Quotes about beauty
page 30

Ursula K. Le Guin photo
Nicholas Roerich photo
John Updike photo
Phil Brooks photo

“Punk: Wow, everybody, it's John Cena. He comes out here every Monday night, he's excitable, he throws his hat at somebody, everybody loves it. I am so impressed at how you do that. You get all these people to believe you're that friendly, smiling, everyday man, when I know the truth. And the truth, John Cena, is you're thoughtless, you're heartless, and above all else, you are dishonest. I'm sure there's millions of people worldwide, including yourself, that would love to believe this is over a spilled diet soda, but John, this goes way beyond my spilled diet soda. Yeah. John, you were fired from the WWE. You were gone. You gave a very tear-inducing speech in the middle of the ring about how you finally get to see your mom and hang out with your little brother, and you said you were gonna go away. You were gonna be a man of your way, but what happened? You came back later that night, and then you came back the next week, and then you came back the next week, showing all of these people who aren't intelligent to see through your facade what I have known all along—that your word is absolutely worthless. And then there's TLC, you have the man beaten. Wade Barrett, a very tough individual, and you have him beat in a chairs match, but that's not good enough for you. You don't take the high ground, you can't walk off into the sunset with your victory; you drag the man off to the side of the stage and you drop fifteen steel chairs on him, and I wanna know exactly why you think that's acceptable behavior. I wanna know why you think it's okay to show up the next night on Raw and humiliate the poor guy…
Cena: That is balderdash! Fifteen steel chairs? That's insane. It was 23 steel chairs. And in case you forgot, Wade Barrett and the Nexus gave me about five thousand beat-downs, made me their personal slave, and ended my career.
Punk: You wanna talk about ended careers, you hypocrite? This is exactly what I'm talking about. You ended the career of my good friend Dave Batista. John! John, look at me when I'm talking to you. This is a reoccurring pattern with you. Once again, you have the man beaten—last man standing, he verbally submits, how humiliating, the match is won. But, no, you AA him off a car through the very steel ramp that I'm sitting on, which facilitated the end of his career. Now we'll talk about Vickie Guerrero. I'm surprised the lovely Vickie Guerrero doesn't up and quit based on all the abuse you heap on her. It's not just the physical things to the Wade Barretts and the Dave Batistas, but it's the name-calling, it's the mental abuse to somebody as gorgeous and beautiful as Vickie Guerrero.
Cena: "It's the this… it's the that." Okay, CM Punk is gonna play Mr. Fingerpointer. Well…1.—Dave Batista broke my neck; 2.—He showed up on Raw the next night and quit on his own terms. And C—I didn't just single out Vickie Guerrero. In case you haven't been watching for the past… eight years, I talk about everybody. Uh… Michael Cole. Michael Cole has an anonymous fetish with Justin Bieber and has the word "The Miz" man-scaped right below his belly button. Me! Look at me. I look like the crazy sex child of the Incredible Hulk and Grimace. And then there's you.
Punk: Yeah, and then there's me, who happens to not be laughing. I don't know if you noticed that. You're not funny.”

Phil Brooks (1978) American professional wrestler and mixed martial artist

December 27, 2010
WWE Raw

Paula Modersohn-Becker photo
Poul Henningsen photo

“By making this chair five times as expensive, three times heavier, half as comfortable, and only a fraction as beautiful, an architect can make a good name for himself.”

Poul Henningsen (1894–1967) Danish architect

cited in: Eric Reiss (2012), Usable Usability: Simple Steps for Making Stuff Better, p. 17: About the iconic Bentwood chair from Thonet.

William McFee photo
Layal Abboud photo
Logan Pearsall Smith photo

“The disconcerting fact may first be pointed out that if you write badly about good writing, however profound may be your convictions or emphatic your expression of them, your style has a tiresome trick (as a wit once pointed out) of whispering: ‘Don’t listen!’ in your readers’ ears. And it is possible also to suggest that the promulgation of new-fangled aesthetic dogmas in unwieldy sentences may be accounted for—not perhaps unspitefully—by a certain deficiency in aesthetic sensibility; as being due to a lack of that delicate, unreasoned, prompt delight in all the varied and subtle manifestations in which beauty may enchant us.
Or, if the controversy is to be carried further; and if, to place it on a more modern basis, we adopt the materialistic method of interpreting aesthetic phenomena now in fashion, may we not find reason to believe that the antagonism between journalist critics and the fine writers they disapprove of is due in its ultimate analysis to what we may designate as economic causes? Are not the authors who earn their livings by their pens, and those who, by what some regard as a social injustice, have been more or less freed from this necessity—are not these two classes of authors in a sort of natural opposition to each other? He who writes at his leisure, with the desire to master his difficult art, can hardly help envying the profits of money-making authors.”

Logan Pearsall Smith (1865–1946) British American-born writer

criticizing the Cambridge School of criticism, e.g. John Middleton Murry and Herbert Read, “Fine Writing,” pp. 306-307
Reperusals and Recollections (1936)

George Carlin photo
Sorley MacLean photo

“My obsession was the preservation of the Gaelic language so that there would be people left in the world who could hear its great songs as they really were. No poetry could be translated, still less could song poetry, and the great language of Gaelic song made me fanatical about the beauty of the Gaelic language and its astonishing ability to indicate shades and positions of emphasis with natural inversions and the use of particles.”

Sorley MacLean (1911–1996) Scottish poet

Sorley MacLean, 1982, quoted in Krause, Corinna. Eadar Dà Chànan: Self-Translation, the Bilingual Edition and Modern Scottish Gaelic Poetry https://www.era.lib.ed.ac.uk/bitstream/handle/1842/3453/Krause2007.pdf?sequence=1&isAllowed=y
Letters and interviews

Sarah Vowell photo
Emily St. John Mandel photo
Julie Christie photo

“All women are aware of that moment when suddenly the boys don’t look at you. It’s a fairly common thing, when suddenly you no longer attract that instant male attention because of the way you look. I never really knew how to enjoy beauty, but it took the form of a subconscious arrogance, expecting things, all muddled up with celebrity.”

Julie Christie (1940) British actress and activist

As quoted in "A Role About Winter for Julie Christie, a Star in Eternal Spring http://www.nytimes.com/2007/04/18/movies/18chri.html?_r=0" by Alan Riding in The New York Times (18 April 2007)]

George W. Bush photo
Milan Kundera photo
David Boreanaz photo

“It's definitely a beautiful blonde with dirty underwear.”

David Boreanaz (1969) American actor, famous for Angel and Buffy

Q&A with David Boreanaz http://web.archive.org/19991127134220/www.eonline.com/Celebs/Qa/Boreanaz/interview2.html
Regarding Hollywood

Nikolai Gogol photo
Eugène Delacroix photo
William Wordsworth photo
John Constable photo
Letitia Elizabeth Landon photo

“Beautiful and radiant May,
Is not this thy festal day?
Is not this spring revelry
Held in honour, Queen, of thee?”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(3rd May 1823) Poetical Catalogue of Paintings - On May-day, by Leslie
The London Literary Gazette, 1823

Democritus photo

“Strength and beauty are the blessings of youth; temperance, however, is the flower of old age.”

Democritus Ancient Greek philosopher, pupil of Leucippus, founder of the atomic theory

Fragment quoted in H. Diels and W. Kranz (eds.) Die Fragmente der Vorsokratiker, Vol. II (1952), no. 294; reference taken from Webster's New World Dictionary of Quotations (2005), p. 261

Edward Hopper photo
Bell Hooks photo
Arthur Schopenhauer photo

“Memory works like the collection glass in the Camera obscura: it gathers everything together and therewith produces a far more beautiful picture than was present originally.”

Die Erinnerung wirkt wie das Sammlungsglas in der Camera obscura: Sie zieht alles zusammen und bringt dadurch ein viel schöneres Bild hervor, als sein Original ist.
Parerga and Paralipomena (1851), Aphorisms on the Wisdom of Life

Warren Farrell photo

“When women are at the height of their beauty power and exercise it, we call it marriage. When men are at the height of their success power and exercise it, we call it a mid-life crisis.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Why Men Are the Way They Are (1988), p. 103.

Frances Kellor photo

“A first proposition, therefore, in Americanization is to find a way to satisfy the creative instinct in men and their sense of home, by giving them and their native-born sons the widest possible knowledge of America, including a pictorial geography, a simple history of the United States, the stories of successful Americans including those of foreign-born origin; a knowledge of American literature, of our political ideals and institutions, and of oiy: free educational opportunities. A systematic effort should be made to give them a land interest and a home stake and to get them close to the soil, not alone in the day's work but also in their cultural life. The men most likely to desert America at the close of the war will be workers with job stakes and wage rates, and not those with a home stake and investments. I would carry this campaign of information into every foreign language publication, every newspaper, every shop, and every racial center in America. The land interpreter of the future will be the government, and Franklin K. Lane, Secretary of the Interior, has foreseen this in his appeal for the use of the land for the rehabilitation of men returning from the front. It is the land that will make the life of the maimed livable and will connect the past with the future. This will not be achieved by forced "back-to-the-land movements" and colonization. Each individual American who interprets the beauty of America and its meaning, and who, wherever he can, personally puts the foreign-born in touch with the soil and helps him to a plot of ground which he can call his own, is doing effective Americanization. Loyalty and efficiency are inherent in this land sense, and they are the strength of a nation.”

Frances Kellor (1873–1952) American sociologist

What is Americanization? (1919)

Vanna Bonta photo
Ansel Adams photo

“The herculean task of a photographer is to capture a momentary frame as beautiful in reality, as it would be in a dream.”

Ansel Adams (1902–1984) American photographer and environmentalist

Radio interview, 1972

John Hoole photo

“Not beauty, wealth, or lineage e'er could raise
A woman's name (he said) to height of praise,
If not in action chaste.”

John Hoole (1727–1803) British translator

Book XLIII, line 628
Translations, Orlando Furioso of Ludovico Ariosto (1773)

W.E.B. Du Bois photo

“I am one who tells the truth and exposes evil and seeks with Beauty for Beauty to set the world right.”

W.E.B. Du Bois (1868–1963) American sociologist, historian, activist and writer

Source: The Wisdom of W.E.B. Du Bois (2003), p. xi

William Blake photo

“Art can never exist without Naked Beauty displayed.”

William Blake (1757–1827) English Romantic poet and artist

The Laocoön
1800s

Oliver Sacks photo
Saki photo
Andy Warhol photo
Gao Xingjian photo
Walter Pater photo

“It is the addition of strangeness to beauty that constitutes the romantic character in art.”

Walter Pater (1839–1894) essayist, art and literature critic, fiction writer

Appreciation, Postscript (1889)

Gino Severini photo

“The spiraling shapes, and the beautiful contrasts of yellow and blue, that are intuitively felt one evening while living the movements of a girl dancing may be found again later, through a process of plastic preferences or aversions, or through combination of both, in the concentric circling of an aeroplane or in the onrush of an express train”

Gino Severini (1883–1966) Italian painter

In his manifesto 'The Plastic Analogies of Dynamism', c. 1914; as quoted in Inventing Futurism: The Art and Politics of Artificial Optimism, by Christine Poggi, Princeton University Press, 2009, p. 218

Burkard Schliessmann photo
Corneliu Zelea Codreanu photo
Herbert Morrison photo

“The good Socialist works with religious zeal for the redemption of mankind from the evils of poverty and ignorance. … He is conscious of the beauty of the ideal … he works on … for the deliverance of the human spirit from the enslavement of material things.”

Herbert Morrison (1888–1965) British Labour politician

Manchester Guardian, 2 July 1934, quoted in Bernard Donoughue and George Jones, "Herbert Morrison: Portrait of a Politician" (Phoenix Press, 2001), p. 184.

Dejan Stojanovic photo

“To leave out beautiful sunsets is the secret of good taste.”

Dejan Stojanovic (1959) poet, writer, and businessman

Simplicity http://www.poetrysoup.com/famous/poem/21390/Simplicity
From the poems written in English

George Lippard photo
Milan Kundera photo
Germaine Greer photo
Felix Frankfurter photo

“Holmes said Emerson had a beautiful voice, and, of course, Holmes had one of the most beautiful voices the Lord ever put into a throat.”

Felix Frankfurter (1882–1965) American judge

On Oliver Wendell Holmes, Jr. and Ralph Waldo Emerson, p. 59.
Other writings, Felix Frankfurter Reminisces (1960)

Anastacia photo
Horace Bushnell photo
Heidi Klum photo

“Have fun—a smile is the most beautiful thing on a woman.”

Heidi Klum (1973) German model, television host, businesswoman, fashion designer, television producer, and actress

Discussing her beauty philosophy, as quoted by Prevention Magazine, April 2014

Adam Smith photo
Ninon de L'Enclos photo

“That which is striking and beautiful is not always good; but that which is good is always beautiful.”

Ninon de L'Enclos (1620–1705) French author, courtesan, freethinker, and patron of the arts

Attributed in Lewis Copeland, Best Quotations for All Occasions (1965), p. 19
Attributed

“Some say an army on horseback,
some say on foot, and some say ships
are the most beautiful things
on this black earth,
but I say
it is whatever you love.”

Stanley Lombardo (1943) Philosopher, Classicist

Frag. 31
Translations, Sappho's Poems and Fragments (2002)

Ambrose Philips photo

“The flowers anew returning seasons bring!
But beauty faded has no second spring.”

Ambrose Philips (1674–1749) Anglo-Irish poet and politician

Lobbing, The First Pastoral (1709), line 55.

Samuel R. Delany photo
Robert Ardrey photo
Lawrence M. Schoen photo

“In all the rest of my life’s wanderings, I never met another person who spoke words to rival the beauty of mathematics.”

Lawrence M. Schoen (1959) American writer and klingonist

Source: Barsk: The Elephants' Graveyard (2015), Chapter 17, “Dead Voices” (p. 171)

Pearl S.  Buck photo
Wen Jiabao photo

“Sino-Japanese relations will certainly brighten more in the future and the flowers of friendly Sino-Japanese relations will increase their beauty.”

Wen Jiabao (1942) former Premier of the People's Republic of China

Wen Jiabao (2007) cited in: China's Wen seeks to charm Japan as ties thaw http://www.reuters.com/article/worldNews/idUST32494820070413?pageNumber=2 13 April 2007

Joseph Addison photo

“Possibly steel is so beautiful because of all the movement associated with it, its strength and functions... Yet it is also brutal: the rapist, the murderer and death-dealing giants are also its offspring.”

David Smith (1906–1965) American visual artist (1906-1965)

quote, early 1950's
Source: 1950s, from 'Abstract Expressionism' (1990), p. 40

James Nasmyth photo

“We may fill our purses, but we pay a heavy price for it in the loss of picturesqueness and beauty.”

James Nasmyth (1808–1890) Scottish mechanical engineer and inventor

Source: James Nasmyth engineer, 1883, p. 153 (in 2010 edition)

Roger Raveel photo

“The terrible beautiful Life.”

Roger Raveel (1921–2013) painter

version in original Flemish (citaat van Roger Raveel, in het Vlaams): Het verschrikkelijke mooie leven.
title of his painting / installation - including birdcage and two living canaries, Raveel made in 1965 (translation: Fons Heijnsbroek)
1960's

George Gordon Byron photo
Sorley MacLean photo

“I believe Mull had much to do with my poetry: its physical beauty, so different from Skye’s, with the terrible imprint of the clearances on it, made it almost intolerable for a Gael.”

Sorley MacLean (1911–1996) Scottish poet

Sorley MacLean, The Sorley MacLean Trust http://www.sorleymaclean.org/english/from_skye.htm
Letters and interviews

Nathaniel Hawthorne photo
Gerrit Benner photo

“In the city you can lose yourself; that's a good thing. It doesn't work in a small city. In Leeuwarden [in Friesland, where Benner lived until c. 1954] you always met yourself again and again. But in Amsterdam there is too much to do, that isn't possible here. It's a beautiful city where I revive. (translation from Dutch: Fons Heijnsbroek, 2018)”

Gerrit Benner (1897–1981) Dutch painter

version in original Dutch (citaat van Gerrit Benner, in het Nederlands:) In de stad kun je jezelf verliezen, en dat is goed. In een kleine stad gaat dat niet. In Leeuwarden [waar Benner woonde tot c. 1954] kwam je jezelf toch altijd weer tegen, maar in Amsterdam is er zoveel, daar is dat niet mogelijk. Een prachtige stad, daar leef ik op.
Quote of Benner (1977), in the article 'Buitenbeetje Benner verliet ons'; Dutch newspaper 'Leeuwarder Courant', 26 August 1977
1950 - 1980

Maria Mitchell photo
Max Müller photo

“As for more than twenty years my principal work has been devoted to the ancient literature of India, I cannot but feel a deep and real sympathy for all that concerns the higher interests of the people of that country. Though I have never been in India, I have many friends there, both among the civilians and among the natives, and I believe I am not mistaken in supposing that the publication in England of the ancient sacred writings of the Brahmans, which had never been published in India, and other contributions from different European scholars towards a better knowledge of the ancient literature and religion of India, have not been without some effect on the intellectual and religious movement that is going on among the more thoughtful members of Indian society. I have sometimes regretted that I am not an Englishman, and able to help more actively in the great work of educating and improving the natives. But I do rejoice that this great task of governing and benefiting India should have fallen to one who knows the greatness of that task and all its opportunities and responsibilities, who thinks not only of its political and financial bearings, but has a heart to feel for the moral welfare of those millions of human beings that are, more or less directly, committed to his charge. India has been conquered once, but India must be conquered again, and that second conquest should be a conquest by education. Much has been done for education of late, but if the funds were tripled and quadrupled, that would hardly be enough. The results of the educational work carried on during the last twenty years are palpable everywhere. They are good and bad, as was to be expected. It is easy to find fault with what is called Young Bengal, the product of English ideas grafted on the native mind. But Young Bengal, with all its faults, is full of promise. Its bad features are apparent everywhere, its good qualities are naturally hidden from the eyes of careless observers.... India can never be anglicized, but it can be reinvigorated. By encouraging a study of their own ancient literature, as part of their education, a national feeling of pride and self-respect will be reawakened among those who influence the large masses of the people. A new national literature may spring up, impregnated with Western ideas, yet retaining its native spirit and character. The two things hang together. In order to raise the character of the vernaculars, a study of the ancient classical language is absolutely necessary: for from it these modern dialects have branched off, and from it alone can they draw their vital strength and beauty. A new national literature will bring with it a new national life and new moral vigour. As to religion, that will take care of itself. The missionaries have done far more than they themselves seem to be aware of, nay, much of the work which is theirs they would probably disclaim. The Christianity of our nineteenth century will hardly be the Christianity of India. But the ancient religion of India is doomed — and if Christianity does not step in, whose fault will it be?”

Max Müller (1823–1900) German-born philologist and orientalist

Letter to the Duke of Argyll, published in The Life and Letters of Right Honorable Friedrich Max Müller (1902) edited by Georgina Müller

Slavoj Žižek photo
Kate Bush photo

“How I'm moved.
How you move me
With your beauty's potency.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, The Kick Inside (1978)

Letitia Elizabeth Landon photo
Lucy Maud Montgomery photo
Ralph Waldo Emerson photo

“I wiped away the weeds and foam,
And fetched my sea-born treasures home;
But the poor, unsightly, noisome things
Had left their beauty on the shore
With the sun, and the sand, and the wild uproar.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Each and All, st. 3
1840s, Poems (1847)
Variant: I wiped away the weeds and foam,
And fetched my sea-born treasures home;
But the poor, unsightly, noisome things
Had left their beauty on the shore
With the sun, and the sand, and the wild uproar.

Donald J. Trump photo

“[On "You're fired!":] There's a beauty in those two words. When you utter those words, there's very little that can be said. There's a succinctness to those words.”

Donald J. Trump (1946) 45th President of the United States of America

Trump TV / 'The Apprentice' takes realistic inside look at corporate world
San Francisco Chronicle
2004-03-28
David
Armstrong
http://www.sfgate.com/business/article/Trump-TV-The-Apprentice-takes-realistic-2802491.php
2000s

Julia Butterfly Hill photo
Letitia Elizabeth Landon photo
Imelda Marcos photo
Clive Barker photo
Roger Penrose photo

“General relativity is certainly a very beautiful theory, but how does one judge the elegance of physical theories generally?”

Ch. 1, Mathematical Elegance as a Driving Force, p. 7 https://books.google.com/books?id=T09kCwAAQBAJ&pg=PA7.
Fashion, Faith, and Fantasy in the New Physics of the Universe (2016)

Robert Seymour Bridges photo
Fritz Todt photo
Frederick Douglass photo
Thomas Carew photo
John Gray photo
Narendra Modi photo
François de La Rochefoucauld photo
William Burges photo
Miguel de Unamuno photo
Eugène Delacroix photo
Sören Kierkegaard photo

“He fixed his definition thus: reflection is the possibility of the relation, consciousness is the relation, the first form of which is contradiction. He soon noted that, as a result, the categories of reflection are always dichotomous. For example ideality and reality, soul and body, to recognize – the true, to will – the good, to love – the beautiful, God and the world, and so on, these are categories of reflection. In reflection, these touch each other in such a way that a relation becomes possible. The categories of consciousness, on the other hand, are trichotomous, as language itself indicates, for when I say I am conscious of this, I mention a trinity. Consciousness is mind and spirit, and the remarkable thing is that when in the world of mind or spirit one is divided, it always becomes three and never two. Consciousness, therefore, presupposes reflection. If this were not true it would be impossible to explain doubt. True, language seems to contest this, since in most languages, as far as he knew, the word ‘doubt’ is etymologically related to the word ‘two’. Yet in his opinion this only indicated the presupposition of doubt, especially because it was clear to him that as soon as I, as spirit, become two, I am eo ipso three. If there were nothing but dichotomies, doubt would not exist, for the possibility of doubt lies precisely in that third which places the two in relation to each other. One cannot therefore say that reflection produces doubt, unless one expressed oneself backwards; one must say that doubt presupposes reflection, though not in a temporal sense. Doubt arises through a relation between two, but for this to take place the two must exist, although doubt, as a higher expression, comes before rather than afterwards.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Johannes Climacus (1841) p. 80-81
1840s, Johannes Climacus (1841)