Quotes about imagination
page 28

Joan Baez photo
Edward Hall Alderson photo

“An active imagination may find a bad tendency arising out of every transaction between imperfect morals.”

Edward Hall Alderson (1787–1857) Lawyer and jurist

Brownlow v. Egerton (1854), 23 L. J. Rep. Part 5 (N. S.), Ch. 365.

Kodo Sawaki photo
Frank Klepacki photo
Carl Sagan photo
William Hazlitt photo

“The great requisite … for the prosperous management of ordinary business is the want of imagination.”

William Hazlitt (1778–1830) English writer

"On Thought and Action" http://books.google.com/books?id=9NU3AAAAYAAJ&q=%22The+great+requisite%22+%22for+the+prosperous+management+of+ordinary+business+is+the+want+of+imagination%22&pg=PA241#v=onepage
Table Talk: Essays On Men And Manners http://www.blupete.com/Literature/Essays/TableHazIV.htm (1821-1822)

Charles Krauthammer photo
Christopher Hitchens photo
Paramahansa Yogananda photo
Sri Aurobindo photo
Sam Harris photo
Theodore Kaczynski photo
Alison Bechdel photo

“Sydney: Imagine the cinematography if Ennis and Jack had been able to live together. Sweeping vistas of their couples therapist's office.”

#483, "For Worse" (2006), collected in The Essential DTWOF (2008).
Dykes to Watch Out For

Ron Paul photo

“Imagine […] that thousands of armed foreign troops were constantly patrolling American streets in military vehicles. Imagine they were here under the auspices of "keeping us safe" or "promoting democracy" or "protecting their strategic interests." Imagine that they operated outside of US law, and that the Constitution did not apply to them. Imagine that every now and then they made mistakes or acted on bad information and accidentally killed or terrorized innocent Americans, including women and children, most of the time with little to no repercussions or consequences. Imagine that they set up checkpoints on our soil and routinely searched and ransacked entire neighborhoods of homes. Imagine if Americans were fearful of these foreign troops, and overwhelmingly thought America would be better off without their presence. Imagine if some Americans were so angry about them being in Texas that they actually joined together to fight them off, in defense of our soil and sovereignty, because leadership in government refused or were unable to do so. Imagine that those Americans were labeled terrorists or insurgents for their defensive actions, and routinely killed, or captured and tortured by the foreign troops on our land. Imagine that the occupiers' attitude was that if they just killed enough Americans, the resistance would stop, but instead, for every American killed, ten more would take up arms against them, resulting in perpetual bloodshed. […] The reality is that our military presence on foreign soil is as offensive to the people that live there as armed Chinese troops would be if they were stationed in Texas.”

Ron Paul (1935) American politician and physician

Imagine by Ron Paul http://www.lewrockwell.com/paul/paul512.html (11 March 2009).
2000s, 2006-2009

Freeman Dyson photo
Michael Moorcock photo
Paul Keating photo
Francis Parkman photo
Salvador Dalí photo
M. C. Escher photo

“But to get back to the point: did you ever imagine that your dad, who lives so far away from the bustle and intrigue of the world, working on his prints day after day like a hermit, would some day be drawn into the sickening scene of vain officialdom, despite himself?... But what on earth can I do about it? Luckily I can swear by God and all his angels that I never moved a finger to get the decoration or licked the boots of any bigwigs.”

M. C. Escher (1898–1972) Dutch graphic artist

Quote from Escher's letter to his son, 30 April 1955; as cited in 'Gaining Popularity', in Biography of M.C. Escher http://im-possible.info/english/articles/escher/escher.html - condensed mostly from the biography written by Bruno Ernst M.C. Escher - His Life and Complete Graphic Work, © 1981
27 April 1955 Escher was decorated (in the name of the Dutch Queen) in the 'Knighthood of the Order of Oranje Nassau'
1950's

Henry Miller photo
Robert Charles Wilson photo

“Ziegler said, “You know the story in the Bible, the story of Abraham and Isaac?”
“Of course.”
“God instructs Abraham to offer his son as a sacrifice. Isaac makes it as far as the chopping block before God changes his mind.”
Yes. Jacob had always imagined God a little appalled at Abraham’s willingness to cooperate.
Ziegler said, “What’s the moral of the story?”
“Faith.”
“Hardly,” Ziegler said. “Faith has nothing to do with it. Abraham never doubted the existence of God—how could he? The evidence was ample. His virtue wasn’t faith, it was fealty. He was so simplemindedly loyal that he would commit even this awful, terrible act. He was the perfect foot soldier. The ideal pawn. Abraham’s lesson: fealty is rewarded. Not morality. The fable makes morality contingent. Don’t go around killing innocent people, that is, unless you're absolutely certain God want you to. It’s a lunatic’s credo.
“Isaac, on the other hand, learns something much more interesting. He learns that neither God nor his own father can be trusted. Maybe it makes him a better man than Abraham. Suppose Isaac grows up and fathers a child of his own, and God approaches him and makes the same demand. One imagines Isaac saying, ’No. You can take him if you must, but I won’t slaughter my son for you.’ He’s not the good and faithful servant his father was. But he is, perhaps, a more wholesome human being.””

Robert Charles Wilson (1953) author

The Fields of Abraham (pp. 21-22)
The Perseids and Other Stories (2000)

Thomas Carlyle photo
Corneliu Zelea Codreanu photo
André Maurois photo
Jacopone da Todi photo
Swami Vivekananda photo
Halldór Laxness photo
Joseph Strutt photo
George Gissing photo

“Women, he held, had never been treated with elementary justice. To worship them was no less unfair than to hold them in contempt. The honest man, in our day, should regard a woman without the least bias of sexual prejudice; should view her simply as a fellow-being, who, according to circumstances, might or not be on his own plane. Away with all empty show and form, those relics of barbarism known as chivalry! He wished to discontinue even the habit of hat-doffing in female presence. Was not civility preserved between man and man without such idle form? Why not, then, between man and woman? Unable, as yet, to go the entire length of his principles in every-day life, he endeavoured, at all events, to cultivate in his intercourse with women a frankness of speech, a directness of bearing, beyond the usual. He shook hands as with one of his own sex, spine uncrooked; he greeted them with level voice, not as one who addresses a thing afraid of sound. To a girl or matron whom he liked, he said, in tone if not in phrase, "Let us be comrades." In his opinion this tended notably to the purifying of the social atmosphere. It was the introduction of simple honesty into relations commonly marked — and corrupted — by every form of disingenuousness. Moreover, it was the great first step to that reconstruction of society at large which every thinker saw to be imperative and imminent.
But Constance Bride knew nothing of this, and in her ignorance could not but misinterpret the young man's demeanor. She felt it to be brusque; she imagined it to imply a purposed oblivion of things in the past.”

George Gissing (1857–1903) English novelist

Source: Our Friend the Charlatan (1901), Ch. II

Iain Banks photo
Charles Baudelaire photo

“It is imagination that has taught man the moral sense of color, of contour, of sound and of scent. It created, in the beginning of the world, analogy and metaphor. It disassembles creation, and with materials gathered and arranged by rules whose origin is only to be found in the very depths of the soul, it creates a new world, it produces the sensation of the new. As it has created the world (this can be said, I believe, even in the religious sense), it is just that it should govern it.”

Charles Baudelaire (1821–1867) French poet

C'est l'imagination qui a enseigné à l'homme le sens moral de la couleur, du contour, du son et du parfum. Elle a créé, au commencement du monde, l'analogie et la métaphore. Elle décompose toute la création, et, avec les matériaux amassés et disposés suivant des règles dont on ne peut trouver l'origine que dans le plus profond de l'âme, elle crée un monde nouveau, elle produit la sensation du neuf. Comme elle a créé le monde (on peut bien dire cela, je crois, même dans un sens religieux), il est juste qu'elle le gouverne.
"Lettres à M. le Directeur de La revue française," III: La reine des facultés http://fr.wikisource.org/wiki/Salon_de_1859_%28Curiosit%C3%A9s_esth%C3%A9tiques%29#III._.E2.80.94_La_reine_des_facult.C3.A9s
Salon de 1859 (1859)

Martin Villeneuve photo

“So if you don't have money to offer to people, you must strike their imagination with something as nice as you can think of.”

Martin Villeneuve (1978) Canadian film director, producer and screenwriter

Martin Villeneuve. " How I made an impossible film https://www.ted.com/talks/martin_villeneuve_how_i_made_an_impossible_film/transcript," Subtitles and Transcript at ted.com, 2015

Adrienne von Speyr photo

“There is already so much grace in a Christian body. Can you imagine how much grace there is in a soul?”

Adrienne von Speyr (1902–1967) Swiss doctor and mystic

Source: Lumina and New Lumina (1969), p. 21

Nisargadatta Maharaj photo
Aron Ra photo
Grandma Moses photo
Wallace Stevens photo
Henry Suso photo
James K. Morrow photo
C. Wright Mills photo
Robert Chambers (publisher, born 1802) photo

“The elder Herschel, directing his wonderful tube towards the sides of our system, where stars are planted most rarely… was enabled with awe struck mind to see suspended in the vast empyrean astral systems, or, as he called them, firmaments, resembling our own. Like light cloudlets to a certain power of the telescope, they resolved themselves, under a greater power, into stars, though these generally seemed no larger than the finest particles of diamond dust. The general forms of these systems are various; but one at least has been detected as bearing a striking resemblance to the supposed form of our own. The distances are also various… The farthest observed by the astronomer were estimated by him as thirty-five thousand times more remote than Sirius, supposing its distance to be about twenty thousand millions of miles. It would thus appear, that not only does gravitation keep our earth in its place in the solar system, and the solar system in its place in our astral system, but it also may be presumed to have the mightier duty of preserving a local arrangement between that astral system and an immensity of others, through which the imagination is left to wander on and on without limit or stay, save that which is given by its inability to grasp the unbounded.”

Source: Vestiges of the Natural History of Creation (1844), p. 6-7

Timo K. Mukka photo
André Breton photo
E. W. Hobson photo
John Gray photo
Adam Smith photo
Clive Staples Lewis photo
Hans Christian Andersen photo
Robert Charles Wilson photo
Henry David Thoreau photo
Jane Roberts photo
Jacob Bronowski photo

“Imagination is the manipulation of images in one's head… the rational manipulation… as well as the literary and artistic manipulation.”

Jacob Bronowski (1908–1974) Polish-born British mathematician

"The Reach of Imagination" (1967)

Ayn Rand photo
Camille Paglia photo

“The thrill of terror is passive, masochistic, and implicitly feminine. It is imaginative submission to overwhelming superior force.”

Camille Paglia (1947) American writer

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 267

Joseph Heller photo
Willa Cather photo
Margaret Mead photo
Adam Smith photo

“In the languor of disease and the weariness of old age, the pleasures of the vain and empty distinctions of greatness disappear. To one, in this situation, they are no longer capable of recommending those toilsome pursuits in which they had formerly engaged him. In his heart he curses ambition, and vainly regrets the ease and the indolence of youth, pleasures which are fled for ever, and which he has foolishly sacrificed for what, when he has got it, can afford him no real satisfaction. In this miserable aspect does greatness appear to every man when reduced either by spleen or disease to observe with attention his own situation, and to consider what it is that is really wanting to his happiness. Power and riches appear then to be, what they are, enormous and operose machines contrived to produce a few trifling conveniencies to the body, consisting of springs the most nice and delicate, which must be kept in order with the most anxious attention, and which, in spite of all our care, are ready every moment to burst into pieces, and to crush in their ruins their unfortunate possessor. …
But though this splenetic philosophy, which in time of sickness or low spirits is familiar to every man, thus entirely depreciates those great objects of human desire, when in better health and in better humour, we never fail to regard them under a more agreeable aspect. Our imagination, which in pain and sorrow seems to be confined and cooped up within our own persons, in times of ease and prosperity expands itself to every thing around us. We are then charmed with the beauty of that accommodation which reigns in the palaces and economy of the great; and admire how every thing is adapted to promote their ease, to prevent their wants, to gratify their wishes, and to amuse and entertain their most frivolous desires. If we consider the real satisfaction which all these things are capable of affording, by itself and separated from the beauty of that arrangement which is fitted to promote it, it will always appear in the highest degree contemptible and trifling. But we rarely view it in this abstract and philosophical light. We naturally confound it, in our imagination with the order, the regular and harmonious movement of the system, the machine or economy by means of which it is produced. The pleasures of wealth and greatness, when considered in this complex view, strike the imagination as something grand, and beautiful, and noble, of which the attainment is well worth all the toil and anxiety which we are so apt to bestow upon it.
And it is well that nature imposes upon us in this manner. It is this deception which rouses and keeps in continual motion the industry of mankind.”

Chap. I.
The Theory of Moral Sentiments (1759), Part IV

Rand Paul photo
Richard Long photo
Ai Weiwei photo
Michael Powell photo
John Lancaster Spalding photo
Paul Sérusier photo

“[.. according to Gauguin ] the impression of nature must be wedded to the aesthetic sentiment which chooses, arranges, simplifies and synthesizes. The painter ought not to rest until he has given birth to the child of his imagination.... begotten in a union of his mind with reality. Gauguin insisted on a logical construction of composition, on a harmonious apportionment of light and dark colors, the simplification of forms and proportions, so as to endow the outline's of forms with a powerful and eloquent expression.... He also insisted upon luminous and pure colors.”

Paul Sérusier (1864–1927) French painter

Paul Sérusier's quote in 1888, about Paul Gauguin; in Pierre Bonnard, John Rewald; MoMA - distribution, Simon & Schuster, New York, 1918, p. 13
Sérusier encountered in his summer vacation in Pont-Aven in Brittany [Summer 1888], briefly Paul Gauguin. He also made there a small landscape, painted under Gauguin's direction. Back in Paris, October 1888, Sérusier explained his Nabis friends (Denis, Pierre Bonnard and Vuillard) the artistic lessons Paul Gauguin taught him - as reported by John Rewald in his book Pierre Bonnard, p. 13-14

Jonathan Miller photo
Werner Herzog photo
William the Silent photo

“They stormed Oudewater, and delivered it over to all imaginable cruelties, sparing neither sex nor age.”

William the Silent (1533–1584) stadtholder of Holland, Zeeland and Utrecht, leader of the Dutch Revolt

On the actions of the Spanish at Oudewater, as quoted in William the Silent (1897) by Frederic Harrison, p. 87

Leo Buscaglia photo
S. S. Van Dine photo
Margrethe II of Denmark photo
Catharine A. MacKinnon photo
John Galsworthy photo
Nyanaponika Thera photo
Camille Paglia photo
Vanna Bonta photo

“Imagine gazing at Earth or other space views.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

Vanna Bonta Talks Sex in Space (Interview - Femail magazine)

Lysander Spooner photo

“If justice be not a natural principle, it is no principle at all. If it be not a natural principle, there is no such thing as justice. If it be not a natural principle, all that men have ever said or written about it, from time immemorial, has been said and written about that which had no existence. If it be not a natural principle, all the appeals for justice that have ever been heard, and all the struggles for justice that have ever been witnessed, have been appeals and struggles for a mere fantasy, a vagary of the imagination, and not for a reality.

If justice be not a natural principle, then there is no such thing as injustice; and all the crimes of which the world has been the scene, have been no crimes at all; but only simple events, like the falling of the rain, or the setting of the sun; events of which the victims had no more reason to complain than they had to complain of the running of the streams, or the growth of vegetation.

If justice be not a natural principle, governments (so-called) have no more right or reason to take cognizance of it, or to pretend or profess to take cognizance of it, than they have to take cognizance, or to pretend or profess to take cognizance, of any other nonentity; and all their professions of establishing justice, or of maintaining justice, or of rewarding justice, are simply the mere gibberish of fools, or the frauds of imposters.

But if justice be a natural principle, then it is necessarily an immutable one; and can no more be changed—by any power inferior to that which established it—than can the law of gravitation, the laws of light, the principles of mathematics, or any other natural law or principle whatever; and all attempts or assumptions, on the part of any man or body of men—whether calling themselves governments, or by any other name—to set up their own commands, wills, pleasure, or discretion, in the place of justice, as a rule of conduct for any human being, are as much an absurdity, an usurpation, and a tyranny, as would be their attempts to set up their own commands, wills, pleasure, or discretion in the place of any and all the physical, mental, and moral laws of the universe.

If there be any such principle as justice, it is, of necessity, a natural principle; and, as such, it is a matter of science, to be learned and applied like any other science. And to talk of either adding to, or taking from, it, by legislation, is just as false, absurd, and ridiculous as it would be to talk of adding to, or taking from, mathematics, chemistry, or any other science, by legislation.”

Lysander Spooner (1808–1887) Anarchist, Entrepreneur, Abolitionist

Sections I–II, p. 11–12
Natural Law; or The Science of Justice (1882), Chapter II. The Science of Justice (Continued)

Daniel Handler photo
Marvin Minsky photo
Oriana Fallaci photo
Alan Moore photo
Wallace Stevens photo

“The first idea is an imagined thing.”

Wallace Stevens (1879–1955) American poet

Notes Toward a Supreme Fiction (1942), It Must Be Abstract

William Styron photo

“In many of Albrecht Dürer’s engravings there are harrowing depictions of his own melancholia; the manic wheeling stars of Van Gogh are the precursors of the artist’s plunge into dementia and the extinction of self. It is a suffering that often tinges the music of Beethoven, of Schumann and Mahler, and permeates the darker cantatas of Bach. The vast metaphor which most faithfully represents this fathomless ordeal, however, is that of Dante, and his all-too-familiar lines still arrest the imagination with their augury of the unknowable, the black struggle to come:
Nel mezzo del cammin di nostra vita
Mi ritrovai per una selva oscura,
Ché la diritta via era smarrita.
In the middle of the journey of our life
I found myself in a dark wood,
For I had lost the right path.
One can be sure that these words have been more than once employed to conjure the ravages of melancholia, but their somber foreboding has often overshadowed the last lines of the best-known part of that poem, with their evocation of hope. To most of those who have experienced it, the horror of depression is so overwhelming as to be quite beyond expression, hence the frustrated sense of inadequacy found in the work of even the greatest artists. But in science and art the search will doubtless go on for a clear representation of its meaning, which sometimes, for those who have known it, is a simulacrum of all the evil of our world: of our everyday discord and chaos, our irrationality, warfare and crime, torture and violence, our impulse toward death and our flight from it held in the intolerable equipoise of history. If our lives had no other configuration but this, we should want, and perhaps deserve, to perish; if depression had no termination, then suicide would, indeed, be the only remedy. But one need not sound the false or inspirational note to stress the truth that depression is not the soul’s annihilation; men and women who have recovered from the disease — and they are countless — bear witness to what is probably its only saving grace: it is conquerable.”

Source: Darkness Visible (1990), X

Jacopone da Todi photo
Ignatius of Loyola photo
Jane Austen photo

“I cannot help hoping that many will feel themselves obliged to buy it. I shall not mind imagining it a disagreeable duty to them, so as they do it.”

Jane Austen (1775–1817) English novelist

Letter (1813-11-06) on the reprint of Sense and Sensibility [Letters of Jane Austen -- Brabourne Edition]
Letters

Andrew Solomon photo
Gabriele Münter photo