Quotes about bit
page 7

Fred Thompson photo

“After sleeping late on Sunday, I was back at my desk that afternoon. I had two prime considerations. First, I wanted to be certain that the tapes were not a trap for the committee or that there was a significant bit of missing information that we lacked; experience taught me that matters of this importance do not usually fall into your lap without more complications that are immediately apparent. Second, if our information was legitimate, I wanted to be sure the White House was fully aware of what was to be disclosed so that it could take appropriate action. Legalisms aside, it was inconceivable to me that the White House could withhold the tapes once their existence was made known. I believed it would be in everyone’s interest if the White House realized, before making any public statements, the probable position of both the majority and the minority of the Watergate committee. Even though I had no authority to act for the committee, I decided to call Fred Buzhardt at home. Buzhardt was the only White House staff member with whom I had had any substantial contact. He had been unassuming and straightforward in his dealings with me. He never tried to enlist me in any White House strategy, to suggest that I relay confidential information, or to so any of the things that were probably assumed by many of the so-called sophisticates in Washington.”

Fred Thompson (1942–2015) American politician and actor

page 86
At That Point in Time, Warning the White House about the Watergate tapes

Pat Condell photo
Chris Cornell photo
George Bernard Shaw photo
Paula Modersohn-Becker photo

“Please let your 'hot-blooded iconoclasm' slumber a bit longer, and for a while permit me simply to be your Madonna. It's meant to be for your own good, do you believe that? Keep your mind on art, our gracious muse, dear. Let us both plan to paint all this week. And then early Saturday I shall come to you.”

Paula Modersohn-Becker (1876–1907) German artist

In a letter to her husband Otto Modersohn, after 12 September 1900; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 200
1900 - 1905

Charles Dudley Warner photo
George Carlin photo
Koenraad Elst photo

“In Swami Dayananda's view, the term Arya was not coterminous with the term Hindu. The classical meaning of the word Arya is 'noble'. It is used as an honorific term of address, used in addressing the honoured ones in ancient Indian parlance. The term Hindu is reluctantly accepted as a descriptive term for the contemporary Hindu society and all its varied beliefs and practices, while the term Arya is normative and designates Hinduism as it ought to be…. Elsewhere in Hindu society, 'Arya' was and is considered a synonym for 'Hindu', except that it may be broader, viz. by unambiguously including Buddhism and Jainism. Thus, the Constitution of the 'independent, indivisible and sovereign monarchical Hindu kingdom' (Art.3:1) of Nepal take care to include the Buddhist minority by ordaining the king to uphold 'Aryan culture and Hindu religion' (Art.20: 1)…. The Arya Samaj's misgivings about the term Hindu already arose in tempore non suspecto, long before it became a dirty Word under Jawaharlal Nehru and a cause of legal disadvantage under the 1950 Constitution. Swami Dayananda Saraswati rightly objected that the term had been given by foreigners (who, moreover, gave all kinds of derogatory meanings to it) and considered that dependence on an exonym is a bit sub-standard for a highly literate and self-expressive civilization. This argument retains a certain validity: the self-identification of Hindus as 'Hindu' can never be more than a second-best option. On the other hand, it is the most practical choice in the short run, and most Hindus don't seem to pine for an alternative.”

Koenraad Elst (1959) orientalist, writer

2000s, Who is a Hindu, (2001)

Frances Hodgson Burnett photo
Nigel Lawson photo
Alan Moore photo

“When modern horror films or fundamentalists talk about “demons,” they mean something very different than what Socrates meant by the term. It was a lot closer to what I was talking about: the essential drive, the highest self, if you like. So maybe there is a connection, when I met, or appeared to meet, a demon. It was a little bit frightening at first, but after a while we found that we got on OK and we could have a civilized conversation, and I found him very engaging, very pleasant. And it struck me that this was a brilliant literal example of the process of demonization. That when I had approached the demon with fear and loathing, it was fearsome and loathsome. When I approached it with respect, then it was respectable. And I thought, All right, there’s a kind of mirroring that is going on here that is probably applicable to a wide number of social situations. The people or classes of people that we demonize, and that we treat with fear and loathing, respond accordingly. We are projecting a persona of manner of behavior upon them, as well as responding to a manner of behavior that’s already there. When we’re looking at the flaws in their personality that we are able to recognize, the fact that we can recognize them suggests that they are probably in some way a version of flaws that we have ourselves.”

Alan Moore (1953) English writer primarily known for his work in comic books

As quoted in ""HEY, YOU CAN JUST MAKE STUFF UP." Differences between magic and art: None" https://www.believermag.com/issues/201306/?read=interview_moore, by Peter Bebergal, The Believer, (2013).
The Believer interview (2013)

Agatha Christie photo
Tom Petty photo

“You know, sometimes, I don't know why,
But this old town just seems so hopeless.
I ain't really sure, but it seems I remember the good times
Were just a little bit more in focus.”

Tom Petty (1950–2017) American musician

Here Comes My Girl, written with Mike Campbell
Lyrics, Damn The Torpedoes (1979)

James Dobson photo
Vladimir Mayakovsky photo

“A rhyme's

a barrel of dynamite.
A line is a fuse
that's lit.
The line smoulders,
the rhyme explodes –
and by a stanza
a city
is blown to bits.”

Vladimir Mayakovsky (1893–1930) Russian and Soviet poet, playwright, artist and stage and film actor

"A Conversation with the Inspector of Taxes about Poetry" (1926); translation from Chris Jenks Visual Culture (London: Routledge, 1995) pp. 86-7

Manuel Rivera-Ortiz photo

“Everything is a bit of darkness, even light itself.”

Antonio Porchia (1885–1968) Italian Argentinian poet

Todo es un poco de oscuridad, hasta la misma luz.
Voces (1943)

Stephen King photo
Roger Manganelli photo
Noam Chomsky photo
Orson Scott Card photo
Adi Da Samraj photo
Christopher Hitchens photo

“There is a widespread view that the war against jihadism and totalitarianism involves only differences of emphasis. In other words, one might object to the intervention in Iraq on the grounds that it drew resources away from Afghanistan - you know the argument. It's important to understand that this apparent agreement does not cover or include everybody. A very large element of the Left and of the isolationist Right is openly sympathetic to the other side in this war, and wants it to win. This was made very plain by the leadership of the "anti-war" movement, and also by Michael Moore when he shamefully compared the Iraqi fascist "insurgency" to the American Founding Fathers. To many of these people, any "anti-globalization" movement is better than none. With the Right-wingers it's easier to diagnose: they are still Lindberghians in essence and they think war is a Jewish-sponsored racket. With the Left, which is supposed to care about secularism and humanism, it's a bit harder to explain an alliance with woman-stoning, gay-burning, Jew-hating medieval theocrats. However, it can be done, once you assume that American imperialism is the main enemy. Even for those who won't go quite that far, the admission that the US Marine Corps might be doing the right thing is a little further than they are prepared to go - because what would then be left of their opposition credentials, which are so dear to them?”

Christopher Hitchens (1949–2011) British American author and journalist

"Love, Poverty and War" http://www.frontpagemag.com/Articles/Read.aspx?GUID=C78DC231-4599-4745-9CA5-A398398916A0, FrontPageMagazine.com (2004-12-29).
2000s, 2004

“Arms trade. If there was a legitimate trade, they'd sell those things - guns and bombs - in a supermarket. It would be like a cosmetics demonstration, and you'd have a little bit of shopping music in the background. And so, here's our arms trade demonstrator. 'Hello, and welcome to our new "Twilight of the World" range - our stunning new collection for nuclear winter. Now, for those persistent racial problems, why not try our new ethnic cleanser, "Pogrom"? Apply vigorously to the affected area, and then wipe off the face of the earth. For persistent outbreaks, to eliminate those last spots of resistance, why not try our new "I Can't Believe It's Not a Kalashnikov"? Go on, leaders, treat yourself. Tell yourself "I want it, I need it, I'll have it". Now, for those particularly sensitive areas, why not try our new range, "U. N."? It's entirely cosmetic; it does nothing. Apply half-heartedly with our new hand-wringing cream. Now, people often come up to me and say "Can you save my face?" Well, I can. So for those secret little deals - those secret little Iraqi liaisons - why not try "Embargo", the mark of the middleman? Now, for a touch of mystery, why not visit the "Missing Body Shop"? Collect your free nail remover and watch your problems disappear. Now, you're probably sitting there thinking "Oh, I'm such a hideous old blood-soaked dictator of a thing; nobody will deal with me". How wrong you are! We are sole suppliers to the US government of "Turn-a-Blind-Eye Liner" - use always in conjunction with "Oil of Kuwaiti", a touch of "Massacre" and blusher. Oh, you won't need that. I'm Marlene from the House of Charnel. Thank you for your time and patience. And for that finishing touch - for those romantic evenings when you really want to take the enemy out - why not try our stunning new nerve gas, "Paralyse" by Calvin Klein.' (Linda Live 1993)”

Linda Smith (1958–2006) comedian

Stand-up

“After half a lifetime of poking fun at Bernard Shaw's materialism Kingsmill was not above touching the despised sage for ten quid. Even in the Australian school of literary morals, we weren't allowed to slag a man and put the bit on him simultaneously: it had to be one or the other.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Richard Ingrams at Doubting Castle'
Essays and reviews, From the Land of Shadows (1982)

Shingai Shoniwa photo
Richard Francis Burton photo

“All Faith is false, all Faith is true: Truth is the shattered mirror strown
In myriad bits; while each believes his little bit the whole to own.”

Richard Francis Burton (1821–1890) British explorer, geographer, translator, writer, soldier, orientalist, cartographer, ethnologist, spy, lin…

The Kasîdah of Hâjî Abdû El-Yezdî (1870)

Dylan Moran photo
Brandon Boyd photo
Elizabeth Prentiss photo

“It sweetens every bit of work to think that I am doing it in humble, far-off, yet real imitation of Jesus.”

Elizabeth Prentiss (1818–1878) American musician, hymnwriter

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 250.

Ben Croshaw photo
Jimmy Carr photo

“I did quite a lot of TV shows over the latter half of 2004 - all those 100 Greatest and 100 Worst and all that kind of stuff. So I was a little bit overexposed. But I think you need to do that once in your career, and that's how you become famous. You get overexposed once, and then people know your name and you can relax a bit.”

Jimmy Carr (1972) British comedian and humourist

Peter Ross (August 14, 2005) "The Joker As the face of Channel 4 he's known for his sharp suits and sharper one-liners, but what has spurred Jimmy Carr on during his swift rise from anonymity to ubiquity?", The Sunday Herald.

Derren Brown photo
Jack Vance photo
Jordan Peterson photo

“We're adapted to the meta-reality, which means that we're adapted to that which remains constant across the longest spans of time. And that's not the same things that you see around you day to day. They're just like clouds, they're just evaporating, you know? There are things underneath that that are more fundamental realities, like the dominance hierarchy, like the tribe, like the danger outside of society, like the threat that other people pose to you, and the threat that you pose to yourself. Those are eternal realities, and we're adapted to those. That's our world, and that's why we express all those things in stories. Then you might say, well how do you adapt yourself to that world? The answer, and I believe this is a neurological answer, is that your brain can tell you when you're optimally situated between chaos and order. The way it tells you that is by producing the sense of engagement and meaning. Let's say that there's a place in the environment that you should be. So what should that place be? Well, you don't want to be terrified out of your skull. What good is that? And you don't want to be so comfortable that you might as well sleep. You want to be somewhere where you are kind of on firm ground with both of your feet, but you can take a step with one leg and test out new territory. Some of you who are exploratory and emotionally stable are going to go pretty far out there into the unexplored territory without destabilizing yourself. And some people are just going to put a toe in the chaos, and that's neuroticism basically - your sensitivity to threat that is calibrated differently in different people. And some people are more exploratory than others. That's extroversion and openness, and intelligence working together. Some people are going to tolerate more chaos in their mixture of chaos and order. Those are often liberals, by the way. They're more interested in novel chaos, and conservatives are more interested in the stabilization of the structures that already exist. Who's right? It depends on the situation. That's why liberals and conservatives have to talk to each other, because one of them isn't right and the other is wrong. Sometimes the liberals are right and sometimes the liberals are right, because the environment is unpredictable and constantly changing, so that's why you have to communicate. That's what a democracy does. It allows people of different temperamental types to communicate and to calibrate their societies. So let's say you're optimally balanced between chaos and order. What does that mean? Well, you're stable enough, but you're interested. A little novelty heightens your anxiety. It wakes you up a bit. That's the adventure part of it. But it also focuses the part of your brain that does exploratory activity, and that's associated with pleasure. That's the dopamine circuit. So if you're optimally balanced - and you know you're there if you're listening to an interesting conversation or you're engaged in one…you're saying some things that you know, and the other person is saying some things that they know - and what both of you know is changing. Music can model that. It provides you with multi-level predictable forms that can transform just the right amount. So music is a very representational art form. It says, 'this is what the universe is like.' There's a dancing element to it, repetitive, and then little variations that surprise you and produce excitement in you. In doesn't matter how nihilistic you are, music still infuses you with a sense of meaning because it models meaning. That's what it does. That's why we love it. And you can dance to it, which represents you putting yourself in harmony with these multiple layers of reality, and positioning yourself properly.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

"The selection pressure that women placed on men developed the entire species. There's two things that happened. The men competed for competence, since the male hierarchy is a mechanism that pushes the best men to the top. The effect of that is multiplied by the fact that women who are hypergamous peel from the top. And so the males who are the most competent are much more likely to leave offspring, which seems to have driven cortical expansion."
Concepts

Ricky Hatton photo

“I gave him a look that said 'go on, get up if you want some more'. I've thrown a fair few benders like that in other bouts but to do it against someone of his experience is a bit special.”

Ricky Hatton (1978) English former professional boxer

Hatton retains his IBO light welterweight title and seems pleased with his efforts in the fourth round over Mexico's Jose Luis Castillo. http://news2.thdo.bbc.co.uk/sport1/hi/funny_old_game/6238650.stm
Ricky on other boxers (Sourced)

Gwyneth Paltrow photo
Willie Nelson photo

“When I was out in the bars drinking and fighting I was a little bit less of a peacemaker than I would be if I'd had a coupla hits of a joint and gone and laid down somewhere.”

Willie Nelson (1933) American country music singer-songwriter.

Willie Nelson: 'If We Made Marijuana Legal, We'd Save a Whole Lotta Money and Lives', Michael, Hann, May 17, 2012, May 20, 2012, The Guardian, Guardian News and Media Ltd. http://www.guardian.co.uk/music/2012/may/17/30-minutes-with-willie-nelson,

Stella Vine photo
Haruki Murakami photo
Stephen Harper photo
Jeremy Clarkson photo

“I think it’s a good idea to tie Peter Mandelson to a van. Such an act would be cruel and barbaric and inhuman. But it would at least cheer everyone up a bit.”

Jeremy Clarkson (1960) English broadcaster, journalist and writer

Sunday Times November 8, 2009 http://www.timesonline.co.uk/tol/comment/columnists/jeremy_clarkson/article6907747.ece

Clive Barker photo
John Buchan photo

“I must get off for a bit or I'll bonnet Joggleberry or get up and propose a national monument to Guy Fawkes or something silly.”

Source: The Power-House (1916), Ch. 1 "Beginning of the Wild-Goose Chase"

Tenzin Gyatso photo
Chris Cornell photo
Jacques Herzog photo

“A city’s architecture is always a bit like a constructed, psychological version of its people.”

Jacques Herzog (1950) Swiss architect

elbphilharmonie.de https://www.elbphilharmonie.de/elbphilharmonie-projekt-herzogdemeuron.en.

Timothy McVeigh photo
Evelyn Waugh photo

“No.3 Commando was very anxious to be chums with Lord Glasgow, so they offered to blow up an old tree stump for him and he was very grateful and said don't spoil the plantation of young trees near it because that is the apple of my eye and they said no of course not we can blow a tree down so it falls on a sixpence and Lord Glasgow said goodness you are clever and he asked them all to luncheon for the great explosion.
So Col. Durnford-Slater DSO said to his subaltern, have you put enough explosive in the tree?. Yes, sir, 75lbs. Is that enough? Yes sir I worked it out by mathematics it is exactly right. Well better put a bit more. Very good sir.
And when Col. D Slater DSO had had his port he sent for the subaltern and said subaltern better put a bit more explosive in that tree. I don't want to disappoint Lord Glasgow. Very good sir.
Then they all went out to see the explosion and Col. DS DSO said you will see that tree fall flat at just the angle where it will hurt no young trees and Lord Glasgow said goodness you are clever.
So soon they lit the fuse and waited for the explosion and presently the tree, instead of falling quietly sideways, rose 50 feet into the air taking with it ½ acre of soil and the whole young plantation.
And the subaltern said Sir, I made a mistake, it should have been 7½ not 75. Lord Glasgow was so upset he walked in dead silence back to his castle and when they came to the turn of the drive in sight of his castle what should they find but that every pane of glass in the building was broken.
So Lord Glasgow gave a little cry and ran to hide his emotions in the lavatory and there when he pulled the plug the entire ceiling, loosened by the explosion, fell on his head.
This is quite true.”

Evelyn Waugh (1903–1966) British writer

Letter to his wife (31 May 1942)

Sam Rayburn photo

“Well, Lyndon, you may be right and they may be every bit as intelligent as you say, but I'd feel a whole lot better about them if just one of them had run for sheriff once.”

Sam Rayburn (1882–1961) lawmaker from Bonham, Texas

To Lyndon Johnson, regarding Johnson's attendance at his first Cabinet meeting (under Kennedy); reported in David Halberstam, The Best and the Brightest (1972), Introduction.

Donald J. Trump photo

“I think I'm a sober person. I think the press tries to make you into something a little bit different. In my case, a little bit of a wild man, I'm not, I'm actually not. I'm a very sober person.”

Donald J. Trump (1946) 45th President of the United States of America

During an interview on 60 Minutes (11 November 2016)
2010s, 2016, November

Nick Cave photo
Italo Calvino photo
Carlo Rovelli photo
Alan Rusbridger photo
Jessica Lange photo
Kazimir Malevich photo
Margaret Mead photo
Sarah Chang photo
Karl Pilkington photo

“On Steve's dancing ability- er, it's just like a bit of weird art”

Karl Pilkington (1972) English television personality, social commentator, actor, author and former radio producer

Podcast Series 3 Episode 4
On Stephen Merchant

André Maurois photo
J. Doyne Farmer photo
Robert Kraft (astronomer) photo
Donald J. Trump photo
David Fincher photo
Diana, Princess of Wales photo

“Well, there were three of us in this marriage, so it was a bit crowded.”

Diana, Princess of Wales (1961–1997) First wife of Charles, Prince of Wales

Responding to the question "Do you think Mrs Parker Bowles was a factor in the breakdown of your marriage?" in an interview with Martin Bashir http://www.bbc.co.uk/politics97/diana/panorama.html on BBC Panorama (20 November 1995)

Tom McCarthy (writer) photo
Donald J. Trump photo

“We have to be tough. It's time we're going to be a little bit tough, folks. We're taken advantage by every nation in the world, virtually. It's not going to happen any more.”

Donald J. Trump (1946) 45th President of the United States of America

White House suggests US may still accept Australia refugees despite clash https://www.theguardian.com/us-news/2017/feb/02/donald-trump-australia-refugees-malcolm-turnbull-phone-call (2 February 2017)
2010s, 2017, February

Harrison Birtwistle photo
Ian McCulloch photo
Ray Bradbury photo
Joaquin Miller photo

“I count the columned waves at war
With Titan elements; and they,
In martial splendor, storm the bar
And shake the world, these bits of spray.”

Joaquin Miller (1837–1913) American judge

The Building of the City Beautiful (1905), Ch. V : How Beautiful!, p. 48.

Martin Amis photo
Kevin Kelly photo

“Life is a transforming flood that fills up empty containers and then spills out of them on its way to fill up more. The shape and number of vessels submerged by the flood doesn't make a bit of difference.”

Kevin Kelly (1952) American author and editor

Out of Control: The New Biology of Machines, Social Systems and the Economic World (1995)

Richard Feynman photo
Camille Paglia photo

“The followers of Derrida are pathetic, snuffling in French pockets for bits of pieces of a deconstructive method already massively and coherently presented — and with a mature sense of the sacred — in Buddhism and Hinduism.”

Camille Paglia (1947) American writer

Source: Sex, Art and American Culture : New Essays (1992), Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf, p. 214

Fred Astaire photo

“The fact that Fred and I were in no way similar - nor were we the best male dancers around never occurred to the public or the journalists who wrote about us…Fred and I got the cream of the publicity and naturally we were compared. And while I personally was proud of the comparison, because there was no-one to touch Fred when it came to "popular" dance, we felt that people, especially film critics at the time, should have made an attempt to differentiate between our two styles. Fred and I both got a bit edgy after our names were mentioned in the same breath. I was the Marlon Brando of dancers, and he the Cary Grant. My approach was completely different from his, and we wanted the world to realise this, and not lump us together like peas in a pod. If there was any resentment on our behalf, it certainly wasn't with each other, but with people who talked about two highly individual dancers as if they were one person. For a start, the sort of wardrobe I wore - blue jeans, sweatshirt, sneakers - Fred wouldn't have been caught dead in. Fred always looked immaculate in rehearsals, I was always in an old shirt. Fred's steps were small, neat, graceful and intimate - mine were ballet-oriented and very athletic. The two of us couldn't have been more different, yet the public insisted on thinking of us as rivals…I persuaded him to put on his dancing shoes again, and replace me in Easter Parade after I'd broken my ankle. If we'd been rivals, I certainly wouldn't have encouraged him to make a comeback.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Gene Kelly interviewed in Hirschhorn, Clive. Gene Kelly, A Biography. W.H Allen, London, 1984. p. 117. ISBN 0491031823.

Tony Blair photo

“The fear of missing out means today's media, more than ever before, hunts in a pack. In these modes it is like a feral beast, just tearing people and reputations to bits. But no-one dares miss out.”

Tony Blair (1953) former Prime Minister of the United Kingdom

Lecture on Our Nation's Future - Public Life http://web.archive.org/20071029204355/www.number10.gov.uk/output/Page11923.asp, Reuters, 12 June 2007.
2000s

Sania Mirza photo
Paul Krugman photo
Marc Jacobs photo

“I don’t believe in fashion dictatorship, and I find that anybody who follows the dictates of fashion is a bit lost. I’m excited by style, not so much by fashion.”

Marc Jacobs (1963) American fashion designer

Jonkers, Gert (2003). "Friendly homosexual fashion designer likes dogs but finds fashionable men terribly unsexy" http://www.buttmagazine.com/Issues/7_Jacobs.html buttmagazine.com (accessed April 19, 2007)
On his perfect customer