Quotes about the soul
page 42

Jean Paul Sartre photo

“Yes, I am so free. And what a superb absence is my soul.”

Orestes, Act 1
The Flies (1943)

Gaston Bachelard photo
Auguste Rodin photo
Michel De Montaigne photo

“Once conform, once do what others do because they do it, and a kind of lethargy steals over all the finer senses of the soul.”

Michel De Montaigne (1533–1592) (1533-1592) French-Occitan author, humanistic philosopher, statesman

Attributed

Josemaría Escrivá photo

“You are ready to give your life for your honour … Be ready to give up your honour for your soul.”

Josemaría Escrivá (1902–1975) Spanish theologian

#614
The Furrow (1986)

Sarojini Naidu photo

“Caprice
You held a wild flower in your finger -tips,
Idly you pressed it to indifferent lips,
Idly you tore its crimson leaves apart…
Alas! It was my heart You held wine-cup in your finger-tips,
Lightly you raised it to indifferent lips,
Lightly you drank and flung away the bowl…,
Alas! It was my soul. Page 153”

Sarojini Naidu (1879–1949) Indian politician, governor of the United Provinces of Agra and Oudh from 1947 to 1949

Her poem in [Gokak, Vinayak Krishna, The Golden Treasury of Indo-Anglian Poetry, 1828-1965, http://books.google.com/books?id=WLE8GVsAfEMC, 1970, Sahitya Akademi, 978-81-260-1196-4, 153]
Poetry

Baldur von Schirach photo

“That is the greatest thing about him. That he is not only our leader and a great hero. But himself, upright, firm and simple. In him the roots of our world. And his soul touches the stars. And yet he remains a man like you and me.”

Baldur von Schirach (1907–1974) German Nazi leader convicted of crimes against humanity in the Nuremberg trial

A poem written by Schirach about Hitler in 1936. Quoted in "The Trial of the Germans" - Page 287 - by Eugene Davidson - History - 1997

Julian of Norwich photo
Jim Morrison photo
Julian of Norwich photo
Hermann Hesse photo
Steven Erikson photo

“Hunger for vengeance poisoned the soul.”

Source: Gardens of the Moon (1999), Chapter 4 (p. 153)

Vyjayanthimala photo
Alice A. Bailey photo
William Sharp (writer) photo

“The desire of love, Joy:
The desire of life, Peace:
The desire of the soul, Heaven:
The desire of God … a flame-white secret forever.”

William Sharp (writer) (1855–1905) Scottish writer

Desire, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Ali al-Hadi photo

“Poverty and adversity is the cause of the soul’s rebellion, revolt, and the gravity of dismay.”

Ali al-Hadi (829–868) imam

Majlisi, Bihārul Anwār, vol.78, p. 368.
Religious Wisdom

Swami Vivekananda photo
Samuel Beckett photo
Pythagoras photo

“The most momentous thing in human life is the art of winning the soul to good or to evil.”

Pythagoras (-585–-495 BC) ancient Greek mathematician and philosopher

As quoted in Lives and Opinions of Eminent Philosophers, as translated by Robert Drew Hicks (1925)
Variant translation: The most momentous thing in human life is the art of winning the soul to good or evil.
As quoted in Ionia, a Quest (1954) by Freya Stark, p. 94

Thomas Carlyle photo
Letitia Elizabeth Landon photo

“Yet, wake again, I pray thee, wake;
My soul yet lives upon the chords —
My heart must breathe its wrongs, or break :
Yet can it find relief in words!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(20th March 1824) Metrical Tales. Tale IV.— The Troubadour
The London Literary Gazette, 1824

Albert Einstein photo

“May they not forget to keep pure the great heritage that puts them ahead of the West: the artistic configuration of life, the simplicity and modesty of personal needs, and the purity and serenity of the Japanese soul.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Comment made after a six-week trip to Japan in November-December 1922, published in Kaizo 5, no. 1 (January 1923), 339. Einstein Archive 36-477.1. Appears in The New Quotable Einstein by Alice Calaprice (2005), p. 269
1920s

William Allingham photo
Julian of Norwich photo
George Holyoake photo

“Moved by a generous eagerness to turn men's attention to the power which dwelt in circumstances, Mr. Owen devised the instructive phrase, that "man's character was formed for him and not by him." He used the unforgettable inference that "man is the creature of circumstances." The school of material improvers believed they could put in permanent force right circumstances. The great dogma was their charter of encouragement. To those who hated without thought It seemed a restrictive doctrine to be asked to admit that there were extenuating circumstances in the career of every rascal. To the clergy with whom censure was a profession, and who held that all sin was wilful, man being represented as the "creature of circumstances," appeared a denial of moral responsibility. When they were asked to direct hatred against error, and pity the erring — who had inherited so base a fortune of incapacity and condition — they were wroth exceedingly, and said it would be making a compromise with sin. The idea of the philosopher of circumstances was that the very murderer in his last cell had been born with a staple in his soul, to which the villainous conditions of his life had attached an unseen chain, which had drawn him to the gallows, and that the rope which was to hang him was but the visible part. Legislators since that day have come to admit that punishment is justifiable only as far as it has preventive influence. To use the great words of Hobbes, "Punishment regardeth not the past, only the future."”

George Holyoake (1817–1906) British secularist, co-operator, and newspaper editor

George Jacob Holyoake in The History of Co-operation in England (1875; 1902).

Hermann Hesse photo
Diogenes Laërtius photo

“He was once asked what a friend is, and his answer was, "One soul abiding in two bodies."”

Diogenes Laërtius (180–240) biographer of ancient Greek philosophers

Aristotle, 9.
The Lives and Opinions of Eminent Philosophers (c. 200 A.D.), Book 5: The Peripatetics

Jean de La Bruyère photo

“There are some sordid minds, formed of slime and filth, to whom interest and gain are what glory and virtue are to superior souls; they feel no other pleasure but to acquire money.”

Il y a des âmes sales, pétries de boue et d’ordure, éprises du gain et de l’intérêt, comme les belles âmes le sont de la gloire et de la vertu; capables d’une seule volupté, qui est celle d’acquérir ou de ne point perdre.
Aphorism 58
Les Caractères (1688), Des biens de fortune

Matthew Arnold photo
Robert Benchley photo

“Great literature must spring from an upheaval in the author's soul. If that upheaval is not present then it must come from the works of any other author which happens to be handy and easily adapted.”

Robert Benchley (1889–1945) American comedian

As quoted in The Routledge Dictionary of Quotations : A Dictionary of Quotations (1987) by Robert Andrews, p. 154

Robert Grosseteste photo
Wassily Kandinsky photo
Alfred Austin photo

“The glory of gardening: hands in the dirt, head in the sun, heart with nature. To nurture a garden is to feed not just the body, but the soul.”

Alfred Austin (1835–1913) British writer and poet

Source: As quoted in Growing with the Seasons (2008) by Frank & Vicky Giannangelo, p. 115., and one or two other gardening books, as well as on various internet gardening sites and lists of quotations. However, it is sometimes attributed to Voltaire, and about one-third of the time it is quoted without attribution (at times even without quotation marks). It is not to be found in Austin's The Garden That I Love or any of its five sequels.

Henry Adams photo
William Wordsworth photo
Joseph Addison photo
John Gray photo
Francisco Palau photo
John Banville photo
John Newton photo
James Montgomery photo

“Return unto thy rest, my soul,
From all the wanderings of thy thought,
From sickness unto death made whole,
Safe through a thousand perils brought.”

James Montgomery (1771–1854) British editor, hymn writer, and poet

Rest for the Soul.
Bartlett's Familiar Quotations, 10th ed. (1919).

Sri Aurobindo photo

“Our first necessity, if India is to survive and do her appointed work in the world, is that the youth of India should learn to think,—to think on all subjects, to think independently, fruitfully, going to the heart of things, not stopped by their surface, free of prejudgments, shearing sophism and prejudice asunder as with a sharp sword, smiting down obscurantism of all kinds as with the mace of Bhima. (…) When there is destruction, it is the form that perishes, not the spirit—for the world and its ways are forms of one Truth which appears in this material world in ever new bodies…. In India, the chosen land, [that Truth] is preserved; in the soul of India it sleeps expectant on that soul's awakening, the soul of India leonine, luminous, locked in the closed petals of the ancient lotus of love, strength and wisdom, not in her weak, soiled, transient and miserable externals. India alone can build the future of mankind. (…) Ancient or pre-Buddhistic Hinduism sought Him both in the world and outside it; it took its stand on the strength and beauty and joy of the Veda, unlike modern or post-Buddhistic Hinduism which is oppressed with Buddha's sense of universal sorrow and Shankara's sense of universal illusion,—Shankara who was the better able to destroy Buddhism because he was himself half a Buddhist. Ancient Hinduism aimed socially at our fulfilment in God in life, modern Hinduism at the escape from life to God. The more modern ideal is fruitful of a noble and ascetic spirituality, but has a chilling and hostile effect on social soundness and development; social life under its shadow stagnates for want of belief and delight, sraddha and ananda. If we are to make our society perfect and the nation is to live again, then we must revert to the earlier and fuller truth.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

1910-1912
India's Rebirth

Nina Salaman photo

“Ours it is to bear the Sabbath in our souls.”

Nina Salaman (1877–1925) British Jewish poet, translator, and social activist

Poem The Sabbath (1918)

Friedrich Gottlieb Klopstock photo
Muhammad Iqbál photo
Cora L. V. Scott photo
Rudyard Kipling photo
William Wordsworth photo
Edward Herbert, 1st Baron Herbert of Cherbury photo

“Let then no doubt, Celinda, touch,
Much less your fairest mind invade:
Were not our souls immortal made
Our equal loves can make them such.”

Edward Herbert, 1st Baron Herbert of Cherbury (1583–1648) Anglo-Welsh soldier, diplomat, historian, poet and religious philosopher

"An Ode Upon a Question Moved Whether Love Should Continue for Ever", line 121

Basil of Caesarea photo
John Donne photo

“Our two souls therefore which are one,
Though I must go, endure not yet
A breach, but an expansion,
Like gold to airy thinness beat.”

John Donne (1572–1631) English poet

A Valediction Forbidding Mourning, stanza 6

John Addington Symonds photo

“No seed shall perish which the soul hath sown.”

John Addington Symonds (1840–1893) English poet and literary critic

Sonnet. Versöhnung. A Belief.

Oriana Fallaci photo

“I am not speaking, obviously, to the laughing hyenas who enjoy seeing images of the wreckage and snicker good–it–serves–the–Americans–right. I am speaking to those who, though not stupid or evil, are wallowing in prudence and doubt. And to them I say: "Wake up, people. Wake up!!" Intimidated as you are by your fear of going against the current—that is, appearing racist (a word which is entirely inapt as we are speaking not about a race but about a religion)—you don’t understand or don’t want to understand that a reverse–Crusade is in progress. Accustomed as you are to the double–cross, blinded as you are by myopia, you don’t understand or don’t want to understand that a war of religion is in progress. Desired and declared by a fringe of that religion, perhaps, but a war of religion nonetheless. A war which they call Jihad. Holy War. A war that might not seek to conquer our territory, but that certainly seeks to conquer our souls. That seeks the disappearance of our freedom and our civilization. That seeks to annihilate our way of living and dying, our way of praying or not praying, our way of eating and drinking and dressing and entertaining and informing ourselves. You don’t understand or don’t want to understand that if we don’t oppose them, if we don’t defend ourselves, if we don’t fight, the Jihad will win. And it will destroy the world that for better or worse we’ve managed to build, to change, to improve, to render a little more intelligent, that is to say, less bigoted—or even not bigoted at all. And with that it will destroy our culture, our art, our science, our morals, our values, our pleasures… Christ! Don’t you realize that the Osama Bin Ladens feel authorized to kill you and your children because you drink wine or beer, because you don’t wear your beard long or a chador, because you go to the theater or the movies, because you listen to music and sing pop songs, because you dance in discos or at home, because you watch TV, wear miniskirts or short–shorts, because you go naked or half naked to the beach or the pool, because you *** when you want and where you want and who you want? Don’t you even care about that, you fools? I am an atheist, thank God. And I have no intention of letting myself be killed for it.”

"Rage and the Pride">Oriana Fallaci - The Rage and the Pride http://www.amazon.co.uk/Rage-Pride-Oriana-Fallaci/dp/084782599X - Universe Publishing; Intl edition, 2002, ISBN 9780847825998

Robert G. Ingersoll photo

“I belong to the Great Church which holds the world within its starlit aisles; that claims the great and good of every race and clime; that finds with joy the grain of gold in every creed, and floods with light and love the germs of good in every soul.”

Robert G. Ingersoll (1833–1899) Union United States Army officer

Robert G. Ingersoll, a declaration in discussion with Rev. Henry M. Field on Faith and Agnosticism, quoted in Vol. VI of Farrell's edition of his works, also in Hoyt's New Cyclopedia Of Practical Quotations (1922) edited by Kate Louise Roberts, p. 663.

Samuel Adams photo
Bruce Springsteen photo
Charles Henry Webb photo

“Of Christian souls more have been wrecked on shore
Than ever were lost at sea.”

Charles Henry Webb (1834–1905) American poet

With a Nantucket Shell, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Dennis Kucinich photo

“This is a struggle for the soul of the Democratic Party, which in too many cases has become so corporate and identified with corporate interests that you can't tell the difference between Democrats and Republicans.”

Dennis Kucinich (1946) Ohio politician

Interview with Judy Woodruff, Inside Politics, CNN (17 February 2003) http://transcripts.cnn.com/TRANSCRIPTS/0302/17/ip.00.html.

Edward Norris Kirk photo

“Your great employment is to bring the individual souls of men to Christ.”

Edward Norris Kirk (1802–1874) American Christian missionary, pastor, teacher, evangelist and writer

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 411.

John Lancaster Spalding photo

“The first requisite of a gentleman is to be true, brave and noble, and to be therefore a rebuke and scandal to venal and vulgar souls.”

John Lancaster Spalding (1840–1916) Catholic bishop

Source: Aphorisms and Reflections (1901), p. 120

Carole King photo
Northrop Frye photo

“One of the major activities of art consists in sharpening the edge of platitudes to make them enter the soul as realities.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

Source: "Quotes", Notebooks and Lectures on the Bible and Other Religious Texts (2003), p. 7

Robert G. Ingersoll photo
Auguste Rodin photo

“I admit, of course, that the artist does not see nature as the vulgar do. His emotion reveals to him the inner truths that underlie appearance. But the only principle In art is to copy what one sees. Every other method is ruinous. No one can embellish Nature. It is simply and solely a question of seeing. Doubtless a mediocre man, when he copies will never produce a work of art. He looks without seeing. No matter how minutely he observes, the result will be flat and without character. But the artist's trade is not for mediocre men, and no amount of training can supply them with talent. The artist sees - he sees with his heart. He sees deep into the heart of Nature. To the artist everything in Nature is beautiful.
The vulgarian imagines that what looks to him ugly In Nature is not material for the artist. He would forbid us to represent what displeases and offends him. He makes a grave mistake. What is commonly called ugliness in Nature may become a great beauty in art.
In the realm of realities, people regard as ugly everything that is deformed and diseased and that suggests sickness, weakness and suffering. They regard as ugly everything that defies regularity, which is to them the symbol and condition of health and strength. A hump is ugly, bow-legs are ugly, misery in rags is ugly. Ugly, again, are the soul and conduct of the immoral, the vicious, the criminal man, the abnormal man who is an enemy of society; ugly is the soul of the parricide, the traitor, the unscrupulous slave of ambition. And it is right that the lives and the of which we can expect only evil should be given an odious epithet.”

Auguste Rodin (1840–1917) French sculptor

Rodin on realism, 1910

Isaac Rosenberg photo
Letitia Elizabeth Landon photo
Paul Cézanne photo
William Westmoreland photo
Gene Wolfe photo

“We can dive to the bottom of the sea and some say NASA will fly us to the stars, and I have known men to plunge into the past—or the future—and drown. But there's one place where we can't go. We can't go where we are already. We can't go home, because our minds, and our hearts, and our immortal souls are already there there.”

Gene Wolfe (1931–2019) American science fiction and fantasy writer

"Kevin Malone", New Terrors (1980), ed. Ramsey Campbell, Reprinted in Gene Wolfe, Endangered Species (1989), Reprinted in Gene Wolfe, The Best of Gene Wolfe (2009)
Fiction

Julian of Norwich photo
Paul Gauguin photo

“Painting is the most beautiful of all arts. In it, all sensations are condensed, at its aspect everyone may create romance at the will of his imagination, and at a glance have his soul invaded by the most profound memories, no efforts of memory, everything summed up in one moment. Complete art which sums up all the others and completes them. Like music, it acts on the soul through the intermediary of the senses, the harmonious tones corresponding to the harmonies of sounds, but in painting, a unity is obtained which is not possible in music, where the accords follow one another, and the judgement experiences a continuous fatigue if one wants to reunite the end and the beginning. In the main, the ear is an inferior sense to the eye. The hearing can only grasp a single sound at one time, whereas the sight takes in everything and at the same time simplifies at its will.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

La peinture est le plus beau de tous les arts; en lui se résument toutes les sensations, à son aspect chacun peut, au gré de son imagination, créer le roman, d'un seul coup d'œil avoir l'âme envahie par les plus profonds souvenirs; point d'effort de mémoire, tout résumé en un seul instant. — Art complet qui résume tous les autres et les complète. — Comme la musique, il agit sur l'âme par l'intermédiaire des sens, les tons harmonieux correspondant aux harmonies des sons; mais en peinture on obtient une unité impossible en musique où les accords viennent les uns après les autres, et le jugement éprouve alors une fatigue incessante s'il veut réunir la fin au commencement. En somme, l'oreille est un sens inférieur à celui de l'œil. L'ouïe ne peut servir qu'à un seul son à la fois, tandis que la vue embrasse tout, en même temps qu'à son gré elle simplifie.
Quote of Gauguin from: Notes Synthéthiques (ca. 1884-1885), ed. Henri Mahaut, in Vers et prose (July-September 1910), p. 52; translation from John Rewald, Gauguin (Hyperion Press, 1938), p. 161.
1870s - 1880s

George Eliot photo
John Keats photo
Manmohan Acharya photo
Joseph Campbell photo
Rudyard Kipling photo
Simone Weil photo
Rumi photo

“All day I think about it, then at night I say it. Where did I come from, and what am I supposed to be doing? I have no idea. My soul is from elsewhere, I'm sure of that, and I intend to end up there.”

Rumi (1207–1273) Iranian poet

"Who says words with my mouth?" in Ch. 1 : The Tavern, p. 2
Disputed, The Essential Rumi (1995)

“For their doctrine is this: That bodies are corruptible, and that the matter they are made of is not permanent; but that the souls are immortal, and continue forever; and that they come out of the most subtile air, and are united to their bodies as to prisons, into which they are drawn by a certain natural enticement; but that when they are set free from the bonds of the flesh, they then, as released from a long bondage, rejoice and mount upward. And this is like the opinions of the Greeks, that good souls have their habitations beyond the ocean, in a region that is neither oppressed with storms of rain or snow, or with intense heat, but that this place is such as is refreshed by the gentle breathing of a west wind, that is perpetually blowing from the ocean; while they allot to bad souls a dark and tempestuous den, full of never-ceasing punishments. And indeed the Greeks seem to me to have followed the same notion, when they allot the islands of the blessed to their brave men, whom they call heroes and demi-gods; and to the souls of the wicked, the region of the ungodly, in Hades, where their fables relate that certain persons, such as Sisyphus, and Tantalus, and Ixion, and Tityus, are punished; which is built on this first supposition, that souls are immortal; and thence are those exhortations to virtue and dehortations from wickedness collected; whereby good men are bettered in the conduct of their life by the hope they have of reward after their death; and whereby the vehement inclinations of bad men to vice are restrained, by the fear and expectation they are in, that although they should lie concealed in this life, they should suffer immortal punishment after their death. These are the Divine doctrines of the Essens about the soul, which lay an unavoidable bait for such as have once had a taste of their philosophy.”

Jewish War

Hermann Hesse photo
Anne Brontë photo
Cat Stevens photo

“I listen to the wind
To the wind of my soul
Where I’ll end up well I think,
Only God really knows”

Cat Stevens (1948) British singer-songwriter

The Wind
Song lyrics, Teaser and the Firecat (1971)

Comte de Lautréamont photo
Adlai Stevenson photo

“There is no evil in the atom, only in men's souls.”

Adlai Stevenson (1900–1965) mid-20th-century Governor of Illinois and Ambassador to the UN

Speech in Hartford, Connecticut (18 September 1952)

Yehuda Ashlag photo
John Keble photo

“Sun of my soul, Thou Saviour dear,
It is not night if Thou be near;
Oh, may no earth-born cloud arise
To hide Thee from Thy servant's eyes.”

John Keble (1792–1866) English churchman and poet, a leader of the Oxford Movement

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 90.

Francesco Petrarca photo

“This mortal life is like a meadow where the serpent lies among the flowers and grass, and if anything we see there pleases our eyes, the result is to enlime our souls more deeply.”

Questa vita terrena è quasi un prato,
che 'l serpente tra' fiori et l'erba giace;
et s'alcuna sua vista agli occhi piace,
è per lassar piú l'animo invescato.
Canzone 99, st. 2
Il Canzoniere (c. 1351–1353), To Laura in Life

Lope De Vega photo

“To turn your face from clear proofs of deceit,
To drink poison as if it were a soothing liquor,
To disregard gain and delight in being injured.
To believe that heaven can lie contained in hell;
To devote your life and soul to being disillusioned;
This is love; whoever has tasted it, knows.”

Huir el rostro al claro desengaño,
beber veneno por licor süave,
olvidar el provecho, amar el daño;
creer que un cielo en un infierno cabe,
dar la vida y el alma a un desengaño;
esto es amor. Quien lo probó lo sabe.
Sonnet, "Desmayarse, atreverse, estar furioso", line 9, from Rimas (1602); cited from José Manuel Blecua (ed.) Lírica (Madrid: Clásicos Castalia, [1981] 1999) p. 136. Translation from Eugenio Florit (ed.) Introduction to Spanish Poetry (New York: Dover, [1964] 1991) p. 65.

Elton John photo
Samuel Rogers photo
Thomas Carlyle photo