Quotes about crying
page 6

Cassandra Clare photo
Maya Angelou photo
Jenny Han photo
Haruki Murakami photo
Darren Shan photo
Jonathan Safran Foer photo
Anne Rice photo
Kevin Brockmeier photo
Charles Bukowski photo

“Now something so sad has hold of us that the breath leaves and we can't even cry.”

Charles Bukowski (1920–1994) American writer

Source: You Get So Alone at Times That it Just Makes Sense

Scott Westerfeld photo
Milan Kundera photo
Francois Rabelais photo

“That's all the glory my heart is after,
Seeing how sorrow eats you, defeats you.
I'd rather write about laughing than crying,
For laughter makes men human, and courageous.”

Source: Gargantua and Pantagruel (1532–1564)
Context: Readers, friends, if you turn these pages
Put your prejudice aside,
For, really, there's nothing here that's outrageous,
Nothing sick, or bad — or contagious.
Not that I sit here glowing with pride
For my book: all you'll find is laughter:
That's all the glory my heart is after,
Seeing how sorrow eats you, defeats you.
I'd rather write about laughing than crying,
For laughter makes men human, and courageous.

Cecelia Ahern photo
Cassandra Clare photo

“Crying wouldn't help anything now.”

Source: City of Glass

Suzanne Collins photo

“You're a painter. You're a baker. You like to sleep with the windows open. You never take sugar in your tea and you always double knot your shoelaces.' I fight back. Then I dive back into my tent before I do something stupid like cry.”

Variant: But more words tumble out. 'You're a painter. You're a baker. You like to sleep with the windows open. You never take sugar in your tea. And you always double-knot your shoelaces.'

Then I dive into my tent before I do something stupid like cry.
Source: Mockingjay

Leonard Cohen photo

“It's time that we began to laugh and cry and cry and laugh about it all again.”

Leonard Cohen (1934–2016) Canadian poet and singer-songwriter

Source: Songs of Leonard Cohen, Herewith: Music, Words and Photographs

Bashō Matsuo photo

“Even in Kyoto/Hearing the cuckoo's cry/I long for Kyoto”

Bashō Matsuo (1644–1694) Japanese poet

京にても 京なつかしや 時鳥 kyou nitemo kyou natsukashi ya hototogisu Classical Japanese Database, Translation #55 http://carlsensei.com/classical/index.php/translation/view/55 (Translation: Robert Hass) Bird of time – in Kyoto, pining for Kyoto. Basho, On Love and Barley: Haiku of Basho, London, 1985, p. 43 (Translation: Lucien Stryk)
Individual poems

Khaled Hosseini photo
Margaret George photo
Van Morrison photo

“Hark, now hear the sailors cry,
Smell the sea and feel the sky.
Let your soul and spirit fly into the mystic.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

Into the Mystic
Song lyrics, Moondance (1970)

Nikos Kazantzakis photo

“My entire soul is a cry, and all my work the commentary on that cry.”

Author's Introduction, p. 15
Report to Greco (1965)

Gabrielle Zevin photo
Sylvia Plath photo
Mary E. Pearson photo
Ann Brashares photo
Richard Cobden photo
Anton Chekhov photo
Charles Lamb photo

“The flouting infidel doth mock when Christians cry”

Charles Lamb (1775–1834) English essayist

Lamb's letter to Charles Cowden Clarke, in summer, 1821. As quoted in Works of Charles and Mary Lamb (1905). Letter 263.

Cat Stevens photo

“Now I've been crying lately,
Thinking about the world as it is.
Why must we go on hating?
Why can't we live in bliss?”

Cat Stevens (1948) British singer-songwriter

Peace Train
Song lyrics, Teaser and the Firecat (1971)

Mike Oldfield photo
Salma Hayek photo

“I'd hear, "Because they paid the man, there's no money for the woman." How many times do you think I heard this? Over and over. Then I became a sex symbol. Now, how the hell did that happen? I don't exactly know the moment when it happened, but all of a sudden I'm a bombshell. The way I discovered this was I did Desperado. I had a very hard time with the love scene. I cried throughout the love scene. That's why you never see long pieces of the love scene — it's little pieces cut together. I'm crying most of the time so they have to take little pieces. It took eight hours instead of an hour. I nearly got fired. … Because I didn't want to be naked in front of a camera. The whole time, I'm thinking of my father and my brother… And then when the movie comes out, I read the first review. What do they say about me. "Salma Hayek is a bombshell." I had heard that when a movie does badly here, they say it bombs. So I'm crying. Thinking they're saying, "That terrible actress! It's a bomb! Salma Hayek is the worst part of the movie!" I called my friend and said, "The critics are destroying me!" She says, "No, they're saying you're very sexy." And then I look at all the reviews, and everybody said I was very sexy. So I'm very confused. I said, "I wonder if that's good or bad." I hear, "Yes, that's good." Then I do Fools Rush In, and I'm a pregnant woman. And they say I'm sexy again! I go, "But I'm pregnant!"”

Salma Hayek (1966) Mexican-American actress and producer

I'm not even naked in this movie, and they still say I'm sexy. And then it became very depressing — I thought, I guess I'm reduced to that now. That's all I am in the perception of these people.
O interview (2003)

Muhammad al-Mahdi photo
Emil Nolde photo
Thomas Tryon photo
Dorothy Day photo
Johnny Depp photo
Rufus Wainwright photo
Tori Amos photo
Kate Bush photo

“You and me on the bobbing knee.
Didn't we cry at that old mythology he'd read!
I will come home again, but not until
The sun and the moon meet on yon hill.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, The Kick Inside (1978)

Sun Myung Moon photo
Jorge Luis Borges photo
John Banville photo
Rāmabhadrācārya photo

“Why did you fight with my Giridhara (Kṛṣṇa)? You are a young maiden, and my Giridhara (Kṛṣṇa) is but a child, why did you hold his arm? My Giridhara (Kṛṣṇa) is crying, sobbing repeatedly, and you stand [looking at him] smirkingly! O Ahir lady (cowherd girl), you are excessively inclined to quarrel, and come and stand here uninvited." Giridhara (the poet) sings - so says Yaśodā, holding on to the hand of Giridhara (Kṛṣṇa) and covering [her face] with the end of her Sari.”

Rāmabhadrācārya (1950) Hindu religious leader

mere giridhārī jī se kāhe larī ।
tuma taruṇī mero giridhara bālaka kāhe bhujā pakarī ॥
susuki susuki mero giridhara rovata tū musukāta kharī ॥
tū ahirina atisaya jhagarāū barabasa āya kharī ॥
giridhara kara gahi kahata jasodā āʼncara oṭa karī ॥
[Nagar, Shanti Lal, The Holy Journey of a Divine Saint: Being the English Rendering of Swarnayatra Abhinandan Granth, Acharya Divakar, Sharma, Siva Kumar, Goyal, Surendra Sharma, Susila, B. R. Publishing Corporation, First, Hardback, New Delhi, India, 2002, 8176462888]
[Prasad, Ram Chandra, Sri Ramacaritamanasa The Holy Lake Of The Acts Of Rama, Motilal Banarsidass, 1999, Illustrated, reprint, Delhi, India, 8120807626, First published 1991]

Lucy Aharish photo

“One of the topics [on the show last week] was the murder of women in the Arab sector, what is referred to, unfortunately, […] as 'honor killing' and has nothing to do with [anything worthy of] honor. The guest in the studio was a woman who had 20 years of experience working for the sake of those same women who die for no good reason, a woman whose everyday job was a holy work for the sake of thousands of Arab women who need a voice that will shout out and cry out their cries. After she had accused the government and the police and everyone of incompetence, I asked her, in a somewhat aggressive manner, as it were, '[…] Where are we in all of this? Where are we Arab women to teach and discipline our sons that a man has no right over a woman? […]' During the commercial break, she got up and told me that I had to learn how to talk to Arabs because the tone that I adopted and the things that I said were said to gain approval from Jews. So I've come to tell you today that I haven't come for approval from you; that I haven't come for approval from anyone; and this is the message that I want you to digest very, very well. In my life I have been accused of many things: that I am the fifth column; that an Arab will always stay an Arab, no matter how liberal he may look; that I bring shame on my family for being in a relationship with a person outside my religion. I've received threats after asking Palestinian residents live on the show why they don't go out against Hamas men, who use them and bring them to their slaughter; I've been attacked on Yom ha-Shoah and Yom ha-Zikaron that the managers at Arutz 2 dared to put an Arab on a show such as that as the host on a day such as that; I've been told that I make Arab women stray off the path of proper behavior; and that I've forgotten where I come from being an 'Ashkenazified', 'Judaized' Arab. So they blamed and they talked—as if that, in itself, made them right.”

Lucy Aharish (1981) Arab-Israeli journalist

Source: Lucy Aharish's campus speech http://www.onlife.co.il/%D7%A2%D7%91%D7%95%D7%93%D7%94/%D7%9E%D7%A0%D7%94%D7%99%D7%92%D7%95%D7%AA-%D7%94%D7%99%D7%95%D7%9D-%D7%90%D7%AA-%D7%94%D7%9E%D7%97%D7%A8/85312/%D7%9C%D7%95%D7%A1%D7%99-%D7%90%D7%94%D7%A8%D7%99%D7%A9-%D7%9C%D7%90-%D7%91%D7%90%D7%AA%D7%99-%D7%9C%D7%9E%D7%A6%D7%95%D7%90-%D7%97%D7%9F-%D7%91%D7%A2%D7%99%D7%A0%D7%99-%D7%90%D7%A3-%D7%90%D7%97%D7%93 at "מנהיגות היום את המחר". Onlife. 9 November 2014. Retrieved 27 January 2015. Video available.

Gerard Manley Hopkins photo
Maddox photo
Noel Gallagher photo
Conrad Aiken photo
Charles James Fox photo
José Ortega Y Gasset photo
Billy Joel photo
John Millington Synge photo
Wallace Stevens photo
Herta Müller photo
Edmund Waller photo

“There is a garden in her face
Where roses and white lilies blow;
A heavenly paradise is that place,
Wherein all pleasant fruits do flow:
There cherries grow which none may buy
Till 'Cherry-ripe' themselves do cry.”

Edmund Waller (1606–1687) English poet and politician

Cherry-Ripe http://www.bartleby.com/101/168.html.
Poetical Works of Edmund Waller and Sir John Denham (1857)

Louis Tronson photo

“Have we regarded it as the greatest enemy of Christianity, which can not abide that Jesus Christ reigns over the faithful, crying ceaselessly through the mouth of its fans, “We do not want this man to reign over us” (Saint Anthony).”

Louis Tronson (1622–1700) French Roman Catholic priest

L'avons-nous regardé comme le plus grand ennemi du Christianisme, qui ne peut souffrir que Jésus-Christ règne sur les Fidèles, criant sans cesse par la bouche de ses amateurs. Nolumus hune regnare super nos? S. Antonin.
Examens particuliers sur divers sujets, p. 321 http://books.google.com/books?id=esY9AAAAIAAJ&pg=PA321
Examens particuliers sur divers sujets [Examination of Conscience upon Special Subjects] (1690)

Torquato Tasso photo

“She tried to cry out: 'Will you, cruel man,
leave me alone here?' Pain choked off her cry,
and in her heart the plaintive words began
to echo in a yet more bitter sigh.”

Torquato Tasso (1544–1595) Italian poet

Volea gridar: dove, o crudel, me sola
Lasci? ma il varco al suon chiuse il dolore:
Sicchè tornò la flebile parola
Più amara indietro a rimbombar sul core.
Canto XVI, stanza 36 (tr. Wickert)
Gerusalemme Liberata (1581)

Edwin Abbott Abbott photo
Clarence Thomas photo
Roger Ebert photo
Cesare Pavese photo

“To avenge a wrong done to you, is to rob yourself of the comfort of crying out against the injustice of it.”

Cesare Pavese (1908–1950) Italian poet, novelist, literary critic, and translator

This Business of Living (1935-1950)

George Steiner photo

“Theatre audiences can't be made to think and cry: at best, they can be made to think and laugh, or to feel and cry.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Theater

P.G. Wodehouse photo
Carl Schurz photo
Kelly Clarkson photo

“And now I cry in the middle of the night for the same damn thing.”

Kelly Clarkson (1982) American singer-songwriter, actress

Because Of You
Lyrics, Breakaway (2004)

Jonathan Swift photo
John Addington Symonds photo
James, son of Zebedee photo
Ogden Nash photo
Nathan Lane photo
Adrian Slywotzky photo
Michael von Faulhaber photo
Robert Frost photo
Taliesin photo
Anastacia photo

“No matter if I'm laughing or crying
It ain't gonna stop me from trying
The truth is what I have to uncover
In this only life.”

Anastacia (1968) American singer-songwriter

Dark White Girl
Resurrection (2014)

Bob Dylan photo

“Yonder stands your orphan with his gun, crying like a fire in the sun.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Bringing It All Back Home (1965), It's All Over Now, Baby Blue

“Her point of view about student work was that of a social worker teaching finger-painting to children or the insane.
I was impressed with how common such an attitude was at Benton: the faculty—insofar as they were real Benton faculty, and not just nomadic barbarians—reasoned with the students, “appreciated their point of view”, used Socratic methods on them, made allowances for them, kept looking into the oven to see if they were done; but there was one allowance they never under any circumstances made—that the students might be right about something, and they wrong. Education, to them, was a psychiatric process: the sign under which they conquered had embroidered at the bottom, in small letters, Canst thou not minister to a mind diseased?—and half of them gave it its Babu paraphrase of Can you wait upon a lunatic? One expected them to refer to former students as psychonanalysts do: “Oh, she’s an old analysand of mine.” They felt that the mind was a delicate plant which, carefully nurtured, judiciously left alone, must inevitably adopt for itself even the slightest of their own beliefs.
One Benton student, a girl noted for her beadth of reading and absence of coöperation, described things in a queer, exaggerated, plausible way. According to her, a professor at an ordinary school tells you “what’s so”, you admit that it is on examination, and what you really believe or come to believe has “that obscurity which is the privilege of young things”. But at Benton, where education was as democratic as in “that book about America by that French writer—de, de—you know the one I mean”; she meant de Tocqueville; there at Benton they wanted you really to believe everything they did, especially if they hadn’t told you what it was. You gave them the facts, the opinions of authorities, what you hoped was their own opinion; but they replied, “That’s not the point. What do you yourself really believe?” If it wasn’t what your professors believed, you and they could go on searching for your real belief forever—unless you stumbled at last upon that primal scene which is, by definition, at the root of anything….
When she said primal scene there was so much youth and knowledge in her face, so much of our first joy in created things, that I could not think of Benton for thinking of life. I suppose she was right: it is as hard to satisfy our elders’ demands of Independence as of Dependence. Harder: how much more complicated and indefinite a rationalization the first usually is!—and in both cases, it is their demands that must be satisfied, not our own. The faculty of Benton had for their students great expectations, and the students shook, sometimes gave, beneath the weight of them. If the intellectual demands were not so great as they might have been, the emotional demands made up for it. Many a girl, about to deliver to one of her teachers a final report on a year’s not-quite-completed project, had wanted to cry out like a child, “Whip me, whip me, Mother, just don’t be Reasonable!””

Source: Pictures from an Institution (1954) [novel], Chapter 3, pp. 81–83

Johnny Cash photo

“When, I was just a baby,
My mama told me, son
Always be a good boy,
Don't ever play with guns.
But I shot a man in Reno
Just to watch him die.
When I hear that whistle blowin'
I hang my head and cry.”

Johnny Cash (1932–2003) American singer-songwriter

Folsom Prison Blues
Song lyrics, Johnny Cash with His Hot and Blue Guitar (1957)

Natasha Kaplinsky photo

“As a journalist, my job is to be dispassionate. Suddenly to be the centre of a story and to be crying, it made me feel very insecure.”

Natasha Kaplinsky (1972) English newsreader and reporter

Her general reaction to learning about the fate of her family.
"Kaplinsky's tears over family secret", interview in Metro, Tue August 28 2007, p. 23

Kuruvilla Pandikattu photo

“Freedom is the expression of my truest self/ The cry of being deepest being!”

Kuruvilla Pandikattu (1957) Indian philosopher

Source: Freedom: Foster It! p. 26. (2004)

Suzanne Collins photo
Richard Rodríguez photo
Noel Gallagher photo
Hassan Rouhani photo

“The beautiful cry of 'Death to America' unites our nation.”

Hassan Rouhani (1948) 7th President of Islamic Republic of Iran

Remark made in May, 1995, as quoted in "About That New 'Moderate' Iranian Cabinet . . ." http://online.wsj.com/news/articles/SB10001424127887324635904578644333931206380, The Wall Street Journal, (August 7, 2013)

Cindy Sheehan photo

“I'm finished crying for Casey. I'm crying for all the other mothers.”

Cindy Sheehan (1957) American antiwar activist

while visiting http://www.newspress.com/Top/Article/article.jsp?Section=ARCHIVES&ID=564506446079852571&ARCHIVES=true her son's cross at the Arlington West memorial in Santa Barbara, California, on Mother's Day, May 7, 2004
2004