the best I've seen. I think Mozart would have approved.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Christopher Hyde, "Mozart would have approved", Portland Press Herald (March, 2005) http://www.jennykellyproductions.com/prod_mozart_review.htm

“Lithuanian baritone Vytautas Juozapaitis, last year's devilish, dark-toned Don Giovanni, Teatro Lirico has a powerful singer with an impressive stage presence. Sparks flew because Vasileva and Juozapaitis created such emotional tension: she more nuanced than the usual submissive heroine, he more sympathetic than the stock villain.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Lloyd Schwartz, "Agonies and Ecstasies". The Boston Phoenix (April 9, 2004) http://www.bostonphoenix.com/boston/music/other_stories/multi_1/documents/03734446.asp

“The performance of Mozart's Don Giovanni Tuesday night at the University of NH, Johnson Theatre, was absolutely stunning. Lithuanian baritone, Vytautas Juozapaitis, (Don Giovanni) not only had the necessary voice, but he played the boastfully lecherous rake to great fanfare.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

"A perversely stunning Don Giovanni", Portsmouth Herald (February, 2004) http://www.jennykellyproductions.com/prod_mozart_review.htm

“Charismatic Lithuanian baritone Vytautas Juozapaitis was a spirited, energetic Don Giovanni who held the audience's rapt attention whenever he was on stage. He had an authoritative sound that could be romantically enticing in an attempt to seduce a lady, but could change instantly into a commanding tone when anyone attempted to thwart his will.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Maria Nokin, "Mozart's 'Don Giovanni'". Ensemble (November 26, 2006) http://www.mvdaily.com/articles/2006/11/don-giovanni3.htm

“In the pivotal title role (Rigoletto - ed.), Vytautas Juozapaitis - fondly remembered for his marvelous performance of the title role in Mozart's "Don Giovanni" with the Lirico here in 2003 - sang with a dark, commanding, tragedy-tinged baritone that vividly conveyed the character's flawed humanity and despair. And he masterfully delivered the role's two big arias.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

T. J. Medrek, "Players noteworthy in jester's dark tale". The Boston Herald (October, 2006) http://www.jennykellyproductions.com/prod_teatro_review_rigoletto.htm

“Last night's fierce-eyed Don Giovanni, sung by Vytautas Juozapaitis, was a lean and hungry predator (…) Mozart's dark comedy has been realised with grandeur.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Peter Palmer, "The secret is out… so don't miss out". Evening Post (July 22, 2004)

“Vytautas Juozapaitis' Don Giovanni filled the performance. The singer won the audience not only with his impeccable impersonation of the gallantly vicious philanderer, but also with his vocal rendition that didn't leave any of the listener's desires unfulfilled.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Stephan Thomas, "Laue Sommernacht für Don Giovanni". Solothurner Zeitung (July 16, 2005)

“This Don Giovanni had heat, passion and total commitment from everyone involved under dynamic, dramatic direction of conductor Metodi Matakiev. The Don was Lithuanian baritone Vytautas Juozapaitis, a highly physical, Douglas Fairbanks / Errol Flynn kind of Don. Tall, dark, quite handsome, a really sexy beast possessed of a bronze colored voice of power and some suavity, completely at ease on stage, and finally a Don who actually ENJOYS to the hilt the life of a promiscuous hedonist. He was close to irresistible.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

William Fregosi, Opera - L (September 24, 2003) http://www.opera.lt/DesktopDefault.aspx?tabID=538-

“This accessible production [of Don Giovanni - ed. ] concentrates on the comic delights of the piece and rests heavily on the roguish charms of Vytautas Juozapaitis in the title role. Indeed, he's so delightfully decadent, and so charismatic a performer, that the righteous indignation of those he has harmed makes them seem priggish in comparison.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Nigel Powlson, "Womaniser's charms are hard to resist". Derby Evening Telegraph (July 23, 2004)

“Bad boys have long fascinated audiences as well as storytellers, whatever the medium. Such rebels, often without causes beyond self-gratification, have been at the center of much of contemporary popular culture. One of the paradigms for such dramatized morality tales is Mozart's magnificent "Don Giovanni," whose musical and theatrical turns evoked awe and laughter and terror from the more that 1,500 music fans who on Saturday night flocked to Lawrence's Lied Center for the Mozart Festival Opera production. The libertine is thoroughly disreputable. Nonetheless, we look on in fascination because of his devilish smile, dashing good looks, ready wit, and the audacity of his hyper-inflated ego. If you can imagine a young Jack Nicholson with mustache, cape and a flair for sword play, you've got it. Lithuanian baritone Vytautas Juozapaitis gave the Don appropriate swagger and voice. He also brought a comic twist that gave the roué a touch of the trickster. Stepping out of character for a second in the midst of a briskly paced recitative, he paused, turned, and looked up at the supertitled English translation as if to check his lines. It was a joke shared by all. The pleasure of performing, even in the opera's most dramatic moments, was evident.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Chuck Berg, "Mozart's 'Don Giovanni' triumphs", Topeka Capital Journal (February, 2007) http://www.jennykellyproductions.com/prod_mozart_review.htm

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