Quotes about music
page 4

“The best music always results from ecstasies of logic.”

Alban Berg (1885–1935) Austrian composer

Quoted by Donal Henahan in the New York Times Magazine, May 11, 1975.

“I can already picture us sitting there with dreadlocks, smoking a huge joint, listening to reaggae-music and in front of us a steaming beer. Seriously: Can you imagine such a thing?”

Joschka Fischer (1948) German politician

Ich sehe uns schon mit Dreadlocks da sitzen und eine riesige Tüte rauchen, im Hintergrund Reggae-Music und vor uns ein dampfendes Bier. Im Ernst: Wie stellen Sie sich das vor?
After the 2005 Bundestags election discussion of the so-called Jamaica coalition.

Imagination, Beer

“I make music to make you sick of fake music — hate music like devil worshippin' Satan music. So say your prayers — your Hail Mary's and Jesuses. Take two sticks, tape 'em together and make a crucifix.”

Eminem (1972) American rapper and actor

"Devil's Night"
2000s, Devil's Night [with D12] (2001)

Hate

“Screams from the haters, got a nice ring to it
I guess every superhero need his theme music.”

Kanye West (1977) American rapper, singer and songwriter

Power
Lyrics, My Beautiful Dark Twisted Fantasy (2010)

“Movies are much more fascist than books. They tell you what to feel, when to feel it. Popular movies manipulate you. Music tells you when it's a sad part and when it's a happy part. You're obliged to watch them at the speed the filmmaker has created for you. That, I think, is one of the reasons why they're so popular - because you don't have to think very hard. The filmmaker has done all the thinking for you.”

Clive Barker (1952) author, film director and visual artist

"Clive Barker: Love, Death, & the Whole Damned Thing", Locus (1995)

Happiness, Books, Sadness, Feeling

“If I should ever die, God forbid, let this be my epitaph:
THE ONLY PROOF HE NEEDED
FOR THE EXISTENCE OF GOD
WAS MUSIC”

Kurt Vonnegut (1922–2007) American writer

As quoted in "Vonnegut's Blues For America" Sunday Herald (7 January 2006)
Various interviews

God

“And what do I want people to get from the music? Whatever they want. Whatever you like. Somebody asked me what I wanted to do. I just said I wanted to…just to give back to it what it’s given me. And to meet all the other people that are doing it…just to be in the world, really.”

Jeff Buckley (1966–1997) American singer, guitarist and songwriter

From Grace EPK (Electronic Press Kit)

People, World

“Maybe baseball has to accept that it is now more like classical music than popular music, with football and basketball — and soccer? — being the Justin Biebers and Lady Gagas of sports. Baseball need not hang its head in shame. A lot of things that are good and worthy are not popular. And baseball is plenty popular, for heaven's sake.”

Jay Nordlinger (1963) American journalist

2010s, Baseball and Its Worriers (2018)

Sport, Football

“The electronic age is a world in which causes and effects become almost interchangeable, as in music structures.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 99

Age, World

“This song of the waters is audible to every ear, but there is other music in these hills, by no means audible to all. To hear even a few notes of it you must first live here for a long time, and you must know the speech of hills and rivers. Then on a still night, when the campfire is low and the Pleiades have climbed over rimrocks, sit quietly and listen for a wolf to howl, and think hard of everything you have seen and tried to understand. Then you may hear it—a vast pulsing harmony—its score inscribed on a thousand hills, its notes the lives and deaths of plants and animals, its rhythms spanning the seconds and the centuries.”

Aldo Leopold book A Sand County Almanac

Source: A Sand County Almanac, 1949, "Chihuahua and Sonora: The Green Lagoons", p. 149.

Death, Understanding, Thinking, Wolf

“I think the music of the Fifties is really good. I suspect it’s much better musically than much of what’s available now. Not in terms of production, but in terms of content. One good believable song about some guy’s girlfriend and how they broke up — a sincere one — is better than twenty albums of English rock that’s ever been produced.”

Frank Zappa (1940–1993) American musician, songwriter, composer, and record and film producer

Oui interview (1979)

Guy, Thinking, Sincerity

“Blood will stream over Europe until the nations become aware of the frightful madness which drives them in circles. And then, struck by celestial music and made gentle, they approach their former altars all together, hear about the works of peace, and hold a great celebration of peace with fervent tears before the smoking altars.”

Novalis (1772–1801) German poet and writer

As quoted in the Fourth Leaflet of the White Rose (1942)

Peace, Tear, Madness

“What was it that drove these thousands into the arms of his art — what but the blissfully sensuous, searing, sense-consuming, intoxicating, hypnotically caressing, heavily upholstered — in a word, the luxurious quality of his music?”

Thomas Mann (1875–1955) German novelist, and 1929 Nobel Prize laureate

Suffering and Greatness of Richard Wagner (1933)

Art, Sense

“Except for music, everything is a lie, even solitude, even ecstasy. Music, in fact, is the one and the other, only better.”

Emil M. Cioran (1911–1995) Romanian philosopher and essayist

Anathemas and Admirations (1987)

Lie, Solitude

“The things that were happening in 1955 were cosmic … in terms of music history.”

Frank Zappa (1940–1993) American musician, songwriter, composer, and record and film producer

Interview (5 March 1969) http://www.library.unt.edu/music/special-collections/john-gilliland/t-z, broadcast on Pop Chronicles, Show 14 - Big Rock Candy Mountain: Phil Spector & Frank Zappa review the '50s http://digital.library.unt.edu/ark:/67531/metadc19763/m1/

History

“The music industry, I've never been concerned with. I've been very fortunate that it has taken care of me. Like a baby being breast fed.”

Flea (musician) (1962) American musician

Quoted from Guitar Center Flea Interview http://www.guitarcenter.com/interview/flea/

Baby

“Music is not a very stable business. You know it comes and it goes, and so does money. But your education stays with you for the rest of your life and when you have that education and you have nothing fall back on you can go and get a job anywhere.”

Selena (1971–1995) Mexican-American singer, songwriter, actress, and fashion designer

Selena at School https://www.youtube.com/watch?v=kRhbKhD4gPI

Life, Money, Education, Business

“To say it once again: today I find it an impossible book — badly written, clumsy and embarrassing, its images frenzied and confused, sentimental, in some places saccharine-sweet to the point of effeminacy, uneven in pace, lacking in any desire for logical purity, so sure of its convictions that it is above any need for proof, and even suspicious of the propriety of proof, a book for initiates, 'music' for those who have been baptized in the name of music and who are related from the first by their common and rare experiences of art, a shibboleth for first cousins in artibus [in the arts] an arrogant and fanatical book that wished from the start to exclude the profanum vulgus [the profane mass] of the 'educated' even more than the 'people'; but a book which, as its impact has shown and continues to show, has a strange knack of seeking out its fellow-revellers and enticing them on to new secret paths and dancing-places.”

Friedrich Nietzsche book The Birth of Tragedy

Nochmals gesagt, heute ist es mir ein unmögliches Buch, - ich heisse es schlecht geschrieben, schwerfällig, peinlich, bilderwüthig und bilderwirrig, gefühlsam, hier und da verzuckert bis zum Femininischen, ungleich im Tempo, ohne Willen zur logischen Sauberkeit, sehr überzeugt und deshalb des Beweisens sich überhebend, misstrauisch selbst gegen die Schicklichkeit des Beweisens, als Buch für Eingeweihte, als "Musik" für Solche, die auf Musik getauft, die auf gemeinsame und seltene Kunst-Erfahrungen hin von Anfang der Dinge an verbunden sind, als Erkennungszeichen für Blutsverwandte in artibus, - ein hochmüthiges und schwärmerisches Buch, das sich gegen das profanum vulgus der "Gebildeten" von vornherein noch mehr als gegen das "Volk" abschliesst, welches aber, wie seine Wirkung bewies und beweist, sich gut genug auch darauf verstehen muss, sich seine Mitschwärmer zu suchen und sie auf neue Schleichwege und Tanzplätze zu locken.
"Attempt at a Self-Criticism", p. 5
The Birth of Tragedy (1872)

People, Secret, Books, Education

“Germany appeared in my eyes a very tiny portion of the earth. I had emerged from abstract Mysticism, and I learnt a love for Matter. Beauty of material and brilliancy of wit were lordly things to me: as regards my beloved music, I found them both among the Frenchmen and Italians. I forswore my model, Beethoven; his last Symphony I deemed the keystone of a whole great epoch of art, beyond whose limits no man could hope to press, and within which no man could attain to independence.”

Richard Wagner (1813–1883) German composer, conductor

Autobiographical Sketch (1843)

Love, Beauty, Hope, Art

“Nothing in the next-door world of Dachau impinged on the great winter cycle of Beethoven chamber music played in Munich. No canvases came off museum walls as the butchers strolled reverently past, guide-books in hand.”

George Steiner (1929–2020) American writer

"In a Post-Culture".
In Bluebeard's Castle (1971)

Books, World, Winter, Past

“Every father is given the opportunity to corrupt his daughter's nature, and the educator, husband, or psychiatrist then has to face the music. For what has been spoiled by the father can only be made good by a father, just as what has been spoiled by the mother can only be repaired by a mother. The disastrous repetition of the family pattern could be described as the psychological original sin, or as the curse of the Atrides running through the generations.”

C.G. Jung book Mysterium Coniunctionis

Mysterium Coniunctionis (1955) CW 14: P. 232

Education, Family, Nature, Daughters

“The trade of critic, in literature, music, and the drama, is the most degraded of all trades.”

Mark Twain (1835–1910) American author and humorist

Vol. II, p. 69
Mark Twain's Autobiography (1924)

Literature

“We're [the Red Hot Chili Peppers] jamming and that works really well. We don't talk much about songs or how songs should be constructed. We just start to play and see what happens, how they develop. We improvise a lot. We find a groove. We experiment and somehow it turns into music. The Koreans have influenced us a lot, through their loving attitude, evil dictatorship, and funky bass playing.”

Flea (musician) (1962) American musician

Quoted from NYRock Red Hot Chili Peppers Interview http://www.nyrock.com/interviews/rhcp_int.htm

Love, Evil

“A man that has a taste of music, painting, or architecture, is like one that has another sense, when compared with such as have no relish of those arts.”

Joseph Addison (1672–1719) politician, writer and playwright

No. 93 (16 June 1711).
The Spectator (1711–1714)

Art, Sense, Painting

“In this way, a philosophy which veiled the Philistine confessions of its founder beneath neat twists and flourishes of language proceeded further to discover a formula for the canonization of the commonplace. It expatiated upon the rationalism of all reality, and thus ingratiated itself with the Culture-Philistine, who also loves neat twists and flourishes, and who, above all, considers himself real, and regards his reality as the standard of reason for the world. From this time forward he began to allow every one, and even himself, to reflect, to investigate, to aestheticise, and, more particularly, to make poetry, music, and even pictures—not to mention systems of philosophy; provided, of course, that … no assault were made upon the “reasonable” and the “real”—that is to say, upon the Philistine.”

Friedrich Nietzsche Untimely Meditations

(A. Ludovici trans.), “David Strauss,” § 1.2, p. 17
Untimely Meditations (1876)

Love, World, Way, Reality

“And when they encounter works of art which show that using new media can lead to new experiences and to new consciousness, and expand our senses, our perception, our intelligence, our sensibility, then they will become interested in this music.”

Karlheinz Stockhausen (1928–2007) German composer

Interview by Iara Lee for the film Modulations http://www.furious.com/perfect/stockhauseninterview.html (August 1997) Attributed

Art, Intelligence, Sense

“It is the transcendent (or 'abstract' or 'self-contained') nature of music that the new so called concretism--Pop Art, eighteen-hour slices-of-reality films, musique concrete--opposes. But instead of bringing art and reality closer together, the new movement merely thins out the distinction.”

Igor Stravinsky (1882–1971) Russian composer, pianist and conductor

Source: 1970s and later, Themes and Conclusions (1982), p. 188.

Art, Nature, Reality

“Music, when combined with a pleasurable idea, is poetry; music without the idea is simply music; the idea without the music is prose from its very definitiveness.”

Edgar Allan Poe (1809–1849) American author, poet, editor and literary critic

"Letter to Mr. B — ".

Pleasure, Idea

“Music was invented to confirm human loneliness.”

Lawrence Durrell The Alexandria Quartet

The Alexandria Quartet (1957–1960), Clea (1960)

Loneliness

“By and large the present day Indian film music lacks soulful melody, sublime spirit and compelling charm of its lyrical intensity and has nothing Hindustani in it.”

Ram Narayan (1927) classical sarangi player from India

[Sharma, S. D., Sarangi maestro calls present music soulless drudgery, The Tribune, 28 February 2008, http://www.webcitation.org/5pb5rvJkI]

Soul

“Oh, the heart
Knows not the power of music till it loves!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The London Literary Gazette, 1824

Love, Heart

“"Mashups […] nobody's going to listen to mashups in another ten years. Mashups are novelty music. They're like "The Monster Mash." They have no musical staying power. You're pursuing a phantom there. It's bad music, I mean, it's not bad— it's a pastiche, it's like magazine collage— which can be good for what it is. But to pretend that that's like tremendous creative work— No! It's a tremendous creative power— and it can have a tremendous audience, but it's not tremendously good. And we need a little bit of aesthetic honesty in confronting things like this. Just because it's new, and people with laptops can do it, and get away with it, and find an audience for it, does not make it a real cultural advance. It's an epiphenomenon."”

Bruce Sterling (1954) American writer, speaker, futurist, and design instructor

in SXSW 2007  Bruce Sterling Rant (2007).

People

“My real fans understand what it is I do, but on another level I have fans who just love my music and don’t know I write it and enjoy it shallowly — and that’s OK too. I think art and music should be just as powerful if you drink it shallow as if you drink it deep.”

Lady Gaga (1986) American singer, songwriter, and actress

The world goes crazy for Lady Gaga (2009)

Love, Art, Drink, Understanding

“The interpreter is really an executant, carrying out the composer's intentions to the letter. He doesn't add anything that isn't already in the work. If he is talented, he allows us to glimpse the truth of the work that is in itself a thing of genius and that is reflected in him. He shouldn't dominate the music, but should dissolve into it.”

Sviatoslav Richter (1915–1997) Soviet pianist

Sviatoslav Richter: Notebooks and Conversations

Truth

“What can I write about Vytautas Juozapaitis? Months ago, a singer with this same name gave one of the most Mozartean accounts of Don Giovanni I've ever experienced: a lean, yet warm sound, exciting and a little on the dangerous side - utterly (and wonderfully) self-absorbed. The man singing Giorgio Germont could not possibly have been this same artist. This was Verdi singing of the highest order - as if to the manor born. A molten, rich expressivity and attention to Verdian line that in its size, detail and musicality recalled the greats: Gorin, Merrill… you get the idea. The name may not trip off American tongues with ease… yet, but in an era often thought bereft of Verdian voices Juozapaitis is the real deal. Every moment of his Germont was filled passion and, like all of the cast members, every word of the Italian was naturally produced and understandable. Mama mia this man's got it!”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Paolo Padillo, "A Traviata of Note: Teatro Lirico d'Europa". Opera - L (March, 2004) http://listserv.cuny.edu/Scripts/wa.exe?A2=ind0403d&L=opera-l&F=&S=&P=15287

Idea, Understanding, Nature, Passion

“A great piece of music is beautiful regardless of how it is performed. Any prelude or fugue of Bach can be played at any tempo, with or without rhythmic nuances, and it will still be great music. That's how music should be written, so that no-one, no matter how philistine, can ruin it.”

Dmitri Shostakovich (1906–1975) Russian composer and pianist

Letter to Isaac Glikman, August 28, 1955; Josiah Fisk & Jeff Nichols (eds.) Composers on Music (1997) p. 364.

Beauty

“Music and silence… combine strongly because music is done with silence, and silence is full of music.”

Marcel Marceau (1923–2007) French mime and actor

US News & World R eport (23 February 1987)

Silence

“Where there is devotional music, God with his grace is always present.”

Johann Sebastian Bach (1685–1750) German late baroque era composer

Bei einer andächtigen Musik ist allezeit Gott mit seiner Gnaden Gegenwart.
Annotation in a copy of the Calov Bible, cited from John Butt (ed.) The Cambridge Companion to Bach (Cambridge: Cambridge University Press, 1997), p. 256; translation from ibid., p. 46

God

“The mouthpiece of the half-inarticulate, all-suggesting music that is at once the very soul and the inseparable garment of romance.”

Walther von der Vogelweide (1170–1230) Middle High German lyric poet

George Saintsbury The Flourishing of Romance and the Rise of Allegory (Edinburgh: Blackwood, 1923) p. 258.
Praise

Soul

“It was the White Race who produced men like Columbus who crossed the unknown Atlantic; men like Magellan who first circumnavigated the globe; men like Michaelangelo, Leonardo da Vinci, Rembrandt, Velazquez, Bernini, Rubens, Raphael and thousands of other geniuses who created beautiful and exquisite productions in the fields of sculpture and painting; geniuses like Beethoven, Bach, Wagner and Verdi who created beautiful music; men like James Watt who invented the steam engine; men like Daimler who invented and built the reciprocating internal combustion engine; production geniuses like Henry Ford, inventors like Thomas Edison; such a prodigal genius as Nikola Tesla in the field of physics and electricity; literary geniuses like Shakespeare, Goethe and thousands of others, untold geniuses in the fields of mathematics, in the fields of chemistry and physics.”

Ben Klassen (1918–1993) American engineer, author and politician

Nature's Eternal Religion (1973), Ch. 2, Paragraph 4
Nature's Eternal Religion (1973)

Men, Beauty, Mathematics, Painting

“The musical scale is a convention which circumscribes the area of potentiality and permits construction within those limits in its own particular symmetry.”

Iannis Xenakis (1922–2001) Greek composer

Formalized Music

“I do not mean that it is not worthwhile to attempt a revision of the canon or that no success is possible. A few valuable minor changes have been made to our sense of the basic material of the history of music, and other alterations are still waiting to take hold. Gesualdo has not displaced Monteverdi or Palestrina but has won a permanent place; on the other hand, the attempt to convince us that Telemann is a major composer appears to have been abandoned. Alkan has not had the breakthrough his admirers had hoped for. Attacks on Tchaikovsky have not had much success in removing his music from the repertory; his credit with performers has not changed a bit.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Frontiers of Meaning: Three Informal Lectures on Music (1994), Ch. 2 : How to Become Immortal

Hope, History, Sense, Appearance

“Most men are scantily nourished on a modicum of happiness and a number of empty thoughts which life lays on their plates. They are kept in the road of life through stern necessity by elemental duties which they cannot avoid.
Again and again their will-to-live becomes, as it were, intoxicated: spring sunshine, opening flowers, moving clouds, waving fields of grain — all affect it. The manifold will-to-live, which is known to us in the splendid phenomena in which it clothes itself, grasps at their personal wills. They would fain join their shouts to the mighty symphony which is proceeding all around them. The world seem beauteous…but the intoxication passes. Dreadful discords only allow them to hear a confused noise, as before, where they had thought to catch the strains of glorious music. The beauty of nature is obscured by the suffering which they discover in every direction. And now they see again that they are driven about like shipwrecked persons on the waste of ocean, only that the boat is at one moment lifted high on the crest of the waves and a moment later sinks deep into the trough; and that now sunshine and now darkening clouds lie on the surface of the water.
And now they would fain persuade themselves that land lies on the horizon toward which they are driven. Their will-to-live befools their intellect so that it makes efforts to see the world as it would like to see it. It forces this intellect to show them a map which lends support to their hope of land. Once again they essay to reach the shore, until finally their arms sink exhausted for the last time and their eyes rove desperately from wave to wave. …
Thus it is with the will-to-live when it is unreflective.
But is there no way out of this dilemma? Must we either drift aimlessly through lack of reflection or sink in pessimism as the result of reflection? No. We must indeed attempt the limitless ocean, but we may set our sails and steer a determined course.”

Albert Schweitzer (1875–1965) French-German physician, theologian, musician and philosopher

Source: The Spiritual Life (1947), p. 256

Life, Men, Happiness, Lie

“The arts in every field — music, drama, sculpture, painting — we can learn to appreciate and enjoy. We need not be artists, but we should be able to appreciate the work of artists.”

Eleanor Roosevelt My Day

5 November 1958
My Day (1935–1962)

Art, Learning, Painting

“There is something suspicious about music, gentlemen. I insist that she is, by her nature, equivocal. I shall not be going too far in saying at once that she is politically suspect.”

Thomas Mann book The Magic Mountain

Source: The Magic Mountain (1924), Ch. 4

Nature

“As someone who worships music, I believe it can never be ugly!”

Shreya Ghoshal (1984) Indian playback singer

Discussing about vulgar lyrics http://www.timesofindia.com/entertainment/hindi/music/news/The-use-of-vulgar-lyrics-in-songs-is-a-disturbing-trend-Shreya-Ghoshal/articleshow/29714772.cms

“This music of yours. A manifestation of the highest energy — not at all abstract, but without an object, energy in a void, in pure ether — where else in the universe does such a thing appear? We Germans have taken over from philosophy the expression ‘in itself,’ we use it every day without much idea of the metaphysical. But here you have it, such music is energy itself, yet not as idea, rather in its actuality. I call your attention to the fact that is almost the definition of God. Imitatio Dei — I am surprised it is not forbidden.”

Thomas Mann book Doctor Faustus

Source: Doctor Faustus (1947), Ch. 9

God, Idea, Universe, Appearance

“All those rappers, they're the only glamorous people working in music now. The rock bands are rather drab, even the good ones. You definitely don't want to look at them. But some of those R&B people are very good.”

Bryan Ferry (1945) English musician

Source: Roxy Music legend Bryan Ferry unwinds in Paris, Talia Soghomonian, December 2002 http://www.musicomh.com/music/features/bryan-ferry.htm,

People

“Music is a Place to take Refuge. It's a Sanctuary from Mediocrity and Boredom. It's Innocent and it's a Place you can loose yourself in Thoughts, Memories and Intricacies.”

Lisa Gerrard (1961) Australian musician, singer and composer

Memory

“It was not really the external influences that made me a singer. Music was within me. I was full of it”

Lata Mangeshkar (1929) Indian singer

Quotations by 60 Greatest Indians, Dhirubhai Ambani Institute of Information and Communication Technology http://resourcecentre.daiict.ac.in/eresources/iresources/quotations.html,

“It seems to me that this last piece, The Poet Speaks, which is the title Schumann gave to this immortal work, should be a transition into a kind of intimate reverie. It is not just about making a beautiful sound and expressive phrasing. You also need to create a sense of dreaming. The truth is, you need to dream this piece, rather than play it.
Will you allow me to take your place? These two phrases are not connected. They are two different elements… of the same musical state. Here, like a question… And here again, another, tenderly asking the way. And from this moment, you should convey the music not just through the notes but through some kind of inspiration drawn from its immortal spirit. Now the sonorities should fade away…grow fainter and dimmer…and you are left simply in the presence of a reminiscent dream.”

Alfred Cortot (1877–1962) Franco-Swiss pianist and conductor

Alfred Cortot: Master Class on Schumann Kinderszenen (1953) http://www.youtube.com/watch?v=rNUNNNNj_Qw

Truth, Beauty, Dreams, Way

“Chess, like love, like music, has the power to make men happy.”

Siegbert Tarrasch book The Game of Chess

The Game of Chess (1931), Preface

Love, Men, Happiness

“Well, I like people a lot. I could define myself as a pacific being, a lover of nature, music and people. The qualities that I admire the most in the human being is the capacity of getting along with its similars in holy peace.”

José José (1948–2019) Mexican singer

http://www.youtube.com/watch?v=ExtaUyCkYaY

People, Peace, Lovers, Nature

“I think the origin of all this clamour for tonality is not so much the need to sense a relationship to the tonic, as a need for familiar chords: let us be frank and say "for the triad"; and I believe I have good reason to say that just so long as a certain kind of music contains enough such triads, it causes no offence, even if in other ways it most violently clashes with the sacred laws of tonality.”

Alban Berg (1885–1935) Austrian composer

Quoted in Reich, Willi (1971). Schoenberg: A Critical Biography, p. 34. Translated by Leo Black.

Law, Way, Thinking, Sense

“…the regions where there is only life, and therefore all that is not music is silence.”

George MacDonald (1824–1905) Scottish journalist, novelist

The Hands of the Father
Unspoken Sermons, First Series (1867)

Life, Silence

“Formalism is music that people don’t understand at first hearing.”

Sergei Prokofiev (1891–1953) Ukrainian & Russian Soviet pianist and composer

Quoted in Boris Schwarz Music and Musical Life in Soviet Russia, 1917-1970 (1972) p. 115.

People, Understanding

“Some German words are so long that they have a perspective. Observe these examples:

Freundschaftsbezeigungen.
Dilletantenaufdringlichkeiten.
Stadtverordnetenversammlungen.
These things are not words, they are alphabetical processions. And they are not rare; one can open a German newspaper any time and see them marching majestically across the page,—and if he has any imagination he can see the banners and hear the music, too. They impart a martial thrill to the meekest subject. I take a great interest in these curiosities. "Whenever I come across a good one, I stuff it and put it in my museum. In this way I have made quite a valuable collection. When I get duplicates, I exchange with other collectors, and thus increase the variety of my stock. Here are some specimens which I lately bought at an auction sale of the effects of a bankrupt bric-a-brac hunter:

Generalstaatsverordnetenversammlungen.
Alterthumswissenschaften.
Kinderbewahrungsanstalten.
Unabhaengigkeitserklaerungen.
Wiederherstellungsbestrebungen.
Waffenstillstandsunterhandlungen.
Of course when one of these grand mountain ranges goes stretching across the printed page, it adorns and ennobles that literary landscape,—but at the same time it is a great distress to the new student, for it blocks up his way; he cannot crawl under it, or climb over it or tunnel through it. So he resorts to the dictionary for help; but there is no help there. The dictionary must draw the line somewhere,—so it leaves this sort of words out. And it is right, because these long things are hardly legitimate words, but are rather combinations of words, and the inventor of them ought to have been killed.”

Mark Twain book A Tramp Abroad

A Tramp Abroad (1880)

Way, Imagination, Mountain, Time

“But I keep cruising, can't stop, won't stop moving.
It's like I got this music in my body and it's gonna be alright.'Cause the players gonna play, play, play, play, play
And the haters gonna hate, hate, hate, hate, hate.
Baby, I'm just gonna shake, shake, shake, shake, shake,
I shake it off, I shake it off.
Heartbreakers gonna break, break, break, break, break
And the fakers gonna fake, fake, fake, fake, fake.
Baby, I'm just gonna shake, shake, shake, shake, shake,
I shake it off, I shake it off.”

Taylor Swift (1989) American singer-songwriter

Shake It Off, written by Taylor Swift, Max Martin, and Shellback
Song lyrics, 1989 (2014)

Hate, Baby

“For one who is having no personal experience, the passionate disquiet of others is at any rate a titillation of the nerves, like seeing a play or listening to music.”

Stefan Zweig book Twenty-Four Hours in the Life of a Woman

Twenty-Four Hours in the Life of a Woman (1927)

Passion, Personality

“Within a few years a simple and inexpensive device, readily carried about, will enable one to receive on land or sea the principal news, to hear a speech, a lecture, a song or play of a musical instrument, conveyed from any other region of the globe. The invention will also meet the crying need for cheap transmission to great distances, more especially over the oceans. The small working capacity of the cables and the excessive cost of messages are now fatal impediments in the dissemination of intelligence which can only be removed by transmission without wires.”

Nikola Tesla (1856–1943) Serbian American inventor

A Means for Furthering Peace (1905)

Intelligence, Cry, Sea

“My friend Peter Schmidt used to talk about ‘not doing the things that nobody had ever thought of not doing’, which is an inverse process – where you leave out an assumption that everybody has always made and see what happens (e. g. music has to be made of intentionally produced sounds was the assumption that Cage left out). In that version of this process, you discover a value in the absence of something – in fact you discover that the absence of something is the revelation of something else (Buñuel, the film-maker, said, "Every object conceals another"”

Brian Eno (1948) English musician, composer, record producer and visual artist

a message that I often relay in the studio when overdubbing starts).
December 15, 1995, p. 178
A Year With Swollen Appendices (1996)

“Well, it was a church person in the early days, Mahalia Jackson. And Rosetta Tharpe. These spiritual, very strong voices. I only knew that they were figures in the black race, recognizable and respected. But I must admit, I’ve always covered the songs of males. I haven’t followed up on women or listened to that much women’s music.”

Tina Turner (1939) singer, dancer, actress, and author

Her answer on the question who her first musical influences were. Mark Bego: Tina Turner: Break Every Rule, 2005, page 18.

Women, Strong, Personality

“There is a high fantasy element in the music, but I’m incredibly plugged into what’s going on politically, socially and pretty much in every way except pop-culturally. I’ve had a very real life, and there have been a lot of things that took a lot of strength and wherewithal to figure out… things I’m still figuring out. That’s probably why the music has such an element of escapism to it”

Lana Del Rey (1985) American singer-songwriter

NME http://www.nme.com/features/a-letter-from-lana-del-rey-the-full-nme-cover-interview-757009 (11 December 2015)

Life, Way

“They bring my music to life.”

Lady Gaga (1986) American singer, songwriter, and actress

On her fans. Lady Gaga Interview: Part 3 of 5 http://www.youtube.com/watch?v=psGfRELcoQY

Life

“All things considered, I could never have survived my youth without Wagnerian music. For I seemed condemned to the society of Germans. If a man wishes to rid himself of a feeling of unbearable oppression, he may have to take to hashish. Well, I had to take to Wagner…”

Friedrich Nietzsche book Ecce homo

"Why I am So Clever", 6. Trans. Clifton P. Fadiman
Ecce Homo (1888)

Youth, Feeling

“The fish in the water is silent, the animal on the earth is noisy, the bird in the air is singing, But Man has in him the silence of the sea, the noise of the earth and the music of the air.”

Rabindranath Tagore Stray Birds

43
Stray Birds (1916)

Bird, Fish, Silence, Water

“We went to the Opera to hear music of the vanguard, Maximilian by Darius Milhaud. We clutched our chair. But we were hurled out of it by such a hurricane of wrong notes that we found ourselves, half dead, on the stairway, without knowing how we could fall down quite so far. The composer knows the grammar, the spelling and the language; but he can speak only Esperanto and Volapuk. It is a work of a Communist traveling salesman.”

Darius Milhaud (1892–1974) French composer and teacher

Anonymous reviewer, as quoted in Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven's Time (1965) by Nicolas Slonimsky, p. 126
About

Travel, Dead

“I was irrevocably betrothed to laughter, the sound of which has always seemed to me the most civilized music in the world.”

Peter Ustinov book Dear Me

Dear Me (1977)

World, Laughter

“Language is texture of images and music. We speak in images and rhythm, by taking help of words.”

Suman Pokhrel (1967) Nepali poet, lyricist, playwright, translator and artist

Foreword, 'Tales of Transformation: English Translation of Tagore's Chitrangada and Chandalika', Lopamudra Banerjee, (2018). https://www.amazon.co.uk/dp/B07DQPD8F4/ From Prose

Help

“Mathematics, trigonometry, chemistry, psychoanalysis, music, and what not have been related to cubism to give it an easier interpretation. All this has been pure literature, not to say nonsense, which brought bad results, blinding people with theories. Cubism has kept itself within the limits and limitations of painting, never pretending to go beyond it.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

As quoted by Marius de Zayas, in 'The Arts', New York, May 1923
1920s, The Arts', New York, May 1923

People, Literature, Mathematics, Painting

“It seems to me now that mathematics is capable of an artistic excellence as great as that of any music, perhaps greater; not because the pleasure it gives (although very pure) is comparable, either in intensity or in the number of people who feel it, to that of music, but because it gives in absolute perfection that combination, characteristic of great art, of godlike freedom, with the sense of inevitable destiny; because, in fact, it constructs an ideal world where everything is perfect and yet true.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

Letter to Gilbert Murray, April 3, 1902
1900s

People, Pleasure, World, Art

“All that I write whether poetry or music centred around God. This is an act of faith in me. Music is not worth its name otherwise.”

Swathi Thirunal Rama Varma (1813–1846) Maharajah of Travencore

V. K. Subramanian (2013), in 101 Mystics of India, p. 181 http://books.google.co.in/books?id=_uswAgAAQBAJ&pg=PA181

God, Faith

“Jimi Hendrix once said, 'You will never hear surf music again.' Well, tonight, you will hear 'serf' music again -- S-E-R-F music.”

Jello Biafra (1958) singer and activist

Introducing the song "New Feudalism" with The No WTO Combo on (30 November 1999)

“My favorite thing [about Latino television] are the commercials. Because they're always about sex. You don't know what the product is until, like, the last two seconds. It's always some model comes walking out, all sexy, like, [Mimics sexy music] [Feminine voice] "Hola." [Resumes music] [Feminine voice] "Ay que rico!"…And on the 28th second, like, [Mimics female giving a pleasured shout]…"Pepsi."”

Gabriel Iglesias (1976) American actor

[Audience laughs] And you're sitting there, going, "I gotta go get a Pepsi!"
Hot & Fluffy (2007)

Pleasure, Sex

“The late Bill Nye once said "I have been told that Wagner's music is better than it sounds."”

Mark Twain (1835–1910) American author and humorist

Source: Autobiography of Mark Twain, Volume 1 (2010), p. 288

“I love seeing Lady Gaga’s boobs and bum. I love seeing Katy Perry’s boobs and bum. Love it. But that’s not what my music is about. I don’t make music for eyes, I make music for ears.”

Adele (singer) (1988) British singer-songwriter

Adele in Rolling Stone http://www.rollingstone.com/music/news/adele-opens-up-about-her-inspirations-looks-and-stage-fright-20120210, April 28, 2011.

Love

“When we started, there were KRAFTWERK and TANGERINE DREAM, and both bands also became very very strong internationally but in a different area, in a different field. They were doing, like, experimental kind of music, and KRAFTWERK were amazing, while we played just traditional rock.”

Klaus Meine (1948) German singer

Dreams, Strong

“I think that fashion and music go hand-in-hand, and they always should. It's the artist's job to create imagery that matches the music… I think they're very intertwined.”

Lady Gaga (1986) American singer, songwriter, and actress

Lady Gaga Interview with ARTISTdirect http://www.artistdirect.com/nad/news/article/0,,4931544,00.html.

Fashion, Thinking

“Children are made to learn bits of Shakespeare by heart, with the result that ever after they associate him with pedantic boredom. If they could meet him in the flesh, full of jollity and ale, they would be astonished, and if they had never heard of him before they might be led by his jollity to see what he had written. But if at school they had been inoculated against him, they will never be able to enjoy him. The same sort of thing applies to music lessons. Human beings have certain capacities for spontaneous enjoyment, but moralists and pedants possess themselves of the apparatus of these enjoyments, and having extracted what they consider the poison of pleasure they leave them dreary and dismal and devoid of everything that gives them value. Shakespeare did not write with a view to boring school-children; he wrote with a view to delighting his audiences. If he does not give you delight, you had better ignore him.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

Part III: Man and Himself, Ch. 20: The Happy Man, p. 201
1950s, New Hopes for a Changing World (1951)

Children, Pleasure, School, Learning

“A studio is like a meditation room where music is created. And a live performance is the place where the creation of the studio is taken ahead. I love both.”

Shreya Ghoshal (1984) Indian playback singer

About Ghoshal preference http://www.thehindu.com/todays-paper/tp-features/tp-metroplus/the-livewire/article3845968.ece

Love

“Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells.”

Edgar Allan Poe book The Bells

"The Bells", st. 1 (1849).

Time

“I firmly believe that the primary role of the tabla is saath-sangat. Which is why I enjoy being on stage with Shivji (Pt Shivkumar Sharma), Amjadbhai (Amjad Ali Khan) or Birju Maharaj. I look forward to these concerts. Unlike a solo concert where I am my own boss, here I have to strike a dialogue in the music-making process. This enriches and makes me a better musician and tabla player.”

Zakir Hussain (musician) (1951) Indian tabla player, musical producer, film actor and composer

Quote, I've never wanted to fit in Abbaji's shoes: Ustad Zakir Hussain

“One of the things that struck me as near miraculous about music, especially in a rather nihilistic and atheistic society, is that it really does fill the void which was left by the death of God. And it's because you cannot rationally critique music. It speaks to you, it speaks of meaning, and no matter what you say about it, no matter how cynical you are, you cannot put a crowbar underneath that and toss it aside.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Drinking from the firehose with Howard Bloom https://www.youtube.com/watch?v=vhlL7IjaZNI?t=29m55s Other

Death, God

“Music will always be young.”

Buddy Rich (1917–1987) Jazz drummer and bandleader

To Michael Parkinson in 1987 on the Parkinson BBC One programme.

“All that stuff about heavy metal and hard rock, I don't subscribe to any of that. It's all just music. I mean, the heavy metal from the Seventies sounds nothing like the stuff from the Eighties, and that sounds nothing like the stuff from the Nineties. Who's to say what is and isn't a certain type of music?”

Ozzy Osbourne (1948) English heavy metal vocalist and songwriter

Guitar World Issue 37, 2000

“I think men and women who write poetry or write music or paint are finally responsible for what they do. They are entitled to praise for any success they achieve and they should not complain of just criticism.”

Geoffrey Hill (1932–2016) English poet and professor

Interview, The Paris Review No. 80, Spring 2000 http://www.theparisreview.org/interviews/730/the-art-of-poetry-no-80-geoffrey-hill

Women, Men, Thinking, Success

“If I hadn't have had music in my life, it's quite possible I could be in here. Or nor even in here, be dead — and I'd much rather be alive.”

James Hetfield (1963) American musician, songwriter and record producer

at St Quentin, during the videoshoot for St Anger

Life, Dead

“Art gives me the freedom I don’t have when I make music. In music, you feel a connection to the voice and think about the person behind it. In art that's secondary.”

Marilyn Manson (1969) American rock musician and actor

Regarding his latest art exhibition, as quoted in The Age http://www.theage.com.au/ (30 June 2010). 2010s

Art, Feeling, Thinking, Freedom

“Music is not a language. Any musical piece is akin to a boulder with complex forms, with striations and engraved designs atop and within, which men can decipher in a thousand different ways without ever finding the right answer or the best one…”

Iannis Xenakis (1922–2001) Greek composer

Introductory notes for Diatope performance, 1978 http://www.moderecords.com/catalog/148xenakis.html

Men, Way

“I thought I should make something – I felt it would be so easy – it would take form under my hands like magic.
Then people would see!
A strong naked arm – a tanned powerful neck a young woman rests her head on the arching chest.
She closes her eyes and listens with open and quivering lips to the words he whispers into her long flowing hair.
I should paint that image just as I saw it – but in the blue haze.
Those two at that moment, no longer merely themselves, but simply a link in the chain binding generation to generation.
People should understand the significance, the power of it. They should remove their hats like they do in church.
There should be no more pictures of interiors, of people reading and women knitting.
There would be pictures of real people who breathed, suffered, felt, loved.
I felt impelled – it would be easy. The flesh would have volume – the colours would be alive.
There was an interval. The music stopped. I was a little sad. I remembered how many times I had had similar thoughts – and that once I had finished the painting – they had simply shaken their heads and smiled.
Once again I found myself out on the Boulevard des Italiens.”

Edvard Munch (1863–1944) Norwegian painter and printmaker

written in Saint Cloud, 1889
Quotes from his text: 'Saint Cloud Manifesto', Munch (1889): as quoted in Edvard Much – behind the scream, Sue Prideaux; Yale University Press, New Haven and London, 2007, pp. 120 -121
1880 - 1895

Love, Women, People, Sadness