Quotes about secrets
page 13

Matthew Mitcham photo

“When I was about eight or nine, I knew I liked boys. But I soon came to the understanding that gay was not as good as straight. That it would be better to be straight and that people didn't like gays because they can't marry and had to be secretive. Nobody told me directly, but these were messages I got from society.”

Matthew Mitcham (1988) Australian diver

We Asked Australian Diver Matthew Mitcham Why More Gay Athletes Aren't Coming Out https://www.vice.com/en_nz/article/wdapzw/we-asked-olympian-matthew-mitcham-why-more-gay-athletes-arent-coming-out, Vice.nz, October 12, 2016.

Lee Smolin photo
Robert G. Ingersoll photo
James Frazer photo
Honoré de Balzac photo

“It is certain that during the sixteenth century, and the years that preceded and followed it, poisoning was brought to a perfection unknown to modern chemistry, as history itself will prove. Italy, the cradle of modern science, was, at this period, the inventor and mistress of these secrets, many of which are now lost.”

Honoré de Balzac (1799–1850) French writer

Il est certain que pendant le seizième siècle, dans les années qui le précédèrent et le suivirent, l'empoisonnement était arrivé à une perfection inconnue à la chimie moderne et que l'histoire a constatée. L'Italie, berceau des sciences modernes, fut, à cette époque, inventrice et maîtresse de ces secrets dont plusieurs se perdirent.
Source: About Catherine de' Medici (1842), Part II: The Ruggieri's Secret, Ch. II: Schemes Against Schemes.

Roberto Mangabeira Unger photo

“Obama’s manner in dealing with other people and acting in the world fully exemplifies the cheerful impersonal friendliness—the middle distance—that marks American sociability. (Now allow me to speak as a critic. Remember Madame de Staël’s meetings that deprive us of solitude without affording us company? Or Schopenhauer’s porcupines, who shift restlessly from getting cold at a distance to prickling one another at close quarters, until they settle into some acceptable compromise position?) The cheerful impersonal friendliness serves to mask recesses of loneliness and secretiveness in the American character, and no less with Obama than with anyone else. He is enigmatic—and seemed so as much then as now—in a characteristically American way…. Moreover, he excelled at the style of sociability that is most prized in the American professional and business class and serves as the supreme object of education in the top prep schools: how to cooperate with your peers by casting on them a spell of charismatic seduction, which you nevertheless disguise under a veneer of self-depreciation and informality. Obama did not master this style in prep school, but he became a virtuoso at it nevertheless, as the condition of preferment in American society that it is. As often happens, the outsider turned out to be better at it than the vast majority of the insiders…. Together with the meritocratic educational achievements, the mastery of the preferred social style turns Obama into what is, in a sense, the first American elite president—that is the first who talks and acts as a member of the American elite—since John Kennedy …. Obama's mixed race, his apparent and assumed blackness, his non-elite class origins and lack of inherited money, his Third-World childhood experiences—all this creates the distance of the outsider, while the achieved elite character makes the distance seem less threatening.”

Roberto Mangabeira Unger (1947) Brazilian philosopher and politician

Quoted in David Remnick, The Bridgeː The Life and Rise of Barack Obama (2010), p. 185-6
On Barack Obama

Marsden Hartley photo
Willa Cather photo
Stanisław Lem photo
Pink (singer) photo
Debito Arudou photo

“Too many Japanese believe that they can say whatever they like in Japanese ('that statement was for a domestic audience' is very often an excuse for gaffes), as though Japanese is some secret code.”

Debito Arudou (1965) Author/activist with Japanese citizenship born in the USA

Debito Arudou on defending the Japanese weeklies, as well as Ryann Connell and his collaborators, by suggesting that the Mainichi Shimbuns now defunct WaiWai column was "an essential guide to Japanese attitudes and editorial directives." Justin Norrie, "Japan rails at Australian's tabloid trash" http://www.brisbanetimes.com.au/news/world/japan-rails-at-australians-tabloid-trash/2008/07/04/1214951041660.html?page=2, Brisbane Times (2008-07-05)

Philip K. Dick photo
Goran Višnjić photo
Thomas Jefferson photo
Charles Darwin photo
Ella Wheeler Wilcox photo

“The world needs divine power in every human being the recognition of which is the secret to all success and happiness”

Ella Wheeler Wilcox (1850–1919) American author and poet

Introduction to Poems of Power 1918 edition

Don Marquis photo
Solomon ibn Gabirol photo

“I before Thy greatness
Stand, and am afraid
All my secret thoughts Thine eye beholdeth
Deep within my bosom laid.”

Solomon ibn Gabirol (1021–1058) Avicebron

Morning song, trans. Nina Davis http://medievalhebrewpoetry.org/ibngabirolselection1.html.

Osama bin Laden photo
Joyce Brothers photo

“When you come right down to it, the secret of having it all is loving it all.”

Joyce Brothers (1927–2013) Joyce Brothers

As quoted in Anything Is Possible: Humor and Wisdom for Success and Prosperity (1997) by Meiji Stewart, p. 73

William Adams photo
Yuval Noah Harari photo
Jacob Bronowski photo
Will Eisner photo

“This patchwork of largely fictional works makes the Protocols an incoherent text that easily reveals its fabricated origins. It is hardly credible, if not in a roman feuilleton or in a grand opera, that the “bad guys” should express their evil plans in such a frank and unashamed manner, that they should declare, as the Elders of Zion do, that they have “boundless ambition, a ravenous greed, a merciless desire for revenge and an intended hatred.” If at first the Protocols was taken seriously, it is because it was presented as a shocking revelation, and by sources all in all trustworthy. But what seems incredible is how this fake arose from its own ashes each time someone proved that it was, beyond all doubt, a fake. This is when the “novel of the Protocols” truly starts to sound like fiction. Following the article that appeared in 1921 in the Times of London revealing that the Protocols was plagiarized, as well as every other time some authoritative source confirmed the spurious nature of the Protocols, there was someone else who published it again claiming its authenticity. And the story continues unabated on the Internet today. It is as if, after Copernicus, Galileo, and Kepler, one were to continue publishing textbooks claiming that the sun travels around the earth.
How can one explain resilience against all evidence, and the perverse appeal that this book continues to exercise? The answer can be found in the works of Nesta Webster, an antisemetic author who spent her life supporting this account of the Jewish plot. In her Secret Societies and Subversive Movements, she seems well informed and knows the whole story as Eisner narrates it here, but this is her conclusion:
The only opinion I have committed myself is that, whether genuine or not, the Protocols represent the programme of a world revolution, and that in view of their prophetic nature and of their extraordinary resemblance to the protocols of certain secret societies of the past, they were either the work of some such society or of someone profoundly versed in the lore of secret society who was able to reproduce their ideas and phraseology.
Her reasoning is flawless: “since the Protocols say what I said in my story, they confirm it,” or: “the Protocols confirm the story that I derived from them, and are therefore authentic.” Better still: “the Protocols could be fake, but they say exactly what the Jews think, and must therefore be considered authentic.””

Will Eisner (1917–2005) American cartoonist

In other words, it is not the Protocols that produce antisemetism, it is people’s profound need to single out an Enemy that leads them to believe in the Protocols.
I believe that-in spite of this courageous, not comic but tragic book by Will Eisner- the story is hardly over. Yet is is a story very much worth telling, for one must fight the Big Lie and the hatred it spawns.
Umberto Eco, Milan Italy December 2004 translated by Allesandra Bastagli, p. vi-vii
The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)

Sinclair Lewis photo
Miklós Horthy photo

“One of the best ways to keep a great secret is to shout it.”

Edwin H. Land (1909–1991) American scientist and inventor

Address to Polaroid employees at Symphony Hall in Boston, Massachusetts (5 February 1960), as quoted in Insisting on the Impossible : The Life of Edwin Land (1998) by Victor K. McElheny, p. 7
Land was not the first to make such observations; in One Man in His Time (1922), p. 162, Ellen Glasgow has a character state:
Half the time when he is telling the truth, it sounds like a joke, and that keeps people from believing him. He says the best way to keep a secret is to shout it from the housetops; and I've heard him say things straight out that sounded so far fetched nobody would think he was in earnest. I was the only person who knew that he was speaking the truth.

William Makepeace Thackeray photo
Statius photo

“Beyond the cloud-wrapt chambers of western gloom and Aethiopia's other realm there stands a motionless grove, impenetrable by any star; beneath it the hollow recesses of a deep and rocky cave run far into a mountain, where the slow hand of Nature has set the halls of lazy Sleep and his untroubled dwelling. The threshold is guarded by shady Quiet and dull Forgetfulness and torpid Sloth with ever drowsy countenance. Ease, and Silence with folded wings sit mute in the forecourt and drive the blustering winds from the roof-top, and forbid the branches to sway, and take away their warblings from the birds. No roar of the sea is here, though all the shores be sounding, nor yet of the sky; the very torrent that runs down the deep valley nigh the cave is silent among the rocks and boulders; by its side are sable herds, and sheep reclining one and all upon the ground; the fresh buds wither, and a breath from the earth makes the grasses sink and fail. Within, glowing Mulciber had carved a thousand likenesses of the god: here wreathed Pleasure clings to his side, here Labour drooping to repose bears him company, here he shares a couch with Bacchus, there with Love, the child of Mars. Further within, in the secret places of the palace he lies with Death also, but that dread image is seen by none. These are but pictures: he himself beneath humid caverns rests upon coverlets heaped with slumbrous flowers, his garments reek, and the cushions are warm with his sluggish body, and above the bed a dark vapour rises from his breathing mouth. One hand holds up the locks that fall from his left temple, from the other drops his neglected horn.”
Stat super occiduae nebulosa cubilia Noctis Aethiopasque alios, nulli penetrabilis astro, lucus iners, subterque cavis graue rupibus antrum it uacuum in montem, qua desidis atria Somni securumque larem segnis Natura locavit. limen opaca Quies et pigra Oblivio servant et numquam vigili torpens Ignauia vultu. Otia vestibulo pressisque Silentia pennis muta sedent abiguntque truces a culmine ventos et ramos errare vetant et murmura demunt alitibus. non hic pelagi, licet omnia clament litora, non ullus caeli fragor; ipse profundis vallibus effugiens speluncae proximus amnis saxa inter scopulosque tacet: nigrantia circum armenta omne solo recubat pecus, et nova marcent germina, terrarumque inclinat spiritus herbas. mille intus simulacra dei caelaverat ardens Mulciber: hic haeret lateri redimita Voluptas, hic comes in requiem vergens Labor, est ubi Baccho, est ubi Martigenae socium puluinar Amori obtinet. interius tecti in penetralibus altis et cum Morte jacet, nullique ea tristis imago cernitur. hae species. ipse autem umentia subter antra soporifero stipatos flore tapetas incubat; exhalant vestes et corpore pigro strata calent, supraque torum niger efflat anhelo ore vapor; manus haec fusos a tempore laevo sustentat crines, haec cornu oblita remisit.

Source: Thebaid, Book X, Line 84 (tr. J. H. Mozley)

Jorge Luis Borges photo

“We can suspect that there is no universe in the organic, unifying sense, that this ambitious term has. If there is a universe, its aim is not conjectured yet; we have not yet conjectured the words, the definitions, the etymologies, the synonyms, from the secret dictionary of God.”

Cabe ir más lejos; cabe sospechar que no hay universo en el sentido orgánico, unificador, que tiene esa ambiciosa palabra. Si lo hay, falta conjeturar su propósito; falta conjeturar las palabras, las definiciones, las etimologías, las sinonimias, del secreto diccionario de Dios.
As translated by Lilia Graciela Vázquez
Other Inquisitions (1952), The Analytical Language of John Wilkins
Variant: We can go further; we suspect that there is no universe in the organic, unifying sense of that ambitious word. If there is, we must conjecture its purpose; we must conjecture the words, the definitions, the etymologies, the synonyms, from the secret dictionary of God.

Paul A. Samuelson photo

“I tell no secret when I repeat that fame and reputation are much a matter of luck and chance.”

Paul A. Samuelson (1915–2009) American economist

Samuelson's Economics at Fifty: Remarks on the Occasion of the Anniversary of Publication (1998)
1980s–1990s

Joseph Addison photo
Neil deGrasse Tyson photo

“The universe doesn’t have secrets,” I said cynically, “only lies and swindles.”

Source: When Gravity Fails (1986), Chapter 6 (p. 63).

Fred Astaire photo

“What do dancers think of Fred Astaire? It's no secret. We hate him. He gives us a complex because he's too perfect. His perfection is an absurdity. It's too hard to face.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Mikhail Baryshnikov at the 1978 Kennedy Center Honours for Fred Astaire and George Balanchine, as quoted in Satchell, Tim. Astaire, The Biography. Hutchinson, London. 1987. ISBN 0-09-173736-2 p. 255.

André Breton photo
Ludovico Ariosto photo

“But so secretive nobody can be
That someone does not notice finally.”

Canto XXII, stanza 39 (tr. B. Reynolds)
Orlando Furioso (1532)

Adolf Hitler photo
Theodor Reuss photo
David D. Friedman photo
Giorgio de Chirico photo

“Profound statements must be drawn by the artist from the most secret recesses of his being; there no murmuring torrent, no birdsong, no rustle of leaves can distract him.”

Giorgio de Chirico (1888–1978) Italian artist

as quoted in Letters of the great artists – from Ghiberti to Gainsborough, Richard Friedenthal, Thames and Hudson, London, 1963, p . 232
1908 - 1920, On Mystery and Creation, Paris 1913

Fiona Apple photo

“Interviewer: I read a post on the Internet from a young girl who had been victimized by someone and her position was like, "I can talk about this now because Fiona Apple can talk about what happened to her." Do you look at yourself as a role model for women and girls who've had this experience?
Fiona: That's the only reason I ever brought the whole rape thing up. It's a terrible thing, but it happens to so many people. I mean, 80 percent of the people I've told have said right back to me, "That happened to me too." It's so common, and so ridiculous that it's a hard thing to talk about. It angers me so much because something like that happens to you and you carry it around for the rest of your life. No matter how much therapy you go through, no matter how much healing you go through, it's part of you. I just feel that it's such a tragedy that so many people have to bear the extra burden of having to keep it secret from everyone else. As if it's too icky a subject to burden other people with and everyone's going to think you're a victim forever. Then you've labeled yourself a victim, and you've been taken advantage of, and you're ruined, and you're soiled, and you're not pure, you know.If I'm in a position where people are looking up to me in any way, then it's absolutely my responsibility to be open and honest about this, because if I'm not, what does that say to people? It doesn't change a person -- well, it does change a person but it doesn't take anything away from you. It can only strengthen you. It has made me so angry in the past. Like I wanted to say it to somebody. I really wanted somebody to connect with, somebody to understand me, somebody to comfort me. But I felt like I couldn't say anything about because it was taboo to talk about.”

Fiona Apple (1977) singer-songwriter, musician

Nuvo, "Fiona Apple: The NUVO Interview" April [1997]

Mukesh Ambani photo
Jacques Ellul photo
Doris Lessing photo

“The great secret that all old people share is that you really haven't changed in seventy or eighty years. Your body changes, but you don't change at all. And that, of course, causes great confusion.”

Doris Lessing (1919–2013) British novelist, poet, playwright, librettist, biographer and short story writer

The Sunday Times, London (10 May 1992)

Michael Ende photo

“You were compelled to?' he repeated. 'You mean you weren't sufficiently powerful to resist?'
'In order to seize power,' replied the dictator, 'I had to take it from those that had it, and in order to keep it I had to employ it against those that sought to deprive me of it.'
The chef's hat gave a nod. 'An old, old story. It has been repeated a thousand times, but no one believes it. That's why it will be repeated a thousand times more.'
The dictator felt suddenly exhausted. He would gladly have sat down to rest, but the old man and the children walked on and he followed them.
'What about you?' he blurted out, when he had caught the old man up. 'What do you know of power? Do you seriously believe that anything great can be achieved on earth without it?'
'I?' said the old man. 'I cannot tell great from small.'
'I wanted power so that I could give the world justice,' bellowed the dictator, and blood began to trickle afresh from the wound in his forehead, 'but to get it I had to commit injustice, like anyone who seeks power. I wanted to end oppression, but to do so I had to imprison and execute those who opposed me - I became an oppressor despite myself. To abolish violence we must use it, to eliminate human misery we must inflict it, to render war impossible we must wage it, to save the world we must destroy it. Such is the true nature of power.'
Chest heaving, he had once more barred the old man's path with his pistol ready.'
'Yet you love it still,' the old man said softly.
'Power is the supreme virture!' The dictator's voice quavered and broke. 'But its sole shortcoming is sufficient to spoil the whole: it can never be absolute - that's what makes it so insatiable. The only true form of power is omnipotence, which can never be attained, hence my disenchantment with it. Power has cheated me.'
'And so,' said the old man, 'you have become the very person you set out to fight. It happens again and again. That is why you cannot die.'
The dictator slowly lowered his gun. 'Yes,' he said, 'you're right. What's to be done?'
'Do you know the legend of the Happy Monarch?' asked the old man.

'When the Happy Monarch came to build the huge, mysterious palace whose planning alone had occupied ten whole years of his life, and to which marvelling crowds made pilgrimage long before its completion, he did something strange. No one will ever know for sure what made him do it, whether wisdom or self-hatred, but the night after the foundation stone had been laid, when the site was dark and deserted, he went there in secret and buried a termites' nest in a pit beneath the foundation stone itself. Many decades later - almost a life time had elapsed, and the many vicissitudes of his turbulent reign had long since banished all thought of the termites from his mind - when the unique building was finished at last and he, its architect and author, first set foot on the battlements of the topmost tower, the termites, too, completed their unseen work. We have no record of any last words that might shed light on his motives, because he and all his courtiers were buried in the dust and rubble of the fallen palace, but long-enduring legend has it that, when his almost unmarked body was finally unearthed, his face wore a happy smile.”

Michael Ende (1929–1995) German author

"Mirror in the Mirror", page 193

Julian (emperor) photo

“Nature loves to hide her secrets, and she does not suffer the hidden truth about the essential nature of the gods to be flung in naked words to the ears of the profane…”

Julian (emperor) (331–363) Roman Emperor, philosopher and writer

"Oration VII": "To the Cynic Heracleios", as quoted in The Works of the Emperor Julian (1923) by Wilmer Cave France Wright, p. 105; also in Hidden Wisdom: Esoteric Traditions and the Roots of Christian Mysticism (2005) by Gedaliahu A. G. Stroumsa, p. 25
General sources

Omar Khayyám photo
Kent Hovind photo
Marie of Edinburgh, Queen of Romania photo
Eugène-Melchior de Vogüé photo

“All contemporary forms of art have secret bonds in common.”

Eugène-Melchior de Vogüé (1848–1910) French diplomat, orientalist, travel writer, archaeologist, philanthropist and literary critic

Russian Novelists (1887), page 141 (translated by Jane Loring Edmands)

Henry Adams photo
Donald J. Trump photo
Ursula K. Le Guin photo

“There is not much good spending twelve hours a day in a black hole in the ground all your life long if there’s nothing there, no secret, no treasure, nothing hidden.”

Ursula K. Le Guin (1929–2018) American writer

“The Stars Below” p. 212 (originally published in Orbit 14, edited by Damon Knight)
Short fiction, The Wind’s Twelve Quarters (1975)

Barend Cornelis Koekkoek photo

“Fortunately however, is that [painting] school where Mother Nature is placed in the foreground, and where only she is consulted to representate 'truth' on the canvas or panel. Only he knows the secrets of the manifold diversity of nature. His painting is a faithful copy of nature - which is the highest praise for a painter..”

Barend Cornelis Koekkoek (1803–1862) painter from the Northern Netherlands

(original Dutch, citaat van B.C. Koekkoek:) Gelukkig echter de [schilder]school, waar moeder Natuur op den voorgrond staat, en zij alleen geraadpleegd wordt om 'waarheid' op het doek of paneel voor te stellen. – Hij kent de geheimen van de veelvuldige schakeringen der natuur, zijne schilderij is ene getrouwe kopij der natuur, ziedaar den hoogsten lof, die een schilder kan toegezwaaid worden..
Source: Herinneringen aan en Mededeelingen van…' (1841), p. 27-28

Ben Harper photo
Amit Chaudhuri photo
Jean Paul Sartre photo
Charles Taze Russell photo
Will Eisner photo

“1920
The Times
London, Saturday, May 8, 1920.
“The Jewish peril.”
A disturbing pamphlet
Call for inquiry.
(From a correspondent.)
The Times has not as yet noticed this singular little book. Its diffusion is, however, increasing, and its reading is likely to perturb the thinking public. Never before have a race and a creed been accused of a more sinister conspiracy. We in this country, who live in good fellowship with numerous representatives of Jewry, may well ask that some authoritative criticism should deal with it., and either destroy the ugly “Semitic” body or assign their proper place to the insidious allegations of this kind of literature.
In spite of the urgency of impartial and exhaustive criticism, the pamphlet has been allowed, so far, to pass almost unchallenged. The Jewish Press announced, it is true, that the anti-semitism of the “Jewish Peril” was going to be exposed. But save for an unsatisfactory article in the March 5 issue of the ‘’Jewish Guardian’’ and for an almost equally unsatisfactory article in the March 5 issue of contribution to the ‘’Nation’’ of March 27, this exposure is yet to come. The article of the ‘’Jewish Guardian’’ is unsatisfactory, because it deals mainly with the personality of the author of the book in which the pamphlet is embodied, with Russian reactionary propaganda, and the Russian secret police. It does not touch the substance of the “Protocols of the Learned Elders of Zion.” The purely Russian side of the book and its fervid “Orthodoxy.” Is not its most interesting feature. Its author-Professor S. Nilus-who was a minor official in the Department of Foreign Religions at Moscow, had, in all likelihood, opportunities of access to many archives and unpublished documents. On the other hand, the world-wide issue raised by the “Protocols” which he incorporated in his book and are now translated into English as “The Jewish Peril,” cannot fail not only to interest, but to preoccupy. What are the these of the “Protocols” with which, in the absence of public criticism, British readers have to grapple alone and unaided?”

Will Eisner (1917–2005) American cartoonist

The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)

Richard Cobden photo
Bruce Springsteen photo
William Congreve photo

“I know that's a secret, for it's whispered every where.”

Act III, scene iii
Love for Love (1695)

Ron Paul photo

“Question: …you believe the Fed shouldn't exist… make the case.
Ron Paul: First reason is, it's not authorized in the Constitution, it's an illegal institution. The second reason, it's an immoral institution, because we have delivered to a secretive body the privilege of creating money out of thin air; if you or I did it, we'd be called counterfeiters, so why have we legalized counterfeiting? But the economic reasons are overwhelming: the Federal Reserve is the creature that destroys value. This station talks about free market capitalism, and you can't have free market capitalism if you have a secret bank creating money and credit out of thin air. They become the central planners, they decide what interest rates should be, what the supply of money should be…
Question: How does the gold standard solves that?
Ron Paul: It maintains a stable currency and a stable value. If the Fed concentrated more on stable money rather than stable prices… They push up new money in stocks and in commodities and in houses, and then they have to come in to rescue the situation. They create the bubbles, then they come in and rescue it, and they do nothing more than try to do price fixing. Capitalism depends, and capital comes from savings, but there's no savings in this country, so this is all artificial. It creates the misdirection and the malinvestment and all the excessive debt, and it always has to have a correction. Since the Fed has been in existence, the dollar has lost about 97% of its value. You're supposed to encourage savings, but if something loses its value, why save dollars? There's no encouragement whatsoever. […] Gold is 6000 years old, and it still maintains its purchasing power. Oil prices really are very stable in terms of Gold. […] Both conservatives and liberals want to enhance big government, and this is a seductive way to tax the middle class.”

Ron Paul (1935) American politician and physician

CNBC debate with Faiz Shakir, March 20, 2008 http://www.youtube.com/watch?v=k94VWPjUQSM
2000s, 2006-2009

Clive Staples Lewis photo

“I am a democrat because I believe that no man or group of men is good enough to be trusted with uncontrolled power over others. And the higher the pretensions of such power, the more dangerous I think it both to the rulers and to the subjects. Hence Theocracy is the worst of all governments. If we must have a tyrant a robber baron is far better than an inquisitor. The baron's cruelty may sometimes sleep, his cupidity at some point be sated, and since he dimly knows he is doing wrong he may possibly repent. But the inquisitor who mistakes his own cruelty and lust of power and fear for the voice of Heaven will torment us infinitely because he torments us with the approval of his own conscience and his better impulses appear to him as temptations. And since Theocracy is the worst, the nearer any government approaches to Theocracy the worse it will be. A metaphysic, held by the rulers with the force of a religion, is a bad sign. It forbids them, like the inquisitor, to admit any grain of truth or good in their opponents, it abrogates the ordinary rules of morality, and it gives a seemingly high, super-personal sanction to all the very ordinary human passions by which, like other men, the rulers will frequently be actuated. In other words, it forbids wholesome doubt. […]
This false certainty comes out in Professor Haldane's article. […] It is breaking Aristotle's canon—to demand in every enquiry that the degree of certainty which the subject matter allows. And not on your life to pretend that you see further than you do.
Being a democrat, I am opposed to all very drastic and sudden changes of society (in whatever direction) because they never in fact take place except by a particular technique. That technique involves the seizure of power by a small, highly disciplined group of people; the terror and the secret police follow, it would seem, automatically. I do not think any group good enough to have such power. They are men of like passions with ourselves. The secrecy and discipline of their organisation will have already inflamed in them that passion for the inner ring which I think at least as corrupting as avarice; and their high ideological pretensions will have lent all their passions the dangerous prestige of the Cause. Hence, in whatever direction the change is made, it is for me damned by its modus operandi.”

Clive Staples Lewis (1898–1963) Christian apologist, novelist, and Medievalist

The worst of all public dangers is the committee of public safety.
"A Reply to Professor Haldane" (1946), published posthumously in Of Other Worlds: Essays and Stories (1966)
Some of these ideas were included in the essay "The Humanitarian Theory of Punishment" (1949) (see below).

Arthur Schopenhauer photo
Georges Bernanos photo
John Updike photo

“From infancy on, we are all spies; the shame is not this but that the secrets to be discovered are so paltry and few.”

John Updike (1932–2009) American novelist, poet, short story writer, art critic, and literary critic

Bech, A Book (1970)

Edgar Guest photo
Carl Barron photo

“Do you do those secret farts at the supermarket. Quickly piss off to another aisle.”

Carl Barron (1964) Australian comedian

Carl Barron Live (2003)

Josh Homme photo

“My years of reading P. T. Barnum is finally coming into play. [snaps fingers] This notion of saying nothing, of keeping a secret, and doing it in a way that's not elitist but that's like, You wanna come in here and hear? [whispers] We have a secret. That's all that I can tell you. But you're involved. You know?”

Josh Homme (1973) American musician

Reported in Jay Babcock, " MUSIC IS NEVER WRONG: A visit with Josh Homme & John Paul Jones of Them Crooked Vultures http://www.arthurmag.com/2009/10/15/them-crooked-vultures/", Arthur Magazine (October 15, 2009).

Sören Kierkegaard photo

“Confession should be only in secret before God, who knows everything anyway, and thus it could remain hidden in one‘s innermost being. But at a dinner – and a woman! A dinner-it is not some hidden, remote place, nor is the lighting dim, nor is the mood like that among graves, nor are the listeners silent or invisibly present.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Three Discourses at Friday Communion November 14, 1849 Hong translation 1997 P. 139
1840s, Three Discourses at the Communion on Fridays (1849)

Robert Burns photo

“The landlady and Tam grew gracious
Wi' favours secret, sweet, and precious.”

Source: Tam o' Shanter (1790), Line 47

James Russell Lowell photo
David Cameron photo
Richard Hovey photo
Kevin Kelly photo

“The great secret which life has kept from us is that once born, life is immortal. Once launched, it cannot be eradicated.”

Kevin Kelly (1952) American author and editor

Out of Control: The New Biology of Machines, Social Systems and the Economic World (1995)

Clay Shirky photo
Theodor Mommsen photo

“When Sulla died in the year [78 B. C. ], the oligarchy which he had restored ruled with absolute sway over the Roman state; but, as it had been established by force, it still needed force to maintain its ground against its numerous secret and open foes. it was opposed not by any single party with objects clearly expressed and under leaders distinctly acknowledged, but by a mass of multifarious elements, ranging themselves doubtless under the general name of the popular party, but in reality opposing the Sullan organization of the commonwealth on very various grounds and with very different designs…There were… the numerous and important classes whom the sullan restoration had left unsatisfied, or whom the political or private interest it had directly injured. Among those who for such reasons belonged to the opposition ranked the dense and prosperous population of the region between the Po and the Alps, which naturally regarded the bestowal of Latin rights in [89 B. C. ] as merely an installment of the full Roman franchise, and so afforded a ready soil for agitation. To this category belonged also the freedman, influential in numbers and wealth, and specially dangerous through their aggregation in the capital, who could not brook their having been reduced by the restoration to their earlier, practically useless, suffrage. In the same position stood, moreover, the great capitalists, who maintained a cautious silence, but still as before preserved their tenacity of resentment and their equal tenacity of power. The populace of the capital, which recognized true freedom in free bread-corn, was likewise discontented. Still deeper exasperation prevailed among the burgess bodies affected by the Sullan confiscations - whether they, like those of Pompeii, lived on their property curtailed by the Sullan colonists, within the same ring-wall with the latter, and at perpetual variance with them; or, like the Arrentines and Volaterrans, retained actual possession of their territory, but had the Damocles' sword of confiscation suspended over them by the Roman people..”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol. 4, Part: 1. Translated by W.P. Dickson.
The History of Rome - Volume 4: Part 1

Georges Braque photo
Will Eisner photo
Yves Klein photo
Pat Robertson photo
Chuck Palahniuk photo

“I used to think the secret to a happy ending was to bring down the curtain at the exact right time. A moment after happiness, then everything's all wrong, again.”

Haunted (2005)
Variant: I used to think the secret to a happy ending was to bring down the curtain at the exact right time. A moment after happiness, then everything's all wrong, again.

Randolph Bourne photo

“The secret of life is then that this fine youthful spirit should never be lost. Out of the turbulence of youth should come this fine precipitate—a sane, strong, aggressive spirit of daring and doing. It must be a flexible, growing spirit, with a hospitality to new ideas, and a keen insight into experience. To keep one's reactions warm and true, is to have found the secret of perpetual youth, and perpetual youth is salvation.”

Randolph Bourne (1886–1918) American writer

Page 441 https://books.google.com/books?id=-F8wAQAAMAAJ&pg=PA441. Quote republished in " Left and Right: The Prospects for Liberty http://alexpeak.com/twr/lar/1/1/2/," Left and Right: A Journal of Libertarian Thought 1, no. 1 (Spring, 1965), p. <span class="plainlinks"> 22 http://alexpeak.com/twr/lar/1/1/2/#p22</span>.
"Youth" (1912), III

Jean-François Revel photo
Natália Correia photo

“A dark and troubled abstention:
Put a flower for me in the most secret garden
In a horizon of grace and clarity
Which was untouchable and next.A static promise in the light of the moon
Of the density which was corporal in me.
It is not the fault, it is the memory
Of the first morning of the sin
Without Eve and Adam.Only the proven fruit
And the rolled serpent
In my loneliness.”

Natália Correia (1923–1993) Portuguese writer

Uma obscura e inquieta castidade:
pôs uma flor para mim no jardim mais secreto
num horizonte de graça e claridade
intangível e perto.<p>Promessa estática no luar
da densidade em mim corpórea.
não é a culpa, é a memoria
da primeira manhã do pecado
sem Eva e sem Adão.<p>Só o fruto provado
e a serpente enroscada
na minha solidão.
Obscura Castidade (Dark Abstention).

Howell Cobb photo

“Infernal Gods, who rule the Shades below,
Chaos and Phlegethon, ye Realms of Woe,
Grant what I've heard I may to light expose,
Secrets which Earth, and Night, and Hell inclose.”

Richard Maitland, 4th Earl of Lauderdale (1653–1695) Scottish Jacobite politician

The Works of Virgil, Translated Into English Verse (1709), Aeneid, Book VI, lines 328–331, p. 210