Quotes about trees
page 7

James Macpherson photo
William Cullen Bryant photo

“But ’neath yon crimson tree
Lover to listening maid might breathe his flame,
Nor mark, within its roseate canopy,
Her blush of maiden shame.”

William Cullen Bryant (1794–1878) American romantic poet and journalist

Autumn Woods. Reported in Bartlett's Familiar Quotations, 10th ed. (1919)
Attributed

Arshile Gorky photo
Jopie Huisman photo

“Just six kilometers – never my world was bigger than that, actually. That starting time [of his painting & drawing, c. 1946], to which I return now; watercolor; I prefer a bit foggy, a small world - and not the cows themselves, but only their traces in the mist. The tenderness... I am currently [1993] deeply immersed in little trees and in the reeds. You have to experience it as mysticism, as a miracle. And afterwards: passing it on..”

Jopie Huisman (1922–2000) Dutch painter

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: Maar een straal van zes kilometer, groter is mijn wereld eigenlijk nooit geweest. Die begintijd [c. 1946], waar ik nu [1993] weer naar terugkeer; waterverf; het liefst een beetje mistig, een klein wereldje, en dan niet de koeien zelf, maar hun sporen in die damp. De tederheid.. .Ik verdiep me op het moment erg in boompjes, en in het riet. Dat moet je als mystiek, als een wonder ondergaan. En vervolgens doorgeven.
Mens & Gevoelens: Jopie Huisman', 1993

Han-shan photo
Richard Rodríguez photo
Letitia Elizabeth Landon photo
James Russell Lowell photo

“The birch, most shy and lady-like of trees,
Her poverty, as best she may, retrieves,
And hints at her foregone gentilities
With some saved relics of her wealth of leaves.”

James Russell Lowell (1819–1891) American poet, critic, editor, and diplomat

An Indian Summer Reverie http://www.readbookonline.net/readOnLine/1164/, st. 8 (1846)

Rose Wilder Lane photo
Dorothy Wordsworth photo

“One only leaf upon the top of a tree - the sole remaining leaf - danced round and round like a rag blown by the wind.”

Dorothy Wordsworth (1771–1855) English author, poet and diarist

March 7, 1798
This was turned into Coleridge's Christabel, lines 48-50:
There is not wind enough to twirl
The one red leaf, the last of its clan,
That dances as often as dance it can.
Diaries

Jeremy Clarkson photo

“It’s terrible. Biblically terrible. Possibly the worst new car money can buy. It’s the first car I’ve ever considered crashing into a tree, on purpose, so I didn’t have to drive it any more.”

Jeremy Clarkson (1960) English broadcaster, journalist and writer

Sunday Times May 17, 2009, reviewing the Honda Insight 1.3 IMA SE Hybrid http://www.timesonline.co.uk/tol/driving/jeremy_clarkson/article6294116.ece

Moshe Dayan photo
Patrick Modiano photo
Clifford D. Simak photo
Emil M. Cioran photo
Sarah Chang photo
Rahul Bose photo

“If the character has the motivation to dance round trees, then I will dance round trees. If the motivation is strong enough, then I'll fly to the moon.”

Rahul Bose (1967) Indian actor

Rediff, April 4, 1997. " If the motivation is strong enough, I'll fly to the moon http://webcache.googleusercontent.com/search?q=cache:t3KMttIk5NwJ:www.rediff.com/entertai/apr/04rahl.htm+%22Still+dressed+in+his+night+clothes+and+sporting+a+hep+stubble,%22&cd=1&hl=en&ct=clnk&gl=us&client=firefox-a" by Suparn Varma

Edvard Munch photo
T.S. Eliot photo
Richard Rodríguez photo

“Thud. My eyes are open. It is four-thirty in the morning, one morning, and my dry eyes click in their sockets, awake before the birds. There is no light. The eye strains for logic, some play of form. I have been dreaming of wind. The tree outside my window stands silent. I listen to the breathing of the man lying beside me. I know where I am. I am awake. I am alive. Am I tethered to earth only by this fragile breath? A strawful of breath at best. Yet this is the breath that patients beg, their hands gripping the edges of mattresses; this is the breath that wrestles trees, that brings down all the leaves in the Third Act. We know where the car is parked. We know, word-for-word, the texts of plays. We have spoken, in proximity to one another, over years, sentences, hundreds of thousands of sentences—bright, grave, fallible, comic, perishable—perhaps eternal? I don’t know. Where does the wind go? When will the light come? We will have hotcakes for breakfast. How can I protect this...? My church teaches me I cannot. And I believe it. I turn the pillow to its cool side. Then rage fills me, against the cubist necessity of having to arrange myself comically against orthodoxy, against having to wonder if I will offend, against theology that devises that my feeling for him, more than for myself, is a vanity. My brown paradox: The church that taught me to understand love, the church that taught me well to believe love breathes—also tells me it is not love I feel, at four in the morning, in the dark, even before the birds cry. Of every hue and caste am I.”

Richard Rodríguez (1944) American journalist and essayist

Brown : The Last Discovery of America (2003)

Adam Zagajewski photo
John Adams photo
John Ruysbroeck photo
Sue Monk Kidd photo
Aaro Hellaakoski photo

“When the early morning sun
first pierced the grayness in the sky,
a pickerel rose from his watery home
to climb a pine tree, singing.
And high in the branches, he looked upon
the morning's glowing beauty -
the wind-blown ripples on the lake,
dew-freshened flowers and fields below.”

Aaro Hellaakoski (1893–1952) Finnish writer, poet, geographer and teacher

Aaro Hellaakoski. "The song of the pike hauen laulu." Aina Swan Cutler (trans.) in: Aili Jarvenpa, ‎Michael G. Karni (1989), Sampo, the magic mill: a collection of Finnish-American writing.

Barbara Hepworth photo
Maurice Denis photo
John Keats photo
Rubén Darío photo

“The tree is happy because it is scarcely sentient;
the hard rock is happier still, it feels nothing:
there is no pain as great as being alive,
no burden heavier than that of conscious life.”

Rubén Darío (1867–1916) Nicaraguan poet and writer

Fatalidad (Fatality).
Los Cisnes y Otros Poemas (The Swans and Other Poems) (1905)

Carly Fiorina photo

“Donald Trump is Hillary Clinton’s Christmas gift wrapped up under a tree. I am the lump of coal in her stocking.”

Carly Fiorina (1954) American corporate executive and politician

Twitter http://www.cnn.com/2015/12/09/politics/donald-trump-hillary-clinton-conspiracy/index.html (8 December 2015).
2010s, 2015

H. G. Wells photo
Nigel Cumberland photo

“The business author Stephen Covey explains it well using logging as an analogy – when you are trying to saw a tree down you must take breaks to sharpen your saw. Being a workaholic and failing to do so will leave you blunt and useless.”

Nigel Cumberland (1967) British author and leadership coach

Your Job-Hunt Ltd – Advice from an Award-Winning Asian Headhunter (2003), Successful Recruitment in a Week (2012) https://books.google.ae/books?idp24GkAsgjGEC&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIGjAA#vonepage&qnigel%20cumberland&ffalse, 100 Things Successful People Do: Little Exercises for Successful Living (2016) https://books.google.ae/books?idnu0lCwAAQBAJ&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIMjAE

Albert Einstein photo
William Jennings Bryan photo
Willa Cather photo
Willem de Kooning photo
Hans Christian Andersen photo

“Then here’s to the oak, the brave old oak,
Who stands in his pride alone!
And still flourish he, a hale green tree,
When a hundred years are gone!”

Henry Fothergill Chorley (1808–1872) English literary, art and music critic and editor

The brave old Oak (lyrics, 1837).

Josefa Iloilo photo
Neal Stephenson photo
Letitia Elizabeth Landon photo
William Blake photo
Letitia Elizabeth Landon photo
Karel Appel photo

“It is a question of expressing, at base,
the essence of the tree... What does not appear
in what does appear, in short.
What remains hidden, concealed,
withdraws into what appears.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

ATV 13; p. 121
Karel Appel, a gesture of colour' (1992/2009)

Roy Lichtenstein photo
Donald Ervin Knuth photo

“Trees sprout up just about everywhere in computer science…”

Vol. IV - A, Combinatorial Algorithms, Section 4.2.1.6 (2011)
The Art of Computer Programming (1968–2011)

Ursula K. Le Guin photo
Ralph Waldo Emerson photo
Tom Petty photo
Edward Lear photo
Richard Wurmbrand photo
Letitia Elizabeth Landon photo
Mahatma Gandhi photo

“For me the different religions are beautiful flowers from the same garden, or they are branches of the same majestic tree. Therefore they are equally true, though being received and interpreted through human instruments equally imperfect.”

Mahatma Gandhi (1869–1948) pre-eminent leader of Indian nationalism during British-ruled India

Harijan, 30-1-1937, p. 407; In: My God (1962), Chapter 13. Pathways of God http://www.mkgandhi.org/god/mygod/pathwaystogod.html, Printed and Published by: Jitendra T. Desai, Navajivan Mudranalaya, Ahemadabad-380014 India
Posthumous publications (1950s and later)

John Gray photo
Czeslaw Milosz photo

“I swear, there is in me no wizardry of word.
I speak to you with silence like a cloud or a tree.”

Czeslaw Milosz (1911–2004) Polish, poet, diplomat, prosaist, writer, and translator

Przysięgam, nie ma we mnie czarodziejstwa słów.
Mówię do ciebie milcząc, jak obłok czy drzewo.
"Dedication" (1945); quoted in Conversant Essays : Contemporary Poets on Poetry (1990) edited by James McCorkle, p. 69

Sylvia Plath photo
Octavio Paz photo
Henry Moore photo

“I myself in my work tend to humanize everything, to relate mountains to people, tree trunks to the human body, pebbles to heads & figures, etc… To cut out & make a taboo any organic representational element or human reference & then say the artist has gained freedom, seems as silly as locking yourself up in a small cell & saying 'now I know where I am – this is freedom – freedom from the outside world”

Henry Moore (1898–1986) English artist

critic on the idea of pure Abstract art by Moore
1940 - 1955
Source: 'Unpublished notes' for 'Art and Life', 1941, HMR Archive; as quoted in Henry Moore writings and Conversations, edited by Alan Wilkinson, University of California Press, California 2002, p. 114

Richard Evelyn Byrd photo
Henry Ford photo

“We have only started on our development of our country — we have not as yet, with all our talk of wonderful progress, done more than scratch the surface. The progress has been wonderful enough — but when we compare what we have done with what there is to do, then our past accomplishments are as nothing. When we consider that more power is used merely in ploughing the soil than is used in all the industrial establishments of the country put together, an inkling comes of how much opportunity there b ahead. And now, with so many countries of the world in ferment and with so much unrest everywhere, is an excellent time to suggest something of the things that may be done — in the light of what has been done.
When one speaks of increasing power, machinery, and industry there comes up a picture of a cold, metallic sort of world in which great factories will drive away the trees, the flowers, the birds, and the green fields. And that then we shall have a world composed of metal machines and human machines. With all of that I do not agree. I think that unless we know more about machines and their use, unless we better understand the mechanical portion of life, we cannot have the time to enjoy the trees, and the birds, and the flowers, and the green fields.”

Source: My Life and Work (1922), p. 1; as cited in: William A. Levinson, Henry Ford, Samuel Crowther. The Expanded and Annotated My Life and Work: Henry Ford's Universal Code for World-Class Success. CRC Press, 2013. p. xxvii

Timothy Levitch photo
Jean Paul Sartre photo
Paul Cézanne photo
Aidan Nichols photo
John Fante photo

“I went up to my room, up the dusty stairs of Bunker Hill, past the soot-covered frame buildings along that dark street, sand and oil and grease choking the futile palm trees standing like dying prisoners, chained to a little plot of ground with black pavement hiding their feet. Dust and old buildings and old people sitting at windows, old people tottering out of doors, old people moving painfully along the dark street. The old folk from Indiana and Iowa and Illinois, from Boston and Kansas City and Des Moines, they sold their homes and their stores, and they came here by train and by automobile to the land of sunshine, to die in the sun, with just enough money to live until the sun killed them, tore themselves out by the roots in their last days, deserted the smug prosperity of Kansas City and Chicago and Peoria to find a place in the sun. And when they got here they found that other and greater thieves had already taken possession, that even the sun belonged to the others; Smith and Jones and Parker, druggist, banker, baker, dust of Chicago and Cincinnati and Cleveland on their shoes, doomed to die in the sun, a few dollars in the bank, enough to subscribe to the Los Angeles Times, enough to keep alive the illusion that this was paradise, that their little papier-mâché homes were castles. The uprooted ones, the empty sad folks, the old and the young folks, the folks from back home. These were my countrymen, these were the new Californians. With their bright polo shirts and sunglasses, they were in paradise, they belonged.”

Ask the Dust (1939)

Colin Moulding photo

“Some people say
That I am out of my tree
Or just a strawberry fool
Someday they'll see
Till then I'll blow you a raspberry
'Cos apples and pears are me”

Colin Moulding (1955) English bassist, songwriter and vocalist

"Fruit Nut"
Apple Venus Volume 1 (1999)

Adlai Stevenson photo

“Nixon is the kind of politician who would cut down a redwood tree, then mount the stump for a speech on conservation.”

Adlai Stevenson (1900–1965) mid-20th-century Governor of Illinois and Ambassador to the UN

Quoted in The Fine Art of Political Wit by Leon Harris (1964)

“Hope as rich and green as the trees of an oasis.”

Dawud Wharnsby (1972) Canadian musician

"Colours of Islam"
Colours of Islam (1998)

Stephenie Meyer photo
Aron Ra photo
Anne Morrow Lindbergh photo
Bernard of Clairvaux photo

“Believe me, you will find more lessons in the woods than in books. Trees and stones will teach you what you cannot learn from masters.”
Experto crede: aliquid amplius invenies in silvis, quam in libris. Ligna et lapides docebunt te, quod a magistris audire non possis.

Bernard of Clairvaux (1090–1153) French abbot, theologian

Epistola CVI, sect. 2; translation from Edward Churton The Early English Church ([1840] 1841) p. 324

David Foster Wallace photo
Thomas Buchanan Read photo
Felicia Hemans photo

“Come to the sunset tree!
The day is past and gone;
The woodman’s axe lies free,
And the reaper’s work is done.”

Felicia Hemans (1793–1835) English poet

Tyrolese Evening Song, st. 1.

Toby Keith photo
Jonah Lehrer photo
Jeremiah Denton photo
William Blake photo

“Hear the voice of the Bard,
Who present, past, and future, sees;
Whose ears have heard
The Holy Word
That walked among the ancient trees.”

William Blake (1757–1827) English Romantic poet and artist

Introduction, st. 1
1790s, Songs of Experience (1794)

James G. Watt photo

“God gave us these things to use. After the last tree is felled, Christ will come back.”

James G. Watt (1938) United States Secretary of the Interior

Attributed in Setting the Captives Free (1990) by Austin Miles, and widely repeated after appearing in "The Godly Must Be Crazy", by Glenn Scherer in Grist magazine (28 October 2004) http://www.grist.org/news/maindish/2004/10/27/scherer-christian/index.html. Grist afterwards retracted and apologized for Scherer's comment, noting that the quotation appears nowhere in Watt's Congressional testimony or any other source it could find. Watt has responded:
: I never said it. Never believed it. Never even thought it. I know no Christian who believes or preaches such error. The Bible commands conservation — that we as Christians be careful stewards of the land and resources entrusted to us by the Creator.
Misattributed

W. S. Gilbert photo
Du Fu photo
Evelyn Waugh photo

“No.3 Commando was very anxious to be chums with Lord Glasgow, so they offered to blow up an old tree stump for him and he was very grateful and said don't spoil the plantation of young trees near it because that is the apple of my eye and they said no of course not we can blow a tree down so it falls on a sixpence and Lord Glasgow said goodness you are clever and he asked them all to luncheon for the great explosion.
So Col. Durnford-Slater DSO said to his subaltern, have you put enough explosive in the tree?. Yes, sir, 75lbs. Is that enough? Yes sir I worked it out by mathematics it is exactly right. Well better put a bit more. Very good sir.
And when Col. D Slater DSO had had his port he sent for the subaltern and said subaltern better put a bit more explosive in that tree. I don't want to disappoint Lord Glasgow. Very good sir.
Then they all went out to see the explosion and Col. DS DSO said you will see that tree fall flat at just the angle where it will hurt no young trees and Lord Glasgow said goodness you are clever.
So soon they lit the fuse and waited for the explosion and presently the tree, instead of falling quietly sideways, rose 50 feet into the air taking with it ½ acre of soil and the whole young plantation.
And the subaltern said Sir, I made a mistake, it should have been 7½ not 75. Lord Glasgow was so upset he walked in dead silence back to his castle and when they came to the turn of the drive in sight of his castle what should they find but that every pane of glass in the building was broken.
So Lord Glasgow gave a little cry and ran to hide his emotions in the lavatory and there when he pulled the plug the entire ceiling, loosened by the explosion, fell on his head.
This is quite true.”

Evelyn Waugh (1903–1966) British writer

Letter to his wife (31 May 1942)

Bai Juyi photo
Emil Nolde photo

“A new day. Calm as seldom the beginning of such a one. Did I dream? No! Dream and contented pure was the night... It is the sure certainty of having found unity with nature, this calm causes one of the strongest experiences.
Man, air, trees, world are laid bare and are one!
Contented sleep releases the limbs. We await full moon. Await the dance!”

Emil Nolde (1867–1956) German artist

c. 1918; in Aus dem Palau-Tagebuch, 'Das Kunstblatt 2', no. 6, p. 179; as quoted in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 43
1900 - 1920

Paul Kurtz photo

“The meaning of life is not to be discovered only after death in some hidden, mysterious realm; on the contrary, it can be found by eating the succulent fruit of the Tree of Life and by living in the here and now as fully and creatively as we can.”

Paul Kurtz (1925–2012) American professor of philosophy

Paul Kurtz, ‎Vern L. Bullough, ‎Tim Madigan (eds.). Toward a New Enlightenment: The Philosophy of Paul Kurtz. (1994) p. 20

Robert Ley photo
Louis-ferdinand Céline photo

“And the music came back with the carnival, the music you've heard as far back as you can remember, ever since you were little, that's always playing somewhere, in some corner of the city, in little country towns, wherever poor people go and sit at the end of the week to figure out what's become of them, sometimes here, sometimes there, from season to season, it tinkles and grinds out the tunes that rich people danced to the year before. It's the mechanical music that floats down from the wooden horses, from the cars that aren't cars anymore, from the railways that aren't at all scenic, from the platform under the wrestler who hasn't any muscles and doesn't come from Marseille, from the beardless lady, the magician who's a butter-fingered jerk, the organ that's not made of gold, the shooting gallery with the empty eggs. It's the carnival made to delude the weekend crowd. We go in and drink the beer with no head on it. But under the cardboard trees the stink of the waiter's breath is real. And the change he gives you has several peculiar coins in it, so peculiar that you go on examining them for weeks and weeks and finally, with considerable difficulty, palm them off on some beggar. What do you expect at the carnival? Gotta have what fun you can between hunger and jail, and take things as they come. No sense complaining, we're sitting down aren't we? Which ain't to be sneezed at. I saw the same old Gallery of the Nations, the one Lola caught sight of years and years ago on that avenue in the park of Saint-Cloud. You always see things again at carnivals, they revive the joy of past carnivals. Over the years the crowds must have come back time and again to stroll on the main avenue of the park of Saint-Cloud…taking it easy. The war had been over long ago. And say I wonder if that shooting gallery still belonged to the same owner? Had he come back alive from the war? I take an interest in everything. Those are the same targets, but in addition, they're shooting at airplanes now. Novelty. Progress. Fashion. The wedding was still there, the soldier too, and the town hall with its flag. Plus a few more things to shoot at than before.”

27
Journey to the End of the Night (1932)