Quotes about trees (1852 quotes, page 8)

“Imagine an immense plain.... in the middle, a small Gothic chapel surrounded by trees.... around that a hundred tents made of white canvas.... in open-air kitchens huge pots of boiling soup, incredible ragouts..”

Eugène Boudin (1824–1898) French painter

Quote of Boudin in a letter to his brother, 1857; as cited in the descritption of 'The Pardon of Saint-Anne-La-Palud' by the Met-museum https://www.metmuseum.org/art/collection/search/744059]
Boudin described in his typical way the scene of the sacred procession of the Pardon of Saint-Anne-la-Palud, a major religious festival in Brittany, that he witnessed in 1857
1850s - 1870s

Imagination

“And a reed like a rod was given to me as he said: “Get up and measure the temple sanctuary of God and the altar and those worshipping in it. But as for the courtyard that is outside the temple sanctuary, leave it out and do not measure it, because it has been given to the nations, and they will trample the holy city underfoot for 42 months. I will cause my two witnesses to prophesy for 1,260 days dressed in sackcloth.” These are symbolized by the two olive trees and the two lampstands and are standing before the Lord of the earth.”

John the Evangelist (10–98) author of the Gospel of John; traditionally identified with John the Apostle of Jesus, John of Patmos (author o…

11:1-4 http://www.jw.org/en/publications/bible/nwt/books/revelation/11/
Revelation

God

“Minnesota is a state of public-spirited and polite people, where you can get a good cappucino and eat Thai food and find any book you want and yet live on a quiet tree-lined street with a backyard and send your kids to public school. When a state this good hits the jackpot, it can only be an inspiration to everybody.”

Garrison Keillor (1942) American radio host and writer

"Minnesota's Sensible Plan, TIME (11 September 1995)

People , Books , School , Food

“The whole system of symbolism impressed on the art and the life of the Middle Ages must awaken the admiration of poets in all times. In reality, what colossal unity there is in Christian art, especially in its architecture! These Gothic cathedrals, how harmoniously they accord with the worship of which they are the temples, and how the idea of the Church reveals itself in them! Everything about them strives upwards, everything transubstantiates itself; the stone buds forth into branches and foliage, and becomes a tree; the fruit of the vine and the ears of corn become blood and flesh; the man becomes God; God becomes a pure spirit. For the poet, the Christian life of the Middle Ages is a precious and inexhaustibly fruitful field. Only through Christianity could the circumstances of life combine to form such striking contrasts, such motley sorrow, such weird beauty, that one almost fancies such things can never have had any real existence, and that it is all a vast fever-dream the fever-dream of a delirious deity. Even Nature, during this sublime epoch of the Christian religion, seemed to have put on a fantastic disguise; for oftentimes though man, absorbed in abstract subtilties, turned away from her with abhorrence, she would recall him to her with a voice so mysteriously sweet, so terrible in its tenderness, so powerfully enchanting, that unconsciously he would listen and smile, and become terrified, and even fall sick unto death.”

Heinrich Heine (1797–1856) German poet, journalist, essayist, and literary critic

Religion and Philosophy in Germany, A fragment https://archive.org/stream/religionandphilo011616mbp#page/n5/mode/2up, p. 26

Life , Death , God , Age

“Faith has no less need of the word than the fruit of a tree has of a living root; because, as David testifies, none can hope in God but those who know his name”

John Calvin book Institutes of the Christian Religion

Psalm 9:10
Book 3, Chapter 2, Section 31, p. 482
Institutes of the Christian Religion (1536; 1559)

God , Faith , Hope

“As an analogy one can imagine an intelligent amoeba with a good memory. As time progresses the amoeba is constantly splitting, each time the resulting amoebas having the same memories as the parent. Our amoeba hence does not have a life line, but a life tree.”

Hugh Everett (1930–1982) American physicist, author of the many-worlds interpretation of quantum mechanics

illustrating the branching of individuals in many worlds each time an observation is performed, in an early draft of his doctoral dissertation (1950s). Accessible at Read original documents http://www.pbs.org/wgbh/nova/manyworlds/original.html of Nova's Parallel worlds documentary of Hugh Everett's work.

Life , Imagination , Intelligence , Parent

“A person's lifeworm is a tangle of atomic worldlines. A braid. The dotty little atoms trace out smooth lines in spacetime: you are the pattern that these lines make up. there is no one single atom that is exclusively yours. I breathe an atom out, you breathe it in. Your garbage helps my tomatoes grow. And so the little spacetime threads weave us all together. The human race is a single vast tapestry, linked by our shared food and air. There are larger links as well: sperm, egg and umblilicus. Each family tree is an organic whole. Your spacetime body tapers back to the threads of mother's egg and father's sperm. And children, if you have them, are forever rooted in your flesh.”

Rudy Rucker (1946) American mathematician, computer scientist, science fiction author and philosopher

Source: The Sex Sphere (1983), p. 108

Children , Family , Food , Help

“So breaks the sun earth's rugged chains,
Wherein rude winter bound her veins;
So grows both stream and source of price,
That lately fettered were with ice.
So naked trees get crispèd heads,
And coloured coats the roughest meads,
And all get vigour, youth and spright,
That are but looked on by his light.”

Ben Jonson (1572–1637) English writer

The Irish Masque at Court (1613)

Youth , Light , Winter , Sun

“Grace will ever speak for itself and be fruitful in well-doing; the sanctified cross is a fruitful tree.”

Samuel Rutherford (1600–1661) Scottish Reformed theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 10.

“There's a slow train rumbling east of a place called Eden
Feeling wind-blown and proud as the trees upon the plain
And a stranger's voice talked to me of liberty and freedom
Yeah, it seems like he done gone wrong again
And he wears that hat like shame
Well he tasted the fruit of another
And when his Margie, when she discovered
Said she's gonna love him ten times more
Ain't nobody's business if she do”

Pete Doherty (1979) English musician, writer, actor, poet and artist

"East of Eden"
Lyrics and poetry

Love , Feeling , Business , Freedom

“Globalization is a trend with many gurus; not all have been wise. Some, writing during the economic euphoria of the Clinton years, predicted that global trade would translate into global peace. In The Lexus and the Olive Tree: Understanding Globalization, Thomas Friedman even dismissed terrorists like Ramzi Youssef, architect of the 1993 World Trade Center bombing, as ineffectual "Yahoos" who were not the wave of the future. We know now that the Ramzi Youssefs of the world are not ineffectual; that they will threaten us for decades to come; and that they will seek to acquire weapons of mass destruction and use them against us.”

Mark Riebling (1963) American writer

The New Paradigm: Merging Law Enforcement and Intelligence Strategies (2006)

World , Peace , Understanding , Future

“She again rubbed a match on the wall, and the light shone round her; in the brightness stood her old grandmother, clear and shining, yet mild and loving in her appearance. "Grandmother," cried the little one, "O take me with you; I know you will go away when the match burns out; you will vanish like the warm stove, the roast goose, and the large, glorious Christmas-tree." And she made haste to light the whole bundle of matches, for she wished to keep her grandmother there. And the matches glowed with a light that was brighter than the noon-day, and her grandmother had never appeared so large or so beautiful. She took the little girl in her arms, and they both flew upwards in brightness and joy far above the earth, where there was neither cold nor hunger nor pain, for they were with God.”

Hans Christian Andersen book The Little Match Girl

The Little Match Girl
Fairy Tales (1835)

Love , Hunger , God , Pain

“Loveliest of trees, the cherry now
Is hung with bloom along the bough.”

A.E. Housman book A Shropshire Lad

No. 2, st. 1.
A Shropshire Lad (1896)

“The more freely abstract the form becomes, the purer, and also the more primitive it sounds. Therefore, in a composition in which corporeal elements are more or less superfluous, they can be more or less omitted and replaced by purely abstract forms, or by corporeal forms that have been completely abstracted... Here we are confronted by the question: Must we not then renounce the object altogether, throw it to the winds and instead lay bare the purely abstract? This is a question that naturally arises, the answer to which is at once indicated by an analysis of the concordance of the two elements of form (the objective and the abstract). Just as every word spoken (tree, sky, man) awakens an inner vibration, so too does every pictorially represented object. To deprive oneself of the possibility of this calling up vibrations would be to narrow one's arsenal of expressive means. At least, that is how it is today. But apart from today's answer, the above question receives the eternal answer to every question in art that begins with 'must.”

Wassily Kandinsky (1866–1944) Russian painter

There is no 'must' in art, which is forever free.
Quote from: Kandinsky: Complete Writings on Art, eds. Kenneth C. Lindsay and Peter Vergo, 2 Vols. (transl. Peter Vergo); Boston: G.K. Hall & Co., (1982), p. 195; as cited in: Samet, Jennifer Sachs. Painterly Representation in New York, 1945-1975. Dissertation, The City University of New York, 2010. p. 25
1910 - 1915

Art , Question , Nature

“For some variation it would be better
to place the donkey seen from behind
[to avoid] all faces looking out of the picture [forward]
And the tree could also have more foliage.
1. Joseph has been portrayed too fat and too recklessly
2. Mary should hold the child more gently
because a vulnerable child can't stand being held so firmly
Joseph is too short fat - his head is growing from his trunk
and both [Joseph & Mary] their heads are too big”

Rembrandt van Rijn (1606–1669) Dutch 17th century painter and etcher

1640 - 1670

“If you're looking for a place to rest
Cold Mountain is good for a long stay
The breeze blowing through the dark pines
Sounds better the closer you come
And under the trees a white haired man
Mumbles over his Taoist texts
Ten years now he hasn't gone home
He's even forgotten the road he came by”

Han-shan Chinese monk and poet

Cold Mountain: 100 Poems by the T'ang Poet Han-shan

Home , Mountain

“Let's just ruin all the movies about pterosaurs: they could soar like airplanes, but they couldn't hover like hummingbirds. They couldn't carry things in their feet either, they couldn't perch on tree branches like birds, they didn't look like "bird-monsters", and they didn't look like "lizard-bats". They didn't have four-fingered wings like bats; their wings were based on an elongated pinky finger. The only thing bat-like about them was the way they walked; on all fours. So what are the possibilities for fluffy pterosaurs? We know they were a very diverse and almost certainly colorful group. They looked like a wide range of things, from fluttering bats to darting falcons. Some had powerful shell-crushing jaws and some had ridiculous crests, and some were quite huge. For decades, we were told that Pteranodon was the biggest animal that ever flew, then they discovered Ornithocheirus, then Quetzalcoatlus, then Hatzegopteryx (an apex predator)… These were capable killers of even human-sized prey, with a skull larger than that of even the biggest carnosaurs.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Youtube, Other, Pterosaurs are Terrible Lizards https://www.youtube.com/watch?v=3_htQ8HJ1cA (December 3, 2013)

Color , Way , Bird , Animals

“When the Apostle of God appeared, He did not announce unto the unbelievers that the Resurrection had come, for they could not bear the news. That Day is indeed an infinitely mighty Day, for in it the Divine Tree proclaimeth from eternity unto eternity, ‘Verily, I am God. No God is there but Me’. Yet those who are veiled believe that He is one like unto them, and they refuse even to call Him a believer, although such a title in the realm of His heavenly Kingdom is conferred everlastingly upon the most insignificant follower of His previous Dispensation.”

Báb (1819–1850) Iranian prophet; founder of the religion Bábism; venerated in the Bahá'í Faith

VIII, 9
The Persian Bayán

God , Appearance

“Metaphysics — what metaphysics do those trees have?”

Patrick Swift (1927–1983) British artist

Notebooks
Variant: Metaphysics — what metaphysics do those trees have?

“But there are motifs that would need three or four months' work, which could be done, as the vegetation doesn't change here. There are the olive trees and the pines that always keep their leaves. The sun is so fierce that objects seem to be silhouetted, not only in black or white, but in blue, red, brown, violet. I may be wrong, but this seems to be the very opposite of 'modeling'. How happy the gentle landscapists of Auvers would be here, and that [con, or 'bastard'? ] Guillemet.”

Paul Cézanne (1839–1906) French painter

Quote from Cezanne's letter to Camille Pissarro, from L'Estaque 2 July 1876, taken from Alex Danchev, The Letters of Paul Cézanne, 2013; as quoted in the 'Daily Beast' online, 13 Oct. 2013 https://www.thedailybeast.com/cezannes-letter-to-pissarro-picture-business-isnt-going-well
'The very opposite of 'modeling' meant roughly that Cézanne and Pissarro in their common painting-years in open air would lay down one plane or patch of color next to another in the painting, without any 'modeling' or shading between them - so that it looked as if each component part of the painting could be picked up from the canvas a little like a 'playing card from the table', as Cezanne explains here.
Quotes of Paul Cezanne, 1860s - 1870s

Change , Sun , Happiness

“Cordellas are invisible symbols that surface. As they do, they show the universe in a new light by the very nature of their relationships. In a very limited fashion, alphabets do the same thing, for once you have accepted certain basic verbal symbols they impose their discipline even upon your thoughts… and throw their particular light upon the reality you perceive. Alphabets are nevertheless tools that shape and direct perception. They are groups of relationships that you transpose upon "reality". To this extent they shape your conceptions of the world that you know. Their discipline and rigidity is considerable. Once you think of a "tree" as a tree, it takes great effort before you can see it freshly again, as a living individual entity. Cordellas do not have the same rigidity. Inner invisible relationships are allowed to rise, [with] the acknowledgment recognized reality viewed through the lenses of these emerging relationships.”

Jane Roberts (1929–1984) American Writer

Source: Adventures In Consciousness: An Introduction to Aspect Psychology (1975), p. 100

World , Fashion , Nature , Thinking

““Yes, maybe it’s just one colossal big joke with no point to it.” Lazarus stood up and stretched and scratched his ribs. “But I can tell you this, Andy, whatever the answers are, here’s one monkey that’s going to keep on climbing, and looking around him to see what he can see, as long as the tree holds out.””

Robert A. Heinlein (1907–1988) American science fiction author

“Methuselah’s Children” Part 2, Chapter 8, p. 667; closing words
Short fiction, The Past Through Tomorrow (1967)

“There is a well known and most profound saying of people wishing to induce sympathy in each other. 'Put yourself in his place,' they say. But it is easy only to put yourself in the place of your equals. At a certain point of inferiority, real or imaginary, this substitution is no longer possible…. Young Vittorio Mussolini has published a book on his Ethiopian campaign, of which I quote this extract: It was thrilling. A huge zariba, surrounded by tall trees, was very difficult to hit. I had to aim very carefully, and I only succeeded the third time. The poor devils inside jumped out when they saw their roof was on fire, and fled madly…surrounded by a ring of flames, four to five thousand Abyssinians died of suffocation. It was like hell itself. Smoke rising up to unbelievable heights, and flames turning the black sky red. Obviously Signor Vittorio Mussolini never dreamt of putting himself in the place of the Ethiopians!”

Georges Bernanos book Les grands cimetières sous la lune

Source: Les grands cimetieres sous la lune (A Diary of My Times) 1938, p.222-223

People , Books , Quotes , Hell

“I am an artist. Gardening is my graffiti. A graffiti artist beautifies walls; I beautify parkways and yards. I treat the garden as a piece of cloth and the plants and the trees are the embellishment of that cloth. You’d be surprised what soil can do if you let it be your canvas.”

Ron Finley American fashion designer and urban gardener

Ron Finley at TED2013 (2013)

Clothes

“We, the American People, are enormously wealthy. You know that? Who owns all of those trees in the national forests? (This is not a rhetorical question.) We do! Who owns all of that off-shore oil you read about in the newspaper, huh? We do! Who owns all of those minerals under the federal lands? We do! It’s public property, you know. But we elect people to go to Washington—who are those assholes?—what have we gotten ourselves into now?—they go to Washington, they lease off what we own, public property, to private companies to sell us back our own stuff for the sake of a greasy buck. That’s dumb.”

Utah Phillips (1935–2008) American labor organizer, folk singer, storyteller and poet

The Past Didn't Go Anywhere, Righteous Babe Records (1996)

People , Question , Reading

“Rememberest the gods, and that they wish not to be flattered, but wish all reasonable beings to be made like themselves; and… rememberest that what does the work of a fig-tree is a fig-tree, and that what does the work of a dog is a dog, and that what does the work of a bee is a bee, and that what does the work of a man is a man.”

Marcus Aurelius book Meditations

X, 8
Meditations (c. 121–180 AD), Book X

God , Dogs , Bee

“Half-buried to her flaming breast
In this bright tree, she makes her nest,
Hundred-sunned Phoenix! when she must
Crumble at length to hoary dust!”

George Darley (1795–1846) Irish poet, novelist, and critic

Poem Nepenthe

Sun

“From all the misty morning air, there comes a summer sound,
A murmur as of waters from skies, and trees, and ground. The birds they sing upon the wing, the pigeons bill and coo.”

Richard Watson Gilder A Midsummer Song

"A Midsummer Song", in Lyrics and Other Poems (1885).

Bird , Water , Singing , Summer

“Living and dead matter were so obviously at variance here, and the living matter so obviously triumphant in its adaptability over the dead elements and their rigid laws that the barren wilderness seemed to us more essentially alive than green trees rustling in the wind. How was it possible that for over a century scientists should have regarded nature as a harmonious whole, in itself so divinely complete that it needed no god? As long as the word nature conjured up the green woods and the flower-strewn meadows of our childhood that was understandable and in line with our own feelings. And even long scientific expeditions into the desert had done very little to correct this impression. It was only now, when the desert had become our home, that the old impression slowly began to fade.”

Henno Martin (1910–1998) German geologist

Source: Sheltering Desert; Union Deutsche Verlangsgesellschaft Ulm (1958), p. 87

God , Law , Feeling , Home

“A human face, a hand, a woman's breast or a manly body, an expression of conflicting joy and pain, the infinite ocean, savage crags, the melancholy speech of black trees against the snow, the fierce power of spring blossoms and the heavy lethargy of a hot summer noon when our old friend Pan is asleep and the ghost of noon are murmuring – all this is enough to make us forget the sorrows of the world, or to give them form. In any case the determination to give form to things brings with it part of the solution for which you are seeking. The path is hard and the goal can never be reached – but it is a path.”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

Beckmann's lecture 'Drei Briefe an eine Malerin' ('Three letters to a Woman-painter'), New York and Boston, Spring 1948; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 214
1940s

Pain , World , Spring , Joy

“All true opinions are living, and show their life by being capable of nourishment; therefore of change. But their change is that of a tree — not of a cloud.”

John Ruskin book Modern Painters

Volume V, Preface (1860).
Modern Painters (1843-1860)

Life , Change

“Present-day life is polluted at the roots. Man has put himself in the place of trees and animals and has polluted the air, has blocked free space. Worse can happen. The sad and active animal could discover other forces and press them into his service. There is a threat of this kind in the air. It will be followed by a great gain…in the number of humans. Every square meter will be occupied by a man. Who will cure us of the lack of air and of space?”

Italo Svevo book Zeno's Conscience

La vita attuale è inquinata alle radici. L'uomo s'è messo al posto degli alberi e delle bestie ed ha inquinata l'aria, ha impedito il libero spazio. Può avvenire di peggio. Il triste e attivo animale potrebbe scoprire e mettere al proprio servizio delle altre forze. V'è una minaccia di questo genere in aria. Ne seguirà una grande chiarezza... nel numero degli uomini. Ogni metro quadrato sarà occupato da un uomo. Chi ci guarirà dalla mancanza di aria e di spazio?
Source: La coscienza di Zeno (1923), P. 364; p. 436.

Life , Sadness , Animals

“Mariam is never very far, she is here, in these walls they've repainted, in the trees they've planted, in the blankets that keep the children warm, in these pillows and books and pencils. She is in the children's laughter. She is in the verses Aziza recites and in the prayers she mutters when she bows westward. But, mostly, Miriam is in Laila's own heart, where she shines with the bursting radiance of a thousand suns.”

Khaled Hosseini book A Thousand Splendid Suns

Source: A Thousand Splendid Suns (2007), Chapter, 51.

Children , Books , Laughter , Sun

“The stars are silent.
Voyager among dark harbors, I listen, but the midnight wind carries only the sound of trees and water lapping against the gunwale and the solitary cry of the night swallow.
There is no dawn. No searing sun rises in east or west. The rocks over Calumal do not silver, and the great round world slides through the void.”

Jack McDevitt book The Hercules Text

Source: The Hercules Text (1986), Chapter 10 Monitor (p. 162)

World , Star , Water , Sun

““The practice of employing images as ornaments and memorials to decorate the temple of the Lord is in a most especial manner approved by the Word of God himself. Moses was commanded to place two cherubim upon the ark, and to set up a brazen figure of the fiery serpent, that those of the murmuring Israelites who had been bitten might recover from the poison of their wounds by looking on the image. In the description of Solomon's temple, we read of that prince, not only that he made in the oracle two cherubim of olive tree, of ten 83 Vide supra, p. 17. 101 cubits in height, but that ‘all the walls of the temple round about he carved with divers figures and carvings.’ “In the first book of Paralipomenon (Chronicles) we observe that when David imposed his injunction upon Solomon to realise his intention of building a house to the Lord, he delivered to him a description of the porch and temple, and concluded by thus assuring him: ‘All these things came to me written by the hand of the Lord, that I may understand the works of the pattern.’ “The isolated fact that images were not only directed by the Almighty God to be placed in the Mosaic tabernacle, and in the more sumptuous temple of Jerusalem, but that [132] he himself exhibited the pattern of them, will be alone sufficient to authorise the practice of the Catholic Church in regard to a similar observance.”—(Hierurgia, p. 371.) All this may be briefly answered. There was no representation of the Jewish patriarchs or saints either in the tabernacle or in the temple of Solomon, as is the case with the Christian saints in the Roman Catholic and Græco-Russian Churches; and the brazen serpent, to which the author alludes, was broken into pieces by order of King Hezekiah as soon as the Israelites began to worship it.”

John Calvin (1509–1564) French Protestant reformer

Source: A Treatise of Relics (1543), pp. 100-101

God , Books , Understanding , Memory

“In the Craft, we do not believe in the Goddess — we connect with her; through the moon, the stars, the ocean, the earth, through trees, animals, through other human beings, through ourselves. She is here. She is within us all.”

Starhawk (1951) American author, activist and Neopagan

The Spiral Dance: A Rebirth of the Ancient Religion of the Goddess (1979)

Star , Animals

“There ain't no leaves to turn to gold—
There ain't a tree in sight—
In other ways the herder's told
October's come, all right.”

Arthur Chapman (poet) (1873–1935) American poet and newspaper columnist

October on the Sheep Range http://www.cowboypoetry.com/ac.htm#October, st. 1.
Cactus Center http://www.cowboypoetry.com/ac.htm#ccbk (1921)

Way

“For as the blood of Christ had been shed on this earth, and had ascended to heaven for the salvation of sinners, and was now returning to earth again in the form of dew - and as the leaves on the trees bore the impression of the figures I had seen in the heavens, it was plain to me that the Saviour was about to lay down the yoke he had borne for the sins of men, and the great day of judgement was at hand.”

Nat Turner (1800–1831) American slave rebellion leader

The Confessions of Nat Turner (1831)

Men , Christ

“Or he may study the hidden mind of the animal. A mixture of feelings and of thoughts, of dumb intelligences and of rudimentary affections, he reads the whole humble moral life of the beast in its eyes and in its movements.
He is even the confidant of nature. The trees, the plants talk to him like friends. The old gnarled oaks speak to him of their kindliness for the human race whom they protect beneath their sheltering branches. The flowers commune with him by the gracious swaying of their stalks, by the singing tones of their petals — each blossom amidst the grass is a friendly word addressed to him by nature.”

Auguste Rodin (1840–1917) French sculptor

Source: Art, 1912, Ch. II. To the artist, all in nature is beautiful, p. 48

Life , Feeling , Confidence , Intelligence

“The sand as white
as old bones, the pine trees
strangely red where the sun comes down.
I cannot say if it is our love,
or the day, that is ending.”

Anna Akhmatova (1889–1966) Russian modernist poet

Departures (1964), translated by Michael Cuanach http://web.archive.org/20041217155724/members.tripod.com/~Cuanach/anna.html

Love , Sun

“Just what makes that little old ant
Think he’ll move that rubber tree plant?
Anyone knows an ant, can’t
Move a rubber tree plant.
But he’s got high hopes, he’s got high hopes
He’s got high apple pie, in the sky hopes.”

Sammy Cahn (1913–1993) American lyricist, songwriter, musician

High Hopes (1959)
Song lyrics

Hope , Thinking

“They throw in Drummer Hodge, to rest
Uncoffined — just as found:
His landmark is a kopje-crest
That breaks the veldt around;
And foreign constellations west
Each night above his mound.

Young Hodge the Drummer never knew —
Fresh from his Wessex home —
The meaning of the broad Karoo,
The Bush, the dusty loam,
And why uprose to nightly view
Strange stars amid the gloam.

Yet portion of that unknown plain
Will Hodge forever be;
His homely Northern breast and brain
Grow to some Southern tree,
And strange-eyed constellations reign
His stars eternally.”

Thomas Hardy (1840–1928) English novelist and poet

" Drummer Hodge http://www.st-andrews.ac.uk/~www_se/personal/pvm/HardyBWar/pracrit.html" (1899), lines 1-18, from Poems of the Past and Present (1901)

Home , Star , Night

“Difference is the foundation of those buildings, the pilings beneath the docks, tangled in the roots of the trees. Half the place was built on it. The other half couldn’t live without it. But to talk about it in public reveals you to be ill-mannered and vulgar.”

Samuel R. Delany book The Einstein Intersection

Section 9
The Einstein Intersection (1967)

“My dear Theo, Thanks for your letter of this morning. Yesterday I saw the Corot exhibition. It included a painting of the 'Mount of Olives'; I'm glad he painted that. On the right, a group of olive trees, dark against the darkening blue sky; in the background hills covered with shrubs and a couple of tall trees, above them the evening star.... I've also seen the Louvre and the Luxembourg, as you can imagine. The Ruisdaels in the Louvre are magnificent, especially 'The bush', 'The breakwater' and 'The ray of sunlight.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

I wish you could see the small Rembrandts there, the 'Supper at Emmaus', and two pendants, 'The philosophers'.
quote from his Letter #034 to Theo (Paris, 31 May 1875) http://vangoghletters.org/vg/letters/let034/letter.html
1870s

Imagination , Star , Painting

“People have different professions, different points of view. They are like observers looking at the world through the narrow windows of an otherwise closed structure. Occasionally they assemble at the center and discuss what they have seen; then one observer will talk about a beautiful landscape with red trees, a red sky, and a red lake in the middle; the next one about an infinite blue plane without articulation; and the third about an impressive, five-floor-high building; they will quarrel. The observer on top of the structure (me) can only laugh at their quarrels-but for them the quarrels will be real and he (the observer on top) will be an unworldly dreamer. Real life… is exactly like that. Every person has his own well-defined opinions, which color the section of the world he percieves. And when people come together, when they try to discover the nature of the whole which they belong, they are bound to talk past each other; they will understand neither themselves nor their companions.”

Paul Karl Feyerabend book Killing Time

Pg 48.
Killing Time (1995)

Life , People , World , Beauty

“When the priest went in, he stopped short at the sight of this defamation of God's holy place, and dared not serve the requiem on such a spot. And so the church was left forever, with monsters stuck in the doors and windows, was overgrown with forest trees, roots, rough grass and wild thorns, and no one can now find the way to it.”

Nikolai Gogol book Viy

"Viy" (1835)

God , Way , Grass

“She sounded how you'd expect talking to a tree to sound - bored out of her mind.”

Orson Scott Card book Lovelock

Lovelock (1994)

“The planting of trees is the least self-centered of all that we do. It is a purer act of faith than the procreation of children.”

Thornton Wilder book The Eighth Day

The Eighth Day (1967)

Children , Faith

“While upon the subject of plants I may here mention a few of the more striking vegetable productions of Borneo. The wonderful Pitcher-plants, forming the genus Nepenthes of botanists, here reach their greatest development. Every mountain-top abounds with them, running along the ground, or climbing over shrubs and stunted trees; their elegant pitchers hanging in every direction. Some of these are long and slender, resembling in form the beautiful Philippine lace-sponge (Euplectella), which has now become so common; others are broad and short. Their colours are green, variously tinted and mottled with red or purple. The finest yet known were obtained on the summit of Kini-balou, in North-west Borneo. One of the broad sort, Nepenthes rajah, will hold two quarts of water in its pitcher. Another, Nepenthes Edwardsiania, has a narrow pitcher twenty inches long; while the plant itself grows to a length of twenty feet.”

Alfred Russel Wallace book The Malay Archipelago

The Malay Archipelago (1869)

Beauty , Mountain , Water

“My friends, the apples that I love for their delightful red, yellow, mauve and green clothing cease to be apples for me when I see them against this or that background, in such or such surroundings... And they resound in my sight like a music, reproducing this or that mood of my soul, this or that fleeting contact with the soul of things... To reproduce the things which exist without being, to reveal them to other people, by passing them through my sympathetic understanding, by revealing them in the passion I feel for hem, that is the goal of my artistic existence. To me apples, trees, human faces are not more than hints as to what else I should seen in them: the life of colour, comprehended by a passionate lover.”

Alexej von Jawlensky (1864–1941) Russian painter

Quote of Jawlensky, c. 1903; as cited by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 115
1900 - 1935

Love , Life , People , Music

“When I write "paradise" I mean not only apple trees and golden women but also scorpions and tarantulas and flies, rattlesnakes and Gila monsters, sandstorms, volcanoes and earthquakes, bacteria and bear, cactus, yucca, bladderweed, ocotillo and mesquite, flash floods and quicksand, and yes — disease and death and the rotting of flesh.”

Edward Abbey book Desert Solitaire

"Down the River", p. 147
Desert Solitaire (1968)

Death , Women , Disease

“Duchamp realized that there was something false in art, but his limitation was that, rather than demystifying, he amplified it. By taking a manufactured object and placing it out of context, he quite simply symbolized art. His actions tended to “represent” and not “present” the object. Duchamp, like all artists, could not “present” anything at all without “re-presenting” it. And if he symbolized art in this way, it was because as soon as he exhibited a bottle rack, a shovel, or a urinal, he was really stating that anything was art as soon as you pointed at it. By extension, and this is very important, that means that a cow in a field becomes art in a painting, a tree by Courbet becomes art, and a woman by Rubens becomes art; now this cow, this tree, and this woman exist in another way. Duchamp dismantled this process supposedly to take away its sanctity, but he went about it in such a way that by being against art, he was in art. Let’s clarify an important point right away: Duchamp is not anti-art. He belongs to art. The art of extolling the consumer society.”

Daniel Buren (1938) sculptor from France

Source: Art is no longer justifiable or setting the record straight, 2000, p. 66

Art , Way , Painting , Falseness

“My birthplace was California, but I couldn't forget Armenia, so what is one's country? Is it land of the earth, in a specific place? Rivers there? Lakes? The sky there? The way the moon comes up there? And the sun? Is one's country the trees, the vineyards, the grass, the birds, the rocks, the hills and summer and winter? Is it the animal rhythm of the living there? The huts and houses, the streets of cities, the tables and chairs, and the drinking of tea and talking? Is it the peach ripening in summer heat on the bough? Is it the dead in the earth there?”

William Saroyan (1908–1981) American writer

Inhale and Exhale (1936), Antranik and the Spirit of Armenia

Way , Drink , Bird , Grass

“Often sit alone happy happy
Thoughts somewhat far gone gone
Clouds circle mountain soft soft
Wind through valley swish swish
Ape in tree bounce bounce
Bird in forest chirp chirp
Time turns hair gray gray
Winter is here sad sad”

Han-shan Chinese monk and poet

Cold Mountain Transcendental Poetry

Sadness , Mountain , Bird , Winter

“As we rush, as we rush in the train,
The trees and the houses go wheeling back,
But the starry heavens above that plain
Come flying on our track.”

James Thomson (B.V.) (1834–1882) Scottish writer (1834-1882)

Sunday at Hampstead (1863–65), part X

Housing , Flying , Training

“Not that an isolated occasion of saying the truth automatically leads to the disappearance of falsehood. Dharampal's famous book The Beautiful Tree completely demolished the myth that the Brahmins kept all the education for their own caste, and that Shudras were kept in darkness and illiteracy. Yet, the myth is still repeated… It is not enough to unearth the truth, it also has to be broadcast, and nobody should get away with pretending it isn't there.”

Koenraad Elst (1959) orientalist, writer

Koenraad Elst, Ayodhya and After: Issues Before Hindu Society (1991)
1990s, Ayodhya and After: Issues Before Hindu Society (1991)

Truth , Books , Education , Beauty

“The plant laboratories in which this wonderful and vitally essential transformation is effected are chiefly located in the leaf of the plant… the thoughtful person must regard this structure—the most ordinary green leaf of tree or shrub or vine or the tiniest blade of grass—as in some respects the most wonderful thing in the world.”

Luther Burbank (1849–1926) American botanist, horticulturist and pioneer in agricultural science

p, 125
How Plants are Trained to Work for Man (1921) Vol. 5 Gardening

World , Grass , Personality

“I feel like a tree. A tree doesn't feel a duty to start doing something about the earth from which it comes. A tree just has to bear fruit, and leaves and blossoms. It doesn't feel grateful to the earth.”

Abbas Kiarostami (1940–2016) Iranian film director, screenwriter, photographer and film producer

http://www.ft.com/cms/s/0/95ecdfa2-4be8-11de-b827-00144feabdc0.html

Feeling

“A dumb halo of sorrow lurks in Shirin's cold gaze,
Reclining on the marble columns of the veranda,
A pregnant cat is sleeping on her lap
And slowly snores.

The Shirin's image north of the garden
Is hanging on an apple tree;
Khosrow, in love with another mistress, mockingly mutters;
How can the eye in this image
Show the trace of lover breathing eye of Shirin?…??
For a moment Khosrow beats at the bow and says:
Shirin's eye is a good target, I have ordained
That this new bow should be tried on it.

Khosrow, the king of the world,
The master of archers,
Pulled out an arrow from his quiver.
This Parthian arrow, this nimble flying hawk,
Is familiar with the bow and the thumb.

A spark rose from Mount Bistoun,
Was it the lightening from Farhad's ax?
An angry flame is blazing in the image's eye,
The loud uproar,
The loud clamor of Farhad's heart,
Is robing sleep from the cat's eye.”

Farrokh Tamimi (1934–2003) Iranian poet and translator

Poet, Farhad

Love , World , Cats , Lovers

“Was he balked by silence? He kneeled long,
And saw love in a dark crown
Of thorns blazing, and a winter tree
Golden with fruit of a man's body.”

R.S. Thomas (1913–2000) Welsh poet

"In a Country Church"
Song at the Year's Turning (1955)

Love , Silence , Winter

“Before him, numberless lovers smiled and talked.
And death was observed with sudden cries,
And birth with laughter and pain.
And the trees grew taller and blacker against the skies
And night came down again.”

Conrad Aiken (1889–1973) American novelist and poet

The House of Dust (1916 - 1917)

Death , Pain , Smile , Lovers

“Sit and be still
until in the time
of no rain you hear
beneath the dry wind's
commotion in the trees
the sound of flowing
water among the rocks,
a stream unheard before,
and you are where
breathing is prayer.”

Wendell Berry (1934) author

Given (2005), Sabbaths 2001

Water , Time

“What need is there of long journeying on the land or voyaging on the seas to seek and search for virtue, whose roots have been set by their Maker ever so near us, as the wise legislator of the Jews also says, “in thy mouth, in thy heart and in thy hand,” thereby indicating in a figure, words, thoughts and actions? All these, indeed, need the cultivator’s skill. Those who prefer idleness to labor, not only prevent the growths but also wither and destroy the roots. But those who consider inaction mischievous and are willing to labor, do as the husbandman does with fine young shoots. By constant care they rear the virtues into stems rising up to heaven, saplings ever blooming and immortal, bearing and never ceasing to bear the fruits of happiness, or as some hold, not so much bearing as being in themselves that happiness. These Moses often calls by the compound name of wholefruits. In the case of growths which spring from the earth, neither are the trees the fruit nor the fruit the trees, but in the soul’s plantation the saplings of wisdom, of justice, of temperance, have their whole being transformed completely into fruits.”

Philo (-15–45 BC) Roman philosopher

68-71.
Every Good Man is Free

Wisdom , Justice , Soul , Search

“Now fields are green, and trees bear silver buds.”

John Ogilby (1600–1676) Scottish academic

The Works of Publius Virgilius Maro (2nd ed. 1654), Virgil's Bucolicks

“Legislators represent people, not trees or acres. Legislators are elected by voters, not farms or cities or economic interests.”

Earl Warren (1891–1974) United States federal judge

On the subject of state Senate apportionment, in Reynolds v. Sims (1964)
1960s

People

“Phocion compared the speeches of Leosthenes to cypress-trees. "They are tall," said he, "and comely, but bear no fruit."”

Plutarch (46–127) ancient Greek historian and philosopher

56 Phocion
Apophthegms of Kings and Great Commanders

“As I was painting today, some thoughts came to me and I want to write them down for people I love. I know that I shall not live very long. But I wonder, is that sad? Is a celebration more beautiful because it lasts longer? And my life is a celebration, a short, intense celebration. My powers of perception are becoming finer.... with almost every breeze I take, I get a new sense and understanding of the linden tree, of ripened wheat, of hay... I suck everything up into me. And if only now love would blossom for me, before I depart; and if I can paint three good pictures, then I shall go gladly, with flowers in my hair..”

Paula Modersohn-Becker (1876–1907) German artist

excerpt of her Journal (1897); as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 196
1897

Love , Life , People , Sadness

“She looked into the distance, and the old terror flamed up for an instant, then sank again. Edna heard her father's voice and her sister Margaret's. She heard the barking of an old dog that was chained to the sycamore tree. The spurs of the cavalry officer clanged as he walked across the porch. There was the hum of bees, and the musky odor of pinks filled the air.”

Kate Chopin book The Awakening

The Awakening (1899)

Dogs , Sister , Bee

“When I am dead and over me bright April
Shakes out her rain-drenched hair,
Tho' you should lean above me broken-hearted,
I shall not care. I shall have peace, as leafy trees are peaceful
When rain bends down the bough,
And I shall be more silent and cold-hearted
Than you are now.”

Sara Teasdale (1884–1933) American writer and poet

"I Shall Not Care
Rivers to the Sea (1915)

Peace , Heart , Dead

“To me poor people are like bonsai trees. When you plant the best seed of the tallest tree in a flower-pot, you get a replica of the tallest tree, only inches tall. There is nothing wrong with the seed you planted, only the soil-base that is too inadequate. Poor people are bonsai people. There is nothing wrong in their seeds. Simply, society never gave them the base to grow on. All it needs to get the poor people out of poverty for us to create an enabling environment for them. Once the poor can unleash their energy and creativity, poverty will disappear very quickly.”

Muhammad Yunus (1940) Bangladeshi banker, economist and Nobel Peace Prize recipient

Creating a World without Poverty: Social Business and the Future of Capitalism (2007)

People , Flowers

“A great storm destroys much that is precious, but it may also clear the air and blow down trees which might have been obscuring the view and making our life stuffy, and reveal in our estate possibilities of development that we had not thought of.”

John Buchan (1875–1940) British politician

"A University's Bequest to Youth" (10 October 1936)
Canadian Occasions (1940)

Life

“Have you seen the land living by the breeze?
Can you understand the lights upon the trees?
Tell me all that you may know
Show me what you have to show
Tell us all today if you know the way to blue…”

Nick Drake (1948–1974) British singer-songwriter

Way To Blue
Song lyrics, Five Leaves Left (1969)

Way , Understanding , Light

“.. But it doesn't frighten me, because I studied in France, thank God, and I know of no artist in history who was not 'literary' when it came down to it. Not a single one. And even if they don't appear to be, I know of none and you at least don't recall them, because there is nothing to recall... Sometime or other I'd like to see a << pure >> artist, but I didn't even find one in France. Obviously the trouble is that one approaches painting from the other side, so that the word << sujet >> conceals the point of the thing. Yet even the most beautiful and << emptiest >> sujet (an apple, a grape or any << non-figurative painting >>) doesn't help if there are no foundations, either innate or acquired through hard work... Why don't we say clearly: << That is freedom, and this is commitment to the subject >> and << to each tree its berries >>, but let it be a tree and not a donkey..”

Marc Chagall (1887–1985) French artist and painter

Quote in Chagall's letter to A. N. Benois, 1918; as quoted in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, p. 150
1910's

God , Beauty , History , Study

“They stood in silence, in their beauty: like two young trees of the plain, when the shower of spring is on their leaves, and the loud winds are laid.”

James Macpherson (1736–1796) Scottish writer, poet, translator, and politician

"Carric-thura". Compare:
Τὼ δ᾽ ἄνεῳ καὶ ἄναυδοι ἐφέστασαν ἀλλήλοισιν,
ἢ δρυσίν, ἢ μακρῇσιν ἐειδόμενοι ἐλάτῃσιν,
τε παρᾶσσον ἕκηλοι ἐν οὔρεσιν ἐρρίζωνται,
νηνεμίῃ· μετὰ δ᾽ αὖτις ὑπὸ ῥιπῆς ἀνέμοιο
κινύμεναι ὁμάδησαν ἀπείριτον.
The pair then faced each other, silent, unable to speak, like oaks or tall firs, which at first when there is no wind stand quiet and firmly rooted on the mountains, but afterwards stir in the wind and rustle together ceaselessly.
Apollonius of Rhodes, Argonautica (3rd century BC), Book III, lines 967–971 (tr. Richard Hunter)
The Poems of Ossian

Beauty , Spring , Silence

“January, 14th, 1835: We came to anchor in the spacious bay of Santa Barbara. There was only one vessel in the port. Beside the vessel, there was no object to break the surface of the bay… directly opposite the anchoring ground, lie the mission and town of Santa Barbara, on a low plain, but little above the level of the sea, covered with grass, though entirely without trees, and surrounded on three sides by an amphitheater of mountains, which slant off to the distance of fifteen or twenty miles. The mission stands a little back of the town, and is a large building, or rather a collection of buildings, in the center of which is a high tower, with a belfry of five bells. The whole, being plastered, makes quite a show at a distance, and is the mark by which vessels come to anchor. The town lies a little nearer to the beach — about half a mile from it — and is composed of one-story houses built of sun-baked clay, or adobe, some of them whitewashed, with red tiles on the roof. I should judge that there was about a hundred of them… The town is finely situated, with a bay in front, and an amphitheater of hills behind.”

Richard Henry Dana Jr. book Two Years Before the Mast

Two Years Before the Mast (1840)

Lie , Mountain , Grass , Sun

“Acts of creation are ordinarily reserved for gods and poets, but humbler folk may circumvent this restriction if they know how. To plant a pine, for example, one need be neither god nor poet; one need only own a shovel. By virtue of this curious loophole in the rules, any clodhopper may say: Let there be a tree—and there will be one.”

Aldo Leopold book A Sand County Almanac

“December: Pines above the Snow”, p. 81.
A Sand County Almanac, 1949, "November: Axe-in-Hand," "November: A Mighty Fortress," and "December: Pines above the Snow"

God

“Storms in the forest have a more primal character than storms playing over tamed urban land. A vigorous cloudburst is exhilarating, a burst of sensory delight with its leafy smells, gray light, and chill. But a full tree-ripping storm pushes the senses beyond exhilaration or thrill, into fear.”

David G. Haskell (1950) writer, Biologist

"November 21st — Twigs," page 218
The Forest Unseen: A Year's Watch in Nature http://theforestunseen.com/ (2012)

Fear , Sense , Light

“There once was a man who said: "God
Must think it exceedingly odd
If he finds that this tree
Continues to be
When there's no one about in the Quad."”

Ronald Knox (1888–1957) English priest and theologian

Langford Reed, The Complete Limerick Book (1924)
The topic of this limerick and the following one is George Berkeley's philosophical principle, "To be is to be perceived".

God , Thinking

“There grew her father's cypress tree,
No other monument had he.
He bade that never funeral stone
Should tell of glory overthrown,—
What could it say, but foreign sky
Had seen the exile pine and die?”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Golden Violet - The Wreath
The Golden Violet (1827)

“It's in the trees!
It's coming!”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, Hounds of Love (1985)

“I'm like a chimpanzee, in a tree, jumping up and down, warning other chimpanzees when I see a big cat coming through the woods… I'm the weirdo? Because I'm sitting in a tree going "OOH OOH AAH AAH AAH OOH AAH AAH OOH OOH OOH AAH AAH AAH AAH AAH!"”

Alex Jones (1974) American radio host, author, conspiracy theorist and filmmaker

"Internet Wars Between TYT and Alex Jones" https://www.youtube.com/watch?v=I8FUHVLHzVA&feature=youtu.be&t=7m5s, The Young Turks, 18 December 2009.
2009

Cats

“When we go up to the shelves in the reading-room of the British Museum, how like it is to wasps flying up and down an apricot tree that is trained against a wall, or cattle coming down to drink at a pool!”

Samuel Butler (1835–1902) novelist

Mental and Physical Pabulum
The Note-Books of Samuel Butler (1912), Part VI - Mind and Matter

Drink , Reading , Flying , Training

“Godzilla 2014 missed the mark primarily because it is not an origins story. Gojira was a monster of our own making. Similarly Gino was supposed to impose nature’s response to our meddling. But G2014 pre-existed genetic modifications and nuclear testing. We have no responsibility for him, nor the mutos either. They come from a time that never was, millions of years ago, “when the world was much more radioactive than it is today”. The story implies that mutos ‘eat radiation’. In the film, they can track it through every kind of protective shielding, and they eat nuclear devices like fruit -metallic peal and all. I guess millions of years ago, nuclear missiles grew on trees, and kaiju were common even though they’re absent from the fossil record -with only one top-secret exception. As an advocate of science education with a deep interest in paleontology, and as someone who would rather see humans held accountable for what they do to their environment, this film was very disappointing. As an atheist, it was even worse. The star of the film not only has impossible dimensions and an inexplicable power, he is also immortal. He’s been alive forever, and spends all his time sleeping. He awakens only he senses submarines or the arrival of other kaiju, because he has a mission to protect humanity. G2014 put the ‘god’ in Godzilla. The director called him a god, and some of the characters in the movie describe him as a god too. So he’s not a lizard, not a dinosaur, but one of the Lovecraftian great old ones like Cthulhu. In a video I made years ago, I too joked about Godzilla being a god. But it was still somewhat disappointing to see him depicted that way.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Patheos, Weighing in on Godzilla http://www.patheos.com/blogs/reasonadvocates/2014/06/08/weighing-in-on-godzilla/ (June 8, 2014)

God , Secret , World , Education

“Worpswede, I cannot get you out of my mind. There was such atmosphere there – right down to the tips of your toes. Your magnificent pine trees! I call them my men – thick, gnarled, powerful, and tall – and yet with the most delicate nerves and fibers in them. That is my image of the ideal artist. And your birch trees – delicate, slender young virgins who delight the eyes. With that relaxed and dreamy face, as if life had not really begun for them… But then there are some already masculine and bold, with strong and straight trunks. Those are my 'Modern women'. And you willows, with your knotty trunks… You are my old men with silver beards. I have company enough, indeed I do, and it's my own private company. We understand each other well and nod friendly answers back and forth. Life, life, life!”

Paula Modersohn-Becker (1876–1907) German artist

a quote of her Journal, Worpswede 1897; as cited in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 192
1897

Life , Women , Men , Understanding

“Meadows trim, with daisies pied,
Shallow brooks, and rivers wide;
Towers and balements it sees
Bosomed high in tufted trees,
Where perhaps some beauty lies,
The cynosure of neighboring eyes.”

John Milton (1608–1674) English epic poet

Source: L'Allegro (1631), Line 75

Beauty

“In the night as he slept Boyd came to him and squatted by the deep embers of the fire as he'd done times by the hundreds and smiled his soft smile that was not quite cynical and he took off his hat and held it before him and looked down into it. In the dream he knew that Boyd was dead and that the subject of his being so must be approached with a certain caution for that which was circumspect in life must be doubly so in death and he'd no way to know what word or gesture might subtract him back again into that nothingness out of which he'd come. When finally he did ask him what it was like to be dead Boyd only smiled and looked away and would not answer. They spoke of other things and he tried not to wake from the dream but the ghost dimmed and faded and he woke and lay looking up at the stars through the bramblework of the treelimbs and he tried to think of what that place could be where Boyd was but Boyd was dead and wasted in his bones wrapped in the soogan upriver in the trees and he turned his face to the ground and wept.”

Cormac McCarthy book The Crossing

The Crossing (1994)

Life , Death , Smile , Dreams

“The highest point of Christian experience is to press forward. It is a distinguishing trait in the character of every good man that he grows in grace. Grace in the heart as certainly improves and advances, as a tree thrives in a kindly and well watered soil.”

Gardiner Spring (1785–1873) American clergyman

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 294.

Water , Heart

“Riding somewhere was always a happy thing. First of all: as long as you're moving, you haven't arrived. As long as you haven't arrived, you don't have to work. Riding in truck gives you time to recover. Second: when you ride, you come to some place that couldn't care less about you. you can't be yelled at or beaten by a tree. Under a tree, yes but the tree can't help that.”

Herta Müller book The Hunger Angel

Source: The Hunger Angel (2012), p. 50

Time , Help , Happiness

“I make music all the time that no-one ever hears. Y' know, I sing in the shower, I hit on things. Music is life - life is music. Of all people, Nietzsche said 'Life without music is an error'. And so I'll be making music one way or another. Oh believe me, I make music.. I've made whole records that no-one heard. Oh they came out, no-one bought them! We used to do whole secret tours, we used to stand outside like 'We're playing tonight!”

Henry Rollins (1961) American singer-songwriter

and only the bouncers and bartenders would see you. I'm used to it. I'm that tree that falls in the forest.
Clip for Studio4a http://www.youtube.com/watch?v=J6SuvanvZFY&feature=related at youtube.com

Life , People , Secret , Music

“It is my conviction and shraddha (faith) that even on economic issues, Gandhi is relevant even today…. So in every aspect of my social reform efforts, you will see the imprint of Gandhi…. I bring every little aspect of Gandhi ji’s life into my work. In social forestry, that is, in planting trees outside forest areas, Gujarat is number one in India… We have also incentivized every village to have a panchvati (a green belt drawing its name from the forest in which Ram, Lakshman, and Sita lived during their years of exile)…. This is part of putting our traditions and Gandhian values to creative use.”

Narendra Modi (1950) Prime Minister of India

Narendra Modi quoted from Kishwar, Madhu (2014). Modi, Muslims and media: Voices from Narendra Modi's Gujarat. p.381-386
2013

Life , Faith , Effort , Parting

“I would say that poetry for most people is like the Christmas tree that is kept in the attic and is taken down in its appropriate season.”

Dennis O'Driscoll (1954–2012) Irish poet, critic

Poetry Quotes

People , Christmas , Season

“Throw thy bold banner to the breeze!
Front with thy ranks the threatening seas
Like thine own proud armorial trees,
Carolina!

Fling down thy gauntlet to the Huns,
And roar the challenge from thy guns;
Then leave the future to thy sons,
Carolina!”

Henry Timrod (1828–1867) Poet from the American South

"Carolina", st. VII, 2–3
An adaptation of this poem , edited by G.R. Goodwin and set to music by Anne Curtis Burgess, was adopted as the official state song of Carolina in 1911.

Future , Sea

“Mie love ys dedde,
Gon to hys death-bedde,
Al under the wyllowe tree. Waterre wytches, crownede wythe reytes,
Bere mee to yer leathalle tyde.
I die; I comme; mie true love waytes.
Thos the damselle spake, and dyed.”

Thomas Chatterton (1752–1770) English poet, forger

Ælla; a Tragycal Enterlude, "Mynstrelles Songe", line 54.

Love , Death

“Of all the trees that grow so fair,
Old England to adorn,
Greater are none beneath the Sun,
Than Oak, and Ash, and Thorn.”

Rudyard Kipling (1865–1936) English short-story writer, poet, and novelist

A Tree Song,
Puck of Pook's Hill 1906

Sun

“The force that through the green fuse drives the flower
Drives my green age; that blasts the roots of trees
Is my destroyer.
And I am dumb to tell the crooked rose
My youth is bent by the same wintry fever.”

Dylan Thomas (1914–1953) Welsh poet and writer

" The Force That Through the Green Fuse Drives the Flower http://www.internal.org/view_poem.phtml?poemID=266" (1934), st. 1

Youth , Age , Flowers

“Sunlight falling bright
Over village garden walls
Moonlight shower's gold
where leaving waterfalls
People walk in splendour
Under trees hung in starlight.”

Mike Oldfield (1953) English musician, multi-instrumentalist

Song lyrics, Children of the Sun (1969)

People

“Humanity faces the most complex task of its history so far. Stated in a solution-oriented way, it is necessary gradually to reorganize this planet at two levels. One must deal with the competing necessities of biosphere and mankind with all their environmental and climatic consequences. On the other level, it is necessary to resolve the demands of competing nations and worlds within mankind's hierarchy of socioeconomic developmental levels and the "Christmas tree" of sociopolitical, ideological, and military consequences.”

Krafft Arnold Ehricke (1917–1984) German aerospace engineer

The Extraterrestrial Imperative (1978)

World , Way , History , Christmas

“They are not like the – patron’s hands or the – blessing hands of the curate – They resemble their tools, mountains, tree trunks… The time is approaching when machines will – work FOR them – Then he will have hands like his boss – WHY NOT? – He's on the way – HIS LIFE begins TODAY [written text in his painting 'Les mains – hommage a Majakovski', 1951 - [ Vladimir Mayakovsky was a Russian Futurist poet].”

Fernand Léger (1881–1955) French painter

Quotes of Fernand Leger, 1950's
Source: Fernand Léger – The Later Years -, catalogue ed. Nicolas Serota, published by the Trustees of the Whitechapel Art gallery, London, Prestel Verlag, 1988, p. 68

Life , Way , Mountain , Time

“When the juices of trees have no means of escape, they clot and rot in them, making the trees hollow and good for nothing.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter IX, Sec. 4

“At two o'clock in the morning the land was discovered, at two leagues' distance; they took in sail and remained under the square-sail lying to till day, which was Friday, when they found themselves near a small island, one of the Lucayos, called in the Indian language Guanahani. Presently they descried people, naked, and the Admiral landed in the boat, which was armed, along with Martin Alonzo Pinzon, and Vincent Yanez his brother, captain of the Nina. The Admiral bore the royal standard, and the two captains each a banner of the Green Cross, which all the ships had carried; this contained the initials of the names of the King and Queen each side of the cross, and a crown over each letter Arrived on shore, they saw trees very green many streams of water, and diverse sorts of fruits.”

Cristoforo Colombo (1451–1506) Explorer, navigator, and colonizer

Variant translation: At two hours after midnight appeared the land, at a distance of two leagues. They handed all sails and set the treo, which is the mainsail without bonnets, and lay-to waiting for daylight Friday, when they arrived at an island of the Bahamas that was called in the Indians' tongue Guanahani.
As translated in Journals and Other Documents on the Life and Voyages of Christopher Columbus (1963) by Samuel Eliot Morison, p. 64
Journal of the First Voyage

People , Lying , Water

Quotes about trees page 8

Quotes about trees
page 8