Quotes about trees
page 6

Gaston Bachelard photo
Tomson Highway photo
Henry David Thoreau photo
Paulo Coelho photo
John Flanagan photo
Lois Lowry photo

“Keep a green tree in your heart and perhaps the singing bird will come.”

Lois Lowry (1937) American writer

Source: Taking Care of Terrific

Stephen King photo
Tom Robbins photo
Emily Brontë photo

“Love is like the wild rose-briar;
Friendship like the holly-tree.
The holly is dark when the rose-briar blooms,
But which will bloom most constantly?”

Emily Brontë (1818–1848) English novelist and poet

Love and Friendship
Source: The Complete Poems

Alexandre Dumas photo
Barbara Kingsolver photo
Ted Hughes photo

“I shall also take you forth and carve our names together in a yew tree, haloed with stars…”

Ted Hughes (1930–1998) English poet and children's writer

Source: Letters of Ted Hughes

Martha Gellhorn photo

“I am a forgettable leaf on a tree.”

Source: Wicked: The Life and Times of the Wicked Witch of the West

E.E. Cummings photo
Suzanne Collins photo
Miranda July photo

“When you can see the beauty of a tree, then you will know what love is.”

Miranda July (1974) American performance artist, musician and writer

Source: No One Belongs Here More Than You

Edward Grey, 1st Viscount Grey of Fallodon photo
Benvenuto Cellini photo

“Painting, in fact, is nothing else much than a tree, a man, or any other object, reflected in the water. The distinction between sculpture and painting, is as great as between the shadow and the substance.”

Benvenuto Cellini (1500–1571) Florentine sculptor and goldsmith

La Pittura non è altro, che o albero o uomo o altra cosa, che si specchi in un fonte. La differenza, che è dalla Scultura alla Pittura è tanta, quanto è dalla ombra e la cosa, che fa l'ombra.
Letter to Benedetto Varchi, January 28, 1546, cited from G. P. Carpani (ed.) Vita di Benvenuto Cellini (Milano: Nicolo Bettoni, 1821) vol. 3, p. 185; translation from Thomas Nugent (trans.) The Life of Benvenuto Cellini, a Florentine Artist (London: Hunt and Clarke, 1828) vol. 2, p. 265.

Ray Comfort photo
Hendrik Werkman photo

“Last Sunday we made a bicycle tour of 80 km. Through the North along the edge of the province [Groningen].... On such a day I get again a lot of impressions which will reappear in altered forms in due time. Beautiful landscapes, nice small roads, beautiful farms, meadows with horses and cattle, birds, water and a lot of sunshine. Mills and towers and trees are breaking the lines of the flat land..”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): Zondag maakten we een fietstocht van 80 km. Door het Noorden langs de rand van de provincie [Groningen].. .Op zoo’n dag doe ik weer heel wat indrukken op die te gelegener tijd omgewerkt weer tevoorschijn komen. Mooie landschappen, aardige weggetjes, prachtige boerderijen, weiden met paarden en vee, vogels, water en zonneschijn volop. Molens en torens en boomen breken de lijnen van het vlakke land..
In a letter to Henkels, 12 July 1944; as cited in H. N. Werkman - Leven & Werk - 1882-1945, ed. A. de Vries, J. van der Spek, D. Sijens, M. Jansen; WBooks, Groninger Museum / Stichting Werkman, 2015 (transl: Fons Heijnsbroek), p. 18
1940's

Federico García Lorca photo

“The bull does not know you, nor the fig tree,
nor the horses, nor the ants in your own house.
The child and the afternoon do not know you
because you have died forever.

The shoulder of the stone does not know you
nor the black silk on which you are crumbling.
Your silent memory does not know you
because you have died forever.

The autumn will come with conches,
misty grapes and clustered hills,
but no one will look into your eyes
because you have died forever.

Because you have died for ever,
like all the dead of the earth,
like all the dead who are forgotten
in a heap of lifeless dogs.

Nobody knows you. No. But I sing of you.
For posterity I sing of your profile and grace.
Of the signal maturity of your understanding.
Of your appetite for death and the taste of its mouth.
Of the sadness of your once valiant gaiety.”

<p>No te conoce el toro ni la higuera,
ni caballos ni hormigas de tu casa.
No te conoce el niño ni la tarde
porque te has muerto para siempre.</p><p>No te conoce el lomo de la piedra,
ni el raso negro donde te destrozas.
No te conoce tu recuerdo mudo
porque te has muerto para siempre.</p><p>El otoño vendrá con caracolas,
uva de niebla y montes agrupados,
pero nadie querrá mirar tus ojos
porque te has muerto para siempre.</p><p>Porque te has muerto para siempre,
como todos los muertos de la Tierra,
como todos los muertos que se olvidan
en un montón de perros apagados.</p><p>No te conoce nadie. No. Pero yo te canto.
Yo canto para luego tu perfil y tu gracia.
La madurez insigne de tu conocimiento.
Tu apetencia de muerte y el gusto de su boca.
La tristeza que tuvo tu valiente alegría.</p>
Llanto por Ignacio Sanchez Mejias (1935)

E.E. Cummings photo
Walter Scott photo
Phillip Guston photo
Conor Oberst photo
Emil Nolde photo
George William Russell photo
John Muir photo
Donald Barthelme photo

“What makes The Joker tick I wonder?” Fredric said. “I mean what are his real motivations?”
“Consider him at any level of conduct,” Bruce said slowly, “in the home, on the street, in interpersonal relations, in jail—always there is an extraordinary contradiction. He is dirty and compulsively neat, aloof and desperately gregarious, enthusiastic and sullen, generous and stingy, a snappy dresser and a scarecrow, a gentleman and a boor, given to extremes of happiness and despair, singularly well able to apply himself and capable of frittering away a lifetime in trivial pursuits, decorous and unseemly, kind and cruel, tolerant yet open to the most outrageous varieties of bigotry, a great friend and an implacable enemy, a lover and abominator of women, sweet-spoken and foul-mouthed, a rake and a puritan, swelling with hubris and haunted by inferiority, outcast and social climber, felon and philanthropist, barbarian and patron of the arts, enamored of novelty and solidly conservative, philosopher and fool, Republican and Democrat, large of soul and unbearably petty, distant and brimming with friendly impulses, an inveterate liar and astonishingly strict with petty cash, adventurous and timid, imaginative and stolid, malignly destructive and a planter of trees on Arbor Day—I tell you frankly, the man is a mess.”
“That’s extremely well said Bruce,” Fredric stated. “I think you’ve given a very thoughtful analysis.”

Donald Barthelme (1931–1989) American writer, editor, and professor

“I was paraphrasing what Mark Schorer said about Sinclair Lewis,” Bruce replied.
“The Joker’s Greatest Triumph”.
Come Back, Dr. Caligari (1964)

James Allen photo
T.S. Eliot photo
Sarah Palin photo

“But I didn't believe in the theory that human beings – thinking, loving beings – originated from fish that sprouted legs and crawled out of the sea. Or that human beings began as single-celled organisms that developed into monkeys who eventually swung down from trees; I believed we came about through a random process, but were created by God.”

Going Rogue: An American Life (2009), p. 217 http://books.google.com/books?id=Wx00mzMRGH8C&pg=PA217&dq=%22But+I+didn't+believe+in+the+theory%22, quoted in Memoir Is Palin’s Payback to McCain Campaign, The New York Times, 2009-11-14 https://www.nytimes.com/2009/11/15/books/15book.html?_r=2&pagewanted=2&ref=books,
2014

Mike Huckabee photo

“Here's the clear "science:"When the male sperm and female egg join, a new and unique life form is created. At conception. Not at birth or viability, or when a lawyer says so. At conception this happens. John McCain got it right; Obama pled less scientific knowledge than a 5th grader.This life is either human or something else. Science irrefutably would declare that the life which is starting from that moment is human. It's not a stalk of broccoli, it's not a parrot, squirrel, or dolphin. It will never become a tree—it can only become a human. It has the entire DNA schedule that it will have for the rest of its life right then. In days it will begin to take on increasingly observable human characteristics and form, but at conception, it is biologically human.If this life is human, then the only issue left is whether this human life falls under the notion that it has a fundamental right of existence or not. If not, it is because we as a culture have decided that some human lives are simply not worth living. If we can decide that about an innocent and unborn baby, we can also decide it on the basis of less absolute criteria than that. If we make that choice (and this is all about "CHOICE," isn’t it?) then someone may decide that a terminally ill person is not a life worth living. Maybe a severely disabled child is a life not worth living; what about a person with a limited IQ? Say that's absurd—that an educated and enlightened society would never be so audacious as to begin to terminate life based on such arbitrary excuses? Maybe you haven't studied Nazi Germany, in which the murder of six million Jews was justified because of their religion and millions of others were murdered because of their politics. Germany was not a primitive, superstitious culture. It was one filled with the intelligentsia and enlightened.This is an important issue. It's why we can't trust Obama with America's future because he's not even sure which Americans are worth saving and which ones aren't. And it's why that for many of us, McCain's selection of a running mate really does matter. Because John McCain clearly is pro life, I will support and vote for him because Obama is not an option for me as a pro life person. I will be disappointed if McCain doesn't pick a true pro life person and realize that should that happen, he will lose many of the very people who supported me. I cannot expect all of you to vote for McCain if he chooses someone whose record isn't pro life. It will be a less than perfect decision for all of us—our only real choices are McCain and Obama; one will protect life and one won't. Some will argue for a 3rd party candidate and I respect that, but in political realities, that is essentially a vote for Obama and I can't go there.”

Mike Huckabee (1955) Arkansas politician

A Message from the Governor
HuckPAC
2008-08-23
http://www.huckpac.com/?Fuseaction=Blogs.View&Blog_id=1848&CommentPage=5
2011-03-01

Thomas Gainsborough photo

“[I] Pray do you remember carrying me to a picture-dealer's somewhere by Hanover Square, [London], and my being struck with the leaving and touch of a little bit of tree[? ]; the whole picture was not above 8 or 10 inches high and about a foot long. I wish if you had time that you'd inquire what it might be purchased for..”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

Quote from Gainsborough's letter to his friend William Jackson of Exeter, from Bath, 11 May 1768; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 383 (Appendix A - Letter VI)
1755 - 1769

George William Russell photo
Alfred Noyes photo
William Ellery Channing photo

“We smile at the ignorance of the savage who cuts down the tree in order to reach its fruit; but the same blunder is made by every person who is overeager and impatient in the pursuit of pleasure.”

William Ellery Channing (1780–1842) United States Unitarian clergyman

Philip Nicholas Shuttleworth (1782–1842) http://openlibrary.org/a/OL4475476A/Philip-Nicholas-Shuttleworth, bishop of Chichester, in an address "Christ's Yoke Easy and Burden Light", published in The Sunday Library; or, The Protestant's Manual for the Sabbath-day (1831) http://books.google.com/books?id=sd0EAAAAQAAJ by Thomas Frognall Dibdin; this seems to have become misattributed to Channing in A Dictionary of Thoughts (1908) by Tryon Edwards
Misattributed

John F. Kennedy photo

“I have seen in many places housing which has been developed under government influences, but I have never seen any projects in which governments have played their part which have fountains and statues and grass and trees, which are as important to the concept of the home as the roof itself.”

John F. Kennedy (1917–1963) 35th president of the United States of America

Remarks at the Unidad Independencia Housing Project, City of Mexico (269)" (30 June 1962) http://www.jfklibrary.org/Research/Research-Aids/Ready-Reference/JFK-Quotations.aspx
1962

Linus Torvalds photo
Letitia Elizabeth Landon photo

“The apple blossoms' shower of pearl,
The pear tree’s rosier hue,
As beautiful as woman's blush,
As evanescent too.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Vow of the Peacock (1835)

Peter Greenaway photo
Yehuda Ashlag photo
Neil Peart photo

“Now there's no more oak oppression
For they passed a noble law
And the trees are all kept equal
By hatchet, axe and saw
-- The Trees (1978)”

Neil Peart (1952–2020) Canadian-American drummer , lyricist, and author

Rush Lyrics

Han-shan photo
Luboš Motl photo

“Greenpeace protesters who lived on the trees right above the planned radar location and who eat environmentally friendly roots, insect, excrements, and dirt.”

Luboš Motl (1973) Czech physicist and translator

http://motls.blogspot.com/2009/09/czech-poland-missile-defense-system.html
The Reference Frame http://motls.blogspot.com/

Jacoba van Heemskerck photo

“I don't understand how many painters can be so short-sighted to value art from earlier periods as completely worthless. Every art is an expression of an era and only for that reason already it is interesting. A Rembrandt has gone other ways, but he has certainly also pursued the highest goals. That one can assert: it is not necessary for a painter to have an impression when he is painting an Image, is nonsense. Certainly an artist, if he is really an artist, always has an inner urge to create an Image and thus sees an impression for himself that he may not always be able to explain, because deeper feelings are very difficult to grasp in words, but he has an impression - otherwise he only makes paintings as pure brain work. And intellectual art I can't bear. You can not make abstract art as something on its own. One feel various forms in their inner coherence. For example: when reading a fairy tale I can get the idea to paint a forest in completely abstract forms with motifs of trees. Every abstract form has an inner meaning for me.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from Dutch, Fons Heijnsbroek, 2018
version in Dutch / citaat van Jacoba van Heemskerck, in het Nederlands vertaald: Ik begrijp niet hoe veel schilders zo kortzichtig kunnen zijn kunst uit vroegere perioden als volkomen waardeloos aan te merken. Elke kunst is een uiting van een tijdperk en alleen daarom al interessant. Een Rembrandt is andere wegen gegaan maar heeft zeker ook de hoogste doelen nagestreefd. Dat men beweren kan: een schilder hoeft bij het schilderen van een Bild geen voorstelling te hebben, is onzin. Zeker heeft een kunstenaar, als hij werkelijk artiest is, altijd een innerlijke drang een Bild te scheppen en ziet dus een Bild voor zich dat hij misschien niet altijd verklaren kan omdat diepere gevoelens heel moeilijk in woorden te vatten zijn, maar een voorstelling heeft hij - anders maakt hij schilderijen en is het puur hersenwerk. En intellectuele kunst staat mij zeer tegen. Abstracte kunst is niet op zich zelf staand te maken. Men voelt verscheidene vormen in hun innerlijke samenhang. Bijvoorbeeld: bij het lezen van een sprookje kan ik de ingeving krijgen een bos in geheel abstracte vormen met boommotieven te schilderen. Elke abstracte vorm heeft voor mij een innerlijke betekenis.
Quote of Jacoba van Heemskerck in her letter of 1 May 1920, to Gustave Bock in Giessen, Germany; as cited in Jacoba van Heemskerck van Beest, 1876 – 1923: schilderes uit roeping, A. H. Huussen jr. (ed. Marleen Blokhuis), (ISBN: 90-400-9064-5) Waanders, Zwolle, 2005, p. 168
1920's

Yury Dombrovsky photo
Willem Roelofs photo

“Ships, houses, mills… in one word everything that is made by people must stand upright and be painted with care. This is actually a good presentation compared to other, less symmetrical things, like the trees, skies, etc. It doesn't create the painting, but it certainly strengthen the illusion. It's just like somebody who is neatly dressed, but whose tie is coming off. The windows of a house must be straight, a mill in a pure construction, the blades well-positioned in perspective.”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Schepen, huizen, molens eb in één woord alles, wat door menschen gemaakt is, moet recht staan en met zorg geschilderd worden. Dit staat juist zeer goed tegenover andere, minder symmetrische dingen, als boomen, luchten enz. Het maakt het schilderij wel niet, maar draagt toch bij tot de illusie. 't Is er net mee, als met iemand, die keurig gekleed is, maar wiens das los zit. De ramen van een huis moeten recht, een molen zuiver van constructie zijn, de wieken in het perspectief staan.
Quote of Roelofs; as cited by H.F.W. Jeltes, in Willem Roelofs : bizonderheden betreffende zijn leven en zijn werk, met brieven en andere bijlagen, Van Kampen, Amsterdam, 1911, pp. 86-87
undated quotes

John Muir photo
Georgia O'Keeffe photo
Harry Turtledove photo

“The crowd of ragged Confederates on the White House lawn had doubled and more since he went in to confer with Lincoln. The trees were full of men who had climbed up so they could see over their comrades. Off in the distance, cannon occasionally still thundered; rifles popped like firecrackers. Lee quietly said to Lincoln, "Will you send out your sentries under flag of truce to bring word of the armistice to those Federal positions still firing upon my men?" "I'll see to it," Lincoln promised. He pointed to the soldiers in gray, who had quieted expectantly when Lee came out. "Looks like you've given me sentries enough, even if their coats are the wrong color." Few men could have joked so with their cause in ruins around them. Respecting the Federal President for his composure, Lee raised his voice: "Soldiers of the Army of Northern Virginia, after three years of arduous service, we have achieved that for which we took up arms-" He got no further. With one voice, the men before him screamed out their joy and relief. The unending waves of noise beat at him like a surf from a stormy sea. Battered forage caps and slouch hats flew through the air. Soldiers jumped up and down, pounded on one another's shoulders, danced in clumsy rings, kissed each other's bearded, filthy faces. Lee felt his own eyes grow moist. At last the magnitude of what he had won began to sink in.”

Source: The Guns of the South (1992), p. 180

Alexis De Tocqueville photo
Carole King photo
Shaun Ellis photo
Emil M. Cioran photo
William Wordsworth photo

“A brotherhood of venerable trees.”

William Wordsworth (1770–1850) English Romantic poet

Sonnet. Composed at ____ Castle, l. 6.
Memorials of a Tour in Scotland (1803)

Le Corbusier photo
Johann Wolfgang von Goethe photo

“Serialists fall into difficulties if they fail to distinguish the wood from the trees and consequently try to assimilate masses of sparsely related irrelevant information”

Gordon Pask (1928–1996) British psychologist

Source: Learning Strategies and Individual Competence (1972), p. 276.

Ernest Bramah photo

“Do not adjust your sandals while passing through a melon-field, nor yet arrange your hat beneath an orange-tree.”

Ernest Bramah (1868–1942) English author

The Story of Lao Ting and the Luminous Insect
Kai Lung's Golden Hours (1922)

Samuel Beckett photo
Felicia Hemans photo
William Wordsworth photo
Max Scheler photo
James Frazer photo
Wisława Szymborska photo
Henry Wadsworth Longfellow photo
Richard Henry Horne photo

“The laurel-tree grew large and strong,
Its roots went searching deeply down;
It split the marble walls of Wrong,
And blossomed o'er the Despot's crown.”

Richard Henry Horne (1802–1884) English poet and critic

The Laurel Seed; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 439.

Ambrose Bierce photo

“Riven and torn with cannon-shot, the trunks of the trees protruded bunches of splinters like hands, the fingers above the wound interlacing with those below.”

Ambrose Bierce (1842–1914) American editorialist, journalist, short story writer, fabulist, and satirist

Source: What I Saw At Shiloh (1881), VII

Jack Herer photo
Suzanne Collins photo
John Muir photo

“My fire was in all its glory about midnight, and, having made a bark shed to shelter me from the rain and partially dry my clothing, I had nothing to do but look and listen and join the trees in their hymns and prayers.”

John Muir (1838–1914) Scottish-born American naturalist and author

Travels in Alaska http://www.sierraclub.org/john_muir_exhibit/writings/travels_in_alaska/ (1915), chapter 2: Alexander Archipelago and the Home I Found in Alaska
1910s

Théodore Rousseau photo

“Do you see all those beautiful trees there? I sketched them all thirty years ago; I have had all their portraits. Look at that beech there, the sun lights it up and makes of it a marble column, a column that has muscles, limbs, hands and a fair skin, white and pallid... See the modest green of the heath and its plants, rosy, amaranthine, which distil honey for the bees and fragrance for the butterflies. The sun lights them up and gives them a diapason of extraordinary color. Ah, the sun..”

Théodore Rousseau (1812–1867) French painter (1812-1867)

Quote of Th. Rousseau, Sept. 1867; recorded by fr:Alfred Sensier; as cited by Charles Sprague Smith, in Barbizon days, Millet-Corot-Rousseau-Barye; publisher, A. Wessels Company, New York, July 1902, p. 164
In September 1867 (two months before Rousseau’s death, when already half paralyzed), Th. Rouseau took a ride with Sensier to look once more at the heather. He was pointing to the Sully, a giant of the wood
1851 - 1867

Henry Wadsworth Longfellow photo
Georgia O'Keeffe photo
David Attenborough photo
Gregory Scott Paul photo

“Overmature trees: In timber company and Forest Service lingo, trees which may live in splendor for another 500 years, but which would make damned fine boards today.”

Edward S. Herman (1925–2017) American journalist

Source: Beyond Hypocrisy, 1992, Doublespeak Dictionary (within Beyond Hypocrisy), p. 161.

George Horne photo
Bruce Cockburn photo
David Horowitz photo
Herbert Hoover photo

“[Engineering] is a great profession. There is the fascination of watching a figment of the imagination emerge through the aid of science to a plan on paper. Then it moves to realization in stone or metal or energy. Then it brings jobs and homes to men. Then it elevates the standards of living and adds to the comforts of life. That is the engineer’s high privilege.

The great liability of the engineer compared to men of other professions is that his works are out in the open where all can see them. His acts, step by step, are in hard substance. He cannot bury his mistakes in the grave like the doctors. He cannot argue them into thin air or blame the judge like the lawyers. He cannot, like the architects, cover his failures with trees and vines. He cannot, like the politicians, screen his shortcomings by blaming his opponents and hope that the people will forget. The engineer simply cannot deny that he did it. If his works do not work, he is damned. That is the phantasmagoria that haunts his nights and dogs his days. He comes from the job at the end of the day resolved to calculate it again. He wakes in the night in a cold sweat and puts something on paper that looks silly in the morning. All day he shivers at the thought of the bugs which will inevitably appear to jolt its smooth consummation.

On the other hand, unlike the doctor his is not a life among the weak. Unlike the soldier, destruction is not his purpose. Unlike the lawyer, quarrels are not his daily bread. To the engineer falls the job of clothing the bare bones of science with life, comfort, and hope. No doubt as years go by people forget which engineer did it, even if they ever knew. Or some politician puts his name on it. Or they credit it to some promoter who used other people’s money with which to finance it. But the engineer himself looks back at the unending stream of goodness which flows from his successes with satisfactions that few professions may know. And the verdict of his fellow professionals is all the accolades he wants.”

Herbert Hoover (1874–1964) 31st President of the United States of America

Excerpted from Chapter 11 "The Profession of Engineering"
The Memoirs of Herbert Hoover: Years of Adventure, 1874-1929 (1951)

Surendra Pratap Singh photo
Li Yu (Southern Tang) photo