Quotes about imagination
page 29

Philip Roth photo
Arthur Schopenhauer photo
George Bernard Shaw photo

“Conceive. That is the word that means both the beginning in imagination and the end in creation.”

George Bernard Shaw (1856–1950) Irish playwright

The Serpent, in Pt. I, Act I
1920s, Back to Methuselah (1921)

André Derain photo

“There is only one kind of painting: landscape. It is the most difficult. It has also, I believe, the most simple kind of composition. Because no one can stop us from imagining the world in the way that pleases us most.”

André Derain (1880–1954) French painter and engraver

Quote from Derain's letter to Maurice de Vlaminck, c. 1906; as cited in 'Report: André Derain's 'Trees by a Lake', by Cleo Nisse and Francesca Whitlum-Cooper http://courtauld.ac.uk/wp-content/uploads/2015/06/Report-Derain-by-F-Whitlum-Cooper-and-Cleo-Nisse.compressed.pdf, p. 5

Northrop Frye photo
Sarah Brightman photo
Frederick Rolfe photo

“I have…read it with a good deal of amusement and enjoyment. The latter is due, I suppose, entirely to the subject – for everyone likes to imagine what a man could do if he were a dictator or Pope, or Caliph; the amusement is mainly at the author's expence. The style is one of the most preposterous I have ever read, and I doubt if I ever saw so much pedantry combined with so much ignorance.”

Frederick Rolfe (1860–1913) British writer, photographer and historian

C. S. Lewis, letter to Arthur Greeves dated October 1, 1934, cited from W. H. Lewis (ed.) The Collected Letters of C. S. Lewis (San Francisco: HarperSanFrancisco, 2004) vol. 2, p. 143
Criticism

Konrad Lorenz photo
André Maurois photo
James Hudson Taylor photo

“We are taking our four little children, and I never need anyone to remind me that they need their breakfast... dinner... supper. And I cannot imagine that our heavenly Father is less able or less willing to remember His children’s needs, when He sends them forth to the end of the earth about His business.”

James Hudson Taylor (1832–1905) Missionary in China

(A.J. Broomhall. Hudson Taylor and China’s Open Century, Book Four: Survivors’ Pact. London: Hodder and Stoughton and Overseas Missionary Fellowship, 1984, 156).

Clive Staples Lewis photo
Chuck Palahniuk photo
Vladimir Putin photo

“As for some countries’ concerns about Russia's possible aggressive actions, I think that only an insane person and only in a dream can imagine that Russia would suddenly attack NATO. I think some countries are simply taking advantage of people’s fears with regard to Russia. They just want to play the role of front-line countries that should receive some supplementary military, economic, financial or some other aid. Therefore, it is pointless to support this idea; it is absolutely groundless. But some may be interested in fostering such fears. I can only make a conjecture.

For example, the Americans do not want Russia's rapprochement with Europe. I am not asserting this, it is just a hypothesis. Let’s suppose that the United States would like to maintain its leadership in the Atlantic community. It needs an external threat, an external enemy to ensure this leadership. Iran is clearly not enough – this threat is not very scary or big enough. Who can be frightening? And then suddenly this crisis unfolds in Ukraine. Russia is forced to respond. Perhaps, it was engineered on purpose, I don’t know. But it was not our doing.

Let me tell you something – there is no need to fear Russia. The world has changed so drastically that people with some common sense cannot even imagine such a large-scale military conflict today. We have other things to think about, I assure you.”

Vladimir Putin (1952) President of Russia, former Prime Minister

2015-06-06, Interview to the Italian newspaper Il Corriere della Sera. http://en.kremlin.ru/events/president/news/49629
2011 - 2015

“Why do serious scholars persist in believing in the Aryan invasions?… Why is this sort of thing attractive? Who finds it attractive? Why has the development of early Sanskrit come to be so dogmatically associated with an Aryan invasion?… Where the Indo-European philologists are concerned, the invasion argument is tied in with their assumption that if a particular language is identified as having been used in a particular locality at a particular time, no attention need be paid to what was there before; the slate is wiped clean. Obviously, the easiest way to imagine this happening in real life is to have a military conquest that obliterates the previously existing population! The details of the theory fit in with this racist framework… Because of their commitment to a unilineal segmentary history of language development that needed to be mapped onto the ground, the philologists took it for granted that proto-Indo-Iranian was a language that had originated outside either India or Iran. Hence it followed that the text of the Rig Veda was in a language that was actually spoken by those who introduced this earliest form of Sanskrit into India. From this we derived the myth of the Aryan invasions. QED. The origin myth of British colonial imperialism helped the elite administrators in the Indian Civil Service to see themselves as bringing `pure' civilization to a country in which civilization of the most sophisticated (but `morally corrupt') kind was already nearly 6,000 years old. Here I will only remark that the hold of this myth on the British middle-class imagination is so strong that even today, 44 years after the death of Hitler and 43 years after the creation of an independent India and independent Pakistan, the Aryan invasions of the second millennium BC are still treated as if they were an established fact of history.”

Edmund Leach (1910–1989) British anthropologist

Sir Edmund Leach. "Aryan invasions over four millennia. In Culture through Time, Anthropological Approaches, edited by E. Ohnuki-Tierney, Stanford University Press, Stanford, 1990, pp. 227-245.

Ursula Goodenough photo
Samuel Butler photo
Maddox photo
Susan Sontag photo
David Brin photo
Gustave Moreau photo

“I have never looked for dream in reality or reality in dream. I have allowed my imagination free play, and I have not been led astray by it.”

Gustave Moreau (1826–1898) French painter

As quoted in "The Many Faces of Gustave Moreau" by Bennett Schiff in Smithsonian magazine (August 1999) http://www.smithsonianmagazine.com/issues/1999/august/moreau.php

Emil Nolde photo
Yehuda Ashlag photo
Dennis Gabor photo

“It would be pleasant to believe that the age of pessimism is now coming to a close, and that its end is marked by the same author who marked its beginning: Aldous Huxley. After thirty years of trying to find salvation in mysticism, and assimilating the Wisdom of the East, Huxley published in 1962 a new constructive utopia, The Island. In this beautiful book he created a grand synthesis between the science of the West and the Wisdom of the East, with the same exceptional intellectual power which he displayed in his Brave New World. (His gaminerie is also unimpaired; his close union of eschatology and scatology will not be to everybody's tastes.) But though his Utopia is constructive, it is not optimistic; in the end his island Utopia is destroyed by the sort of adolescent gangster nationalism which he knows so well, and describes only too convincingly.
This, in a nutshell, is the history of thought about the future since Victorian days. To sum up the situation, the sceptics and the pessimists have taken man into account as a whole; the optimists only as a producer and consumer of goods. The means of destruction have developed pari passu with the technology of production, while creative imagination has not kept pace with either.
The creative imagination I am talking of works on two levels. The first is the level of social engineering, the second is the level of vision.”

Dennis Gabor (1900–1979) Nobel Prize-winning physicist and inventor of holography

In my view both have lagged behind technology, especially in the highly advanced Western countries, and both constitute dangers.
Source: Inventing the Future (1963), p. 18-19

Joseph Warton photo
Wyndham Lewis photo
Letitia Elizabeth Landon photo
Michael Shea photo
George William Russell photo
Michael Halliday photo
Berthe Morisot photo
Francis Escudero photo
Joan Miró photo

“Painting must be fertile. It must give birth to a world.... it must fertilize the imagination.”

Joan Miró (1893–1983) Catalan painter, sculptor, and ceramicist

from: Taillandier, 1959; as quoted in Calder Miró, ed. Elizabeth Hutton Turner / Oliver Wick; Philip Wilson Publishers, London 2004, p. 82, note 24
1940 - 1960

Thomas Sowell photo
Francis Escudero photo
Narcisse Virgilio Díaz photo

“You cannot imagine the pleasure you are giving me. This woman and this infant [of an old picture, made in his early years] are my own family. The baby was in its cradle one fine summer day; the mother had fallen asleep beside it. In one hour I did the sketch from nature. It used to hang over my bed, and it cheered my awakening every day for years. Then arrived a morning when we were more in want of necessaries than usual. A dealer came along and offered me a hundred and fifty francs.... he insisted on taking that one in particular. As ill luck would have it, my rent was due next day. I was not in a position to be too particular. He gave me a bank note of one hundred francs, and ten hundred-sous pieces. I made him out a receipt, and he never perceived that he was carrying off a bit of my heart. Ah!, it was hard.”

Narcisse Virgilio Díaz (1807–1876) French painter

Quote of Diaz, late 1860's, recorded by Albert Wolff, in Notes upon certain masters of the XIX century, - printed not published MDCCCLXXXVI (1886), The Art Age Press, 400 N.Y. (written after the exhibition 'Cent Chefs-d'Oeuvres: the Choiche of the French Private Galleries', Petit, Paris / Baschet, New York, 1883, p. 45-46
Albert Wolff, the interviewer, owned this little panel, painted by a young Diaz. It was fifteen centimeters big, and presented a baby lying in a cradle with the mother, guarding it. Wolff returned it to the old Diaz
Quotes of Diaz

Ursula K. Le Guin photo

“To think that realistic fiction is by definition superior to imaginative fiction is to think imitation is superior to invention.”

Ursula K. Le Guin (1929–2018) American writer

The Question I Get Asked Most Often in The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination (2004)

Edgar Degas photo

“It is all well and good to copy what one sees, but it is much better to draw only what remains in one's memory. This is a transformation in which imagination and memory collaborate.”

Edgar Degas (1834–1917) French artist

Quote of Degas in 1883, as cited by Colin B. Bailey, in The Annenberg Collection: Masterpieces of Impressionism and Post-impressionism, publish. Metropolitan Museum of Art, New York, 2009, p. 30 note 10
Degas confided this to Pierre-George Jeanniot
1876 - 1895

Salman Rushdie photo
Mark Heard photo

“Life is much more of a compromise than I ever imagined.”

Mark Heard (1951–1992) American musician and record producer

Life in the Industry: A Musician's Diary

Ishirō Honda photo

“Most women would like to dress imaginatively, but they glare at any woman who does.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Women & men

Sören Kierkegaard photo
Evo Morales photo
Pricasso photo

“[Pricasso] has achieved a good likeness and I can't imagine how he painted it without brushes or conventional equipment.”

Pricasso (1949) Australian painter

Mayor of Capetown Helen Zille — cited in: [Cape Argus staff, Artist uses a different stroke on Zille portrait, Cape Argus, South Africa, 7 May 2008, 3, Independent Online]
About

“It would be very difficult to formulate a position in which there were no external relations. I cannot imagine any structure being defined as though it only has internal meaning.”

Robert Motherwell (1915–1991) American artist

Modern Artists in America, First Series, R. Motherwell, Ad Reinhardt and B. Karpel eds., 1952; as quoted in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 40
1950s

Harry Chapin photo
Georges Braque photo
H. G. Wells photo

“Suppose, now, there is such a thing as an all-round inferior race. Is that any reason why we should propose to preserve it for ever…? Whether there is a race so inferior I do not know, but certainly there is no race so superior as to be trusted with human charges. The true answer to Aristotle’s plea for slavery, that there are “natural slaves,” lies in the fact that there are no “natural” masters… The true objection to slavery is not that it is unjust to the inferior but that it corrupts the superior. There is only one sane and logical thing to be done with a really inferior race, and that is to exterminate it. Now there are various ways of exterminating a race, and most of them are cruel. You may end it with fire and sword after the old Hebrew fashion; you may enslave it and work it to death, as the Spaniards did the Caribs; you may set it boundaries and then poison it slowly with deleterious commodities, as the Americans do with most of their Indians; you may incite it to wear clothing to which it is not accustomed and to live under new and strange conditions that will expose it to infectious diseases to which you yourselves are immune, as the missionaries do the Polynesians; you may resort to honest simple murder, as we English did with the Tasmanians; or you can maintain such conditions as conduce to “race suicide,” as the British administration does in Fiji. Suppose, then, for a moment, that there is an all-round inferior race… If any of the race did, after all, prove to be fit to survive, they would survive—they would be picked out with a sure and automatic justice from the over-ready condemnation of all their kind. Is there, however, an all-round inferior race in the world? Even the Australian black-fellow is, perhaps, not quite so entirely eligible for extinction as a good, wholesome, horse-racing, sheep-farming Australian white may think. These queer little races, the black-fellows, the Pigmies, the Bushmen, may have their little gifts, a greater keenness, a greater fineness of this sense or that, a quaintness of the imagination or what not, that may serve as their little unique addition to the totality of our Utopian civilisation. We are supposing that every individual alive on earth is alive in Utopia, and so all the surviving “black-fellows” are there. Every one of them in Utopia has had what none have had on earth, a fair education and fair treatment, justice, and opportunity…Some may be even prosperous and admired, may have married women of their own or some other race, and so may be transmitting that distinctive thin thread of excellence, to take its due place in the great synthesis of the future.”

Source: A Modern Utopia (1905), Ch. 10, sect. 3

Stephen Baxter photo
Warren Farrell photo
Oliver Lodge photo
Richard Rodríguez photo
Thomas Frank photo
Bella Abzug photo
Daniel Drake photo

“A religious spirit animates the infancy of our literature, and must continue to gloe in its maturity. The public taste calls for this quality, and would relish no work in which it might be supplanted by a principle of infidelity. Our best authors have written under the influence of Christian feeling; but had they been destitute of this sentiment, they would have found it necessary to accommodate themselves to the opinions of the people, and follow Christian precedents. The beneficent influence of religion on literature, is like that of our evening sun, when it awakens in the clouds those beautiful and burning tints, which clothe the firmament in gold and purple. It constitutes the heart of learning - the great source of its moral power. Religion addresses itself to the highest and holiest of our sentiments - benevolence and veneration, and their excitement stirs up the imagination, strengthens the undeerstanding, and purifies the taste. Thus, both in the mind of the author and the reader, Christianity and literature act and react on each other, with the effect of elevating both, and carrying the human character to the highest perfection which it is destined to reach. Learning should be proud of this companionship, and exert all her wisdom to render it perpetual.”

Daniel Drake (1785–1852) American physician and writer

Daniel Drake (1834). Discourse on the History, Character, and Prospects of the West: Delivered to the Union Literary Society of Miami University, Oxford, Ohio, at Their Ninth Anniversary, September 23, 1834. Truman and Smith. p. 31

RuPaul photo
Jane Roberts photo
Raymond Poincaré photo

“The annual payment [of German reparations] will very likely spread over some thirty years at least. It would therefore be fair and logical for the military occupation of the left bank of the Rhine and the bridgeheads to last for the same length of time…There is, moreover, something quite unusual in the idea of renouncing a security before the amount secured has been completely paid…After the war of 1870, the Germans occupied various French provinces until they received the last centime of the indemnity imposed on France…It is argued that even when the occupation ceased, it could be resumed in the event of non-payment. This option to renew occupation may look tempting to-day on paper. But its bristling with drawbacks and risk. Let us imagine ourselves sixteen or seventeen years ahead. Germany has paid regularly for fifteen years. We have evacuated the whole left bank of the Rhine. We have returned to our side of the political frontiers which afford no military security. Imagine Germany again prey to Imperialism or imagine that she simply breaks faith. She suspends payment and we are obliged to reoccupy. We give the necessary orders, but who will vouch for our being able to carry them out without difficulty?”

Raymond Poincaré (1860–1934) 10th President of the French Republic

Memorandum to Clemenceau (28 April 1919), quoted in David Lloyd George, The Truth about the Peace Treaties. Volume I (London: Victor Gollancz, 1938), p. 428.

Thomas Hobbes photo
Pierre Nicole photo
Marlon Brando photo
Malcolm Gladwell photo
Ragnar Frisch photo
Ze Frank photo
William Gilbert (astronomer) photo
André Breton photo
Richard Feynman photo

“It requires a much higher degree of imagination to understand the electromagnetic field than to understand invisible angels. … I speak of the E and B fields and wave my arms and you may imagine that I can see them … [but] I cannot really make a picture that is even nearly like the true waves.”

Richard Feynman (1918–1988) American theoretical physicist

volume II; lecture 20, "Solution of Maxwell's Equations in Free Space"; section 20-3, "Scientific imagination"; p. 20-9 to 20-10
The Feynman Lectures on Physics (1964)

Mohammed Alkobaisi photo

“Imagine!, the two most important Sahabah in Islam, racing to help an old blind woman, at night and at the edge of the city!.”

Mohammed Alkobaisi (1970) Iraqi Islamic scholar

Understanding Islam, "Morals and Ethics" http://vod.dmi.ae/media/96716/Ep_03_Morals_and_Ethics Dubai Media

Woodrow Wilson photo
Neil Gaiman photo

“Why do I have this imagination? It's the only one I've got!”

Neil Gaiman (1960) English fantasy writer

San Diego Comicon (2007)

Gloria Estefan photo
John Constable photo

“But You know, Landscape is my mistress — 't is to her that I look for fame — and all that the warmth of the imagination renders dear to Man.”

John Constable (1776–1837) English Romantic painter

Letter to his future wife, Maria Bicknell (22 September 1812), as quoted in Leslie Parris and Ian Fleming-Williams, Constable (Tate Gallery Publications, London, 1993), p. 23
1800s - 1810s

Danny Kruger photo
Frida Kahlo photo
Chris Stedman photo
Thomas Carlyle photo
Martin Gardner photo
Ludovico Ariosto photo

“What sweeter bliss and what more blessed state
Can be imagined than a loving heart,
But for the torment which Man suffers, that
Suspicion, sinister and deep, that smart,
That aching wretchedness, that malady,
That frenzied rage, which we call jealousy?”

Che dolce più, che più giocondo stato
Saria di quel d'un amoroso core?
Se non fosse l'uom sempre stimulato
Da quel sospetto rio, da quel timore,
Da quel martìr, da quella frenesia,
Da quella rabbia detta gelosia.
Canto XXXI, stanza 1 (tr. B. Reynolds)
Orlando Furioso (1532)

Al Gore photo
Samuel Beckett photo
Mike Oldfield photo
Lana Turner photo
Augustus De Morgan photo

“The moving power of mathematical invention is not reasoning, but imagination.”

Augustus De Morgan (1806–1871) British mathematician, philosopher and university teacher (1806-1871)

Quoted in Robert Perceval Graves, The Life of Sir William Rowan Hamilton, Vol. 3 (1889), p. 219.

John Lancaster Spalding photo
Kazimierz Ajdukiewicz photo
Edmund Burke photo
Hugh Macmillan, Baron Macmillan photo
George Sarton photo