Quotes about beauty
page 34

Lois McMaster Bujold photo
Pauline Kael photo
Octave Mirbeau photo

““There is something more mysteriously attractive than beauty: it is corruption.” (Garden of Tortures)”

Octave Mirbeau (1848–1917) French journalist, art critic, travel writer, pamphleteer, novelist, and playwright
Park Chung-hee photo

“Already into the last week of October! The dying fall holds only loneliness. In the garden the chrysanthemums bloom, beautiful, peaceful, as they did a year ago, but the autumn leaves, falling one by one, only make me sad.”

Park Chung-hee (1917–1979) Korean Army general and the leader of South Korea from 1961 to 1979

Diary entry (October 1974), as quoted in The Two Koreas: A Contemporary History Revised and Updated http://books.google.com/books?id=yJZKpYXh2SAC&printsec=frontcover&dq=The+Two+Koreas:+A+Contemporary+History+revised+updated&hl=en&sa=X&ei=X-xvU5TRFPOisQSa34CIBA&ved=0CCsQ6AEwAA#v=onepage&q=already%20into%20the%20last%20week&f=false (2001), by Don Oberdorfer, p. 55.
1970s

Walter de la Mare photo
Giorgio de Chirico photo
Martin Luther King, Jr. photo

“I must say that when my Southern Christian Leadership Conference began its work in Birmingham, we encountered numerous Negro church reactions that had to be overcome. Negro ministers were among other Negro leaders who felt they were being pulled into something that they had not helped to organize. This is almost always a problem. Negro community unity was the first requisite if our goals were to be realized. I talked with many groups, including one group of 200 ministers, my theme to them being that a minister cannot preach the glories of heaven while ignoring social conditions in his own community that cause men an earthly hell. I stressed that the Negro minister had particular freedom and independence to provide strong, firm leadership, and I asked how the Negro would ever gain freedom without his minister's guidance, support and inspiration. These ministers finally decided to entrust our movement with their support, and as a result, the role of the Negro church today, by and large, is a glorious example in the history of Christendom. For never in Christian history, within a Christian country, have Christian churches been on the receiving end of such naked brutality and violence as we are witnessing here in America today. Not since the days of the Christians in the catacombs has God's house, as a symbol, weathered such attack as the Negro churches.
I shall never forget the grief and bitterness I felt on that terrible September morning when a bomb blew out the lives of those four little, innocent girls sitting in their Sunday-school class in the 16th Street Baptist Church in Birmingham. I think of how a woman cried out, crunching through broken glass, "My God, we're not even safe in church!" I think of how that explosion blew the face of Jesus Christ from a stained-glass window. It was symbolic of how sin and evil had blotted out the life of Christ. I can remember thinking that if men were this bestial, was it all worth it? Was there any hope? Was there any way out?… time has healed the wounds -- and buoyed me with the inspiration of another moment which I shall never forget: when I saw with my own eyes over 3000 young Negro boys and girls, totally unarmed, leave Birmingham's 16th Street Baptist Church to march to a prayer meeting -- ready to pit nothing but the power of their bodies and souls against Bull Connor's police dogs, clubs and fire hoses. When they refused Connor's bellowed order to turn back, he whirled and shouted to his men to turn on the hoses. It was one of the most fantastic events of the Birmingham story that these Negroes, many of them on their knees, stared, unafraid and unmoving, at Connor's men with the hose nozzles in their hands. Then, slowly the Negroes stood up and advanced, and Connor's men fell back as though hypnotized, as the Negroes marched on past to hold their prayer meeting. I saw there, I felt there, for the first time, the pride and the power of nonviolence.
Another time I will never forget was one Saturday night, late, when my brother telephoned me in Atlanta from Birmingham -- that city which some call "Bombingham" -- which I had just left. He told me that a bomb had wrecked his home, and that another bomb, positioned to exert its maximum force upon the motel room in which I had been staying, had injured several people. My brother described the terror in the streets as Negroes, furious at the bombings, fought whites. Then, behind his voice, I heard a rising chorus of beautiful singing: "We shall overcome."”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

Tears came into my eyes that at such a tragic moment, my race still could sing its hope and faith.
Interview in Playboy (January 1965) https://web.archive.org/web/20080706183244/http://www.playboy.com/arts-entertainment/features/mlk/04.html
1960s

Hildegard of Bingen photo
H. Rider Haggard photo
Bernard Cornwell photo
Martin Heidegger photo
James Macpherson photo

“He produced a work of art which by its deep appreciation of natural beauty and the melancholy tenderness of its treatment of the ancient legend did more than any single work to bring about the romantic movement in European, and especially in German, literature.”

James Macpherson (1736–1796) Scottish writer, poet, translator, and politician

The Encyclopædia Britannica, 11th edn. (Cambridge: Cambridge University Press, 1910-11) vol. 17, p. 268.
Criticism

Henry James photo
Henry Adams photo
Philip Sidney photo

“As in geometry, the oblique must be known, as well as the right; and in arithmetic, the odd as well as the even; so in actions of life, who seeth not the filthiness of evil, wanteth a great foil to perceive the beauty of virtue.”

Philip Sidney (1554–1586) English diplomat

Aphorisms of Sir Philip Sidney; with remarks, by Miss Porter (1807), p. 23. London: Longman, Hurst, Rees and Orme https://babel.hathitrust.org/cgi/pt?id=uc1.aa0000617332;view=1up;seq=53

Robert Frost photo
Letitia Elizabeth Landon photo

“Beautiful wreck! for still thy face,
Though changed, is very fair;
Like beauty's moonlight, left to shew
Her morning sun was there.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Change from The London Literary Gazette (16th February 1828)
The Vow of the Peacock (1835)

Percy Bysshe Shelley photo
Maimónides photo

“Whatever God desires to do is necessarily done; there is nothing that could prevent the realisation of His will. The object of His will is only that which is possible, and of the things possible only such as His wisdom decrees upon. When God desires to produce the best work, no obstacle or hindrance intervenes between Him and that work. This is the opinion held by all religious people, also by the philosophers; it is also our opinion. For although we believe that God created the Universe from nothing, most of our wise and learned men believe that the Creation was not the exclusive result of His will; but His wisdom, which we are unable to comprehend, made the actual existence of the Universe necessary. The same unchangeable wisdom found it as necessary that non-existence should precede the existence of the Universe. Our Sages frequently express this idea in the explanation of the words, "He hath made everything beautiful in his time" (Eccl. iii. 11)… This is the belief of most of our Theologians; and in a similar manner have the Prophets expressed the idea that all parts of natural products are well arranged, in good order, connected with each other, and stand to each other in the relation of cause and effect; nothing of them is purposeless, trivial, or vain; they are all the result of great wisdom. …This idea occurs frequently; there is no necessity to believe otherwise; philosophic speculation leads to the same result; viz., that in the whole of Nature there is nothing purposeless, trivial, or unnecessary, especially in the nature of the spheres, which are in the best condition and order, in accordance with their superior substance.”

Source: Guide for the Perplexed (c. 1190), Part III, Ch.25

Oswald Mosley photo
Nastassja Kinski photo
W. Somerset Maugham photo

“The essence of the beautiful is unity in variety.”

W. Somerset Maugham (1874–1965) British playwright, novelist, short story writer

Moses Mendelssohn, Briefe über die Empfindungen (1755)
Misattributed

Luther Burbank photo
Barbara Bush photo

“But why should we hear about body bags and deaths, and how many, what day it's gonna happen, and how many this or that or what do you suppose? Or, I mean, it's not relevant. So, why should I waste my beautiful mind on something like that, and watch him (her husband, former president George H. W. Bush) suffer?”

Barbara Bush (1925–2018) former First Lady of the United States

Addressing the question of how much television news she'd recently been watching, in light of the enormous media attention given to likely outcomes in a U.S. war with Iraq. The interview took place two days prior to the start of the Iraq War, Good Morning America (18 March 2003)

François de Malherbe photo

“But she bloomed on earth, where the most beautiful things have the saddest destiny;
And Rose, she lived as live the roses, for the space of a morning.”

François de Malherbe (1555–1628) (1555–1628) French poet, critic, and translator

Mais elle était du monde, où les plus belles choses
Ont le pire destin;
Et Rose, elle a vécu ce que vivent les roses,
L'espace d'un matin.
Letter of condolence to M. Du Perrier on the loss of his daughter, as quoted in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 680

Isaac Asimov photo
Aubrey Beardsley photo
John Keats photo
Georg Christoph Lichtenberg photo

“You believe that I run after the strange because I do not know the beautiful; no, it is because you do not know the beautiful that I seek the strange.”

Georg Christoph Lichtenberg (1742–1799) German scientist, satirist

F160
Aphorisms (1765-1799), Notebook F (1776-1779)

Thomas Moore photo

“To sigh, yet feel no pain;
To weep, yet scarce know why;
To sport an hour with Beauty's chain,
Then throw it idly by.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

The Blue Stocking.
Bartlett's Familiar Quotations, 10th ed. (1919)

Letitia Elizabeth Landon photo
Gertrude Jekyll photo
Frances Bean Cobain photo

“You see something faraway & it looks beautiful & very seductive; but as you go closer you realize it's actually bugs crawling over a corpse.”

Frances Bean Cobain (1992) American artist

6 December 2014 https://twitter.com/alka_seltzer666/status/541373309490044928
Twitter https://twitter.com/alka_seltzer666 posts

Spencer Tunick photo
Ellen Page photo
George Sand photo

“The beauty that addresses itself to the eyes," she continued, "is only the spell of the moment; the eye of the body is not always that of the soul.”

La beauté qui parle aux yeux, reprit-elle, n’est que le prestige d’un moment; l’œuil du corps n'est pas toujours celui de l'âme.
Le Beau Laurence, ch. 1 (1870); Carroll Owen (trans.) Handsome Lawrence (Boston: James R. Osgood, 1871) p. 30

Paul Klee photo

“The beautiful, which is perhaps inseparable from art, is not after all tied to the subject, but to the pictorial representation. In this way and in no other does art overcome the ugly without avoiding it.”

Paul Klee (1879–1940) German Swiss painter

Diary entry (December 1905), # 733, in The Diaries of Paul Klee, 1898-1918; University of California Press, 1968
1903 - 1910

Robert Burns photo

“Beauty's of a fading nature
Has a season and is gone!”

Robert Burns (1759–1796) Scottish poet and lyricist

Will Ye Go and Marry Katie? (1764)

Alain de Botton photo

“He was reminded of a Dutch book whose moral he often returned to: De Schoonheid van hoogspanningslijnen in het Hollandse landschap, written by a couple of academics in Rotterdam University, Anne Kieke Backer and Arij de Boode. The Beauty of Electricity Pylons in the Dutch Landscape was a defence of the contribution of transmission engineering to the visual appeal of Holland, referencing the often ignored grandeur of the towers on their march from power stations to cities. Its particular interest for Ian, however, lay in its thesis about the history of the Dutch relationship to windmills, for it emphasised that these early industrial objects had originally been felt to have all the pylons’ threateningly alien qualities, rather than the air of enchantment and playfulness now routinely associated with them. They had been denounced from pulpits and occasionally burnt to the ground by suspicious villagers. The re-evaluation of the windmills had in large part been the work of the great painters of the Dutch Golden Age, who, moved by their country’s dependence on the rotating utilitarian objects, gave them pride of place in their canvases, taking care to throw their finest aspect into relief, like their resilience during storms and the glint of their sails in the late afternoon sun. … It would perhaps be left to artists of our own day to teach us to discern the virtues of the furniture of contemporary technology.”

Alain de Botton (1969) Swiss writer

Source: The Pleasures and Sorrows of Work (2009), p. 212.

Torquato Tasso photo

“Love, let others read
The Socratic papers,
While in two beautiful eyes I will apprehend this art.”

Amor, leggan pur gli altri
Le Socratiche carte,
Ch'io in due begl'occhi apprenderò quest'arte.
Act II, Chorus.
Aminta (1573)

Maria Callas photo

“Some say I have a beautiful voice, some say I have not. It is a matter of opinion. All I can say, those who don't like it shouldn't come to hear me.”

Maria Callas (1923–1977) American-born Greek operatic soprano

Television interview with Norman Ross, Chicago (17 November 1957)

Conor Oberst photo

“He once cut one of my nightmares out of paper.
I thought it was beautiful, I put it on a record cover.”

Conor Oberst (1980) American musician

Lifted or The Story Is in the Soil, Keep Your Ear to the Ground (2002)

Edgar Degas photo

“Draw all kind of everyday object placed, in such a way that they have in them the life of the man or woman – corsets that have just been removed, for example, and which retain the form of the body. Do a series in aquatint on mourning, different blacks – black veils of deep mourning floating on the face – black gloves – mourning carriages, undertaker’s vehicles – carriages like Venetian gondolas. On smoke – smoker’s smoke, pipes, cigarettes, cigars – smoke from locomotives, from tall factory chimneys, from steam boats, etc. On evening – infinite variety of subjects in cafes, different tones of glass robes reflected in the mirrors. On bakery, bread. Series of baker's boys, seen in the cellar itself or through the basement windows from the street – backs the colour of the pink flour – beautiful curves of dough – still-life's of different breads, large, oval, long, round, etc. Studies in color of the yellows, pinks, grays, whites of bread…… Neither monuments nor houses have ever been done from below, close up as they appear when you walk down the street. [a working note in which Degas planned series of views of modern Paris, the same time when he sketched the backstreet brothels, making graphic unflinching and even his realistic 'pornographic' sketches he called his 'glimpses through the keyhole', in which he also experimented with perspectives]”

Edgar Degas (1834–1917) French artist

Quote from Degas' Notebooks; Clarendon Press, Oxford 1976, nos 30 & 34 circa 1877; as quoted in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 182
quotes, undated

Gabrielle Roy photo
Josh Homme photo

“I am not a perfectionist at all. I love failure. I love mistakes. I love the bizarre. I love characters. I love missing teeth. I love beauty because your eyes are off-center. And how can you notice that in the buzz of the city? So I like the emptiness.”

Josh Homme (1973) American musician

Reported in Jonathan Horsley, " Queens of the Stone Age: Josh Homme Q&A http://www.decibelmagazine.com/uncategorized/queens-of-the-stone-age-josh-homme-qa/", Decibel Magazine (July 22nd, 2011).

Doug McIlroy photo

“The notion of "intricate and beautiful complexities" is almost an oxymoron. Unix programmers vie with each other for "simple and beautiful" honors — a point that's implicit in these rules, but is well worth making overt.”

Doug McIlroy (1932) American computer scientist, mathematician, engineer, and programmer

Doug McIlroy (2003). The Art of Unix Programming: Basics of the Unix Philosophy http://www.catb.org/esr/writings/taoup/html/ch01s06.html

Willa Cather photo
William Henry Davies photo
Joseph Joubert photo
Ralph Waldo Emerson photo
Nassim Nicholas Taleb photo
H. Havelock Ellis photo

“Dancing is the loftiest, the most moving, the most beautiful of the arts, because it is no mere translation or abstraction from life; it is life itself.”

H. Havelock Ellis (1859–1939) British physician, writer, and social reformer

Source: The Dance of Life http://www.gutenberg.net.au/ebooks03/0300671.txt (1923), Ch. 2

Joseph Joubert photo

“Genius begins beautiful works, but only labor finishes them.”

Joseph Joubert (1754–1824) French moralist and essayist

Le génie commence les beaux ouvrages, mais le travail seul les achève.

Muhammad bin Qasim photo
Louis Pasteur photo

“The greatness of human actions is measured by the inspiration that it brings. Blessed is he who carries within himself a God, an ideal of beauty and obeys it: an ideal of art, ideal of science, ideal of country, ideal virtues of the Gospel! These are the wellsprings of great thoughts and great actions. All reflections illuminate infinity.”

Louis Pasteur (1822–1895) French chemist and microbiologist

Variant translations:
Blessed is he who carries within himself a God, an ideal, and who obeys it: ideal of art, ideal of science, ideal of the gospel virtues, therein lie the springs of great thoughts and great actions; they all reflect light from the Infinite. (As quoted by Sir William Osler in his introduction to The Life of Pasteur (1907) by Rene Vallery-Radot, as translated by R .L. Devonshire (1923)
Blessed is he who carries within himself a god and an ideal and who obeys it — an ideal of art, of science, or gospel virtues. Therein lie the springs of great thoughts and great actions; they all reflect light from the Infinite. (As quoted in The Wordsworth Dictionary of Quotations (1998) by Connie Robertson, p. 320)
Discours de réception de Louis Pasteur (1882)
Original: (fr) La grandeur des actions humaines se mesure à l’inspiration qui les fait naître. Heureux celui qui porte en soi un Dieu, un idéal de la beauté et qui lui obéit : idéal de l’art, idéal de la science, idéal de la patrie, idéal des vertus de l’Évangile! Ce sont là les sources vives des grandes pensées et des grandes actions. Toutes s’éclairent des reflets de l’infini.

Gabriel García Márquez photo
Stanley Baldwin photo

“…that very loyalty to the past with its dream of beauty and with its real hardness and hardships. These things save us from what is the greatest peril of our age, the peril of materialism…. The struggle against materialism in the hearts of our people is one of the greatest struggles of this age.”

Stanley Baldwin (1867–1947) Former Prime Minister of the United Kingdom

Speech upon receiving the Freedom of the Burgh of Inverness, Scotland (13 June 1930), published in This Torch of Freedom (1935), pp. 191-192.
1930

Edward O. Wilson photo
W.E.B. Du Bois photo

“It was a bright September afternoon, and the streets of New York were brilliant with moving men…. He was pushed toward the ticket-office with the others, and felt in his pocket for the new five-dollar bill he had hoarded…. When at last he realized that he had paid five dollars to enter he knew not what, he stood stock-still amazed…. John… sat in a half-maze minding the scene about him; the delicate beauty of the hall, the faint perfume, the moving myriad of men, the rich clothing and low hum of talking seemed all a part of a world so different from his, so strangely more beautiful than anything he had known, that he sat in dreamland, and started when, after a hush, rose high and clear the music of Lohengrin's swan. The infinite beauty of the wail lingered and swept through every muscle of his frame, and put it all a-tune. He closed his eyes and grasped the elbows of the chair, touching unwittingly the lady's arm. And the lady drew away. A deep longing swelled in all his heart to rise with that clear music out of the dirt and dust of that low life that held him prisoned and befouled. If he could only live up in the free air where birds sang and setting suns had no touch of blood! Who had called him to be the slave and butt of all?… If he but had some master-work, some life-service, hard, aye, bitter hard, but without the cringing and sickening servility…. When at last a soft sorrow crept across the violins, there came to him the vision of a far-off home — the great eyes of his sister, and the dark drawn face of his mother…. It left John sitting so silent and rapt that he did not for some time notice the usher tapping him lightly on the shoulder and saying politely, 'will you step this way please sir?'… The manager was sorry, very very sorry — but he explained that some mistake had been made in selling the gentleman a seat already disposed of; he would refund the money, of course… before he had finished John was gone, walking hurriedly across the square… and as he passed the park he buttoned his coat and said, 'John Jones you're a natural-born fool.”

Then he went to his lodgings and wrote a letter, and tore it up; he wrote another, and threw it in the fire....
Source: The Souls of Black Folk (1903), Ch. XIII: Of the Coming of John

“She was beautiful when she died—a hundred years ago.”

Garrett Fort (1900–1945) screenwriter

Prof. Von Helsing (Edward Van Sloan)
Dracula's Daughter (1936)

Richard Feynman photo
John Gray photo
Letitia Elizabeth Landon photo

“What is the world that lies around our own? Shadowy, unsubstantial, and wonderful are the viewless elements, peopled with spirits powerful and viewless as the air which is their home. From the earth's earliest hour, the belief in the supernatural has been universal. At first the faith was full of poetry; for, in those days, the imagination walked the earth even as did the angels, shedding their glory around the children of men. The Chaldeans watched from their lofty towers the silent beauty of night — they saw the stars go forth on their appointed way, and deemed that they bore with them the mighty records of eternity. Each separate planet shone on some mortal birth, and as its aspect was for good or for evil, such was the aspect of the fortunes that began beneath its light. Those giant watch-towers, with their grey sages, asked of the midnight its mystery, and held its starry roll to be the chronicle of this breathing world. Time past on, angels visited the earth no more, and the divine beliefs of young imagination grew earthlier. Yet poetry lingered in the mournful murmur of the oaks of Dodona, and in the fierce war song of the flying vultures, of whom the Romans demanded tidings of conquest. But prophecy gradually sank into divination, and it is a singular proof of the extent both of human credulity and of curiosity, to note the various methods that have had the credit of forestalling the future. From the stars to a tea-cup is a fall indeed”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Literary Remains

Pete Doherty photo
Pauline Kael photo
Anne Morrow Lindbergh photo
Jon Courtenay Grimwood photo
Willem de Kooning photo
Torquato Tasso photo

“Hard is that heart which beauty makes not soft.”

Torquato Tasso (1544–1595) Italian poet

Crudel, che tal beltà turba e consuma.
Canto IV, stanza 77 (tr. Fairfax)
Gerusalemme Liberata (1581)

Cloris Leachman photo
Gino Severini photo

“.. [a] generous display of scantily clad beauties and a carnavalesque inventiveness.... [the] beautifully masked and under-dressed women, with showers of confetti, multicolored streamers. The atmosphere was one of frenzy..”

Gino Severini (1883–1966) Italian painter

Severini described the popular Parisian nightspot 'Bal Tabarin', after which he made his painting 'Dynamic Hieroglyphic of the Bal Tabarin' https://www.moma.org/collection/works/79419, in 1912
Source: The Life of a Painter - autobiography', 1946, p. 54; as quoted in: Shannon N. Pritchard, Gino Severini and the symbolist aesthetics of his futurist dance imagery, 1910-1915 https://getd.libs.uga.edu/pdfs/pritchard_shannon_n_200305_ma.pdf Diss. uga, 2003, p. 39

Ben Croshaw photo

“Winning the lottery is like slipping your hand into the bra of the most beautiful woman in the world, then getting it stuck and having to saw it off at the wrist.”

Ben Croshaw (1983) English video game journalist

Source: Fullyramblomatic Novels, Articulate Jim: A Search For Something, Chapter Eight

“I care not for these ladies,
That must be wooed and prayed;
Give me kind Amaryllis,
The wanton country maid.
Nature art disdaineth;
Her beauty is her own.”

Thomas Campion (1567–1620) English composer, poet and physician

I Care Not for These Ladies (1601), reported in Arthur Henry Bullen, More lyrics from the song-books of the Elizabethan Age (1888), p. 48.

Jennifer Beals photo

“[About the end of the The L Word] Everything has its cycle. I think it’s appropriate for us to be ending now. But the beauty of storytelling, and the beauty of film and television is that it continues on.”

Jennifer Beals (1963) American actress and a former teen model

The L Word Finale Special (8 March 2009) http://www.youtube.com/watch?v=JiG70AuomH0&feature=fvwrel.

Tad Williams photo

“In times of badness, gold is being worth more than beauty.”

Tad Williams (1957) novelist

Source: Memory, Sorrow, and Thorn, To Green Angel Tower (1993), Part 2, Chapter 15, “A Meandering of Ink” (p. 357).

Pat Conroy photo
Gerhard Richter photo

“… [Y]our observer's camera is clicking steadily. It's beautiful up above the sunlit clouds. The smooth drone of your twin motors makes you happy. You feel like singing and then you do. Then out of the corner of your eye, you see four black dots, growing larger momentarily. It's an enemy patrol of German Messerschmitts. Your gunner has seen them too. You hear the rattle of the machine gun as you put your bomber in a fast climbing turn, but the Messerschmitt fighters climb faster. They form under your tail, two on each side. One by one, they attack. A yellow light flashes in front of you. The first fighter slips away while the next comes on at you. Again that smashing yellow flame. Your observer falls over unconscious. Before you can think, the next Messerschmitt is upon you. A terrific jolt. Your port engine belches smoke. It's been hit…. You force-land on the first Allied airfield. That night, seated next to a hospital bed where your observer nurses a scalp wound, you hear an enemy communique. A British bomber was shot down over the lines today. Well, you puff a cigarette and grin.”

Larry LeSueur (1909–2003) American journalist

Woo, Elaine. " Larry LeSueur/'Murrow Boy' former war correspondant http://articles.latimes.com/2003/feb/07/local/me-lesueur7", (obituary), Los Angeles Times, February 8, 2003, accessed June 21, 2011. As quoted by Stanley W. Cloud and Lynne Olson in The Murrow Boys: Pioneers on the Front Lines of Broadcast Journalism, ISBN 0395877539. LeSueur just "after interviewing a young British pilot who had just flown a reconnaissance mission over Germany.

Nicole Krauss photo

“Franz Kafka is dead.He died in a tree from which he wouldn't come down. "Come down!" they cried to him. "Come down! Come down!" Silence filled the night, and the night filled the silence, while they waited for Kafka to speak. "I can't," he finally said, with a note of wistfulness. "Why?" they cried. Stars spilled across the black sky. "Because then you'll stop asking for me." The people whispered and nodded among themselves. […] They turned and started for home under the canopy of leaves. Children were carried on their fathers' shoulders, sleepy from having been taken to see who wrote his books on pieces of bark he tore off the tree from which he refused to come down. In his delicate, beautiful, illegible handwriting. And they admired those books, and they admired his will and stamina. After all: who doesn't wish to make a spectacle of his loneliness? One by one families broke off with a good night and a squeeze of the hands, suddenly grateful for the company of neighbors. Doors closed to warm houses. Candles were lit in windows. Far off, in his perch in the trees, Kafka listened to it all: the rustle of the clothes being dropped to the floor, or lips fluttering along naked shoulders, beds creaking along the weight of tenderness. That night a freezing wind blew in. When the children woke up, they went to the window and found the world encased in ice.”

Source: The History of Love (2005), P. 187

Jopie Huisman photo

“Father was a beautiful person, Otherwise I couldn't have paint him like that [Jopie points to the portrait of his father in the living-room, hanging next to his mother's]. Painted in seven hours. On a Saturday. About three months before my mother had died. Three times [during the painting-session] he stood up: 'Are you getting ready, finally?' The way I am talking about them is just how you see them here. He was a skipper of mud, afterwards a farmer.”

Jopie Huisman (1922–2000) Dutch painter

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: Vader was ook een juweel van een mannetje. Anders kun je 'm toch ook niet zo schilderen. [Jopie wijst naar het portret van zijn vader dat in de huiskamer hangt, naast dat van zijn moeder] In zeven uren gemaakt. Op een zaterdag. Toen was m'n moeder een maand of drie dood. Drie keer is ie overeind geweest: 'Ben je al 'ns een keer klaar?' Zoals ik over ze praat, zo zie je ze daar hangen. Het was een modderschippertje, later boer.
Mens & Gevoelens: Jopie Huisman', 1993

Dafydd ap Gwilym photo

“O sea-bird, beautiful upon the tides,
White as the moon is when the night abides,
Or snow untouched, whose dustless splendour glows
Bright as a sunbeam and whose white wing throws
A glove of challenge on the salt sea-flood.”

Dafydd ap Gwilym (1320–1380) Welsh poet

Yr wylan deg ar lanw dioer
Unlliw ag eiry neu wenlloer,
Dilwch yw dy degwch di,
Darn fel haul, dyrnfol, heli.
"Yr Wylan" (To the Sea-gull), line 1; translation from Robert Gurney (ed. and trans.) Bardic Heritage (London: Chatto & Windus, 1969) p. 130.

Christian Morgenstern photo
Zakir Hussain (musician) photo
Prem Rawat photo
Yukteswar Giri photo

“Good manners without sincerity are like a beautiful dead lady.”

Yukteswar Giri (1855–1936) Indian yogi and guru

Autobiography of a Yogi (1946)

Honoré de Balzac photo

“Children, dear and loving children, can alone console a woman for the loss of her beauty.”

Honoré de Balzac (1799–1850) French writer

Il n’y a que des enfants aimants et aimés qui puissent consoler une femme de la perte de sa beauté.
Part II, ch. LII.
Letters of Two Brides (1841-1842)

Letitia Elizabeth Landon photo
Stephenie Meyer photo

“I held you in my hand, Wanderer. And you were so beautiful.”

Ian O'Shea to Wanderer, p. 605
The Host (2008)

Letitia Elizabeth Landon photo

“Love is like the glass,
That throws its own rich colour over all,
And makes all beautiful.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Roland's Tower
The Improvisatrice (1824)

Donald J. Trump photo

“Part of the beauty of me is that I am very rich.”

Donald J. Trump (1946) 45th President of the United States of America

Interview with Ashleigh Banfield on ABC's Good Morning America (17 March 2011); also in "Trump on 2012: ‘Part of Beauty of Me Is I'm Very Rich'" (17 March 2011) http://blogs.wsj.com/washwire/2011/03/17/trump-on-2012-part-of-beauty-of-me-is-im-very-rich/
2010s, 2011

Colin Wilson photo