“I always like to write three versions of a book. The first is always agony and chaos; no one could understand it. With the second you get the shape, it's more or less all right. I write both of those in longhand. The third draft I type out with two fingers: it's for refining of meaning, additions and subtractions. I think my novels usually begin with characters; you have them floating about in your head and it may be years before they get together in a situation. Characters interest me more than situations.”

In The Making (1970)

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Patrick White22

English-born Australian writer 1912–1990

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“I live with them for a long time in my head. When I first start writing about a character, I don’t know them that well. It’s through the process of writing of putting them in scenes, and contemplating them—when I’ve spent more time with them—that they take on more flesh. When I start writing, I have a lot of characters that I’m not sure what their place in the novel will be…And some characters recede as I put more flesh on them. I think I don’t really need them; they’re not giving me anything. Or they’re there for a particular effect, and that’s it.”

Tracy Chevalier (1962) American writer

On how she formulates her characters in “An Interview with Tracy Chevalier” https://fictionwritersreview.com/interview/an-interview-with-tracy-chevalier/ in Fiction Writers Review (2019 Sep 23)

“Beginning a book is unpleasant. I’m entirely uncertain about the character and the predicament, and a character in his predicament is what I have to begin with. Worse than not knowing your subject is not knowing how to treat it, because that’s finally everything. I type out beginnings and they’re awful, more of an unconscious parody of my previous book than the breakaway from it that I want. I need something driving down the center of a book, a magnet to draw everything to it—that’s what I look for during the first months of writing something new. I often have to write a hundred pages or more before there’s a paragraph that’s alive. Okay, I say to myself, that’s your beginning, start there; that’s the first paragraph of the book. I’ll go over the first six months of work and underline in red a paragraph, a sentence, sometimes no more than a phrase, that has some life in it, and then I’ll type all these out on one page. Usually it doesn’t come to more than one page, but if I’m lucky, that’s the start of page one. I look for the liveliness to set the tone. After the awful beginning come the months of freewheeling play, and after the play come the crises, turning against your material and hating the book.”

Philip Roth (1933–2018) American novelist

Paris Review Interview (1986)

“I remember sitting down once, [at] three in the morning and probably the only person awake in Stevens Point […] *imitates typing with his fingers* And I stop, and I think: "This is crap! I've spent years of my life writing crap. This will never be published - it isn't good… I've wasted years of my life!" *shrugs and types on* You do it because you like the process. I mean… you write because you like to write.”

Patrick Rothfuss (1973) American fantasy writer

Suvudu interview with Shawn Speakman, June 2010 http://sf-fantasy.suvudu.com/2011/01/video-interview-patrick-rothfuss.html

“First draft: let it run. Turn all the knobs up to 11. Second draft: hell. Cut it down and cut it into shape. Third draft: comb its nose and blow its hair. I usually find that most of the book will have handed itself to me on that first draft.”

Terry Pratchett (1948–2015) English author

“I was heavily influenced by my first attempt at a novel. I started a fantasy novel back in high school, and…. well… it really sucked. It was a plotless, clichéd mess. When I sat down to write this book, I wanted to make something much, much better. I wanted to write something that was pretty much the opposite of that first novel.
Also, I read Cyrano De Bergerac, right before I started writing the book. Cyrano's character reminded me of some important things, namely, what it really means to be a tragic hero. You don't need a lot of the cliché fantasy trappings to have that cool character.
I also read Giacomo Casanova's memoirs soon after starting this project. That opened my eyes to how interesting an autobiography could be, provided the person telling it has a way with words and has lived a sufficiently adventurous life….”

Patrick Rothfuss (1973) American fantasy writer

Interview with Fantasy Book Critic (25 May 2007) http://fantasybookcritic.blogspot.com/2007/03/interview-with-patrick-rothfuss.html

“The only thing that I see that is distinctly different about me is I’m not afraid to die on a treadmill, right? I will run. I will not be out-worked, period. You might have more talent than me, you might be smarter than me, you might be sexier than me, you might be all of those things you got it on me in nine categories. But if we get on the treadmill together, right, there’s two things. You’re getting off first, or I’m going to die. It’s really that simple, right?”

Will Smith (1968) American actor, film producer and rapper

"Actor-musician Will Smith" transcript from interview on The Tavis Smiley Show (13 December 2007) http://www.pbs.org/wnet/tavissmiley/interviews/actor-musician-will-smith/