Quotes about imagination
page 30

Vikram Seth photo

“Imagining the flower-pot attacked it
The kitten flung the violets near and far
And yet, who knows? This morning, as I backed it,
My car was set upon by a parked car.”

Vikram Seth (1952) Indian writer

Malefic Things from All You Who Sleep Tonight (Viking/Penguin India, 1990).

Derren Brown photo

“Every day when you leave your home you give away more than you could ever imagine about who you are and what you do.”

Derren Brown (1971) British illusionist

TV Series and Specials (Includes DVDs), Mind Control (1999–2000) or Inside Your Mind on DVD

Alfred Austin photo

“Imagination in poetry, as distinguished from mere fancy is the transfiguring of the real or actual to the ideal.”

Alfred Austin (1835–1913) British writer and poet

Prose Papers on Poetry Macmillan & Co 1910.
Prose Papers on Poetry (1910)

Björk photo

“I was talking to a friend about it recently and I told him that the thing about making that film that upset me most was how cruel Lars is to the woman he is working with. Not that I can't take it, because I'm pretty tough and completely capable of defending myself, but because my ideals of the ultimate creator were shattered. And my friend said "What did you expect? All major directors are "sexist", a maker is not necessarily an expert in human rights or female/male equality!
My answer was that you can take quite sexist film directors like Woody Allen or Stanley Kubrick and still they are the one that provide the soul to their movies. In Lars von Trier's case it is not so and he knows it. He needs a female to provide his work soul. And he envies them and hates them for it. So he has to destroy them during the filming. And hide the evidence. What saves him as an artist, though, is that he is so painfully honest that even though he will manage to cover up his crime in the "real" world (he is a genius to set things up that everybody thinks it is just his female-actress-at-the-moment imagination, that she is just hysterical or pre-menstrual), his films become a documentation of this "soul-robbery.”

Björk (1965) Icelandic singer-songwriter

Breaking the Waves is the clearest example of that.
bjork."
From the www.bjork.com http://www.bjork.com 4um, posted by Björk in response to a question about her conflict with director Lars von Trier during the production of Dancer in the Dark.
Other quotes

Louis Althusser photo
Gerald Ford photo
Isaac Asimov photo

“Plowboy: In your opinion, what are mankind's prospects for the near future?
Asimov: To tell the truth, I don't think the odds are very good that we can solve our immediate problems. I think the chances that civilization will survive more than another 30 years—that it will still be flourishing in 2010—are less than 50 percent.
Plowboy: What sort of disaster do you foresee?
Asimov: I imagine that as population continues to increase—and as the available resources decrease—there will be less energy and food, so we'll all enter a stage of scrounging. The average person's only concerns will be where he or she can get the next meal, the next cigarette, the next means of transportation. In such a universal scramble, the Earth will be just plain desolated, because everyone will be striving merely to survive regardless of the cost to the environment. Put it this way: If I have to choose between saving myself and saving a tree, I'm going to choose me.
Terrorism will also become a way of life in a world marked by severe shortages. Finally, some government will be bound to decide that the only way to get what its people need is to destroy another nation and take its goods … by pushing the nuclear button.
And this absolute chaos is going to develop—even if nobody wants nuclear war and even if everybody sincerely wants peace and social justice—if the number of mouths to feed continues to grow. Nothing will be able to stand up against the pressure of the whole of humankind simply trying to stay alive!”

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …

Mother Earth News interview (1980)

Andrus Ansip photo

“I cannot imagine that someone could go to Tõnismägi and in the darkness of the night, put the Bronze Soldier on the hook of the crane, and drive it away somewhere. This is not a solution acceptable for a constitutional state.”

Andrus Ansip (1956) Estonian chemist and politician

At a press conference of the Estonian Government http://www.postimees.ee/290606/esileht/siseuudised/207552.php (2006-06-29).

Joseph Joubert photo
Jacques Bertin photo
Warren Farrell photo
John Campbell Shairp photo
Oliver Wendell Holmes photo
Woodrow Wilson photo
Frederic G. Kenyon photo
Walt Disney photo

“Laughter is timeless, imagination has no age, and dreams are forever.”

Walt Disney (1901–1966) American film producer and businessman

Misattributed

Kurt Schwitters photo
Richard Stallman photo
Tim Powers photo
Charles Baudelaire photo

“Imagination is the queen of truth, and possibility is one of the regions of truth. She is positively akin to infinity.Without her, all the faculties, sound and acute though they may be, seem nonexistent; whereas the weakness of some secondary faculties is a minor misfortune if stimulated by a vigorous imagination. None of them could do without her, and she is able to compensate for some of the others. Often what they look for, finding it only after a series of attempts by several methods not adapted to the nature of things, she intuits, proudly and simply. Lastly, she plays a role even in morality; for, allow me to go so far as to say, what is virtue without imagination?”

Charles Baudelaire (1821–1867) French poet

<p>L'imagination est la reine du vrai, et le possible est une des provinces du vrai. Elle est positivement apparentée avec l'infini.</p><p>Sans elle, toutes les facultés, si solides ou si aiguisées qu'elles soient, sont comme si elles n'étaient pas, tandis que la faiblesse de quelques facultés secondaires, excitées par une imagination vigoureuse, est un malheur secondaire. Aucune ne peut se passer d'elle, et elle peut suppléer quelques-unes. Souvent ce que celles-ci cherchent et ne trouvent qu'après les essais successifs de plusieurs méthodes non adaptées à la nature des choses, fièrement et simplement elle le devine. Enfin elle joue un rôle puissant même dans la morale; car, permettez-moi d'aller jusque-là, qu'est-ce que la vertu sans imagination?</p>
"Lettres à M. le Directeur de La revue française," III: La reine des facultés
Salon de 1859 (1859)

Henry Kissinger photo

“The issue before us is whether the 21st century belongs to China. And I would say that China will be preoccupied with enormous problems internally, domestically with its immediate environment, and that I have enormous difficulty imagining it will be dominated by China, and indeed, as I will conclude, I believe that the concept that some country will dominate the world, is in itself a misunderstanding of the world in which we now live… In the geopolitical situation, China historically has been surrounded by a group of smaller countries, which themselves were not individually able to threathen China, but which united, could cause a threat to China, and therefore historically, Chinese foreign policy can be described as "barbarian management". So China had never had to deal in a world of countries of approximately equal strength, and so to adjust to such a world, is in itself a profound challenge to China, which now has 14 countries on its borders, some of which are small, but can project their nationality into China, some of which are large, and historically significant, so that any attempt by Chinese to dominate the world, would evoke a counter-reaction that would be disastrous for the peace of the world.”

Henry Kissinger (1923–2023) United States Secretary of State

Munk debates – “21st Century will belong to China” – Kissinger, Zakaria, Ferguson, Li http://www.livestream.com/munkdebates/video?clipId=pla_937b4cf4-e0ea-4ed5-a458-6a3ba43769b8
2000s

Carl Sagan photo

“The mark of the neurotic: to imagine that you're the only one who cares deeply for anything.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Neurotics and neurosis

Alexander Pope photo
The Mother photo
Ryan Adams photo
Camille Paglia photo
Stanley Baldwin photo
William Winwood Reade photo

“The one, the outstanding, dramatic, imaginative, historical picture of life, to be inspired by Victorian science.”

William Winwood Reade (1838–1875) British historian

V. S. Pritchett in The New Statesman and Nation vol. 25 (1943), p. 323.
Criticism of The Martyrdom of Man

Gerald of Wales photo

“As far as the Cluniacs and the Cistercians are concerned, what follows is a fair appraisal of the two orders. Give the Cluniacs today a tract of land covered with marvellous buildings, endow them with ample revenues and enrich the place with vast possessions: before you can turn round it will all be ruined and reduced to poverty. On the other hand, settle the Cistercians in some barren retreat which is hidden away in an overgrown forest: a year or two later you will find splendid churches there and fine monastic buildings, with a great amount of property and all the wealth you can imagine.”
De duobus tamen ordinibus istis, Cluniacensi scilicet et Cisterciensi, hoc compertum habeas. Locum aedificiis egregie constructum, redditibus amplis et possessionibus locupletatum, istis hodie tradas; inopem in brevi destructumque videbis. Illis e diverso eremum nudam, et hispidam silvam assignes: intra paucos postmodum annos, non solum ecclesias et aedes insignes, verum etiam possessionum copias, et opulentias multas ibidem invenies.

Gerald of Wales (1146) Medieval clergyman and historian

Book 1, chapter 3, pp. 105-6.
Itinerarium Cambriae (The Journey Through Wales) (1191)

Alberto Gonzales photo
Allen C. Guelzo photo
R. G. Collingwood photo
Ralph Ellison photo
Roberto Mangabeira Unger photo
George Grosz photo

“Day after day gasped away, slowly seep hours when fettered or immured, only at times does imagination scale the palisades that the spirit of chaos and confusion, the spirit of reactionary bombast, has set up around us - dreams, dreams of endless, destructive hate! Mists of hate, beclouding the burning brain!”

George Grosz (1893–1959) German artist

Letter to Otto Schmalhausen, 4 April, 1917 (Briefe, p. 49); as quoted in 'Portfolios', Alexander Dückers; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 89 - note 62
George Grosz was early January 1917 recalled into the German army, only to be transferred shortly afterward to Gorden mental hospital near Brandenburg. From there he wrote this letter. At the end of April 1917 he was sent home, and on 20 May he was discharged on grounds of 'permanent unfitness for duty'

“Do we want blanks, asterisks and exclamation marks which people can fill in with their own imaginations, or are we prepared and strong enough to tolerate, even if we do not approve, the strong Anglo-Saxon, realistic and vivid language?”

John Mortimer (1923–2009) English barrister, dramatist, screenwriter and author

Defending record shop proprietor Christopher Seale against obscenity charges for displaying advertisements for Sex Pistols' LP Never Mind the Bollocks, Nottingham Magistrates Court (14 November 1977)

Albert Camus photo
Gaston Bachelard photo

“Literary imagination is an aesthetic object offered by a writer to a lover of books.”

Gaston Bachelard (1884–1962) French writer and philosopher

A Retrospective Glance at the Lifework of a Master of Books
Fragments of a Poetics of Fire (1988)

Susan Sontag photo
Paul Wolfowitz photo
Susan Cain photo
Jef Raskin photo

“Imagine if every Thursday your shoes exploded if you tied them the usual way. This happens to us all the time with computers, and nobody thinks of complaining.”

Jef Raskin (1943–2005) American computer scientist

Interview in Doctor Dobb's Journal, also quoted in The Mammoth Book of Zingers, Quips, and One-Liners (2004) by Geoff Tibballs, p. 128

Camille Paglia photo
William Ewart Gladstone photo

“Let the Turks now carry away their abuses, in the only possible manner, namely, by carrying off themselves. Their Zaptiehs and their Mudirs, their Bimbashis and Yuzbashis, their Kaimakams and their Pashas, one and all, bag and baggage, shall, I hope, clear out from the province that they have desolated and profaned. This thorough riddance, this most blessed deliverance, is the only reparation we can make to those heaps and heaps of dead, the violated purity alike of matron and of maiden and of child; to the civilization which has been affronted and shamed; to the laws of God, or, if you like, of Allah; to the moral sense of mankind at large. There is not a criminal in a European jail, there is not a criminal in the South Sea Islands, whose indignation would not rise and over-boil at the recital of that which has been done, which has too late been examined, but which remains unavenged, which has left behind all the foul and all the fierce passions which produced it and which may again spring up in another murderous harvest from the soil soaked and reeking with blood and in the air tainted with every imaginable deed of crime and shame. That such things should be done once is a damning disgrace to the portion of our race which did them; that the door should be left open to their ever so barely possible repetition would spread that shame over the world!”

William Ewart Gladstone (1809–1898) British Liberal politician and prime minister of the United Kingdom

1870s

Charles Baudelaire photo

“Certainly this man, such as I have described him, this loner who is gifted with an active imagination, traversing forever the vast desert of men, has a loftier aim than that of a simple idler, an aim more general than the passing pleasure of circumstance. He is looking for what one might be allowed to call modernity; for no better word presents itself to express the idea in question. What concerns him is to release the poetry of fashion from its historical trappings, to draw the eternal out of the transient.”

A coup sûr, cet homme, tel que je l'ai dépeint, ce solitaire doué d'une imagination active, toujours voyageant à travers le grand désert d'hommes, a un but plus élevé que celui d'un pur flâneur, un but plus général, autre que le plaisir fugitif de la circonstance. Il cherche ce quelque chose qu'on nous permettra d'appeler la modernité; car il ne se présente pas de meilleur mot pour exprimer l'idée en question. Il s'agit, pour lui, de dégager de la mode ce qu'elle peut contenir de poétique dans l'historique, de tirer l'éternel du transitoire.
IV: "La modernité" http://fr.wikisource.org/wiki/La_Modernit%C3%A9
Le peintre de la vie moderne (1863)

Robert Grosseteste photo

“No poet, in his greatest imaginings, could conceive of anything greater than the real;”

Donald Miller (1971) American writer

Prayer and the Art of Volkswagen Maintenance (2000, Harvest House Publishers)

Harriet Monroe photo
Edyta Górniak photo
George Sand photo

“In the stormy days of our youth, we imagine that solitude is a sure refuge from the assaults of life, a certain balm for the wounds of battle. This is a serious mistake, and experience teaches us that, if we cannot live in peace with our fellow-men, neither romantic raptures nor aesthetic enjoyment will ever fill the abyss gaping at the bottom of our hearts.”

George Sand (1804–1876) French novelist and memoirist; pseudonym of Lucile Aurore Dupin

Dans les jours orageux de la jeunesse, on s'imagine que la solitude est le grand refuge contre les atteintes, le grand remède aux blessures du combat; c'est une grave erreur, et l'expérience de la vie nous apprend que, là ou l'on ne peut vivre en paix avec ses semblables, il n'est point d'admiration poétique ni de jouissances d'art capables de combler l'abîme qui se creuse au fond de l'âme.
Un Hiver à Majorque, pt. 3, ch. 5 (1855); Robert Graves (trans.) Winter in Majorca (Chicago: Academy Press, 1978) p. 165

Henry George photo

“No amount of force will break an egg-shell if exerted on one side alone. So capital could not squeeze labor as long as labor was free to natural opportunities, and in a world where these natural materials and opportunities were as free to all as is the air to us, there could be no difficulty in finding employment, no willing hands conjoined with hungry stomachs, no tendency of wages toward the minimum on which the worker could barely live. In such a world we would no more think of thanking anybody for furnishing us employment than we here think of thanking anybody for furnishing us with appetites.
That the Creator might have put us in the kind of world I have sought to imagine, as readily as in this kind of a world, I have no doubt. Why he has not done so may, however, I think, be seen. That kind of a world would be best for fools. This is the best for men who will use the intelligence with which they have been gifted. Of this, however, I shall speak hereafter. What I am now trying to do by asking my readers to endeavor to imagine a world in which natural opportunities were "as free as air," is to show that the barrier which prevents labor from freely using land is the nether millstone against which labor is ground, the true cause of the difficulties which are apparent through the whole industrial organization.”

Henry George (1839–1897) American economist

Source: Social Problems (1883), Ch. 13 : Unemployed Labor

Gottfried Helnwein photo

“Imaginations and illusions are always so much more powerful and bigger than this mediocre and boring thing called reality.”

Gottfried Helnwein (1948) Austrian photographer and painter

Interview by Yuichi Konno, Yaso magazine, Japan, 2003

Kent Hovind photo
C. Wright Mills photo
Kent Hovind photo
Haruki Murakami photo
Letitia Elizabeth Landon photo
Marianne Moore photo

“Precision, economy of statement, logic employed to ends that are disinterested … liberate the imagination.”

Marianne Moore (1887–1972) American poet and writer

Forward to Marianne Moore Reader 1961

Ayumi Hamasaki photo
Mitt Romney photo
Agatha Christie photo
Helena Petrovna Blavatsky photo
Nicole Oresme photo
Zhang Zhijun photo
Orson Scott Card photo

“Most of the things people say they remember they only imagine anyways.”

Orson Scott Card (1951) American science fiction novelist

Homecoming saga, Earthborn (1995)

Daniel Dennett photo
John Calvin photo

“Hatred grows into insolence when we desire to excel the rest of mankind and imagine we do not belong to the common lot; we even severely and haughtily despise others as our inferiors.”

John Calvin (1509–1564) French Protestant reformer

Page 32.
Golden Booklet of the True Christian Life (1551)

Sylvia Plath photo
Robert Rauschenberg photo
Max Scheler photo

“Impulses of revenge lead to ressentiment the more they change into actual *vindictiveness*, the more their direction shifts toward indeterminate groups of objects which need only share one common characteristic, and the less they are satisfied by vengeance taken on a specific object. If the desire for revenge remains permanently unsatisfied, and especially if the feeling of “being right (lacking in an outburst of rage, but an integral part of revenge) is intensified into the idea of a “duty,” the individual may actually wither away and die. The vindictive person is instinctively and without a conscious act of volition drawn toward events which may give rise to vengefulness, or he tends to see injurious intentions in all kinds of perfectly innocent actions and remarks of others. Great touchiness is indeed frequently a symptom of a vengeful character. The vindictive person is always in search of objects, and in fact he attacks—in the belief that he is simply wreaking vengeance. This vengeance restores his damaged feeling of personal value, his injured “honor,” or it brings “satisfaction” for the wrongs he has endured. When it is repressed, vindictiveness leads to ressentiment, a process which is intensified when the *imagination* of vengeance, too, is repressed—and finally the very emotion of revenge itself. Only then does this *state of mind* become associated with the tendency to detract from the other person's value, which brings an illusory easing of the tension."”

Max Scheler (1874–1928) German philosopher

Das Ressentiment im Aufbau der Moralen (1912)

Ismail ibn Musa Menk photo

“We all have examinations in life, different types of examinations. And each one has to try very hard. As you know, in a set up where there is a school, or a university, at the end of every semester, trimester or term, you would have some examinations, in order to qualify you to get to the next level. And as you progress in life, the examinations become more and more difficult. And you would know that without working, we don't achieve. We know the common saying, "Whoever works very hard will definitely see the fruit of that particular working." So just like we have people who fail because they did not work hard, or they did not understand that the examination would become more and more difficult as time passes, we also have an issue with the Dīn where, as we progress in life, we will have more and more tests, and they become more and more difficult until we meet with Allah subhanahu wa ta'ala. And this is why the Prophet S. A. W. was told "Worship your Rabb [Lord] until death overtakes you. Worship your Rabb until the end. Right up to the end. Keep on worshiping. Continue. Do not stop, do not pause, do not lose hope. In fact, progress and become stronger and stronger." If you take a look at some of the other verses of the Quran, Allah subhanahu wa ta'ala makes mention of Muhammad sallā llāhu 'alay-hi wa-sallam delivering the message. It was not easy. And it was difficult, he faced so many challenges. He continued, and he persevered. Twenty three whole years of nubuwwah. And Allah subhanahu wa ta'ala says, when you have, Subhan Allah! Subhan Allah! You know, the achievement that Allah subhanahu wa ta'ala granted him, Allah subhanahu wa ta'ala will grant each person achievement according to his will obviously but also connected to the effort that that particular person makes. If we were to give up suddenly, we would never be able to achieve even Jannah. […] So it's important for us to know that to give up… you don't know how close you are to the end! Imagine a person digging a tunnel, for example, and right when they are near the end they suddenly give up thinking that you know what, I don't know how long this is going to carry on for. Had they carried on for a minute longer they would have broken through! So with us we need to continue, fulfill your Salah, progress, develop. Don't think for a moment that life is going to become any easier. The only thing that will happen is, with the development of the link with Allah subhanahu wa ta'ala, we become more content, we understand the nature of the world. We understand the nature of the tests of Allah subhanahu wa ta'ala, so we enjoy going through them in the sense that we are content. We are happy with the decree of Allah subhanahu wa ta'ala. So my brothers and sisters, not only do I say work hard to achieve here in the Dunyā”

Ismail ibn Musa Menk (1975) Muslim cleric and Grand Mufti of Zimbabwe.

and may Allah bless you and grant you success in these examinations – but even in the Akhirah we ask Allah to bless you, to open your doors. To prepare for the Akhirah, it's not an easy task, but with the hope in the mercy of Allah subhanahu wa ta'ala things will be made easy, and at the same time, with the constant preparation, without giving up hope – never ever giving up, never saying no, never just throwing the towel – by the will of Allah subhanahu wa ta'ala we will achieve, and we will achieve great heights.
"Exams in Life - Never Give Up - Mufti Menk" https://www.youtube.com/watch?v=k4w4pak66V0, YouTube (2013)
Lectures

Auguste Rodin photo

“I admit, of course, that the artist does not see nature as the vulgar do. His emotion reveals to him the inner truths that underlie appearance. But the only principle In art is to copy what one sees. Every other method is ruinous. No one can embellish Nature. It is simply and solely a question of seeing. Doubtless a mediocre man, when he copies will never produce a work of art. He looks without seeing. No matter how minutely he observes, the result will be flat and without character. But the artist's trade is not for mediocre men, and no amount of training can supply them with talent. The artist sees - he sees with his heart. He sees deep into the heart of Nature. To the artist everything in Nature is beautiful.
The vulgarian imagines that what looks to him ugly In Nature is not material for the artist. He would forbid us to represent what displeases and offends him. He makes a grave mistake. What is commonly called ugliness in Nature may become a great beauty in art.
In the realm of realities, people regard as ugly everything that is deformed and diseased and that suggests sickness, weakness and suffering. They regard as ugly everything that defies regularity, which is to them the symbol and condition of health and strength. A hump is ugly, bow-legs are ugly, misery in rags is ugly. Ugly, again, are the soul and conduct of the immoral, the vicious, the criminal man, the abnormal man who is an enemy of society; ugly is the soul of the parricide, the traitor, the unscrupulous slave of ambition. And it is right that the lives and the of which we can expect only evil should be given an odious epithet.”

Auguste Rodin (1840–1917) French sculptor

Rodin on realism, 1910

African Spir photo
Jane Roberts photo
L. P. Hartley photo
Max Born photo
John Stuart Mill photo
Roger Ebert photo
Robert Crumb photo
Bono photo
Paul Gauguin photo

“Painting is the most beautiful of all arts. In it, all sensations are condensed, at its aspect everyone may create romance at the will of his imagination, and at a glance have his soul invaded by the most profound memories, no efforts of memory, everything summed up in one moment. Complete art which sums up all the others and completes them. Like music, it acts on the soul through the intermediary of the senses, the harmonious tones corresponding to the harmonies of sounds, but in painting, a unity is obtained which is not possible in music, where the accords follow one another, and the judgement experiences a continuous fatigue if one wants to reunite the end and the beginning. In the main, the ear is an inferior sense to the eye. The hearing can only grasp a single sound at one time, whereas the sight takes in everything and at the same time simplifies at its will.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

La peinture est le plus beau de tous les arts; en lui se résument toutes les sensations, à son aspect chacun peut, au gré de son imagination, créer le roman, d'un seul coup d'œil avoir l'âme envahie par les plus profonds souvenirs; point d'effort de mémoire, tout résumé en un seul instant. — Art complet qui résume tous les autres et les complète. — Comme la musique, il agit sur l'âme par l'intermédiaire des sens, les tons harmonieux correspondant aux harmonies des sons; mais en peinture on obtient une unité impossible en musique où les accords viennent les uns après les autres, et le jugement éprouve alors une fatigue incessante s'il veut réunir la fin au commencement. En somme, l'oreille est un sens inférieur à celui de l'œil. L'ouïe ne peut servir qu'à un seul son à la fois, tandis que la vue embrasse tout, en même temps qu'à son gré elle simplifie.
Quote of Gauguin from: Notes Synthéthiques (ca. 1884-1885), ed. Henri Mahaut, in Vers et prose (July-September 1910), p. 52; translation from John Rewald, Gauguin (Hyperion Press, 1938), p. 161.
1870s - 1880s

Stephen L. Carter photo

“A cemetery is an affront to the rational mind. One reason is its eerily wasted space, this tribute to the dead that inevitably degenerates into ancestor worship as, on birthdays and anniversaries, humans of every faith and no faith at all brave whatever weather may that day threaten, in order to stand before these rows of silent stone markers, praying, yes, and remembering, of course, but very often actually speaking to the deceased, an oddly pagan ritual in which we engage, this shared pretense that the rotted corpses in warped wooden boxes are able to hear and understand us if we stand before their graves.The other reason a cemetery appeals to the irrational side is its obtrusive, irresistible habit of sneaking past the civilized veneer with which we cover the primitive planks of our childhood fears. When we are children, we know that what our parents insist is merely a tree branch blowing in the wind is really the gnarled fingertip of some horrific creature of the night, waiting outside the window, tapping, tapping, tapping, to let us know that, as soon as our parents close the door and sentence us to the gloom which they insist builds character, he will lift the sash and dart inside and…And there childhood imagination usually runs out, unable to give shape to the precise fears that have kept us awake and that will, in a few months, be forgotten entirely. Until we next visit a cemetery, that is, when, suddenly, the possibility of some terrifying creature of the night seems remarkably real.”

Source: The Emperor of Ocean Park (2002), Ch. 50, Again Old Town, I

Letitia Elizabeth Landon photo
George Mallory photo
Joshua Jackson photo

“What defies my imagination is that there would be nothing out there that would defy my imagination.”

Joshua Jackson (1978) Canadian actor

As quoted in the article Q&A: Joshua Jackson of Fringe http://www.dfw.com/2009/09/30/182526/qa-joshua-jackson-of-fringe.html on DFW.com

Letitia Elizabeth Landon photo
Thomas Carlyle photo