Quotes about music
page 5

“We got all the influences for it [Global a Go-Go] from Willesden High Road. When you go out for milk and cigarettes you go through three countries because all the shops and cafes are playing their own music, like going through hell.”

Joe Strummer (1952–2002) British musician, singer, actor and songwriter

About Joe Strummer and the Mescaleros' album Global a Go-Go (2001) and about the song writing process.
Strummer talks war and music (13 November 2001)

Hell, Country

“Give me the laundress' bill and I will set to music even that.”

Gioachino Rossini (1792–1868) Italian composer

Datemi il conto della lavandaia e vi metterò in musica anche quello.
Indro Montanelli L'Italia giacobina e carbonara, Rizzoli, Milano 1972, p. 612.

“I figured out that my passion is not really for music. My passion is actually for people. So the exploration into different musics of different times has to do with trying to figure out who these people are, what this music represents and what context do we want to give it and what does it mean to us right now.”

Yo-Yo Ma (1955) American cellist

National Public Radio's Weekend Edition Sunday Jan. 14, 2007, NPR, 2009-02-03 http://www.npr.org/templates/story/story.php?storyId=6835078,

People, Passion, Time

“This [experimentation] is the custom—and properly so—in those sciences where mathematical demonstrations are applied to natural phenomena, as is seen in the case of perspective, astronomy, mechanics, music, and others where the principles, once established by well-chosen experiments, become the foundations of the entire superstructure.”

Galileo Galilei (1564–1642) Italian mathematician, physicist, philosopher and astronomer

Salviati, Third Day. Change of Position
Dialogues and Mathematical Demonstrations Concerning Two New Sciences (1638)

Mathematics, Nature, Science

“And clenching your fist for the ones like us who are oppressed by the figures of beauty, you fixed yourself, you said, "Well never mind, we are ugly but we have the music."”

Leonard Cohen (1934–2016) Canadian poet and singer-songwriter

"Chelsea Hotel #2"
Other Lyrics

Beauty

“A critic recently denounced my Victor Hugo, declaring the treatment belonged not to sculpture but to music. He said it reminded him of a symphony by Beethoven. Heaven grant that he spoke the truth!”

Auguste Rodin (1840–1917) French sculptor

RODIN, AUGUSTE. L'Art. Entretiens réunis par Paul Gsell, 1911

Truth

“If one is to take Lulu's twelve-tone chord as the integral totality of complementary harmony, then Berg's allegorical genius proves itself within a historical perspective which makes the brain reel: just as Lulu in the world of total illusion longs for nothing but her murderer and finally finds him in that sound, so does all harmony of unrequited happiness long for its fatal chord as the cipher of fulfillment — twelve-tone music is not to be separated from dissonance. Fatal: because all dynamics come to a standstill within it without finding release. The law of complementary harmony already implies the end of the musical experience of time, as this was heralded in the dissociation of time according to Expressionistic extremes.”

Theodor W. Adorno (1903–1969) German sociologist, philosopher and musicologist known for his critical theory of society

Philosophy of Modern Music (1973) as translated by Anne G. Mitchell and Wesley V. Blomster

Happiness, World, Law, Time

“A good compromise, a good piece of legislation, is like a good sentence; or a good piece of music. Everybody can recognize it. They say, "Huh. It works. It makes sense."”

Barack Obama (1961) 44th President of the United States of America

"The Candidate" in The New Yorker (31 May 2004) https://archive.is/20120909155716/www.newyorker.com/fact/content/?040531fa_fact1 2004

Sense

“Is Wagner a human being at all? Is he not rather a disease? He contaminates everything he touches - he has made music sick.”

Friedrich Nietzsche book The Case of Wagner

Der Fall Wagner (1888)

Disease

“Musical people are so absurdly unreasonable. They always want one to be perfectly dumb a the very moment when one is longing to be absolutely deaf.”

Oscar Wilde An Ideal Husband

Mabel Chiltern, Act II
An Ideal Husband (1895)

People

“I function as a channel through which music emerges from the chaos of noise.”

Vangelis (1943) Greek composer of electronic, progressive, ambient, jazz, pop rock, and orchestral music

September, 1988, as cited in: U. H. Berner (2003), I Laugh and My Heart Is Breaking, p. 54.
1988

“There's not a stupidest thing--I've dressed in women's clothes, I've dressed as a Nazi. I've gone onstage naked. I've gone on so drunk I didn't even know I did a show. I've done so many stupid things, but it's all part of Ozzy. I never pre-planned 99.9% of the things I've done. Some were drastically wrong, some were drastically right. I don't know if you saw the VH1 thing [VH1's Behind The Music Ozzy documentary] recently. In one hour, it's impossible to write my life down. I come from a rather large family, three older sisters and two younger brothers. On the documentary, they interviewed my sister and it was the first time I'd seen her in years. I've had a very, very unique life. I often sit back and remember when I had no money--when you're in the middle of it, you get depressed thinking it's going to last forever. All of a sudden, out of nowhere--a bolt of lightning--here I am! I'm very well-off; I've got property all over the place, I've had a very fruitful career. But I've never had a No.1 album in America. But I've lasted several generations and somebody says to me, "Do you notice any difference in the audience?"”

Ozzy Osbourne (1948) English heavy metal vocalist and songwriter

I've been doing it now for 30 years. Some of the fans are older, but I've picked up new fans along the way.

Launch.com, October 30, 1998

Life, Women, Money, Stupidity

“Music is a moral law. It gives a soul to the universe, wings to the mind, flight to the imagination, a charm to sadness, gaiety and life to everything. It is the essence of order, and leads to all that is good, just, and beautiful, of which it is the invisible, but nevertheless dazzling, passionate, and eternal form.”

Plato (-427–-347 BC) Classical Greek philosopher

This quotation is not known to exist in Plato's writings. It apparently first appeared as a quotation attributed to Plato in The Pleasures of Life, Part II by Sir John Lubbock (Macmillan and Company, London and New York), published in 1889.
Misattributed

Life, Sadness, Law, Beauty

“I should have sent you news of myself long ago, for I know how much pleasure one derives from a letter during one's first days in the regiment. One needs it to be reminded that one is something more than a registered number and that in the past one's existence was different from that of beast. Anyway that is how I felt about the army. I was unable to connect my present existence with my former life as a civilian.... Here [in Paris in his studio in La Rue Pigalle] I am leading a studious and quite exemplary life... I am working on an important picture which is progressing well and which will be exhibited, I hope, at the [Salon des] 'Indépendants. In addition I am planning to do a screen which will also be shown at the exhibition. Otherwise nothing is happening. I may go with Vuillard to see a music publisher, but I do not expect any success as yet in that direction. I have abandoned chromolithography (ouf!) for the moment, but I shall take it up again whenever I feel impelled to interrupt my oil painting, in order to vary my pleasure's.”

Pierre Bonnard (1867–1947) French painter and printmaker

in his letter to Lugné-Poë, End of 1890; as quoted in Pierre Bonnard, by John Rewald; MoMA - distribution, Simon & Schuster, New York, 1918, p. 17 - note 11
Lugné-Poe was just called then in the French army; Bonnard had left the army already, c. one year ago

Life, Pleasure, Hope, Feeling

“[Serafin was] an extraordinary coach, sharp as a vecchio lupo [old wolfe]. He opened a world to me, showed me there was a reason for everything, that even fiorature and trills… have a reason in the composer's mind, that they are the expression of the stato d'animo [state of mind] of the character — that is, the way he feels at the moment, the passing emotions that take hold of him. He would coach us for every little detail, every movement, every word, every breath. One of the things he told me — and this is the basis of bel canto — is never to attack a note from underneath or from above, but always to prepare it in the face. He taught me that pauses are often more important than the music. He explained that there was a rhythm — these are the things you get only from that man! — a measure for the human ear, and that if a note was too long, it was no good after a while. A fermata always must be measured, and if there are two fermate close to one another in the score, you ignore one of them. He taught me the proportions of recitative — how it is elastic, the proportions altering so slightly that only you can understand it…. But in performance he left you on your own. "When I am in the pit, I am there to serve you, because I have to save my performance." he would say. We would look down and feel we had a friend there. He was helping you all the way. He would mouth all the words. If you were not well, he would speed up the tempo, and if you were in top form, he would slow it down to let you breathe, to give you room. He was breathing with you, living the music with you, loving it with you. It was elastic, growing, living.”

Maria Callas (1923–1977) American-born Greek operatic soprano

Callas : The Art and the Life (1974)

Love, World, Way, Feeling

“Music for entertainment … seems to complement the reduction of people to silence, the dying out of speech as expression, the inability to communicate at all. It inhabits the pockets of silence that develop between people molded by anxiety, work and undemanding docility.”

Theodor W. Adorno (1903–1969) German sociologist, philosopher and musicologist known for his critical theory of society

Source: On the Fetish Character in Music and the Regression of Listening (1938), p. 271

People, Communication, Silence

“God bless pop music and God bless MTV.”

Lady Gaga (1986) American singer, songwriter, and actress

MTV Video Music Awards 2010.

God

“There is no truer truth obtainable
By Man than comes of music.”

Robert Browning (1812–1889) English poet and playwright of the Victorian Era

Charles Avison.
Bartlett's Familiar Quotations, 10th ed. (1919)

Truth

“Beer, tobacco, and music,” he went on. “Behold the Fatherland.”

Thomas Mann book The Magic Mountain

"Herr Settembrini" commenting on Germany, in Ch. 4
The Magic Mountain (1924)

Beer

“It is so characteristic, that just when the mechanics of reproduction are so vastly improved, there are fewer and fewer people who know how the music should be played.”

Ludwig Wittgenstein (1889–1951) Austrian-British philosopher

Source: Personal Recollections (1981), p. 96

People

“We actually have a candidate for the mind of God. The mind of God we believe is cosmic music, the music of strings resonating through 11 dimensional hyperspace. That is the mind of God.”

Michio Kaku (1947) American theoretical physicist, futurist and author

Math is the Mind of God http://bigthink.com/dr-kakus-universe/math-is-the-mind-of-god?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+bigthink%2Fblogs%2Fdr-kakus-universe+%28Dr.+Kaku%27s+Universe%29 (29 December 2012)

God

“Ah me! the vision has vanished,
The music has died away!”

William Wetmore Story (1819–1895) American sculptor, art critic, poet, translator and editor

Cleopatra (1858).

“Music that is in the charts today is quite dreadful. I find it a great honour that I have never been considered for awards, such as NME etc. It is a personal victory. All awards shows should be banned!”

Morrissey (1959) English singer

Speaking on Radio 2 in 2009
In interviews etc., About pop culture

Victory, Personality

“I miss the lack of melody [in current music] as well. I mean, a lot of people think I'm crazy for liking Creed and I like them purely because they sing! I mean, the singer of Creed sings like the guy from Pearl Jam, very close kind of voice. But I like the fact that Creed sing. I don't care if they're a Bible band, Satan band…”

Ozzy Osbourne (1948) English heavy metal vocalist and songwriter

MTV.com, 2002

People, Guy, Thinking, Singing

“The musician's technique, in fact, should be as protean as the actor's. The best method of attaining this is by combining the qualities of the artist and the technician. To do this it is essential, that in addition to concentrating upon musical technique, one should keep in touch with the other arts. They provide that general culture to the musician without which he will never become a great artist.”

Alfred Cortot (1877–1962) Franco-Swiss pianist and conductor

"Do Infant Prodigies Become Great Musicians?", Music & Letters (Apr., 1935)

Art

“My fans really love me, so they want to understand classical music and I want to help them.”

Li Yundi (1982) Chinese pianist

telegraph.co.uk http://www.telegraph.co.uk/culture/music/classicalmusic/10863146/Lang-Lang-Weve-never-met.html

Love, Understanding, Help

“African independence was greeted with pomp, ceremony, and a resurgence of traditional African music and dance. “A new day has dawned,” “we are on the threshold of a new era,” “we have now entered into the political kingdom”—those were the phrases of the day, and they were repeated until they became clichés.”

Walter Rodney book How Europe Underdeveloped Africa

Source: How Europe Underdeveloped Africa (1972), p. 446.

Dance

“Voices were blended and intermingled in a tumultuous swirl around which eddied laughter, shouts, the squeaking of doors and windows, piano and accordion music, rollicking handclaps, a policeman's bark, braying, grunts, coughs of hashish addicts and screams of drunkards, anonymous calls for help, raps of a stick, and singing by individuals and groups.”

Naguib Mahfouz (1911–2006) Egyptian writer

Mahfouz (1957) Palace of Desire Part II; Cited in Matt Schudel " Leading Arab Novelist Gave Streets a Voice http://www.washingtonpost.com/wp-dyn/content/article/2006/08/30/AR2006083000475.html" in: Washington Post, August 31, 2006

Laughter, Singing, Help

“As for the general idea of what one would do if certain of death in an hour—I fancy most persons in normal health tend to sentimentalise and romanticise a bit about it. For my part—as a realist beyond the age of theatricalism and naive beliefs—I feel quite certain that my own known last hour would be spent quite prosaically in writing instructions for the disposition of certain books, manuscripts, heirlooms, and other possessions. Such a task would—in view of the mental stress—take at least an hour—and it would be the most useful thing I could do before dropping off into oblivion. If I did finish ahead of time, I'd probably spend the residual minutes getting a last look at something closely associated with my earliest memories—a picture, a library table, an 1895 Farmer's Almanack, a small music-box I used to play with at 2 ½, or some kindred symbol—completing a psychological circle in a spirit half of humour and half of whimsical sentimentality. Then—nothingness, as before Aug. 20, 1890.”

H.P. Lovecraft (1890–1937) American author

Letter to a round-robin letter-writing group called "the Coryciani" (14 July 1936), quoted in Lord of a Visible World: An Autobiography in Letters edited by S.T. Joshi, p. 339
Non-Fiction, Letters

Death, Health, Books, Age

“Will of God.. whatever you wanna call it.. you call it Jesus, call it Mohammed, call it goobybob, call it nuclear mind, call it blow the world up, call it your heart. Whatever you wanna call it, it's still music to me. It's there. It's the will of life.”

Charles Manson (1934–2017) American criminal and musician

Interview http://www.youtube.com/watch?v=Q4Xw5Dc_vWs by Geraldo Rivera (1981)

Life, God, World, Heart

“Bourgeois sport [wants] to differentiate itself strictly from play. Its bestial seriousness consists in the fact that instead of reamaining faithful to the dream of freedom by getting away from purposiveness, the treatment of play as a duty puts it among useful purposes and thereby wipes out the trace of freedom in it. This is particularly valid for contemporary mass music. It is only play as a repetition of prescribed models, and the playful release from responsibility which is thereby achieved does not reduce at all the time devoted to duty except by transferring the responsibility to the models, the following of which one makes into a duty for himself.”

Theodor W. Adorno (1903–1969) German sociologist, philosopher and musicologist known for his critical theory of society

Source: On the Fetish Character in Music and the Regression of Listening (1938), p. 296

Faith, Dreams, Sport, Freedom

“Out of the unconscious you get ritual, dreams, drama, story, art, music, and that sort of buffers us. We have our little domain of competence, and we're buffered by the domain of fantasy and culture. That's really what you learn about when you come to university if you're lucky and the professors are smart enough to actually teach you something about culture instead of constantly telling you that it's completely reprehensible and that it should be destroyed. Why you would prefer chaos to order is beyond me. The only possible reason is that you haven't read enough history to understand exactly what chaos means. And believe me, if you knew what chaos means, you'd be pretty goddamn careful about tearing down the temple that you live in, unless you want to be a denizen of chaos. And some people do. That's when the impulses you harbor can really come out and shine. And so a little gratitude is in order, and that makes you appreciative of the wise king while being smart enough to know that he's also an evil tyrant. That's a total conception of the world. It's balanced. Yah, we should preserve nature, but it IS trying to kill us. YES our culture is tyrannical and oppresses people, but it IS protecting us from dying. And YES we're reasonably good people, but don't take that theory too far until you've tested yourself. That's wisdom, at least in part, and that's what these stories try to teach you.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Other

Wisdom, People, World, Dreams

“My mentally handicapped son Hikari was awakened by the voices of birds to the music of Bach and Mozart, eventually composing his own works. The little pieces that he first composed were full of fresh splendour and delight. They seemed like dew glittering on grass leaves. The word innocence is composed of in — "not" and nicer — "hurt", that is, "not to hurt". Hikari's music was in this sense a natural effusion of the composer's own innocence.”

Kenzaburō Ōe (1935) Japanese author

Japan, The Ambiguous, and Myself (1994)

Nature, Bird, Sense, Grass

“What a wonderful work Wagner has done for humanity in translating the toil of life into the readable script of music! For those who seek the tale of other worlds his magic is silent; but earth-travail under his wand becomes instinct with rhythmic song to an accompaniment of the elements, and the blare and crash of the bottomless pit itself.”

Margaret Barber book The Roadmender

Source: The Roadmender (1902), Chapter II

Life, World

“The whole point of what I do-the Monster Ball, the music, the performance art aspect of it-I want to create a space for my fans where they can feel free and where they can celebrate because I didn't fit in in high school and I felt like a freak. So I like to create this atmosphere for my fans where they feel like they have a freak in me to hang with and they don't feel alone.”

Lady Gaga (1986) American singer, songwriter, and actress

Lady Gaga in an interview with Ellen DeGeneres http://www.youtube.com/watch?v=g891E2aczys

School, Art, Feeling

“It was one of those nights
One of those nights
When you feel the world stop turning
You were standing there
There was music in the air
I should have been away
But I knew I had to stay”

Jeff Lynne (1947) British rock musician

Discovery (1979)

World, Feeling, Night

“Twenty years ago I thought: "What's the difference between eating a bloody steak and killing my dog, slitting him open and roasting him?" I've always loved animals but it was around the late 80s that I realised I had to go vegetarian. A lot of things converged in my life then – musically, emotionally – but mainly it was my love of animals and spending so much time touring that made me decide I had to change my diet. In the Runaways we used to eat a ton of junk food. So something had to give.”

Joan Jett (1958) American rock musician, former member of The Runaways

“What's in your basket, Joan Jett?”, in theguardian.com (18 July 2010) https://www.theguardian.com/lifeandstyle/2010/jul/18/joan-jett-vegetarian-diet.

Love, Life, Food, Dogs

“At a very early stage I realised that it's a real problem to perform electronic music on stage because electronic instruments are not particularly convincing on a visual point of view: somebody behind his computer, it's not particularly visual. So I was inspired by the opera. And what was the opera in the 19th century? It was the idea for a musician to join and to work, to collaborate with a stage director, with carpenters, painters, people doing decors, graphic artists to have a visual prolongation, a visual correspondence to their work. That's what I tried to do with the tools of my generation: electronics and video and lights and all that.”

Jean-Michel Jarre (1948) French composer, performer and music producer

interviewed on the Danish Monitor radio programme 2005-11-30

People, Idea, Problem, Light

“I have discovered three things which know no geographical borders - classical music, American jazz, and applause as the sign of the public's favor.”

Jascha Heifetz (1901–1987) Lithuanian violinist

Heifetz official web site http://www.jaschaheifetz.com/about/quotes.html

“I listened, motionless and still;
And, as I mounted up the hill,
The music in my heart I bore,
Long after it was heard no more.”

William Wordsworth The Solitary Reaper

The Solitary Reaper, st. 4.
Memorials of a Tour in Scotland (1803)

Heart

“In those years, when I came to the States, people were always asking me why I didn’t sing anymore. I’d tell them, ‘I sing all around the world—Asia, Africa, Europe—but if you don’t sing in the US, then you haven’t really made it.’ That’s why I’ll always be grateful to Paul Simon. He allowed me to bring my music back to my friends in this country.”

Miriam Makeba (1932–2008) South African singer and civil rights activist

As quoted in Poet, J. (11 February 2009)

People, World, Singing, Country

“Art, and, above all, music, has a fundamental function, which is to catalyze the sublimation that it can bring about through all means of expression. It must aim through fixations which are landmarks, to draw [one] towards a total exaltation in which the individual mingles, losing his consciousness in a truth immediate, rare, enormous, and perfect. If a work of art succeeds in this undertaking even for a single moment, it attains its goal.”

Iannis Xenakis (1922–2001) Greek composer

Formalized Music: Thought and Mathematics in Composition, ISBN 1576470792

Truth, Art, Drawing, Perfection

“Pointless but intense excitement holds us in TV dramas. We hear threatening music. A killer with a gun steals into the bedroom of a sleeping woman. More subliminal sounds of danger, pointlessly ominous. The woman wakes and runs into the kitchen for a knife. The cops are on the case. We watch as the criminal is pursued through night streets; shots, a death; a body falls from a roof. Then time is up, another drama begins. Now we are in a church. No, we are in a lecture hall; no again — a drawer opens in a morgue. A woman is looking for her kidnapped child. Then that ends, and we are on the veld with zebras and giraffes. Then with Lenin at a mass meeting. And suddenly we flash away to a cooking school; we are shown how to stuff a turkey. Next the Berlin Wall comes down. Or flags are burning. Or a panel is worrying about the rug crisis. More and more public themes, with less and less personal consciousness. Clearly, personal consciousness is shrinking.”

Saul Bellow (1915–2005) Canadian-born American writer

"The Distracted Public" (1990), pp. 159-160
It All Adds Up (1994)

Death, School, Sleep, Time

“For I consider that music is, by its very nature, essentially powerless to express anything at all, whether a feeling, an attitude of mind, a psychological mood, a phenomenon of nature, etc. Expression has never been an inherent property of music. That is by no means the purpose of its existence. If, as is nearly always the case, music appears to express something, this is only an illusion and not a reality. It is simply an additional attribute which, by tacit and inveterate agreement, we have lent it, thrust upon it, as a label, a convention – in short, an aspect which, unconsciously or by force of habit, we have come to confuse with its essential being.”

Igor Stravinsky (1882–1971) Russian composer, pianist and conductor

Igor Stravinsky (1936). An Autobiography, p. 53-54.
1930s

Feeling, Mood, Nature, Reality

“A kind of music far superior, in my opinion, to that of operas, and which in all Italy has not its equal, nor perhaps in the whole world, is that of the 'scuole'. The 'scuole' are houses of charity, established for the education of young girls without fortune, to whom the republic afterwards gives a portion either in marriage or for the cloister. Amongst talents cultivated in these young girls, music is in the first rank. Every Sunday at the church of each of the four 'scuole', during vespers, motettos or anthems with full choruses, accompanied by a great orchestra, and composed and directed by the best masters in Italy, are sung in the galleries by girls only; not one of whom is more than twenty years of age. I have not an idea of anything so voluptuous and affecting as this music; the richness of the art, the exquisite taste of the vocal part, the excellence of the voices, the justness of the execution, everything in these delightful concerts concurs to produce an impression which certainly is not the mode, but from which I am of opinion no heart is secure. Carrio and I never failed being present at these vespers of the 'Mendicanti', and we were not alone. The church was always full of the lovers of the art, and even the actors of the opera came there to form their tastes after these excellent models. What vexed me was the iron grate, which suffered nothing to escape but sounds, and concealed from me the angels of which they were worthy. I talked of nothing else. One day I spoke of it at Le Blond's; "If you are so desirous," said he, "to see those little girls, it will be an easy matter to satisfy your wishes. I am one of the administrators of the house, I will give you a collation [light meal] with them." I did not let him rest until he had fulfilled his promise. In entering the saloon, which contained these beauties I so much sighed to see, I felt a trembling of love which I had never before experienced. M. le Blond presented to me one after the other, these celebrated female singers, of whom the names and voices were all with which I was acquainted. Come, Sophia, — she was horrid. Come, Cattina, — she had but one eye. Come, Bettina, — the small-pox had entirely disfigured her. Scarcely one of them was without some striking defect.
Le Blond laughed at my surprise; however, two or three of them appeared tolerable; these never sung but in the choruses; I was almost in despair. During the collation we endeavored to excite them, and they soon became enlivened; ugliness does not exclude the graces, and I found they possessed them. I said to myself, they cannot sing in this manner without intelligence and sensibility, they must have both; in fine, my manner of seeing them changed to such a degree that I left the house almost in love with each of these ugly faces. I had scarcely courage enough to return to vespers. But after having seen the girls, the danger was lessened. I still found their singing delightful; and their voices so much embellished their persons that, in spite of my eyes, I obstinately continued to think them beautiful.”

Jean Jacques Rousseau (1712–1778) Genevan philosopher

Confessions of Jean-Jacques Rousseau (1765-1770; published 1782), On the musicians of the Ospedale della Pieta (book VII)

Love, Marriage, Age, World

“Eloquence may strike the ear, but the language of poverty strikes the heart; the first may charm like music, but the second alarms like a knell.”

Thomas Paine (1737–1809) English and American political activist

Case of the Excise Officers http://www.thomaspaine.org/essays/other/case-of-the-excise-officers.html, (1772) 1770s

Heart

“I love the music from Nat King Cole, BB King, Albert King… When I think of it, I wouldn't mind being renamed Angus King.”

Angus Young (1955) Scottish Australian guitarist

Interview for the French TV channel M6 at the release of the album Razor's Edge.

Love, Thinking

“A good conductor ought to be a good chauffeur; the qualities that make the one also make the other. They are concentration, an incessant control of attention, and presence of mind; the conductor only has to add a little sense of music.”

Sergei Rachmaninoff (1873–1943) Russian composer, pianist, and conductor

Quoted in Oskar von Riesemann (trans. Dolly Rutherford) Rachmaninoff's Recollections (New York: Macmillan, 1934) p. 155.

Sense

“Music is the cup which holds the wine of silence. Sound is that cup, but empty. Noise is that cup, but broken.”

Robert Fripp (1946) English guitarist, composer and record producer

“The Vinyl Solution.” in Musician, Player, and Listener 24 (April-May 1980): 34.
Elsewhere

Silence, Wine

“If they cut off both hands, I will compose music anyway holding the pen in my teeth.”

Dmitri Shostakovich (1906–1975) Russian composer and pianist

Said to Isaac Glikman, 1936; cited from Laurel Fay Shostakovich: A Life (2000) p. 92.

“The oldest, truest, most beautiful organ of music, the origin to which alone our music owes its being, is the human voice.”

Richard Wagner book Opera and Drama

Opera and Drama (1851)

Beauty

“I'll tell you about punk rock: punk rock is a word used by dilettantes and, uh… and, uh… heartless manipulators, about music… that takes up the energies, and the bodies, and the hearts and the souls and the time and the minds, of young men, who give what they have to it, and give everything they have to it. And it's a… it's a term that's based on contempt; it's a term that's based on fashion, style, elitism, satanism, and, everything that's rotten about rock 'n' roll. I don't know Johnny Rotten.. but I'm sure, I'm sure he puts as much blood and sweat into what he does as Sigmund Freud did. You see, what, what sounds to you like a big load of trashy old noise… is in fact… the brilliant music of a genius… myself. And that music is so powerful, that it's quite beyond my control. And, ah… when I'm in the grips of it, I don't feel pleasure and I don't feel pain, either physically or emotionally. Do you understand what I'm talking about? Have you ever, have you ever felt like that? When you just, when you just, you couldn't feel anything, and you didn't want to either. You know, like that? Do you understand what I'm saying, sir?”

Iggy Pop (1947) American rock singer-songwriter, musician, and actor

Peter Gzowski's 90 Minutes Live interview (1977)

Men, Pain, Pleasure, Feeling

“I’ve no regrets in my personal and professional life. Being a spiritual person, I believe whatever happens, happens for the good. I simply follow what dad says, ‘With music, you can reach out and spread happiness.”

Yuvan Shankar Raja (1979) Indian musician

Yuvan Unplugged (2009)

Life, Happiness, Personality

“Down the mountain walls
From where pan’s cavern is
Intolerable music falls.
Foul goat-head, brutal arm appear,
Belly, shoulder, bum,
Flash fishlike; nymphs and satyrs
Copulate in the foam.”

W.B. Yeats (1865–1939) Irish poet and playwright

News for the Delphic Oracle http://poetry.poetryx.com/poems/1546/, st. 3 Last Poems (1936-1939)

Mountain, Appearance

“You listeners, the ones who found me first are, I believe, the future of great art thinkers. Because anyone that's found me now I really think is grabbing on to the ideas that I have, more than anything. It's about the music but it's also about the story. So thank you guys for loving and reading the story and being as into it and as passionate as I am.”

Lady Gaga (1986) American singer, songwriter, and actress

Interview with DJ Ron Slomowicz at About.com http://dancemusic.about.com/od/artistshomepages/a/LadyGagaInt_2.htm

Love, Art, Guy, Idea

“Music played a large role in the survival of the black people in America — that and a sense of humor that just couldn't be enslaved.”

Redd Foxx (1922–1991) American comedian and actor

The Redd Foxx Encyclopedia of Black Humor (1977) (co-written with Norma Miller)

People, Sense

“What is not heartrending is superfluous, at least in music.”

Emil M. Cioran (1911–1995) Romanian philosopher and essayist

Anathemas and Admirations (1987)

“Jazz music is a form of accelerated unconcern.”

Françoise Sagan book A Certain Smile

Un certain sourire (1955, A Certain Smile, translated 1956)

“We’re from Germany but we grew up with English and American music which was such a strong inspiration for the young band. Very early on, in the Seventies, we went to England and France, to Japan and America, we toured and then became an international band. I think our music was never German, it’s always had this Anglo-American influence – we never tried to be a German band! We are Germans, yes, but not in our music. When we grew up, there was schlager music, this pop music kind of thing.”

Klaus Meine (1948) German singer

Thinking, Strong

“I didn't like the music business and I didn't like me. There's an element of falseness about the whole thing. Even things like doing an interview. It's not as though we just met in the pub and are having a chat — it's part of a process. If you do it all day, every day for years, you end up thinking: 'Who the hell am I?' I was lucky enough to make some money, enough to let me kick back. It was a great experience and it was nice to have a couple of No.1s but the best thing about it was that the money I made allowed me to have freedom and choice in my life.”

Rick Astley (1966) British singer and songwriter

As quoted in Metro (3 September 2004)

Life, Money, Hell, Business

“Music has the capacity to create a greater reality.”

Daniel Barenboim (1942) Israeli Argentine-born pianist and conductor

Daniel Barenboim: 'Spaces of dialogue' http://www.aljazeera.com/programmes/frostinterview/2013/07/20137239147831924.html, 04 Aug 2013.

Reality

“Working to timings and synchronising your musical thoughts with the film can be stimulating rather than restrictive. Scoring is a limitation but like any limitation is can be made to work for you. Verdi, except for a handful of pieces, worked best when he was 'turned on' by a libretto. The most difficult problem in music is form, and in a film you already have this problem solved for you. You are presented with a basic structure, a blueprint, and provided the film has been well put together, well edited, it often suggests its own rhythms and tempo. The quality of the music is strictly up to the composer. Many people seem to assume that because film music serves the visual it must be something of secondary value. Well, the function of any art is to serve a purpose in society. For many years, music and painting served religion. The thing to bear in mind is that film is the youngest of the arts, and that scoring is the youngest of the music arts. We have a great deal of development ahead of us.”

Jerry Goldsmith (1929–2004) film composer

ibid., p. 209

People, Religion, Art, Problem

“Be happy, be happy; you shall have your red rose. I will build it out of music by moonlight, and stain it with my own heart's-blood. All that I ask of you in return is that you will be a true lover, for Love is wiser than Philosophy, though she is wise, and mightier than Power, though he is mighty.”

Oscar Wilde book The Happy Prince and Other Tales

"The Nightingale and the Rose"
The Happy Prince and Other Tales (1888)

Love, Happiness, Lovers, Heart

“I was looking for a name like the Crickets that meant two things, and from crickets I got to beetles. And I changed [to] B E A because … B E E T L E S didn't mean two things, so I changed … the E to an A. And it meant two things then. … When you said it, people thought of crawly things; and when you read it, it was beat music.”

John Lennon (1940–1980) English singer and songwriter

Pop Chronicles: Show 27 - The British Are Coming! The British Are Coming!: The U.S.A. is invaded by a wave of long-haired English rockers. Part 1 https://digital.library.unt.edu/ark:/67531/metadc19782/m1/#track/4, 24 August 1964 http://www.jpgr.co.uk/pro202.html.

People, Change, Reading

“We went through a hard time, and we had to turn to music as a means to putting food on the table. And we've been doing it ever since. No regrets either.”

Selena (1971–1995) Mexican-American singer, songwriter, actress, and fashion designer

Selena Quintanilla-Perez Interview at Rosedale Park https://www.youtube.com/watch?v=K9Z65HwP1i8

Food, Time

“He did not know their songs, and only listened and was borne along on the music, until from up front there came sweeping back wave by wave down the great slow-moving river of people a tune he knew. He lifted his head high and sang it with them, in his own language as he had learned it: the Hymn of the Insurrection. It had been sung in these streets, in this same street, two hundred years ago, by these people, his people.”

Ursula K. Le Guin Hainish Cycle

Hainish Cycle, (1974)

People, Learning

“I always wanted to be a comedian and actor, […] I basically stumbled into the music medium, though. I'm OK, but that's about it. I like to think I'm good enough not to negatively affect the performance.”

Bo Burnham (1990) American comedian, musician, and actor

Source: [Joseph P., Kahn, Joseph P. Kahn, Nonfamily humor, straight from home, y, http://www.boston.com/ae/theater_arts/articles/2008/02/13/nonfamily_humor_straight_from_home/, The Boston Globe, P. Steven Ainsley, Boston, Massachusetts, USA, 2008-02-13, 2009-01-25, Irreverent songs win Hamilton youth a cult following]

Thinking

“Once the machine starts to fly, the heavens will be filled with music.”

José Saramago book Baltasar and Blimunda

Voando a máquina, todo o céu será música.
Source: Baltasar and Blimunda (1982), p. 165

Flying

“I remember you said this war was a story of Lightwoods and Herondales and Fairchilds, and it is, and Blackthorns and Carstairs as well, and it's amazing to see them. But when I do, it's as if I see the past that stretches out behind them. I watch Jace Herondale play, and I see the ghosts that rise up in the music. Don't you?”

Cassandra Clare The Mortal Instruments

Tessa Gray, to Brother Zachariah/Jem Carstairs, pg. 708
The Mortal Instruments, City of Heavenly Fire (2014)

War, Past

“On music: "Scientifically, believe it or not, music drives everything, because music equals universe and universe equals music."”

Vangelis (1943) Greek composer of electronic, progressive, ambient, jazz, pop rock, and orchestral music

2012

Universe

“That's the reason I always say about music, the blues are the roots and the other musics are the fruits. Without the roots, you have no fruits so it's better keeping the roots alive because it means better fruits from now on.”

Willie Dixon (1915–1992) American blues musician

I am the Blues: the Willie Dixon Story‎ (with Don Snowden, 1990), p. 4.

“It is the historical necessity, if there is a historical necessity in history, that a new decade of electronic television should follow to the past decade of electronic music.”

Nam June Paik (1932–2006) American video art pioneer

Nam June Paik (1965), as cited in: David Dunn, " A History of Electronic Music Pioneers http://vasulka.org/Kitchen/PDF_Eigenwelt/pdf/021-062.pdf." ders.(Hrsg.), Eigenwelt der Apparate-Welt.(Katalog), Linz (1992): 21-62. 1960s

History, Past

“It had to be something real bad. I think he stole music online.”

James Hetfield (1963) American musician, songwriter and record producer

Asked what the narrator in "Ride The Lightning" did to earn the death penalty
[James Hetfield And Kirk Hammett Look Back On Metallica's "Ride The Lightning", http://blogs.villagevoice.com/music/2012/06/metallica_ride_the_lightning_interview.php?page=2, Village Voice, 20 June 2012]

Thinking

“"Some people are desperately looking for scapegoats, they just don't want to see the truth!" (Jon commenting on the parents that blame music for the violence.)”

Jonathan Davis (1971) Heavy metal singer, frontman for Korn

People, Truth, Parent

“My people are American, my time is today…music must repeat the thought and aspirations of the times.”

George Gershwin (1898–1937) American composer and pianist

Quoted in Merle Armitage Accent on America (New York: E. Weyhe, 1944) p. 292.

People, Time

“He who can listen to the music in the midst of noise can achieve great things.”

Vikram Sarabhai (1919–1971) (1919-1971), Indian physicist

Quoted in "Vikram A. Sarabhai". Source: Vikram Ambalal Sarabhai, 14 December 2013, New Mexico Museum of Space History http://www.nmspacemuseum.org/halloffame/detail.php?id=120,

“By watching me, they’ve learnt not to clap between the movements, to know some of the music I play quite well. I love the idea of playing quiet music on a big stage, you can feel every note bubbling in the air, with everybody following.”

Li Yundi (1982) Chinese pianist

telegraph.co.uk http://www.telegraph.co.uk/culture/music/classicalmusic/10863146/Lang-Lang-Weve-never-met.html

Love, Feeling, Idea

“I integrate music from all over the world in my sets, harmony is what my music and life are built upon.”

Tiësto (1969) Dutch DJ and record producer

Tiësto.
Source: [WE8 Coca-Cola Campaign, http://www.coca-cola.com/template1/index.jsp?locale=en_US&site=../we8/we8.jsp, Coca Cola, 2008-08-02]

Life, World

“Nature is an Æolian Harp, a musical instrument; whose tones again are keys to higher strings in us.”

Novalis (1772–1801) German poet and writer

Novalis (1829)

Nature

“In the course of my life I have often had intimations in dreams "that I should make music." The same dream came to me sometimes in one form, and sometimes in another, but always saying the same or nearly the same words: Make and cultivate music, said the dream. And hitherto I imagined that this was only intended to exhort and encourage me in the study of philosophy, which has always been the pursuit of my life, and is the noblest and best of music.”

Socrates (-470–-399 BC) classical Greek Athenian philosopher

Plato, Phaedo

Life, Dreams, Imagination, Study

“My aversion from music rests on political grounds.”

Thomas Mann book The Magic Mountain

Source: The Magic Mountain (1924), Ch. 4

“Wagner's music is better than it sounds.”

Mark Twain (1835–1910) American author and humorist

Actually by Bill Nye, possibly confused due to Nye quoting Twain in More Tramps Abroad, 1897. (See also autobiography, vol. 1, p. 288.)
Misattributed

“Our modern worship of empty ideals is ludicrous. What does the condition of the rabble matter? All we need do is to keep it as quiet as we can. What is more important, is to perpetuate those things of beauty which are of real value because involving actual sense-impressions rather than vapid theories. "Equality" is a joke — but a great abbey or cathedral, covered with moss, is a poignant reality. If it is for us to safeguard and preserve the conditions which produce great abbeys, and palaces, and picturesque walled town, and vivid sky-lines of steeples and domes, and luxurious tapestries, and fascinating books, paintings and statuary, and colossal organs and noble music, and dramatic deeds on embattled fields — these are all there is of life: take them away and we have nothing which a man of taste or spirit would care to live for. Take them away and our poets have nothing to sing — our dreamers have nothing to dream about. The blood of a million men is well shed in producing one glorious legend which thrills posterity and it is not at all important why it was shed.”

H.P. Lovecraft (1890–1937) American author

Letter to James F. Morton (10 February 1923), published in Selected Letters Vol. I (1965), p. 208
Non-Fiction, Letters, to James Ferdinand Morton, Jr.

Life, Men, Books, Beauty

“When I began there was an expectation that I play like Abbaji, but over the years luckily for me music lovers got around to accepting me for what I play… Look at others like Ustad Bismillah Khan’s son who has lost his way in trying to play shehnai like his father. Copying his father is one thing but taking his music forward is quite another.”

Zakir Hussain (musician) (1951) Indian tabla player, musical producer, film actor and composer

Quote, I've never wanted to fit in Abbaji's shoes: Ustad Zakir Hussain

Way, Lovers

“Music is natural law as related to the sense of hearing.”

Anton Webern (1883–1945) Austrian composer and conductor

The Path to the New Music

Law, Nature, Sense

“I think that you have to seriously have fun, or taking serious things in a light way and obviously, for me, before all, music is made of fun and pleasure and excitement.”

Jean-Michel Jarre (1948) French composer, performer and music producer

Interviewed on the Danish Monitor radio programme 2005-11-30

Pleasure, Way, Thinking, Light

“[Music] a pederast might hum when raping a choirboy.”

Marcel Proust (1871–1922) French novelist, critic, and essayist

Of Fauré's Romances sans paroles Op. 17, as quoted in Orledge Gabriel Fauré (1979), p. 48

“I learnt kushti (wrestling) and music simultaneously”

Hariprasad Chaurasia (1938) Indian bansuri player

My father's wrestling techniques made my lungs strong: Pandit Hariprasad Chaurasia

“I propose now closing up by requesting you play a certain piece of music or a tune. I thought "Dixie" one of the best tunes I ever heard… I had heard our adversaries over the way had attempted to appropriate it. I insisted yesterday that we had fairly captured it… I presented the question to the Attorney-General, and he gave his opinion that it is our lawful prize… I ask the Band to give us a good turn upon it.”

Abraham Lincoln (1809–1865) 16th President of the United States

At the end of the Civil War, asking that a military band play "Dixie" (10 April 1865) as quoted in Dan Emmett and the Rise of Early Negro Minstrelsy (1962) by Hans Nathan. Variant account: "I have always thought "Dixie" one of the best tunes I have ever heard. Our adversaries over the way attempted to appropriate it, but I insisted yesterday that we fairly captured it... I now request the band to favor me with its performance".
1860s

Law, Way, Question

“I just witnessed an old woman wearing joker make-up and jamming hard to music as she drove her convertible. Yes, I just saw my future.”

Chris Colfer (1990) actor, singer, book author

Personal Quotes 2009–2012 Source: https://twitter.com/chriscolfer, Chris Colfer's personal twitter account.

Future

“I was still a kid when I gave up modeling and moved to London to devote myself to music. At the time, I had a band. Two years later, broke, I was forced to return to New York to go back to modeling and earn my living. But, when I’d call my agent, she replied to me: "You are now an old-fashioned model, you have a 'has-been' look." In fact, I could not even manage to get castings. Can you imagine what it’s like when you’re told that you’re over at the age of 18?”

Milla Jovovich (1975) Ukrainian-born american model and actress

Interview 1

Age, Imagination, Fashion, Time

“Of what use is it to please the herd? They are simply coarse animals — for all that is admirable in man is the artificial product of special breeding. We advocate the preservation of conditions favourable to the growth of beautiful things — imposing palaces, beautiful cities, elegant literature, resposeful art and music, and a physically select human type such as only luxury and a pure racial strain can produce. Thus we oppose democracy, if only because it would retard the development of a handsome Nordic breed. We realise that all conceptions of justice and ethics are mere prejudices and illusions — there is no earthly reason why the masses should not be kept down for the benefit of the strong, since every man is for himself in the last analysis.”

H.P. Lovecraft (1890–1937) American author

Letter to James F. Morton (10 February 1923), published in Selected Letters Vol. I (1965), p. 208
Non-Fiction, Letters, to James Ferdinand Morton, Jr.

Justice, Beauty, Art, Democracy

“I celebrated my 21st birthday here, and that was the last time I drank in El Paso. [Audience cheers] You folks don't mess around, you know? Everyone was going, "It's your birthday," I was like, "It's my birthday!" "Do you want a drink?" "SUUURRREE!" And I kept drinking and drinking and drinking, and then the staff asked me, "Do you want to party?" I was like, [Slurring]"I want to party." "Do you want to dance?" [Slurring] "I wanna dance!" I passed out, you guys, and woke up at a place called the O. P. [Audience laughs and cheers] Yeah, the reason you people in El Paso are laughing is because you KNOW! I had no idea it was an "Alternative" night club. I'm from L. A., I thought O. P. stood for: Orale pues! That is a bad way to sober up, you guys. I'm just dancing, you know [Imitates beat-box music] Boom, boom, boom, hey! Boom, boom, boom, hey! Boom, boom, boom- [Jumps like something's behind him] HEY! [Audience laughs] And behind me was this little guy going, [Little effeminate voice] "Pikachu!"”

Gabriel Iglesias (1976) American actor

I'm Not Fat, I'm Fluffy (2009)

People, Way, Guy, Idea

“The music and the clothing are just as important. That's what makes you hip hop. You show people that you're hip hop by what you wear.”

Kanye West (1977) American rapper, singer and songwriter

2013 Interview https://www.youtube.com/watch?v=S78tT_YxF_c

People, Clothes

“It is necessary for us to explain the involuntary repugnance we possess for the nature and personality of the Jews … The Jews have never produced a true poet. Heinrich Heine reached the point where he duped himself into a poet, and was rewarded by his versified lies being set to music by our own composers. He was the conscience of Judaism, just as Judaism is the evil conscience of our modern civilization.”

Richard Wagner book Das Judenthum in der Musik

Judaism in Music (1850)

Nature, Evil, Personality

“He who makes songs without feeling
Spoils both his words and his music.”

Guillaume de Machaut (1300–1377) French poet and composer

Qui de sentement ne fait,
Son dit et son chant contrefait.
"Remede de Fortune", line 407; translation from Josiah Fisk and Jeff Nichols (eds.) Composers on Music (Boston, Northeastern University Press, 1997) p. 5.

Feeling

“What's Bagism? It's like… a tag for what we all do, we're all in a bag ya know, and we realised that we came from two bags, I was in this pop bag going round and round in my little clique, and she was in her little avant-garde clique going round and round, and you're in your little tele clique and they're in their…ya know? and we all sort of come out and look at each other every now and then, but we don't communicate. And we all intellectualise about how there is no barrier between art, music, poetry… but we're still all "I'm a rock and roller, he's a poet" … so we just came up with the word so you would ask us what bagism is, and we'd say "WE'RE ALL IN A BAG BABY!"”

John Lennon (1940–1980) English singer and songwriter

Interview on The David Frost Show (14 June 1969) http://web.archive.org/web/20010719003543/http://homepage.ntlworld.com/carousel/pob07.html

Art, Communication, Baby

“I was never interested in studies. And honestly, I never felt I had it in me to make good music. I guess, the environment in which I grew up — dad neck-deep in music, my sister Bavatharini on the piano all the time and brother Karthik Raja constantly hooked on the latest music technology — just stirred me to take the first step. ‘Thuluvatho Ilamai’ and ‘Poovellam Kaettupaar’ proved to be turning points.”

Yuvan Shankar Raja (1979) Indian musician

Yuvan Unplugged (2009)

Sister, Study, Time

“The man who doesn't respond to music, the man without music in his soul is not to be trusted. A man like that is cold and empty, empty to the core.”

Henry Miller (1891–1980) American novelist

Reflections (1981)

Soul

“First of all, this is Duke's band, and this is Tchaikovsky. Knowing things in their original sources, I abhor taking a concert thing and trying to treat it in a jazz light. In the beginning they have a very nice orchestral usage, but the minute they start going into Johnny Hodges and 4/4, it just doesn't fit. It comes out neither fowl nor fish. The orchestration is enjoyable because, for one reason, they've done a nice job of getting nice, legitimate, straight-sounding things. The melodies are very lovely, but, of course, Duke is the master in this type of thing. But over-all, from a jazz standpoint, I don't appreciate it at all. If I didn't know it was Tchaikovsky, for instance, with the tambourine bit and all, I would feel it was straight out of an MGM Arabian movie. The harmonies he used, particularly some of the background things, interested me more than the melodies, probably because the harmonic part of music interests me more than any. From an orchestrational standpoint I would give this somewhere around 3½ stars; but from a jazz standpoint, none.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Reviewing "Arabesque Cookie" https://www.youtube.com/watch?v=GJtWZ771OqA from Ellington's The Nutcracker Suite; as quoted in "Clare Fischer: Blindfold Test" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#rjvay58eo774rhe by Leonard Feather, in Downbeat (October 25, 1962), p. 39

Love, Feeling, Star, Fish

Quotes about music page 5

Quotes about music
page 5