
“The best music always results from ecstasies of logic.”
Quoted by Donal Henahan in the New York Times Magazine, May 11, 1975.
“The best music always results from ecstasies of logic.”
Quoted by Donal Henahan in the New York Times Magazine, May 11, 1975.
Ich sehe uns schon mit Dreadlocks da sitzen und eine riesige Tüte rauchen, im Hintergrund Reggae-Music und vor uns ein dampfendes Bier. Im Ernst: Wie stellen Sie sich das vor?
After the 2005 Bundestags election discussion of the so-called Jamaica coalition.
“Screams from the haters, got a nice ring to it
I guess every superhero need his theme music.”
Power
Lyrics, My Beautiful Dark Twisted Fantasy (2010)
"Clive Barker: Love, Death, & the Whole Damned Thing", Locus (1995)
As quoted in "Vonnegut's Blues For America" Sunday Herald (7 January 2006)
Various interviews
From Grace EPK (Electronic Press Kit)
Source: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 99
Oui interview (1979)
Suffering and Greatness of Richard Wagner (1933)
“The things that were happening in 1955 were cosmic … in terms of music history.”
Interview (5 March 1969) http://www.library.unt.edu/music/special-collections/john-gilliland/t-z, broadcast on Pop Chronicles, Show 14 - Big Rock Candy Mountain: Phil Spector & Frank Zappa review the '50s http://digital.library.unt.edu/ark:/67531/metadc19763/m1/
Quoted from Guitar Center Flea Interview http://www.guitarcenter.com/interview/flea/
Selena at School https://www.youtube.com/watch?v=kRhbKhD4gPI
Nochmals gesagt, heute ist es mir ein unmögliches Buch, - ich heisse es schlecht geschrieben, schwerfällig, peinlich, bilderwüthig und bilderwirrig, gefühlsam, hier und da verzuckert bis zum Femininischen, ungleich im Tempo, ohne Willen zur logischen Sauberkeit, sehr überzeugt und deshalb des Beweisens sich überhebend, misstrauisch selbst gegen die Schicklichkeit des Beweisens, als Buch für Eingeweihte, als "Musik" für Solche, die auf Musik getauft, die auf gemeinsame und seltene Kunst-Erfahrungen hin von Anfang der Dinge an verbunden sind, als Erkennungszeichen für Blutsverwandte in artibus, - ein hochmüthiges und schwärmerisches Buch, das sich gegen das profanum vulgus der "Gebildeten" von vornherein noch mehr als gegen das "Volk" abschliesst, welches aber, wie seine Wirkung bewies und beweist, sich gut genug auch darauf verstehen muss, sich seine Mitschwärmer zu suchen und sie auf neue Schleichwege und Tanzplätze zu locken.
"Attempt at a Self-Criticism", p. 5
The Birth of Tragedy (1872)
“The trade of critic, in literature, music, and the drama, is the most degraded of all trades.”
Vol. II, p. 69
Mark Twain's Autobiography (1924)
Quoted from NYRock Red Hot Chili Peppers Interview http://www.nyrock.com/interviews/rhcp_int.htm
No. 93 (16 June 1711).
The Spectator (1711–1714)
Interview by Iara Lee for the film Modulations http://www.furious.com/perfect/stockhauseninterview.html (August 1997)
Attributed
Source: 1970s and later, Themes and Conclusions (1982), p. 188.
[Sharma, S. D., Sarangi maestro calls present music soulless drudgery, The Tribune, 28 February 2008, http://www.webcitation.org/5pb5rvJkI]
“Oh, the heart
Knows not the power of music till it loves!”
The London Literary Gazette, 1824
in SXSW 2007 <!-- 18:24 http://2007.sxsw.com/blogs/podcasts.php/2007/03/14/bruce_sterling_s_sxsw_rant --> Bruce Sterling Rant (2007).
Paolo Padillo, "A Traviata of Note: Teatro Lirico d'Europa". Opera - L (March, 2004) http://listserv.cuny.edu/Scripts/wa.exe?A2=ind0403d&L=opera-l&F=&S=&P=15287
Letter to Isaac Glikman, August 28, 1955; Josiah Fisk & Jeff Nichols (eds.) Composers on Music (1997) p. 364.
“Where there is devotional music, God with his grace is always present.”
Bei einer andächtigen Musik ist allezeit Gott mit seiner Gnaden Gegenwart.
Annotation in a copy of the Calov Bible, cited from John Butt (ed.) The Cambridge Companion to Bach (Cambridge: Cambridge University Press, 1997), p. 256; translation from ibid., p. 46
George Saintsbury The Flourishing of Romance and the Rise of Allegory (Edinburgh: Blackwood, 1923) p. 258.
Praise
Nature's Eternal Religion (1973), Ch. 2, Paragraph 4
Nature's Eternal Religion (1973)
Source: The Frontiers of Meaning: Three Informal Lectures on Music (1994), Ch. 2 : How to Become Immortal
Source: The Spiritual Life (1947), p. 256
“As someone who worships music, I believe it can never be ugly!”
Discussing about vulgar lyrics http://www.timesofindia.com/entertainment/hindi/music/news/The-use-of-vulgar-lyrics-in-songs-is-a-disturbing-trend-Shreya-Ghoshal/articleshow/29714772.cms
Source: Roxy Music legend Bryan Ferry unwinds in Paris, Talia Soghomonian, December 2002 http://www.musicomh.com/music/features/bryan-ferry.htm,
Quotations by 60 Greatest Indians, Dhirubhai Ambani Institute of Information and Communication Technology http://resourcecentre.daiict.ac.in/eresources/iresources/quotations.html,
Alfred Cortot: Master Class on Schumann Kinderszenen (1953) http://www.youtube.com/watch?v=rNUNNNNj_Qw
Quoted in Reich, Willi (1971). Schoenberg: A Critical Biography, p. 34. Translated by Leo Black.
“…the regions where there is only life, and therefore all that is not music is silence.”
The Hands of the Father
Unspoken Sermons, First Series (1867)
“Formalism is music that people don’t understand at first hearing.”
Quoted in Boris Schwarz Music and Musical Life in Soviet Russia, 1917-1970 (1972) p. 115.
Shake It Off, written by Taylor Swift, Max Martin, and Shellback
Song lyrics, 1989 (2014)
a message that I often relay in the studio when overdubbing starts).
December 15, 1995, p. 178
A Year With Swollen Appendices (1996)
Her answer on the question who her first musical influences were. Mark Bego: Tina Turner: Break Every Rule, 2005, page 18.
NME http://www.nme.com/features/a-letter-from-lana-del-rey-the-full-nme-cover-interview-757009 (11 December 2015)
“They bring my music to life.”
On her fans.
Lady Gaga Interview: Part 3 of 5 http://www.youtube.com/watch?v=psGfRELcoQY
Anonymous reviewer, as quoted in Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven's Time (1965) by Nicolas Slonimsky, p. 126
About
“Language is texture of images and music. We speak in images and rhythm, by taking help of words.”
<span class="plainlinks"> Foreword, 'Tales of Transformation: English Translation of Tagore's Chitrangada and Chandalika', Lopamudra Banerjee, (2018). https://www.amazon.co.uk/dp/B07DQPD8F4/</span>
From Prose
As quoted by Marius de Zayas, in 'The Arts', New York, May 1923
1920s, The Arts', New York, May 1923
Letter to Gilbert Murray, April 3, 1902
1900s
V. K. Subramanian (2013), in 101 Mystics of India, p. 181 http://books.google.co.in/books?id=_uswAgAAQBAJ&pg=PA181
Introducing the song "New Feudalism" with The No WTO Combo on (30 November 1999)
[Audience laughs] And you're sitting there, going, "I gotta go get a Pepsi!"
Hot & Fluffy (2007)
“The late Bill Nye once said "I have been told that Wagner's music is better than it sounds."”
Source: Autobiography of Mark Twain, Volume 1 (2010), p. 288
Adele in Rolling Stone http://www.rollingstone.com/music/news/adele-opens-up-about-her-inspirations-looks-and-stage-fright-20120210, April 28, 2011.
Lady Gaga Interview with ARTISTdirect http://www.artistdirect.com/nad/news/article/0,,4931544,00.html.
Part III: Man and Himself, Ch. 20: The Happy Man, p. 201
1950s, New Hopes for a Changing World (1951)
About Ghoshal preference http://www.thehindu.com/todays-paper/tp-features/tp-metroplus/the-livewire/article3845968.ece
Quote, I've never wanted to fit in Abbaji's shoes: Ustad Zakir Hussain
Drinking from the firehose with Howard Bloom https://www.youtube.com/watch?v=vhlL7IjaZNI?t=29m55s
Other
To Michael Parkinson in 1987 on the Parkinson BBC One programme.
Interview, The Paris Review No. 80, Spring 2000 http://www.theparisreview.org/interviews/730/the-art-of-poetry-no-80-geoffrey-hill
at St Quentin, during the videoshoot for St Anger
Regarding his latest art exhibition, as quoted in The Age http://www.theage.com.au/ (30 June 2010).
2010s
Introductory notes for Diatope performance, 1978 http://www.moderecords.com/catalog/148xenakis.html
written in Saint Cloud, 1889
Quotes from his text: 'Saint Cloud Manifesto', Munch (1889): as quoted in Edvard Much – behind the scream, Sue Prideaux; Yale University Press, New Haven and London, 2007, pp. 120 -121
1880 - 1895
Igor Stravinsky. "Subject: Music", New York Times Magazine, 9/27/64.
1960s
“Music is everything. God himself is nothing more than an acoustic hallucination.”
Tears and Saints (1937)
Isaac Goldberg Tin Pan Alley (New York: John Day, 1930) p. viii.
Expositions and Developments (1959), pp. 113-114
1950s
On the Wardenclyffe Tower, in "The Future of the Wireless Art" in Wireless Telegraphy and Telephony (1908)
Concepts
From Grace EPK (Electronic Press Kit)