Quotes about arrogance

A collection of quotes on the topic of arrogance, people, other, use.

Quotes about arrogance

Meryl Streep photo

“I no longer have patience for certain things, not because I’ve become arrogant, but simply because I reached a point in my life where I do not want to waste more time with what displeases me or hurts me. I have no patience for cynicism, excessive criticism and demands of any nature. I lost the will to please those who do not like me, to love those who do not love me and to smile at those who do not want to smile at me. I no longer spend a single minute on those who lie or want to manipulate. I decided not to coexist anymore with pretense, hypocrisy, dishonesty and cheap praise. I do not tolerate selective erudition nor academic arrogance. I do not adjust either to popular gossiping. I hate conflict and comparisons. I believe in a world of opposites and that’s why I avoid people with rigid and inflexible personalities. In friendship I dislike the lack of loyalty and betrayal. I do not get along with those who do not know how to give a compliment or a word of encouragement. Exaggerations bore me and I have difficulty accepting those who do not like animals. And on top of everything I have no patience for anyone who does not deserve my patience.”

Meryl Streep (1949) American actress

Misattributed to Meryl Streep (and widely disseminated on the Internet as of August/September 2014), this quote is allegedly a translation of a text by the author José Micard Teixeira, the original of which begins (in Portuguese): "Já não tenho paciência para algumas coisas, não porque me tenha tornado arrogante..."
Misattributed

Vladimir Lenin photo

“America has become one of the foremost countries in regard to the depth of the abyss which lies between the handful of arrogant multimillionaires who wallow in filth and luxury, and the millions of working people who constantly live on the verge of pauperism.”

Vladimir Lenin (1870–1924) Russian politician, led the October Revolution

Collected Works, Vol. 28, p. 62–75.
Collected Works
Source: A Letter to American Workingmen: From the Socialist Soviet Republic of Russia

José Mourinho photo

“Please don’t call me arrogant, but I’m European champion and I think I’m a special one.”

José Mourinho (1963) Portuguese association football player and manager

http://www.fifa.com/worldfootball/news/newsid=1033132.html
2004

Jack Welch photo
Sun Tzu photo

“Pretend inferiority and encourage his arrogance.”

Sun Tzu (-543–-495 BC) ancient Chinese military general, strategist and philosopher from the Zhou Dynasty

Source: The Art of War, Chapter I · Detail Assessment and Planning

Sun Tzu photo

“If your enemy is secure at all points, be prepared for him. If he is in superior strength, evade him. If your opponent is temperamental, seek to irritate him. Pretend to be weak, that he may grow arrogant. If he is taking his ease, give him no rest. If his forces are united, separate them. Attack him where he is unprepared, appear where you are not expected.”

Sun Tzu (-543–-495 BC) ancient Chinese military general, strategist and philosopher from the Zhou Dynasty

"If his forces are united, separate them" is also interpreted: "If sovereign and subject are in accord, put division between them."
Source: The Art of War, Chapter I · Detail Assessment and Planning

Aleksandr Solzhenitsyn photo
Osamu Tezuka photo
Benjamin Disraeli photo

“There is no doubt a difference in the right hon. gentleman's demeanour as leader of the Opposition and as Minister of the Crown. But that's the old story; you must not contrast too strongly the hours of courtship with the years of possession. 'Tis very true that the right hon. gentleman's conduct is different. I remember him making his protection speeches. They were the best speeches I ever heard. It was a great thing to hear the right hon. gentleman say: "I would rather be the leader of the gentlemen of England than possess the confidence of Sovereigns". That was a grand thing. We don't hear much of "the gentlemen of England" now. But what of that? They have the pleasures of memory—the charms of reminiscence. They were his first love, and, though he may not kneel to them now as in the hour of passion, still they can recall the past; and nothing is more useless or unwise than these scenes of crimination and reproach, for we know that in all these cases, when the beloved object has ceased to charm, it is in vain to appeal to the feelings. You know that this is true. Every man almost has gone through it. My hon. gentleman does what he can to keep them quiet; he sometimes takes refuge in arrogant silence, and sometimes he treats them with haughty frigidity; and if they knew anything of human nature they would take the hint and shut their mouths. But they won't. And what then happens? What happens under all such circumstances? The right hon. gentleman, being compelled to interfere, sends down his valet, who says in the genteelest manner: "We can have no whining here". And that, sir, is exactly the case of the great agricultural interest—that beauty which everybody wooed and one deluded. There is a fatality in such charms, and we now seem to approach the catastrophe of her career. Protection appears to be in about the same condition that Protestantism was in 1828. The country will draw its moral. For my part, if we are to have free trade, I, who honour genius, prefer that such measures should be proposed by the hon. member for Stockport than by one who through skilful Parliamentary manoeuvres has tampered with the generous confidence of a great people and a great party. For myself, I care not what may be the result. Dissolve, if you please, the Parliament you have betrayed. For me there remains this at least—the opportunity of expressing thus publicly my belief that a Conservative Government is an organised hypocrisy.”

Benjamin Disraeli (1804–1881) British Conservative politician, writer, aristocrat and Prime Minister

Speech http://hansard.millbanksystems.com/commons/1845/mar/17/agricultural-interest in the House of Commons (17 March 1845).
1840s

Allan Boesak photo
Reinhold Niebuhr photo
Jack Welch photo
Benoît Mandelbrot photo

“An extraordinary amount of arrogance is present in any claim of having been the first in "inventing" something. It's an arrogance that some enjoy, and others do not. Now I reach beyond arrogance when I proclaim that fractals had been pictured forever but their true role remained unrecognized and waited for me to be uncovered.”

Benoît Mandelbrot (1924–2010) Polish-born, French and American mathematician

A Theory of Roughness (2004)
Context: My book, The Fractal Geometry of Nature, reproduced Hokusai's print of the Great Wave, the famous picture with Mt. Fuji in the background, and also mentioned other unrecognized examples of fractality in art and engineering. Initially, I viewed them as amusing but not essential. But I changed my mind as innumerable readers made me aware of something strange. They made me look around and recognize fractals in the works of artists since time immemorial. I now collect such works. An extraordinary amount of arrogance is present in any claim of having been the first in "inventing" something. It's an arrogance that some enjoy, and others do not. Now I reach beyond arrogance when I proclaim that fractals had been pictured forever but their true role remained unrecognized and waited for me to be uncovered.

Abbie Hoffman photo

“We were young, we were reckless, arrogant, silly, headstrong … and we were right! I regret nothing!”

Abbie Hoffman (1936–1989) American political and social activist

Closing words from his last speech, Vanderbilt University (April 1989).
Context: In the nineteen-sixties, apartheid was driven out of America. Legal segregation — Jim Crow — ended. We didn't end racism, but we ended legal segregation. We ended the idea that you can send a million soldiers ten thousand miles away to fight in a war that people do not support. We ended the idea that women are second-class citizens. Now, it doesn't matter who sits in the Oval Office. But the big battles that were won in that period of civil war and strife you cannot reverse. We were young, we were reckless, arrogant, silly, headstrong … and we were right! I regret nothing!

Ben Shapiro photo
Tamora Pierce photo

“If arrogance were shoes, he'd never go barefoot.”

Source: Page

Jane Austen photo
Friedrich Nietzsche photo

“Arrogance on the part of the meritorious is even more offensive to us than the arrogance of those without merit: for merit itself is offensive.”

I.332 http://books.google.com/books?id=Nl-vaAdJD3MC&pg=PA139&dq=:%22Arrogance+on+the+part+of+the+meritorious+is+even+more+offensive+to+us%22&hl=en&ei=7HFTTKGJOcmhnQfSrsXJAw&sa=X&oi=book_result&ct=result&resnum=1&ved=0CCUQ6AEwAA#v=onepage&q=%3A%22Arrogance%20on%20the%20part%20of%20the%20meritorious%20is%20even%20more%20offensive%20to%20us%22&f=false
Human, All Too Human (1878)

Terry Pratchett photo

“Modesty is only arrogance by stealth.”

Source: The Long Earth

David Hume photo
Kurt Vonnegut photo
Claude Monet photo

“I tell myself that anyone who says he has finished a canvas is terribly arrogant. Finished means complete, perfect, and I toil away without making any progress, searching, fumbling around, without achieving anything much.”

Claude Monet (1840–1926) French impressionist painter

Claude Monet, 1893; as quoted in: David W. Galenson (2009), Painting outside the Lines, p. 49
1890 - 1900

Friedrich Nietzsche photo

“To say it once again: today I find it an impossible book — badly written, clumsy and embarrassing, its images frenzied and confused, sentimental, in some places saccharine-sweet to the point of effeminacy, uneven in pace, lacking in any desire for logical purity, so sure of its convictions that it is above any need for proof, and even suspicious of the propriety of proof, a book for initiates, 'music' for those who have been baptized in the name of music and who are related from the first by their common and rare experiences of art, a shibboleth for first cousins in artibus [in the arts] an arrogant and fanatical book that wished from the start to exclude the profanum vulgus [the profane mass] of the 'educated' even more than the 'people'; but a book which, as its impact has shown and continues to show, has a strange knack of seeking out its fellow-revellers and enticing them on to new secret paths and dancing-places.”

Nochmals gesagt, heute ist es mir ein unmögliches Buch, - ich heisse es schlecht geschrieben, schwerfällig, peinlich, bilderwüthig und bilderwirrig, gefühlsam, hier und da verzuckert bis zum Femininischen, ungleich im Tempo, ohne Willen zur logischen Sauberkeit, sehr überzeugt und deshalb des Beweisens sich überhebend, misstrauisch selbst gegen die Schicklichkeit des Beweisens, als Buch für Eingeweihte, als "Musik" für Solche, die auf Musik getauft, die auf gemeinsame und seltene Kunst-Erfahrungen hin von Anfang der Dinge an verbunden sind, als Erkennungszeichen für Blutsverwandte in artibus, - ein hochmüthiges und schwärmerisches Buch, das sich gegen das profanum vulgus der "Gebildeten" von vornherein noch mehr als gegen das "Volk" abschliesst, welches aber, wie seine Wirkung bewies und beweist, sich gut genug auch darauf verstehen muss, sich seine Mitschwärmer zu suchen und sie auf neue Schleichwege und Tanzplätze zu locken.
"Attempt at a Self-Criticism", p. 5
The Birth of Tragedy (1872)

Friedrich Nietzsche photo
Tacitus photo

“He had not even adopted Tiberius as his successor out of affection or any regard to the State, but, having thoroughly seen his arrogant and savage temper, he had sought glory for himself by a contrast of extreme wickedness.”
Ne Tiberium quidem caritate aut rei publicae cura successorem adscitum, sed quoniam adrogantiam saevitiamque eius introspexerit, comparatione deterrima sibi gloriam quaesivisse.

Book I, 10; Church-Brodribb translation
Annals (117)

H.P. Lovecraft photo

“I am distinctly opposed to visibly arrogant and arbitrary extremes of government—but this is simply because I wish the safety of an artistic and intellectual civilisation to be secure, not because I have any sympathy with the coarse-grained herd who would menace the civilisation if not placated by sops. Surely you can see the profound and abysmal difference between this emotional attitude and the attitude of the democratic reformer who becomes wildly excited over the "wrongs of the masses". This reformer has uppermost in his mind the welfare of those masses themselves—he feels with them, takes up a mental-emotional point of view as one of them, regards their advancement as his prime objective independently of anything else, and would willingly sacrifice the finest fruits of the civilisation for the sake of stuffing their bellies and giving them two cinema shows instead of one per day. I, on the other hand, don't give a hang about the masses except so far as I think deliberate cruelty is coarse and unaesthetic—be it towards horses, oxen, undeveloped men, dogs, negroes, or poultry. All that I care about is the civilisation—the state of development and organisation which is capable of gratifying the complex mental-emotional-aesthetic needs of highly evolved and acutely sensitive men. Any indignation I may feel in the whole matter is not for the woes of the downtrodden, but for the threat of social unrest to the traditional institutions of the civilisation. The reformer cares only for the masses, but may make concessions to the civilisation. I care only for the civilisation, but may make concessions to the masses. Do you not see the antipodal difference between the two positions? Both the reformer and I may unite in opposing an unworkably arrogant piece of legislation, but the motivating reasons will be absolutely antithetical. He wants to give the crowd as much as can be given them without wrecking all semblance of civilisation, whereas I want to give them only as much as can be given them without even slightly impairing the level of national culture. … He works for as democratic a government as possible; I for as aristocratic a one as possible.”

H.P. Lovecraft (1890–1937) American author

But both recognise the limitations of possibility.
Letter to Woodburn Harris (25 February-1 March 1929), in Selected Letters II, 1925-1929 edited by August Derleth and Donald Wandrei, pp. 289-290
Non-Fiction, Letters

Taylor Caldwell photo

“Antonius [i. e., C. Antonius Hybrida] heartily agreed with him [i. e., M. Tullius Cicero] that the budget should be balanced, that the Treasury should be refilled, that public debt should be reduced, that the arrogance of the generals should be tempered and controlled, that assistance to foreign lands should be curtailed lest Rome become bankrupt, that the mobs should be forced to work and not depend on government for subsistence, and that prudence and frugality should be put into practice as soon as possible.”

A Pillar of Iron (1965), p. 483 of the 1965 edition published by Doubleday (Garden City, NY), and p. 371 (in chapter 51) of the 1966 British edition from Collins (London). The passage, as written or in shortened or modified form, has sometimes been misattributed to M. Tullius Cicero himself. Its origin and history of misquotation have been discussed at Quote Investigator http://quoteinvestigator.com/2013/05/15/cicero-budget/ and Snopes http://www.snopes.com/quotes/cicero.asp.
1960s

Ali Khamenei photo
Klaus Kinski photo
H.P. Lovecraft photo

“As for your artificial conception of "splendid & traditional ways of life"—I feel quite confident that you are very largely constructing a mythological idealisation of something which never truly existed; a conventional picture based on the perusal of books which followed certain hackneyed lines in the matter of incidents, sentiments, & situations, & which never had a close relationship to the actual societies they professed to depict... In some ways the life of certain earlier periods had marked advantages over life today, but there were compensating disadvantages which would make many hesitate about a choice. Some of the most literarily attractive ages had a coarseness, stridency, & squalor which we would find insupportable... Modern neurotics, lolling in stuffed easy chairs, merely make a myth of these old periods & use them as the nuclei of escapist daydreams whose substance resembles but little the stern actualities of yesterday. That is undoubtedly the case with me—only I'm fully aware of it. Except in certain selected circles, I would undoubtedly find my own 18th century insufferably coarse, orthodox, arrogant, narrow, & artificial. What I look back upon nostalgically is a dream-world which I invented at the age of four from picture books & the Georgian hill streets of Old Providence.... There is something artificial & hollow & unconvincing about self-conscious intellectual traditionalism—this being, of course, the only valid objection against it. The best sort of traditionalism is that easy-going eclectic sort which indulges in no frenzied pulmotor stunts, but courses naturally down from generation to generation; bequeathing such elements as really are sound, losing such as have lost value, & adding any which new conditions may make necessary.... In short, young man, I have no quarrel with the principle of traditionalism as such, but I have a decided quarrel with everything that is insincere, inappropriate, & disproportionate; for these qualities mean ugliness & weakness in the most offensive degree. I object to the feigning of artificial moods on the part of literary moderns who cannot even begin to enter into the life & feelings of the past which they claim to represent... If there were any reality or depth of feeling involved, the case would be different; but almost invariably the neotraditionalists are sequestered persons remote from any real contacts or experience with life... For any person today to fancy he can truly enter into the life & feeling of another period is really nothing but a confession of ignorance of the depth & nature of life in its full sense. This is the case with myself. I feel I am living in the 18th century, though my objective judgment knows better, & realises the vast difference from the real thing. The one redeeming thing about my ignorance of life & remoteness from reality is that I am fully conscious of it, hence (in the last few years) make allowances for it, & do not pretend to an impossible ability to enter into the actual feelings of this or any other age. The emotions of the past were derived from experiences, beliefs, customs, living conditions, historic backgrounds, horizons, &c. &c. so different from our own, that it is simply silly to fancy we can duplicate them, or enter warmly & subjectively into all phases of their aesthetic expression.”

H.P. Lovecraft (1890–1937) American author

Letter to Frank Belknap Long (27 February 1931), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 307
Non-Fiction, Letters, to Frank Belknap Long

Ludwig von Mises photo
Slavoj Žižek photo
Jordan Peterson photo
Livy photo
Benjamin Disraeli photo
Slavoj Žižek photo

“Darcy wants to present himself to Elizabeth as a proud gentleman, and he gets from her the message 'your pride is nothing but contemptible arrogance.' After the break in their relationship each discovers, through a series of accidents, the true nature of the other - she the sensitive and tender nature of Darcy, he her real dignity and wit - and the novel ends as it should, with their marriage. The theoretical interest of this story lies in the fact that the failure of their first encounter, the double misrecognition concerning the real nature of the other, functions as a positive condition of the final outcome: we cannot say 'if, from the very beginning, she had recognized his real nature and he hers, their story could have ended at once with their marriage.' Let us take a comical hypothesis that the first encounter of the future lovers was a success - that Elizabeth had accepted Darcy's first proposal. What would happen? Instead of being bound together in true love they would become a vulgar everyday couple, a liaison of an arrogant, rich man and a pretentious, every-minded young girl… If we want to spare ourselves the painful roundabout route through the misrecognition, we miss the truth itself: only the working-through of the misrecognition allows us to accede to the true nature of the other and at the same time to overcome our own deficiency - for Darcy, to free himself of his false pride; for Elizabeth, to get rid of her prejudices.”

67
The Sublime Object of Ideology (1989)

Paul Valéry photo

“Beautiful heaven, true heaven, look how I change!
After such arrogance, after so much strange
Idleness — strange, yet full of potency —
I am all open to these shining spaces;
Over the homes of the dead my shadow passes,
Ghosting along — a ghost subduing me.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Beau ciel, vrai ciel, regarde-moi qui change!
Après tant d'orgueil, après tant d'étrange
Oisiveté, mais pleine de pouvoir,
Je m'abandonne à ce brillant espace,
Sur les maisons des morts mon ombre passe
Qui m'apprivoise à son frêle mouvoir.
As translated by by C. Day Lewis
Charmes ou poèmes (1922)

Theodore Roosevelt photo
Theodore Roosevelt photo
Walter Gropius photo
Isa Genzken photo
René Lévesque photo
Aurelius Augustinus photo

“The lust for power, which of all human vices was found in its most concentrated form in the Roman people as a whole, first established its victory in a few powerful individuals, and then crushed the rest of an exhausted country beneath the yoke of slavery.

For when can that lust for power in arrogant hearts come to rest until, after passing from one office to another, it arrives at sovereignty? Now there would be no occasion for this continuous progress if ambition were not all-powerful; and the essential context for ambition is a people corrupted by greed and sensuality.”

<p>Ipsa libido dominandi, quae inter alia uitia generis humani meracior inerat uniuerso populo Romano, postea quam in paucis potentioribus uicit, obtritos fatigatosque ceteros etiam iugo seruitutis oppressit.</p><p>Nam quando illa quiesceret in superbissimis mentibus, donec continuatis honoribus ad potestatem regiam perueniret? Honorum porro continuandorum facultas non esset, nisi ambitio praeualeret. Minime autem praeualeret ambitio, nisi in populo auaritia luxuriaque corrupto.</p>

as translated by H. Bettenson (1972), Book 1, Chapter 31, p. 42
The City of God (early 400s)

Theodore Roosevelt photo
Stefan Zweig photo
Adam Weishaupt photo
Jonathan Edwards photo
Theodore Roosevelt photo

“The two feelings, envy and arrogance, are but opposite sides of the same shield, but different developments of the same spirit.”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

1900s, A Square Deal (1903)
Context: The average American knows not only that he himself intends to do what is right, but that his average fellow countryman has the same intention and the same power to make his intention effective. He knows, whether he be business man, professional man, farmer, mechanic, employer, or wage-worker, that the welfare of each of these men is bound up with the welfare of all the others; that each is neighbor to the other, is actuated by the same hopes and fears, has fundamentally the same ideals, and that all alike have much the same virtues and the same faults. Our average fellow citizen is a sane and healthy man who believes in decency and has a wholesome mind. He therefore feels an equal scorn alike for the man of wealth guilty of the mean and base spirit of [arrogance]] toward those who are less well off, and for the man of small means who in his turn either feels, or seeks to excite in others the feeling of mean and base envy for those who are better off. The two feelings, envy and arrogance, are but opposite sides of the same shield, but different developments of the same spirit.

Ptahhotep photo

“Do not be arrogant because of your knowledge, but confer with the ignorant man as with the learned. For knowledge has no limits, and none has yet achieved perfection in it.”

Ptahhotep Ancient Egyptian vizier

Maxim no .1.
The Maxims of Ptahhotep (c. 2350 BCE)
Context: Do not be arrogant because of your knowledge, but confer with the ignorant man as with the learned. For knowledge has no limits, and none has yet achieved perfection in it. Good speech is more hidden than malachite, yet it is found in the possession of women slaves at the millstones.

Leonard Cohen photo

“A saint does not dissolve the chaos; if he did the world would have changed long ago. I do not think that a saint dissolves the chaos even for himself, for there is something arrogant and warlike in the notion of a man setting the universe in order. It is a kind of balance that is his glory.”

Beautiful Losers (1966)
Context: What is a saint? A saint is someone who has achieved a remote human possibility. It is impossible to say what that possibility is. I think it has something to do with the energy of love. Contact with this energy results in the exercise of a kind of balance in the chaos of existence. A saint does not dissolve the chaos; if he did the world would have changed long ago. I do not think that a saint dissolves the chaos even for himself, for there is something arrogant and warlike in the notion of a man setting the universe in order. It is a kind of balance that is his glory. He rides the drifts like an escaped ski. His course is the caress of the hill. His track is a drawing of the snow in a moment of its particular arrangement with wind and rock. Something in him so loves the world that he gives himself to the laws of gravity and chance. Far from flying with the angels, he traces with the fidelity of a seismograph needle the state of the solid bloody landscape. His house is dangerous and finite, but he is at home in the world. He can love the shape of human beings, the fine and twisted shapes of the heart. It is good to have among us such men, such balancing monsters of love.

Charles Babbage photo

“The limits of man's observation lie within very narrow boundaries, and it would be arrogance to suppose that the reach of man's power is to form the limits of the natural world. The universe offers daily proof of the existence of power of which we know nothing, but whose mighty agency nevertheless manifestly appears in the most familiar works of creation.”

"Passages from the life of a philosopher", Appendix: Miracle. Note (A)
Passages from the Life of a Philosopher (1864)
Context: It has always occurred to my mind that many difficulties touching Miracles might be reconciled, if men would only take the trouble to agree upon the nature of the phenomenon which they call Miracle. That writers do not always mean the same thing when treating of miracles is perfectly clear; because what may appear a miracle to the unlearned is to the better instructed only an effect produced by some unknown law hitherto unobserved. So that the idea of miracle is in some respect dependent upon the opinion of man. Much of this confusion has arisen from the definition of Miracle given in Hume's celebrated Essay, namely, that it is the "violation of a law of nature." Now a miracle is not necessarily a violation of any law of nature, and it involves no physical absurdity. As Brown well observes, "the laws of nature surely are not violated when a new antecedent is followed by a new consequent; they are violated only when the antecedent, being exactly the same, a different consequent is the result;" so that a miracle has nothing in its nature inconsistent with our belief of the uniformity of nature. All that we see in a miracle is an effect which is new to our observation, and whose cause is concealed. The cause may be beyond the sphere of our observation, and would be thus beyond the familiar sphere of nature; but this does not make the event a violation of any law of nature. The limits of man's observation lie within very narrow boundaries, and it would be arrogance to suppose that the reach of man's power is to form the limits of the natural world. The universe offers daily proof of the existence of power of which we know nothing, but whose mighty agency nevertheless manifestly appears in the most familiar works of creation. And shall we deny the existence of this mighty energy simply because it manifests itself in delegated and feeble subordination to God's omnipotence?

José Martí photo
Idris Elba photo

“Men see with arrogant eyes which organize everything seen with reference to themselves and their own interests.”

Source: The Politics of Reality: Essays in Feminist Theory (1983), p. 67

Kanye West photo
F. Scott Fitzgerald photo
William Hazlitt photo

“You arrogant, apish, underhonest lewdster! (Maggie)”

Claiming the Highlander

Simone de Beauvoir photo
Paulo Coelho photo

“Close cycles. Not because of pride or arrogance, but because that no longer fits your life”

Paulo Coelho (1947) Brazilian lyricist and novelist

Variant: close some doors today. not because of pride, incapacity or arrogance, but simply because they lead you nowhere

James Patterson photo
Garth Nix photo
Rick Riordan photo
Frank Lloyd Wright photo

“Early in life I had to choose between honest arrogance and hypocritical humility. I chose honest arrogance and have seen no occasion to change.”

Frank Lloyd Wright (1867–1959) American architect (1867-1959)

As quoted in The World's Best Thoughts on Life & Living (1981) compiled by Eugene Raudsepp; also quoted in The Michigan Daily http://www.pub.umich.edu/daily/1998/nov/11-10-98/arts/arts2.html (10 November 1998)

Barbara Kingsolver photo
Amy Tan photo
Katharine Hepburn photo
Isabel Allende photo
Ellis Peters photo
Cassandra Clare photo

“However, there is something you should have. Something every Shadowhunter should have."
"An obnoxious, arrogant attitude?”

Luke and Simon, pg. 71
Source: The Mortal Instruments, City of Ashes (2008)

Rachel Caine photo

“Stop being so…"
"Charming? Attractive? Irresistible?
"I'm going with arrogant.”

Rachel Caine (1962) American writer

Source: Bitter Blood

Emma Goldman photo
Carl Sagan photo
Brandon Sanderson photo

“In the end, I worry that my arrogance shall destroy us all.”

Brandon Sanderson (1975) American fantasy writer

Source: The Final Empire

Richard Dawkins photo

“Undisguised clarity is easily mistaken for arrogance.”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author
Simone de Beauvoir photo
Chetan Bhagat photo

“It's not arrogance. [Tamilians] are quiet people.”

Chetan Bhagat (1974) Indian author, born 1974

2 States: The Story of My Marriage

Miranda July photo
Cinda Williams Chima photo
Eric Hoffer photo
John F. Kennedy photo

“When power leads men towards arrogance, poetry reminds him of his limitations. When power narrows the areas of man's concern, poetry reminds him of the richness and diversity of his existence. When power corrupts, poetry cleanses.”

John F. Kennedy (1917–1963) 35th president of the United States of America

1963, Speech at Amherst College
Context: When power leads men towards arrogance, poetry reminds him of his limitations. When power narrows the areas of man's concern, poetry reminds him of the richness and diversity of his existence. When power corrupts, poetry cleanses. For art establishes the basic human truth which must serve as the touchstone of our judgment.

“You’re arrogant.”
“I’m Dacian. You can’t have one without the other.”

Kresley Cole American writer

Source: Shadow's Claim

Julian Barnes photo
Richelle Mead photo
Abraham Joshua Heschel photo
Doris Lessing photo
Richelle Mead photo