Quotes about bull

A collection of quotes on the topic of bull, likeness, people, time.

Quotes about bull

H.P. Lovecraft photo

“I can better understand the inert blindness & defiant ignorance of the reactionaries from having been one of them. I know how smugly ignorant I was—wrapped up in the arts, the natural (not social) sciences, the externals of history & antiquarianism, the abstract academic phases of philosophy, & so on—all the one-sided standard lore to which, according to the traditions of the dying order, a liberal education was limited. God! the things that were left out—the inside facts of history, the rational interpretation of periodic social crises, the foundations of economics & sociology, the actual state of the world today … & above all, the habit of applying disinterested reason to problems hitherto approached only with traditional genuflections, flag-waving, & callous shoulder-shrugs! All this comes up with humiliating force through an incident of a few days ago—when young Conover, having established contact with Henneberger, the ex-owner of WT, obtained from the latter a long epistle which I wrote Edwin Baird on Feby. 3, 1924, in response to a request for biographical & personal data. Little Willis asked permission to publish the text in his combined SFC-Fantasy, & I began looking the thing over to see what it was like—for I had not the least recollection of ever having penned it. Well …. I managed to get through, after about 10 closely typed pages of egotistical reminiscences & showing-off & expressions of opinion about mankind & the universe. I did not faint—but I looked around for a 1924 photograph of myself to burn, spit on, or stick pins in! Holy Hades—was I that much of a dub at 33 … only 13 years ago? There was no getting out of it—I really had thrown all that haughty, complacent, snobbish, self-centred, intolerant bull, & at a mature age when anybody but a perfect damned fool would have known better! That earlier illness had kept me in seclusion, limited my knowledge of the world, & given me something of the fatuous effusiveness of a belated adolescent when I finally was able to get around more in 1920, is hardly much of an excuse. Well—there was nothing to be done … except to rush a note back to Conover & tell him I'd dismember him & run the fragments through a sausage-grinder if he ever thought of printing such a thing! The only consolation lay in the reflection that I had matured a bit since '24. It's hard to have done all one's growing up since 33—but that's a damn sight better than not growing up at all.”

H.P. Lovecraft (1890–1937) American author

Letter to Catherine L. Moore (7 February 1937), in Selected Letters V, 1934-1937 edited by August Derleth and Donald Wandrei, pp. 407-408
Non-Fiction, Letters

Jack Kerouac photo
Irenaeus photo
George Orwell photo
Derek Landy photo
Theodore Roosevelt photo

“Friends, I shall ask you to be as quiet as possible. I don't know whether you fully understand that I have just been shot; but it takes more than that to kill a Bull Moose.”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

1910s, Address at Milwaukee, Wisconsin (1912)

Theodore Roosevelt photo

“I'm as strong as a bull moose and you can use me to the limit.”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

Letter to Mark Hannah (27 June 1900)
1900s

Ovid photo

“Young love is errant, but it needs to get around;
The time and practice make it strong and sound.
That bull you fear, you petted when it wasn't big;
What now you sleep beneath was once a twig.
That little stream, in gaining waters as it goes,
Grows stronger, till at last a river flows.”

Dum novus errat amor, vires sibi colligat usu: Si bene nutrieris, tempore firmus erit. Quem taurum metuis, vitulum mulcere solebas: Sub qua nunc recubas arbore, virga fuit: Nascitur exiguus, sed opes adquirit eundo, Quaque venit, multas accipit amnis aquas.

Book II, lines 339–344 (tr. Len Krisak)
Ars Amatoria (The Art of Love)

Pablo Picasso photo

“…this bull is a bull and this horse is a horse… If you give a meaning to certain things in my paintings it may be very true, but it is not my idea to give this meaning. What ideas and conclusions you have got I obtained too, but instinctively, unconsciously. I make the painting for the painting. I paint the objects for what they are.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Quoted in: Paul Jones (2011), The Sociology of Architecture: Constructing Identities. p. 47.
Other explanation by Picasso of the Guernica.
Quotes, 1930's

Abraham Lincoln photo

“I do not want to issue a document that the whole world will see must necessarily be inoperative, like the Pope's bull against the comet!”

Abraham Lincoln (1809–1865) 16th President of the United States

1860s, Reply to an Emancipation Memorial (1862)
Context: What good would a proclamation of emancipation from me do, especially as we are now situated? I do not want to issue a document that the whole world will see must necessarily be inoperative, like the Pope's bull against the comet! Would my word free the slaves, when I cannot even enforce the Constitution in the rebel States? Is there a single court, or magistrate, or individual that would be influenced by it there! And what reason is there to think it would have any greater effect upon the slaves than the late law of Congress, which I approved, and which offers protection and freedom to the slaves of rebel masters who come within our lines? Yet I cannot learn that that law has caused a single slave to come over to us. And suppose they could be induced by a proclamation of freedom from me to throw themselves upon us, what should we do with them? How can we feed and care for such a multitude?

Isaac Newton photo

“And henceforward the Popes being temporal Princes, left off in their Epistles and Bulls to note the years of the Greek Emperors”

Isaac Newton (1643–1727) British physicist and mathematician and founder of modern classical physics

Vol. I, Ch. 7: Of the Eleventh Horn of Daniel's Fourth Beast
Observations upon the Prophecies of Daniel, and the Apocalypse of St. John (1733)
Context: In a small book printed at Paris A. C. 1689, entitled, An historical dissertation upon some coins of Charles the great, Ludovicus Pius, Lotharius, and their successors stamped at Rome, it is recorded, that in the days of Pope Leo X, there was remaining in the Vatican, and till those days exposed to public view, an inscription in honour of Pipin the father of Charles the great, in these words... "That Pipin the pious was the first who opened a way to the grandeur of the Church of Rome, conferring upon her the Exarchate of Ravenna and many other oblations." …the Pope [Stephen II] sent letters to Pipin, wherein he told him that if he came not speedily against the Lombards, pro data sibi potentia, alienandum fore à regno Dei & vita æterna, he should be excommunicated. Pipin therefore, fearing a revolt of his subjects, and being indebted to the Church of Rome, came speedily with an army into Italy, raised the siege, besieged the Lombards in Pavia, and forced them to surrender the Exarchate and region of Pentapolis to the Pope for a perpetual possession. Thus the Pope became Lord of Ravenna, and the Exarchate, some few cities excepted; and the keys were sent to Rome, and laid upon the confession of St. Peter, that is, upon his tomb at the high Altar, in signum veri perpetuique dominii, sed pietate Regis gratuita, as the inscription of a coin of Pipin hath it. This was in the year of Christ 755. And henceforward the Popes being temporal Princes, left off in their Epistles and Bulls to note the years of the Greek Emperors, as they had hitherto done.

Jessica Alba photo
Leon Trotsky photo
Elizabeth Gilbert photo
Rick Riordan photo
Winston S. Churchill photo
Kate DiCamillo photo
Diana Gabaldon photo
Steven Pressfield photo

“It’s better to be in the arena, getting stomped by the bull, than to be up in the stands or out in the parking lot.”

Steven Pressfield (1943) United States Marine

Source: The War of Art: Break Through the Blocks & Win Your Inner Creative Battles

Ernest Hemingway photo
Rick Riordan photo
Debbie Macomber photo
Julia Quinn photo

“To say that men can be bullheaded would be insulting to the bull.”

Julia Quinn (1970) American novelist

Source: The Duke and I

Jim Butcher photo

“He's Gandalf on crack and an IV of Red Bull, with a big leather coat and a.44 revolver in his pocket.”

The Dresden Files short stories, Backup
Context: Thomas Raith: Harry's a wizard. A genuine, honest-to-good-ness wizard. He's Gandalf on crack and an IV of Red Bull, with a big leather coat and a.44 revolver in his pocket. He'll spit in the eye of gods and demons alike if he thinks it needs to be done, and to hell with the consequences-and yet somehow my little brother manages to remain a decent human being.

James Joyce photo
Federico García Lorca photo

“The bull does not know you, nor the fig tree,
nor the horses, nor the ants in your own house.
The child and the afternoon do not know you
because you have died forever.

The shoulder of the stone does not know you
nor the black silk on which you are crumbling.
Your silent memory does not know you
because you have died forever.

The autumn will come with conches,
misty grapes and clustered hills,
but no one will look into your eyes
because you have died forever.

Because you have died for ever,
like all the dead of the earth,
like all the dead who are forgotten
in a heap of lifeless dogs.

Nobody knows you. No. But I sing of you.
For posterity I sing of your profile and grace.
Of the signal maturity of your understanding.
Of your appetite for death and the taste of its mouth.
Of the sadness of your once valiant gaiety.”

<p>No te conoce el toro ni la higuera,
ni caballos ni hormigas de tu casa.
No te conoce el niño ni la tarde
porque te has muerto para siempre.</p><p>No te conoce el lomo de la piedra,
ni el raso negro donde te destrozas.
No te conoce tu recuerdo mudo
porque te has muerto para siempre.</p><p>El otoño vendrá con caracolas,
uva de niebla y montes agrupados,
pero nadie querrá mirar tus ojos
porque te has muerto para siempre.</p><p>Porque te has muerto para siempre,
como todos los muertos de la Tierra,
como todos los muertos que se olvidan
en un montón de perros apagados.</p><p>No te conoce nadie. No. Pero yo te canto.
Yo canto para luego tu perfil y tu gracia.
La madurez insigne de tu conocimiento.
Tu apetencia de muerte y el gusto de su boca.
La tristeza que tuvo tu valiente alegría.</p>
Llanto por Ignacio Sanchez Mejias (1935)

R. A. Lafferty photo

“I've had enough of this place where they stuff you full of bull and then hunt you down and kill you every day.”

R. A. Lafferty (1914–2002) American writer

Crewman Humphrey on Valhal, Ch. 2
Space Chantey (1968)

Francisco De Goya photo

“I sent you a lithographic proof that shows a fight of young bulls.... and if you found it worthy of distribution, I could send whatever you wish... I once again ask your advice, for I have three others made, of the same size and bullfight subjects.”

Francisco De Goya (1746–1828) Spanish painter and printmaker (1746–1828)

letter to Joaquín Ferrer, Bordeaux, End of 1825; as quoted by Robert Hughes, in: Goya. Borzoi Book - Alfred Knopf, New York, 2003, p. 390 & note 8
Goya's quote indicates how quickly he learned the for him new print method of lithography; the litho-prints here referred became collective known as the 'Bulls of Bordeaux' https://commons.wikimedia.org/wiki/File:Bullfight_in_a_divided_ring,_from_the_%27Bulls_of_Bordeaux%27_MET_270385.jpg https://commons.wikimedia.org/wiki/File:A_picador_caught_by_a_bull,_from_the_%27Bulls_of_Bordeaux%27_MET_MM7175.jpg; and the rarest Goya-prints because they were published in a small edition of one hundred sets by the Bordeaux printer Gaulon.
1820s

Dinah Craik photo
L. Frank Baum photo
Jahangir photo
Guillaume de Salluste Du Bartas photo

“Dog, ounce, bear, and bull,
Wolfe, lion, horse.”

Guillaume de Salluste Du Bartas (1544–1590) French writer

Second Week, First Day, Part iii. Compare: "Lion, bear, or wolf, or bull", William Shakespeare, A Midsummer Night's Dream, act ii. sc. 1.
La Seconde Semaine (1584)

Cassandra Clare photo
Benjamin Graham photo

“Whenever the investor sold out in an upswing as soon as the top level of the previous well-recognized bull market was reached, he had a chance in the next bear market to buy back at one third (or better) below his selling price.”

Benjamin Graham (1894–1976) American investor

Source: The Intelligent Investor: The Classic Text on Value Investing (1949), Chapter II, The Investor and Stock-Market Fluctuations, p. 35

Jonathan Stroud photo
John Ralston Saul photo
Thomas Hood photo

“No solemn sanctimonious face I pull,
Nor think I'm pious when I'm only bilious;
Nor study in my sanctum supercilious,
To frame a Sabbath Bill or forge a Bull.”

Thomas Hood (1799–1845) British writer

Ode to Rae Wilson; reported in Bartlett's Familiar Quotations, 10th ed. (1919).
20th century

Tim McGraw photo
Robert A. Heinlein photo

“I knew that the stupidest students, the silliest professors, and the worst bull courses are concentrated in schools of education.”

Source: The Number of the Beast (1980), Chapter IX : Most males have an unhealthy tendency to obey laws., p. 82

Maneka Gandhi photo

“Let me clarify at the outset that this decision to permit hunting of wild boars and blue bull in the wild is not taken for the sake of farmers, but to benefit those private forest lodge operators who have clients from Middle East and other countries.”

Maneka Gandhi (1956) Indian politician and activist

Criticising Madhya Pradesh government's move to simply hunting rules, as quoted in "Maneka miffed with MP govt's move to simplify hunting rules" http://www.firstpost.com/india/maneka-miffed-with-mp-govts-move-to-simplify-hunting-rules-188695.html, First Post (20 January 2012)
2011-present

Henry Moore photo

“The idea for [his sculpture] 'The Warrior' came to me at the end of 1952 or very early in 1953. It was evolved from a pebble I found on the seashore in the summer of 1952, and which reminded me of the stump of a leg, amputated at the hip. Just as Leonardo says somewhere in his notebooks that a painter can find a battle scene in the lichen marks on a wall, so this gave me the start of The Warrior idea. First I added the body, leg and one arm and it became a wounded warrior, but at first the figure was reclining. A day or two later I added a shield and altered its position and arrangement into a seated figure and so it changed from an inactive pose into a figure which, though wounded, is still defiant... The head has a blunted and bull-like power but also a sort of dumb animal acceptance and forbearance of pain... The figure may be emotionally connected (as one critic has suggested) with one’s feelings and thoughts about England during the crucial and early part of the last war. The position of the shield and its angle gives protection from above. The distance of the shield from the body and the rectangular shape of the space enclosed between the inside surface of the shield and the concave front of the body is important... This sculpture is the first single and separate male figure that I have done in sculpture and carrying it out in its final large scale was almost like the discovery of a new subject matter; the bony, edgy, tense forms were a great excitement to make... Like the bronze 'Draped Reclining Figure' of 1952-3 I think 'The Warrior' has some Greek influence, not consciously wished…”

Henry Moore (1898–1986) English artist

Quote from Moore's letter, (15 Jan. 1955); as cited in Henry Moore on Sculpture: a Collection of the Sculptor's Writings and Spoken Words, ed. Philip James, MacDonald, London 1966, p. 250
1940 - 1955

Willem de Kooning photo
Wilt Chamberlain photo

“Did not Jupiter transforme himselfe into the shape of Amphitrio to embrace Alcmæna; into the form of a swan to enjoy Leda; into a Bull to beguile Io; into a showre of gold to win Danae?”

Source: Euphues (Arber [1580]), P. 93. Compare: "Jupiter himself was turned into a satyr, a shepherd, a bull, a swan, a golden shower, and what not for love", Robert Burton, Anatomy of Melancholy, part iii, sec ii, mem. i, subs. 1.

Josh Billings photo

“I rather admire the insolent civility ov a bull-tarrier, who only growls when i pass by him, but i never did like it in a man.”

Josh Billings (1818–1885) American humorist

Josh Billings: His Works, Complete (1873)

Arthur Schopenhauer photo
Nile Kinnick photo
Patricia de Leon (actress) photo
Gore Vidal photo
John Muir photo

“Cloudy all day. Showery on mtns. to eastward at noon. Fine thunderstorm evening, with grand display of zigzag intensely vivid & very near with keen cracks [and] grand trailing rain … Visited Elk ranch. About sixty old & young. Old bulls carry horns in noble style & grand airs.”

John Muir (1838–1914) Scottish-born American naturalist and author

journal entry, Island Park, Idaho (26 August 1913) — the last field entry http://digitalcollections.pacific.edu/cdm/ref/collection/muirjournals/id/3843/show/3839 in Muir's last field journal
1910s

“We'll look back and wonder who were these barbarous people, just like we look back at those who supported bull-baiting”

Tony Banks (1942–2006) British politician

"Tony Banks close to death after stroke" http://news.independent.co.uk/uk/politics/article337229.ece, The Independent (online edition), 8 January 2006.
on fox-hunting.

Ron White photo
Maneka Gandhi photo
Warren Buffett photo

“Our performance, relatively, is likely to be better in a bear market than in a bull market … in a year when the general market had a substantial advance, I would be well satisfied to match the advance of the averages.”

Warren Buffett (1930) American business magnate, investor, and philanthropist

Second annual letter to Limited Partners (1957) http://www.safalniveshak.com/wp-content/uploads/2013/12/Warren-Buffett-Berkshire-Letters-1957-2012.pdf
Letters to Shareholders (1957 - 2012)

Hunter S. Thompson photo
Frederick Douglass photo

“At 8 o’clock, the [body] of the hall was nearly filled with an intelligent and respectable looking audience – The exercises commenced with a patriotic song by the Hutchinsons, which was received with great applause. The Rev. H. H. Garnett opened the meeting stating that the black man, a fugitive from Virginia, who was announced to speak would not appear, as a communication had been received yesterday from the South intimating that, for prudential reasons, it would not be proper for that person to appear, as his presence might affect the interests and safety of others in the South, both white persons and colored. He also stated that another fugitive slave, who was at the battle of Bull Run, proposed when the meeting was announced to be present, but for a similar reason he was absent; he had unwillingly fought on the side of Rebellion, but now he was, fortunately where he could raise his voice on the side of Union and universal liberty. The question which now seemed to be prominent in the nation was simply whether the services of black men shall be received in this war, and a speedy victory be accomplished. If the day should ever come when the flag of our country shall be the symbol of universal liberty, the black man should be able to look up to that glorious flag, and say that it was his flag, and his country’s flag; and if the services of the black men were wanted it would be found that they would rush into the ranks, and in a very short time sweep all the rebel party from the face of the country”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Douglass Monthly https://web.archive.org/web/20160309192511/http://deadconfederates.com/tag/black-confederates/#_edn2 (March 1862), p. 623
1860s

Kathy Freston photo
Louis C.K. photo
Lorin Morgan-Richards photo

“A bully is nothing more than a bunch of bull with a Y attached to its rear.”

Lorin Morgan-Richards (1975) American poet, cartoonist, and children's writer

Excerpt from the book The Goodbye Family Unveiled (2017) by Lorin Morgan-Richards.

Propertius photo

“The sailor tells of winds, the ploughman of bulls,
the soldier counts his wounds, the shepherd his sheep.”

Navita de ventis, de tauris narrat arator, Enumerat miles vulnera, pastor oves.

Propertius (-47–-16 BC) Latin elegiac poet

II, i, 43–4.
Elegies

Edmund Spenser photo
Edgar Lee Masters photo
Sarah Palin photo

“I love those hockey moms. You know, they say the difference between a hockey mom and a pit bull? Lipstick.”

Sarah Palin (1964) American politician

2008, 2008 Republican National Convention

John Dos Passos photo
Garth Brooks photo
L. Frank Baum photo
Steve Keen photo

“Trusting souls who accept economic assurances that markets are efficient are unlikely to fare any better this time when the Bull gives way to the Bear.”

Steve Keen (1953) Australian economist

Source: Debunking Economics - The Naked Emperor Of The Social Sciences (2001), Chapter 10, The Price Is Not Right, p. 215

Christopher Hitchens photo

“The idea that God speaks to some illiterate merchant warlord in Arabia, and he’s able to write this down perfectly and it contains the answers to all — don’t waste my time with that bulls**t. Also, the archangel Gabriel speaks only Arabic, it seems? Crap.”

Christopher Hitchens (1949–2011) British American author and journalist

http://www.inquisitr.com/1735647/christopher-hitchens-islam-comments-resurface-after-charlie-hebdo-its-the-most-depraved-religion/
2010s, 2010

Halldór Laxness photo
Robert Jordan photo

“Cheer the bull, or cheer the bear; cheer both, and you will be trampled and eaten.”

Robert Jordan (1948–2007) American writer

Old saying in Randland
(15 October 1994)

Edgar Rice Burroughs photo
Titian photo

“I have been expecting the bull of the benefice of Medole which your Excellency gave me for my son Pomponio last year, and seeing that the matter is delayed beyond measure, and what is worse, that I have not received the income of the benefice — I find myself in a state of great discontent. It would be greatly to my dishonour and infamy, if my boy should be forced to change the priest's dress, which he wears with so much pleasure, after all Venice has been made acquainted with the gift made to him of this benefice by your Excellency.”

Titian (1488–1576) Italian painter

In a letter of Titian to the Marquess Gonzaga of Mantua, from Venice, 12 July, 1531; published by Pungileoni in the 'Giornale Arcadico' in 1831 and reprinted in Cadorin, 'Dello Amore', p. 37; transl. J.A.Y. Crowe & G.B. Cavalcaselle
The gift made it possible that his son Pomponio could start a career in the catholic church. A fortnight later Titian's note has become humble and thankful, for the Duke has written him, to say that the benefice and its income are his
1510-1540

Charlotte Brontë photo

“The theatre was full — crammed to its roof: royal and noble were there; palace and hotel had emptied their inmates into those tiers so thronged and so hushed. Deeply did I feel myself privileged in having a place before that stage; I longed to see a being of whose powers I had heard reports which made me conceive peculiar anticipations. I wondered if she would justify her renown: with strange curiosity, with feelings severe and austere, yet of riveted interest, I waited. She was a study of such nature as had not encountered my eyes yet: a great and new planet she was: but in what shape? I waited her rising.She rose at nine that December night: above the horizon I saw her come. She could shine yet with pale grandeur and steady might; but that star verged already on its judgment-day. Seen near, it was a chaos — hollow, half-consumed: an orb perished or perishing — half lava, half glow.I had heard this woman termed "plain," and I expected bony harshness and grimness — something large, angular, sallow. What I saw was the shadow of a royal Vashti: a queen, fair as the day once, turned pale now like twilight, and wasted like wax in flame.For awhile — a long while — I thought it was only a woman, though an unique woman, who moved in might and grace before this multitude. By-and-by I recognized my mistake. Behold! I found upon her something neither of woman nor of man: in each of her eyes sat a devil. These evil forces bore her through the tragedy, kept up her feeble strength — for she was but a frail creature; and as the action rose and the stir deepened, how wildly they shook her with their passions of the pit! They wrote HELL on her straight, haughty brow. They tuned her voice to the note of torment. They writhed her regal face to a demoniac mask. Hate and Murder and Madness incarnate she stood.It was a marvellous sight: a mighty revelation.It was a spectacle low, horrible, immoral.Swordsmen thrust through, and dying in their blood on the arena sand; bulls goring horses disembowelled, made a meeker vision for the public — a milder condiment for a people's palate — than Vashti torn by seven devils: devils which cried sore and rent the tenement they haunted, but still refused to be exorcised.Suffering had struck that stage empress; and she stood before her audience neither yielding to, nor enduring, nor in finite measure, resenting it: she stood locked in struggle, rigid in resistance. She stood, not dressed, but draped in pale antique folds, long and regular like sculpture. A background and entourage and flooring of deepest crimson threw her out, white like alabaster — like silver: rather, be it said, like Death.”

Source: Villette (1853), Ch. XXIII: Vashi

Emily Brontë photo
Garth Brooks photo

“He was up in Wyoming,
And drew a bull no man could ride.
He promised her he'd turn out,
Well it turned out that he lied.
And their dreams that they'd been livin',
In the California sand,
Died right there beside him in Cheyenne.”

Garth Brooks (1962) American country music artist

The Beaches of Cheyenne, written by Dan Roberts, Bryan Kennedy, and G. Brooks.
Song lyrics, Fresh Horses (1995)

Mao Zedong photo

“The richest source of power to wage war lies in the masses of the people. It is mainly because of the unorganized state of the Chinese masses that Japan dares to bully us. When this defect is remedied, the the Japanese aggressor, like a mad bull crashing into a ring of flames, will be surrounded by hundreds of millions of our people standing upright, the mere sound of their voices will strike terror into him, and he will be burned to death.”

Mao Zedong (1893–1976) Chairman of the Central Committee of the Communist Party of China

On Protracted Warfare (1938)
Original: (zh-CN) 战争的伟力之最深厚的根源,存在于民众之中。日本敢于欺负我们,主要的原因在于中国民众的无组织状态。克服了这一缺点,就把日本侵略者置于我们数万万站起来了的人民之前,使它像一匹野牛冲入火阵,我们一声唤也要把它吓一大跳,这匹野牛就非烧死不可。

Beck photo
Martin Luther King, Jr. photo

“I must say that when my Southern Christian Leadership Conference began its work in Birmingham, we encountered numerous Negro church reactions that had to be overcome. Negro ministers were among other Negro leaders who felt they were being pulled into something that they had not helped to organize. This is almost always a problem. Negro community unity was the first requisite if our goals were to be realized. I talked with many groups, including one group of 200 ministers, my theme to them being that a minister cannot preach the glories of heaven while ignoring social conditions in his own community that cause men an earthly hell. I stressed that the Negro minister had particular freedom and independence to provide strong, firm leadership, and I asked how the Negro would ever gain freedom without his minister's guidance, support and inspiration. These ministers finally decided to entrust our movement with their support, and as a result, the role of the Negro church today, by and large, is a glorious example in the history of Christendom. For never in Christian history, within a Christian country, have Christian churches been on the receiving end of such naked brutality and violence as we are witnessing here in America today. Not since the days of the Christians in the catacombs has God's house, as a symbol, weathered such attack as the Negro churches.
I shall never forget the grief and bitterness I felt on that terrible September morning when a bomb blew out the lives of those four little, innocent girls sitting in their Sunday-school class in the 16th Street Baptist Church in Birmingham. I think of how a woman cried out, crunching through broken glass, "My God, we're not even safe in church!" I think of how that explosion blew the face of Jesus Christ from a stained-glass window. It was symbolic of how sin and evil had blotted out the life of Christ. I can remember thinking that if men were this bestial, was it all worth it? Was there any hope? Was there any way out?… time has healed the wounds -- and buoyed me with the inspiration of another moment which I shall never forget: when I saw with my own eyes over 3000 young Negro boys and girls, totally unarmed, leave Birmingham's 16th Street Baptist Church to march to a prayer meeting -- ready to pit nothing but the power of their bodies and souls against Bull Connor's police dogs, clubs and fire hoses. When they refused Connor's bellowed order to turn back, he whirled and shouted to his men to turn on the hoses. It was one of the most fantastic events of the Birmingham story that these Negroes, many of them on their knees, stared, unafraid and unmoving, at Connor's men with the hose nozzles in their hands. Then, slowly the Negroes stood up and advanced, and Connor's men fell back as though hypnotized, as the Negroes marched on past to hold their prayer meeting. I saw there, I felt there, for the first time, the pride and the power of nonviolence.
Another time I will never forget was one Saturday night, late, when my brother telephoned me in Atlanta from Birmingham -- that city which some call "Bombingham" -- which I had just left. He told me that a bomb had wrecked his home, and that another bomb, positioned to exert its maximum force upon the motel room in which I had been staying, had injured several people. My brother described the terror in the streets as Negroes, furious at the bombings, fought whites. Then, behind his voice, I heard a rising chorus of beautiful singing: "We shall overcome."”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

Tears came into my eyes that at such a tragic moment, my race still could sing its hope and faith.
Interview in Playboy (January 1965) https://web.archive.org/web/20080706183244/http://www.playboy.com/arts-entertainment/features/mlk/04.html
1960s

Sam Harris photo
Sebastian Vettel photo

“Well, I think as far as I understood if you said to Red Bull I think we are still selling cans, so not much has happened in that regard.”

Sebastian Vettel (1987) German racing driver in Formula 1

http://www.formula1.com/news/headlines/2010/7/11046.html July, 22 2010.
The situation in Red Bull.
Sourced quotes

Paul A. Samuelson photo
Alexander Ovechkin photo

“Alex, you just enjoy watching because he's like a bull in a china shop. And he does everything. He's got all the great skills, and he can run over you as well.”

Alexander Ovechkin (1985) Russian ice hockey player

Bruce Boudreau, interview in Jill Painter (November 20, 2008) "The Pursuit of Happiness: Whether On or Off the Ice, Washington's Ovechkin Always Enjoys Himself", Los Angeles Daily News, p. C1.
About

Thomas Kyd photo
Andrew Vachss photo
James K. Morrow photo
Cormac McCarthy photo

“A legion of horribles, hundreds in number, half naked or clad in costumes attic or biblical or wardrobed out of a fevered dream with the skins of animals and silk finery and pieces of uniform still tracked with the blood of prior owners, coats of slain dragoons, frogged and braided cavalry jackets, one in a stovepipe hat and one with an umbrella and one in white stockings and a bloodstained weddingveil and some in headgear of cranefeathers or rawhide helmets that bore the horns of bull or buffalo and one in a pigeontailed coat worn backwards and otherwise naked and one in the armor of a spanish conquistador, the breastplate and pauldrons deeply dented with old blows of mace or saber done in another country by men whose very bones were dust and many with their braids spliced up with the hair of other beasts until they trailed upon the ground and their horses’ ears and tails worked with bits of brightly colored cloth and one whose horse’s whole head was painted crimson red and all the horsemen’s faces gaudy and grotesque with daubings like a company of mounted clowns, death hilarious, all howling in a barbarous tongue and riding down upon them like a horde from a hell more horrible yet than the brimstone land of Christian reckoning, screeching and yammering and clothed in smoke like those vaporous beings in regions beyond right knowing where the eye wanders and the lip jerks and drools.”

Source: Blood Meridian (1985), Chapter IV

Federico García Lorca photo

“But now he sleeps endlessly.
Now the moss and the grass
open with sure fingers
the flower of his skull.
And now his blood comes out singing;
singing along marshes and meadows,
slides on frozen horns,
faltering souls in the mist
stumbling over a thousand hoofs
like a long, dark, sad tongue,
to form a pool of agony
close to the starry Guadalquivir.
Oh, white wall of Spain!
Oh, black bull of sorrow!
Oh, hard blood of Ignacio!
Oh, nightingale of his veins!”

Pero ya duerme sin fin.
Ya los musgos y la hierba
abren con dedos seguros
la flor de su calavera.
Y su sangre ya viene cantando:
cantando por marismas y praderas,
resbalando por cuernos ateridos,
vacilando sin alma por la niebla,
tropezando con miles de pezuñas
como una larga, oscura, triste lengua,
para formar un charco de agonía
junto al Guadalquivir de las estrellas.
¡Oh blanco muro de España!
¡Oh negro toro de pena!
¡Oh sangre dura de Ignacio!
¡Oh ruiseñor de sus venas!
Llanto por Ignacio Sanchez Mejias (1935)