“I saw quite a bit of the Great Calcutta Killing of August 16-17, 1946 with my own eyes. There were a large number of dead bodies lying on the streets. There were many more floating down the Hooghly. I saw an extensive destruction of private and public property by fire as well as by mob fury. The death and desolation all around moved me to despair about human nature itself. But I did not try to find the causes of this holocaust or to fix its responsibility on the political movement which had provoked it. Instead, I wrote a long article, The Devil Dance In Calcutta, in which I held both Hindus and Muslims equally responsible for this meaningless massacre.”

How I became a Hindu (1982)

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Sita Ram Goel192

Indian activist 1921–2003

Sita Ram Goel (1921–2003) Indian activist

How I became a Hindu (1982)

“I clung to nothing, in a way I was calm. But it was a horrible calm—because of my body; my body, I saw with its eyes, I heard with its ears, but it was no longer me; it sweated and trembled by itself and I didn’t recognize it any more.”

Jean Paul Sartre book The Wall

Source: The Wall

“The Calcutta carnage was followed by the 'Noakhali Riot' in October 1946. There, Hindus including Scheduled Castes were killed and hundreds were converted to Islam. Hindu women were raped and abducted. Members of my community also suffered loss of life and property. Immediately after these happenings, I visited Tipperah and Feni and saw some riot-affected areas. The terrible sufferings of Hindus overwhelmed me with grief, but still I continued the policy of co-operation with the Muslim League.”

Jogendra Nath Mandal (1904–1968) Pakistani politician

Excerpted from the resignation letter of J. N. Mandal, Minister for Law and Labour, Government of Pakistan, October 8, 1950. https://en.wikisource.org/wiki/Resignation_letter_of_Jogendra_Nath_Mandal https://biblio.wiki/wiki/Resignation_letter_of_Jogendra_Nath_Mandal

“Then our Lord opened my spiritual eye and shewed me my soul in midst of my heart. I saw the Soul so large as it were an endless world, and as it were a blissful kingdom. And by the conditions that I saw therein I understood that it is a worshipful City.”

Julian of Norwich (1342–1416) English theologian and anchoress

The Sixteenth Revelation, Chapter 67
Context: Then our Lord opened my spiritual eye and shewed me my soul in midst of my heart. I saw the Soul so large as it were an endless world, and as it were a blissful kingdom. And by the conditions that I saw therein I understood that it is a worshipful City. In the midst of that City sitteth our Lord Jesus, God and Man, a fair Person of large stature, highest Bishop, most majestic King, most worshipful Lord; and I saw Him clad majestically. And worshipfully He sitteth in the Soul, even-right in peace and rest. And the Godhead ruleth and sustaineth heaven and earth and all that is, — sovereign Might, sovereign Wisdom, and sovereign Goodness, — the place that Jesus taketh in our Soul He shall never remove it, without end, as to my sight: for in us is His homliest home and His endless dwelling. And in this He shewed the satisfying that He hath of the making of Man’s Soul. For as well as the Father might make a creature, and as well as the Son could make a creature, so well would the Holy Ghost that Man’s Soul were made: and so it was done. And therefore the blessed Trinity enjoyeth without end in the making of Man’s Soul: for He saw from without beginning what should please Him without end.

“I was encouraged to look around me and to paint what I saw. I painted my story, and it had a lot of angles to it. I was trying to explain how I saw life as a black person living in America, and I put things together that were not acceptable. A lot of people did not want these kind of paintings representing America in any sense, but I wanted to tell my story and what I saw…”

Faith Ringgold (1930) American artist

On the Civil Rights Movement puncturing the image of the American Dream in https://www.theartnewspaper.com/interview/faith-ringgold-discusses-civil-rights-and-children-s-books-ahead-of-solo-serpentine-gallery-show in The Art Newspaper (2019 Jun 5)