Quotes about the past

page 2

Source: Seize the Day

This quotation is useful for explanations of the period of art nouveau, and the causes of the art movement.
Confession d'un Enfant du Siécle (1836)(translation)

in his Nobel lecture, December 8, 2003, at Aula Magna, Stockholm University.

XXXIX, 17, p. 170
‘The Second Part’, Chapters IV-XLI

Source: Runaway

Source: The Elephant's Journey (2008), p. 18

Todo o romance é isso, desespero, intento frustrado de que o passado não seja coisa definitivamente perdida. Só não se acabou ainda de averiguar se é o romance que impede o homem de esquecer-se ou se é a impossibilidade do esquecimento que o leva a escrever romances.
Source: The History of the Siege of Lisbon (1989), p. 47

As quoted in Optimum Sports Nutrition (1993) by Michael Colgan, p. 144

Source: Dramatis Personae (1864), Rabbi Ben Ezra, Line 157.

Balaustion's Adventure.
Bartlett's Familiar Quotations, 10th ed. (1919)

Source: Dramatis Personae (1864), Rabbi Ben Ezra, Line 121.
Context: Be there, for once and all,
Severed great minds from small,
Announced to each his station in the Past!
Was I, the world arraigned,
Were they, my soul disdained,
Right? Let age speak the truth and give us peace at last!
Now, who shall arbitrate?
Ten men love what I hate,
Shun what I follow, slight what I receive;
Ten, who in ears and eyes
Match me: we all surmise,
They this thing, I that: whom shall my soul believe?

Section 276
2010s, 2013, Evangelii Gaudium · The Joy of the Gospel

Section 99
2010s, 2013, Evangelii Gaudium · The Joy of the Gospel

2010s, Address to the United States Congress

Oriana Fallaci. Interview with Indira Gandhi in New Delhi, February 1972

Letter to Richard Nixon (December 15, 1971) http://www.thehindu.com/thehindu/mag/2005/07/03/stories/2005070300090100.htm.

“Was bedeutet Aufarbeitung der Vergangenheit” (1959)

Light (1919), Ch. XV - An Apparition
Context: I think of myself, of all that I am. Myself, my home, my hours; the past, and the future, — it was going to be like the past! And at that moment I feel, weeping within me and dragging itself from some little bygone trifle, a new and tragical sorrow in dying, a hunger to be warm once more in the rain and the cold: to enclose myself in myself in spite of space, to hold myself back, to live.

http://www.popmonk.com/actors/leonardo-dicaprio/quotes-leonardo-dicaprio.htm

Lady Gaga Says 'Judas' Video 'Celebrates Faith' in MTV News (26 Apr 26 2011) http://www.mtv.com/news/articles/1662707/lady-gaga-judas-music-video.jhtml.

Book I, 1.123-[1]
History of the Peloponnesian War, Book I

in his letter to Lugné-Poë, End of 1890; as quoted in Pierre Bonnard, by John Rewald; MoMA - distribution, Simon & Schuster, New York, 1918, p. 17 - note 11
Lugné-Poe was just called then in the French army; Bonnard had left the army already, c. one year ago

From Hawking's article A Brief History of Relativity http://www.time.com/time/magazine/article/0,9171,993018-6,00.html, in Time magazine (31 December 1999)

with G.F.R. Ellis, "The Large Scale Structure of Space-Time" (1973) Preface

Source: A Brief History of Time (1988), Ch. 1
Context: It has certainly been true in the past that what we call intelligence and scientific discovery have conveyed a survival advantage. It is not so clear that this is still the case: our scientific discoveries may well destroy us all, and even if they don’t, a complete unified theory may not make much difference to our chances of survival. However, provided the universe has evolved in a regular way, we might expect that the reasoning abilities that natural selection has given us would be valid also in our search for a complete unified theory, and so would not lead us to the wrong conclusions.

Monster
Lyrics, My Beautiful Dark Twisted Fantasy (2010)

Roses
Lyrics, Late Registration (2005)

James Tobin, "Keynes' Policies in Theory and Practice", Challenge (1983).
1970s and later

1770s, African Slavery in America (March 1775)

Source: Dialogues and Mathematical Demonstrations Concerning Two New Sciences (1638), P. 148

Source: History of Rome, Book XXXIV, sec. 4

Book XXX, sec. 30
History of Rome

Letter to Jennie K. Plaiser (8 July 1936), quoted in "H.P. Lovecraft, a Life" by S.T. Joshi, p. 564
Non-Fiction, Letters

"Pickman's Model " - written 1926; first published in Weird Tales, Vol. 10, No. 4 (October 1927)
Fiction

Letter to Clark Ashton Smith (28 October 1934), in Selected Letters V, 1934-1937 edited by August Derleth and Donald Wandrei, p. 64
Non-Fiction, Letters

Letter to Virgil Finlay (25 September 1936), in Selected Letters V, 1934-1937 edited by August Derleth and Donald Wandrei, p. 310
Non-Fiction, Letters

Hitherto it has grown out of the secure, non-struggling life of the aristocrat. In future it may be expected to grow out of the secure and not-so-struggling life of whatever citizens are personally able to develop it. There need be no attempt to drag culture down to the level of crude minds. That, indeed, would be something to fight tooth and nail! With economic opportunities artificially regulated, we may well let other interests follow a natural course. Inherent differences in people and in tastes will create different social-cultural classes as in the past—although the relation of these classes to the holding of material resources will be less fixed than in the capitalistic age now closing. All this, of course, is directly contrary to Belknap's rampant Stalinism—but I'm telling you I'm no bolshevik! I am for the preservation of all values worth preserving—and for the maintenance of complete cultural continuity with the Western-European mainstream. Don't fancy that the dethronement of certain purely economic concepts means an abrupt break in that stream. Rather does it mean a return to art impulses typically aristocratic (that is, disinterested, leisurely, non-ulterior) rather than bourgeois.
Letter to Clark Ashton Smith (28 October 1934), in Selected Letters V, 1934-1937 edited by August Derleth and Donald Wandrei, pp. 60-64
Non-Fiction, Letters

Letter to Frank Belknap Long (27 February 1931), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 307
Non-Fiction, Letters, to Frank Belknap Long

Fiction, The Call of Cthulhu (1926)

Letter to Harry O. Fischer (late February 1937), in Selected Letters V, 1934-1937 edited by August Derleth and Donald Wandrei, pp. 416-417
Non-Fiction, Letters

Letter to Clark Ashton Smith (7 November 1930), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 214
Non-Fiction, Letters

"The Dunwich Horror " - Written Summer 1928; first published in Weird Tales, 13, No. 4, (April 1929)<!-- p. 481-508 -->
The Thing on the Doorstep (1937), first published in Weird Tales
Fiction
Context: Yog-Sothoth knows the gate. Yog-Sothoth is the gate. Yog-Sothoth is the key and guardian of the gate. Past, present, future, all are one in Yog-Sothoth. He knows where the Old Ones broke through of old, and where They shall break through again. He knows where They have trod earth's fields, and where They still tread them, and why no one can behold Them as They tread.

Attributed to "Jimmy R." in Days of Healing, Days of Joy (1987)
Misattributed
Source: link https://books.google.com/books?id=7QNk4eNvS44C&pg=PA175&lpg=PA175&dq=%22days+of+healing+days+of+joy%22+%22jimmy+r%22&source=bl&ots=C-jAUVg8y8&sig=fB9m-eQ1IvtjJV6Ncz8mZ30RRHo&hl=en&sa=X&ved=0CB4Q6AEwAGoVChMIrYnZyNDlyAIVV_5jCh07uQOs#v=onepage&q=%22days%20of%20healing%20days%20of%20joy%22%20%22jimmy%20r%22&f=false

Whig Circular (1843), reported in Richard Watson Gilder and Daniel Fish Complete Works of Abraham Lincoln, Volume 1 (1905)
1840s

Canto II
1840s, My Childhood's Home I See Again (1844 - 1846)

1850s, Speech at Peoria, Illinois (1854)
Context: Slavery is founded in the selfishness of man's nature — opposition to it, in his love of justice. These principles are an eternal antagonism; and when brought into collision so fiercely, as slavery extension brings them, shocks, and throes, and convulsions must ceaselessly follow. Repeal the Missouri Compromise — repeal all compromises — repeal the Declaration of Independence — repeal all past history, you still can not repeal human nature. It still will be the abundance of man's heart, that slavery extension is wrong; and out of the abundance of his heart, his mouth will continue to speak.

1860s, Speech at Hartford (1860)
Context: Slavery is the great political question of the nation. Though all desire its settlement, it still remains the all-pervading question of the day. It has been so especially for the past six years. It is indeed older than the revolution, rising, subsiding, then rising again, till fifty-four, since which time it has been constantly augmenting. Those who occasioned the Lecompton imbroglio now admit that they see no end to it. It had been their cry that the vexed question was just about to be settled, 'the tail of this hideous creature is just going out of sight'. That cry is 'played out', and has ceased.

1860s, Second State of the Union address (1862)
Context: The dogmas of the quiet past are inadequate to the stormy present. The occasion is piled high with difficulty, and we must rise with the occasion. As our case is new, so we must think anew and act anew. We must disenthrall ourselves, and then we shall save our country.

BBC interview, used in a Citroën ad, as quoted in "John Lennon Appearance In Car Ad Stirs Controversy" by Monica Herrera in Billboard (4 March 2010) http://www.billboard.com/column-viralvideos/john-lennon-appearance-in-car-ad-stirs-controversy-1004072693.story#/column-viralvideos/john-lennon-appearance-in-car-ad-stirs-controversy-1004072693.story. Though there has been no official dispute that he made this statement, a YouTube video has claimed that the audio used in the advertisement is not original http://www.youtube.com/watch?v=ipyUk5-wlFg.
Disputed

On his song "Instant Karma!", prompted by the use of the phrase "Instant Karma" by Melinde Kendall, the wife of Yoko Ono's former husband Tony Cox, as quoted in All We Are Saying: The Last Major Interview with John Lennon and Yoko Ono (2000) by David Sheff
Playboy interview (1980)
Context: It just came to me. Everybody was going on about karma, especially in the Sixties. But it occurred to me that karma is instant as well as it influences your past life or your future life. There really is a reaction to what you do now. That's what people ought to be concerned about. Also, I'm fascinated by commercials and promotion as an art form. I enjoy them. So the idea of instant karma was like the idea of instant coffee: presenting something in a new form. I just liked it.

Playboy interview (1980)
Context: I don't have any romanticism about any part of my past. I think of it only inasmuch as it gave me pleasure or helped me grow psychologically. That is the only thing that interests me about yesterday. I don't believe in yesterday, by the way. You know I don't believe in yesterday. I am only interested in what I am doing now.

The Way to Love (1995)
Context: If you want to know what it means to be happy, look at a flower, a bird, a child; they are perfect images of the kingdom. For they live from moment to moment in the eternal now with no past and no future. So they are spared the guilt and anxiety that so torment human beings and they are full of the sheer joy of living, taking delight not so much in persons or things as in life itself. As long as your happiness is caused or sustained by something or someone outside of you, you are still in the land of the dead. The day you are happy for no reason whatsoever, the day you find yourself taking delight in everything and in nothing, you will know that you have found the land of unending joy called the kingdom.

Disputed, No Woman, No Cry, from the album Natty Dread (1974)

Source: The German Ideology (1845-1846), Vol. I, Part 1, [The Materialist Conception of History].

The Eighteenth Brumaire of Louis Bonaparte (1852)
Context: Men make their own history, but they do not make it as they please; they do not make it under self-selected circumstances, but under circumstances existing already, given and transmitted from the past. The tradition of all dead generations weighs like a nightmare on the brains of the living. And just as they seem to be occupied with revolutionizing themselves and things, creating something that did not exist before, precisely in such epochs of revolutionary crisis they anxiously conjure up the spirits of the past to their service, borrowing from them names, battle slogans, and costumes in order to present this new scene in world history in time-honored disguise and borrowed language. Thus Luther put on the mask of the Apostle Paul, the Revolution of 1789-1814 draped itself alternately in the guise of the Roman Republic and the Roman Empire, and the Revolution of 1848 knew nothing better to do than to parody, now 1789, now the revolutionary tradition of 1793-95. In like manner, the beginner who has learned a new language always translates it back into his mother tongue, but he assimilates the spirit of the new language and expresses himself freely in it only when he moves in it without recalling the old and when he forgets his native tongue.
When we think about this conjuring up of the dead of world history, a salient difference reveals itself. Camille Desmoulins, Danton, Robespierre, St. Just, Napoleon, the heroes as well as the parties and the masses of the old French Revolution, performed the task of their time – that of unchaining and establishing modern bourgeois society – in Roman costumes and with Roman phrases.

Vol. I, Part 1, [The Materialist Conception of History].
The German Ideology (1845/46)
Context: Where speculation ends — in real life — there real, positive science begins: the representation of the practical activity, of the practical process of development of men. Empty talk about consciousness ceases, and real knowledge has to take place. When reality is depicted, philosophy as an independent branch of activity loses its medium of existence. At the best its place can only be taken by a summing-up of the most general results, abstractions which arise from the observation of the historical development of men. Viewed apart from real history, these abstractions have in themselves no value whatsoever. They can only serve to facilitate the arrangement of historical material, to indicate the sequence of its separate strata. But they by no means afford a recipe or schema, as does philosophy, for neatly trimming the epochs of history. On the contrary, our difficulties begin only when we set about the observation and the arrangement — the real depiction — of our historical material, whether of a past epoch or of the present.

The Gay Science (1882)

Source: Philosophy in the Tragic Age of the Greeks (posthumous), p. 32

Sobald es aber möglich wäre, durch einen starken Willen die ganze Weltvergangenheit umzustürzen, sofort träten wir in die Reihe der unabhängigen Götter, und Weltgeschichte hieße dann für uns nichts als ein träumerisches Selbstentrücktsein; der Vorhang fällt, und der Mensch findet sich wieder, wie ein Kind mit Welten spielend, wie ein Kind, das beim Morgenglühen aufwacht und sich lachend die furchtbaren Träume von der Stirn streicht.
"Fatum und Geschichte," April 1862

Aber wie verändert sich plötzlich jene eben so düster geschilderte Wildniss unserer ermüdeten Cultur, wenn sie der dionysische Zauber berührt! Ein Sturmwind packt alles Abgelebte, Morsche, Zerbrochne, Verkümmerte, hüllt es wirbelnd in eine rothe Staubwolke und trägt es wie ein Geier in die Lüfte. Verwirrt suchen unsere Blicke nach dem Entschwundenen: denn was sie sehen, ist wie aus einer Versenkung an's goldne Licht gestiegen, so voll und grün, so üppig lebendig, so sehnsuchtsvoll unermesslich. Die Tragödie sitzt inmitten dieses Ueberflusses an Leben, Leid und Lust, in erhabener Entzückung, sie horcht einem fernen schwermüthigen Gesange - er erzählt von den Müttern des Seins, deren Namen lauten: Wahn, Wille, Wehe.
Ja, meine Freunde, glaubt mit mir an das dionysische Leben und an die Wiedergeburt der Tragödie. Die Zeit des sokratischen Menschen ist vorüber: kränzt euch mit Epheu, nehmt den Thyrsusstab zur Hand und wundert euch nicht, wenn Tiger und Panther sich schmeichelnd zu euren Knien niederlegen. Jetzt wagt es nur, tragische Menschen zu sein: denn ihr sollt erlöst werden. Ihr sollt den dionysischen Festzug von Indien nach Griechenland geleiten! Rüstet euch zu hartem Streite, aber glaubt an die Wunder eures Gottes!
Source: The Birth of Tragedy (1872), p. 98

In diesen Sanct-Johann- und Sanct-Veittänzern erkennen wir die bacchischen Chöre der Griechen wieder, mit ihrer Vorgeschichte in Kleinasien, bis hin zu Babylon und den orgiastischen Sakäen. Es giebt Menschen, die, aus Mangel an Erfahrung oder aus Stumpfsinn, sich von solchen Erscheinungen wie von "Volkskrankheiten", spöttisch oder bedauernd im Gefühl der eigenen Gesundheit abwenden: die Armen ahnen freilich nicht, wie leichenfarbig und gespenstisch eben diese ihre "Gesundheit" sich ausnimmt, wenn an ihnen das glühende Leben dionysischer Schwärmer vorüberbraust.
Source: The Birth of Tragedy (1872), p. 17

Disputed

Essay 3, Aphorism 8, W. Kaufmann, trans., in Basic Writings of Nietzsche (1992), p. 546
On the Genealogy of Morality (1887)

Napoleon : In His Own Words (1916)

Source: Mary

Source: Speak, Memory

Source: The Real Life of Sebastian Knight (1941), p. 5.
Context: An old Russian lady who has for some obscure reason begged me not to divulge her name, happened to show me in Paris the diary she had kept in the past..... I cannot see any real necessity of complying with her anonymity. That she will ever read this book seems wildly improbable. Her name was and is Olga Olegovna Orlova — an egg-like alliteration which it would have been a pity to whithold.
Her dry account cannot convey to the untravelled reader the implied delights of a winter day such as she describes in St. Petersburg; the pure luxury of a cloudless sky designed not to warm the flesh, but solely to please the eye; the sheen of sledge-cuts on the hard-beaten snow of spacious streets with a tawny tinge about the middle tracks due to a rich mixture of horse-dung; the brightly coloured bunch of toy-balloons hawked by an aproned pedlar; the soft curve of a cupola, its gold dimmed by the bloom of powdery frost; the birch trees in the public gardens, every tiniest twig outlined white; the rasp and twinkle of winter traffic… and by the way how queer it is when you look at an old picture postcard (like the one I have placed on my desk to keep the child of memory amused for the moment) to consider the haphazard way Russian cabs had of turning whenever they liked, anywhere and anyhow, so that instead of the straight, self-conscious stream of modern traffic one sees — on this painted photograph — a dream-wide street with droshkies all awry under incredibly blue skies, which farther away, melt automatically into a pink flush of mnemonic banality.

Speak, Memory: A Memoir (1951)
Context: Whenever in my dreams, I see the dead, they always appear silent, bothered, strangely depressed, quite unlike their dear bright selves. I am aware of them, without any astonishment, in surroundings they never visited during their earthly existence, in the house of some friend of mine they never knew. They sit apart, frowning at the floor, as if death were a dark taint, a shameful family secret. It is certainly not then — not in dreams — but when one is wide awake, at moments of robust joy and achievement, on the highest terrace of consciousness, that mortality has a chance to peer beyond its own limits, from the mast, from the past and its castle-tower. And although nothing much can be seen through the mist, there is somehow the blissful feeling that one is looking in the right direction.

The Nature and Destiny of Man: A Christian Interpretation (1941)

The Unity of India (1948)

Glimpses of World History (1949)

Glimpses of World History (1949)

Glimpses of World History (1949)

Soviet Russia: Some Random Sketches and Impressions (1949)

Autobiography (1936; 1949; 1958)

Autobiography (1936; 1949; 1958)

The Unity of India : Collected Writings, 1937-1940 (1942), p. 280
Context: Because we have sought to cover up past evil, though it still persists, we have been powerless to check the new evil of today.
Evil unchecked grows, Evil tolerated poisons the whole system. And because we have tolerated our past and present evils, international affairs are poisoned and law and justice have disappeared from them.

As quoted in VS Naipaul launches attack on Islam" in The Guardian (4 October 2001) https://web.archive.org/web/20170412063202/https://www.theguardian.com/world/2001/oct/04/afghanistan.terrorism9

V.S. Naipaul, Interview, with URMI GOSWAMI, JANUARY 14, 2003 0 'How do you ignore history?' https://web.archive.org/web/20070106194746/http://economictimes.indiatimes.com/cms.dll/html/comp/articleshow?artid=34295982

As quoted in "V.S. Naipaul in Search of Himself: A Conversation" with Mel Gussow, The New York Times, (24 April 1994)

Fragment No. 109
Blüthenstaub (1798)

Fragment No. 16
Variant translations:
We dream of a journey through the universe. But is the universe then not in us? We do not know the depths of our spirit. Inward goes the secret path. Eternity with its worlds, the past and the future, is in us or nowhere.
As translated in "Bildung in Early German Romanticism" by Frederick C. Beiser, in Philosophers on Education : Historical Perspectives (1998) by Amélie Rorty, p. 294
We dream of journeys through the cosmos — Is the cosmos not then in us? We do not know the depths of our own spirit. — The mysterious path leads within. In us, or nowhere, is eternity with its worlds — the past and the future.
Blüthenstaub (1798)
Context: Imagination places the future world for us either above or below or in reincarnation. We dream of travels throughout the universe: is not the universe within us? We do not know the depths of our spirit. The mysterious path leads within. In us, or nowhere, lies eternity with its worlds, the past and the future.

As quoted in Romantic Vision, Ethical Context: Novalis and Artistic Autonomy (1987) by Géza von Molnár, p. 2
Context: I was still blind, but twinkling stars did dance
Throughout my being's limitless expanse,
Nothing had yet drawn close, only at distant stages
I found myself, a mere suggestion sensed in past and future ages.

As I Please column in The Tribune (18 August 1944), http://alexpeak.com/twr/dwall/
"As I Please" (1943–1947)

Michael Moore declares these lines in his film Fahrenheit 9/11 as something "Orwell once wrote". They are nearly identical to a block of voiceover in the 1984 Richard Burton/John Hurt movie version of 1984 when Winston (Hurt) is silently reading Goldstein's book. All of the lines are excerpts from various parts of Goldstein's book in part 2, chapter 9 of the novel with some paraphrasing. Note that the fourth sentence begins with "This new version". In Moore's speech there is no antecedent for this phrase; consequently, the sentence makes no sense there. https://docs.google.com/document/d/1SVrM2Ef81C7EUSTm4zsgjQk9mgMSeFUnlEvtleR2V1w/edit?usp=sharing http://metabunk.org/threads/debunked-war-is-not-meant-to-be-won-it-is-meant-to-be-continuous.1259/
Misattributed

"As I Please," Tribune (4 February 1944)^{http://alexpeak.com/twr/hiwbtw/}
As I Please (1943–1947)

Coming Up for Air, Part I, Ch. 4 (1939)

Source: 1984

Source: 1984

Source: 1984

Source: 1984

Attributed to Orwell by Keith Olbermann on MSNBC (27 September 2006), this seems to be a paraphrase of some of the statements in Nineteen Eighty-Four.
Misattributed
Source: 1984

Source: 1984

Source: 1984