Quotes about ad
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Robert A. Heinlein photo
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“One always dies too soon — or too late. And yet, life is there, finished: the line is drawn, and it must all be added up. You are nothing other than your life.”

On meurt toujours trop tôt - ou trop tard. Et cependant la vie est là, terminée : le trait est tiré, il faut faire la somme. Tu n'es rien d'autre que ta vie.
Inès, Act 1, sc. 5
No Exit (1944)

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Martin Luther King, Jr. photo

“Returning violence for violence multiplies violence, adding deeper darkness to a night already devoid of stars… Hate cannot drive out hate: only love can do that.”

This passage contains some phrases King later used in "Where Do We Go From Here?" (1967) which has a section below.
1950s, Loving Your Enemies (Christmas 1957)
Variant: Returning hate for hate multiplies hate, adding deeper darkness to a night already devoid of stars. Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate, only love can do that.
Source: Mentioned in "Out of Osama's Death, a Fake Quotation Is Born" by Megan McArdle, The Atlantic (May 2011) http://www.theatlantic.com/national/archive/2011/05/out-of-osamas-death-a-fake-quotation-is-born/238220/, and widely distributed on twitter http://twitter.com/#!/jmadly/status/65314784136011776 as a quote of King, after the death of Osama bin Laden, the first sentence is one written by Jessica Dovey http://i.imgur.com/cqtjw.jpg on her Facebook page, which became improperly combined by others with genuine statements of King, whom she quoted, and which occur in Strength to Love (1963), Ch. 5 : Loving your enemies, and in Where Do We Go from Here : Chaos or Community? (1967), p. 62.
For the full story see "Anatomy of a Fake Quotation" by Megan McArdle, The Atlantic (May 3, 2011) http://www.theatlantic.com/national/archive/2011/05/anatomy-of-a-fake-quotation/238257/ and for the Facebook version of the quote see Did Martin Luther King, Jr. say that “I will not rejoice in the death of one, not even an enemy”? at skeptics.stackexchange.com http://skeptics.stackexchange.com.
Context: Returning hate for hate multiplies hate, adding deeper darkness to a night already devoid of stars. Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that. Hate multiplies hate, violence multiplies violence, and toughness multiplies toughness in a descending spiral of destruction.
Context: Let us move now from the practical how to the theoretical why: Why should we love our enemies? The first reason is fairly obvious. Returning hate for hate multiplies hate, adding deeper darkness to a night already devoid of stars. Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that. Hate multiplies hate, violence multiplies violence, and toughness multiplies toughness in a descending spiral of destruction. So when Jesus says "love your enemies," he is setting forth a profound and ultimately inescapable admonition. Have we not come to such an impasse in the modern world that we must love our enemies-or else? The chain reaction of evil-Hate begetting hate, wars producing more wars-must be broken, or we shall be plunged into the dark abyss of annihilation.
Context: I mourn the loss of thousands of precious lives, but I will not rejoice in the death of one, not even an enemy. Returning hate for hate multiplies hate, adding deeper darkness to a night already devoid of stars. Darkness cannot drive out darkness: only light can do that. Hate cannot drive out hate: only love can do that.

Richard Matheson photo
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Margaret Mitchell photo

“Damn, that werewolf melts my butter,” Mari sighed. “He’s so miserable,” she added delightedly.”

Kresley Cole American writer

Source: Dark Needs at Night's Edge

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Cassandra Clare photo

“One minute you're munching on a faerie plum the next minute you're running naked down Madison Avenue with antlers on your head. Not,' he added hastily, 'that this has ever happened to me.”

Jace to Clary, pg. 192
Source: The Mortal Instruments, City of Bones (2007)
Context: "Don't order any of the faerie food," said Jace, looking at her over the top of his menu. "It tends to make humans a little crazy. One minute you're munching a faerie plum, the next minute you're running naked down Madison Avenue with antlers on your head. Not," he added hastily, "that this has ever happened to me."

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Brené Brown photo

“Ads sell a great deal more than products. They sell values, images, and concepts of success and worth.”

Brené Brown (1965) US writer and professor

Source: The Gifts of Imperfection: Let Go of Who You Think You're Supposed to Be and Embrace Who You Are

Iain Banks photo
Garth Nix photo

“I am Abhorsen…"
He looked at the baby again and added, almost with a note of surprise, "Father of Sabriel”

p. 14.
Source: "I am a necromancer, but not of the common sort, while others of the art raise the dead, I lay them to rest - or try too - and those that will not rest I bind, for I am Abhorsen..."
He turned to the baby again and added, almost with a note of surprise, "Father of Sabriel."

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“We can do subtle," I assured her.
"It's our middle name," Andrea added.
For some odd reason Rene didn't look convinced.”

Ilona Andrews American husband-and-wife novelist duo

Source: Magic Slays

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Gabriel García Márquez photo

“Life has its rhythm ad we have ours. They’re designed to coexist in harmony, so that when we do what is ours to do and otherwise let life be, we garner acceptance and serenity. (285)”

Victoria Moran (1950) American writer

Source: Younger by the Day: 365 Ways to Rejuvenate Your Body and Revitalize Your Spirit

Victor Hugo photo
Alvin Toffler photo

“By instructing students how to learn, unlearn and relearn, a powerful new dimension can be added to education.”

Alvin Toffler (1928–2016) American writer

Future Shock (1970), ch. 18
Source: Powershift: Knowledge, Wealth, and Power at the Edge of the 21st Century

Richelle Mead photo
Paulo Coelho photo
Richelle Mead photo
Kim Harrison photo

“Rachel, what do you do? Put an ad in the paper for trouble?
(Glenn)”

Kim Harrison (1966) Pseudonym

Source: Black Magic Sanction

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P.G. Wodehouse photo

“Into the face of the young man who sat on the terrace of the Hotel Magnifique at Cannes there had crept a look of furtive shame, the shifty, hangdog look which announces that an Englishman is about to talk French. One of the things which Gertrude Butterwick had impressed on Monty Bodkin when he left for his holiday on the Riviera was that he must be sure to practise his French, and Gertrude’s word was law. So now, though he knew that it was going to make his nose tickle, he said:
‘Er, garçon.’
‘M’sieur?’
‘Er, garçon, esker-vous avez un spot de l’encre et une piece de papier—note papier, vous savez—et une envelope et une plume.’
The strain was too great. Monty relapsed into his native tongue.
‘I want to write a letter,’ he said. And having, like all lovers, rather a tendency to share his romance with the world, he would probably have added ‘to the sweetest girl on earth’, had not the waiter already bounded off like a retriever, to return a few moments later with the fixings.
‘V’la, sir! Zere you are, sir,’ said the waiter. He was engaged to a girl in Paris who had told him that when on the Riviera he must be sure to practise his English. ‘Eenk—pin—pipper—enveloppe—and a liddle bit of bloddin-pipper.’
‘Oh, merci,’ said Monty, well pleased at this efficiency. ‘Thanks. Right-ho.’
‘Right-ho, m’sieur,’ said the waiter.”

Source: The Luck of the Bodkins (1935)

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A.A. Milne photo
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Cassandra Clare photo
Marshall McLuhan photo

“Ads are the cave art of the twentieth century.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

quoted in Advertising Age, Sep. 3, 1976
1970s
Variant: Advertising is the greatest art form of the twentieth century
Context: Advertising is the greatest art form of the twentieth century.

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Robin Hobb photo

“We are the sum of all we have done added to the sum of all that has been done to us.”

Robin Hobb (1952) American fiction writer (pseudonym)

Source: Golden Fool

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Naomi Novik photo
Cassandra Clare photo

“Who's there?' he called, then frowned. 'Of course,' he added, addressing the darkness all around, 'even I, as a Shadowhunter, have seen enough movies to know that anyone who yells 'Who's there?”

is going to be instantly killed.'"
Jace Herondale, pg. 442
Source: The Mortal Instruments, City of Heavenly Fire (2014)

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