Quotes about beauty
page 29

“At moments of great enthusiasm it seems to me that no one in the world has ever made something this beautiful and important.”

M. C. Escher (1898–1972) Dutch graphic artist

undated quotes, M.C. Escher Foundation

World

“I first read his book Orthodoxy at a time when I was living on a sailboat in a quiet creek off the Potomac River right after college graduation. He seemed to view faith as a romantic adventure and the universe as a wild fairy tale. Chesterton looks at the world in the most beautiful way. He was also a journalist and philosopher who wrote an essay on “The Tyranny of Bad Journalism.” He died long before online video, but I think he would advocate new, creative methods to revolutionize the practice of journalism.”

James O'Keefe (1984) American conservative filmmaker

Changing the World by the Time He’s 30 http://www.ncregister.com/daily-news/changing_the_world_by_the_time_hes_30 (March 31, 2010)

Books, World, Faith, Way

“The common error of us all [in late Impressionism] was to search above all for the light. It would have been better first to search for the Kingdom of God and his justice, that is to say for the expression of our spirit in beauty, and the rest would have arrived naturally.”

Maurice Denis (1870–1943) French painter

1890 - 1920

God, Justice, Error, Search

“You were so kind to us yesterday. Never have I seen such magnanimity and such tenderness.
Can you imagine the gift you gave me? To return to the White House privately with my little ones while they are still young enough to rediscover their childhood — with you both as guides — and with your daughters, such extraordinary young women.
What a tribute to have brought them up like that in the limelight. I pray I can do half the same with my Caroline. It was good to see her exposed to their example, and John to their charm!
You spoiled us beyond belief... I have never seen the White House look so perfect. There is no hidden corner of it that is not beautiful now.”

Jacqueline Kennedy Onassis (1929–1994) public figure, First Lady to 35th U.S. President John F. Kennedy

Letter to Richard and Pat Nixon after a White House visit (February 1971)] as quoted in "Can You Imagine The Gift You Gave Me?" by Bob Greene, in The Chicago Tribune (28 July 1999) http://articles.chicagotribune.com/1999-07-28/features/9907280018_1_white-house-john-kennedy-richard-nixon-library

Women, Imagination, Childhood, Housing

“There's a great and unutterable beauty in all this.”

Jiddu Krishnamurti (1895–1986) Indian spiritual philosopher

Source: 1970s, Krishnamurti's Notebook (1976), p. 166

“The maid who modestly conceals
Her beauties, while she hides, reveals;
Give but a glimpse, and fancy draws
Whate’er the Grecian Venus was.”

Edward Moore (1712–1757) English dramatist and writer

The Spider and the Bee. Fable x.
Bartlett's Familiar Quotations, 10th ed. (1919)

Drawing

“Here is how my father appeared to me as a boy. He came from a race of giants and demi-gods from a mythical land known as Chicago. He married the most beautiful girl ever to come crawling out of the poor and lowborn south, and there were times when I thought we were being raised by Zeus and Athena. After Happy Hour my father would drive his car home at a hundred miles an hour to see his wife and seven children. He would get out of his car, a strapping flight jacketed matinee idol, and walk toward his house, his knuckles dragging along the ground, his shoes stepping on and killing small animals in his slouching amble toward the home place. My sister, Carol, stationed at the door, would call out, "Godzilla's home!" and we seven children would scamper toward the door to watch his entry. The door would be flung open and the strongest Marine aviator on earth would shout, "Stand by for a fighter pilot!" He would then line his seven kids up against the wall and say, "Who's the greatest of them all?" "You are, O Great Santini, you are." "Who knows all, sees all, and hears all?" "You do, O Great Santini, you do."”

Pat Conroy (1945–2016) American novelist

We were not in the middle of a normal childhood, yet none of us were sure since it was the only childhood we would ever have. For all we knew other men were coming home and shouting to their families, "Stand by for a pharmacist," or "Stand by for a chiropractor".
Eulogy for a Fighter Pilot (1998)

Men, God, Children, Family

“…as with most redheaded women what beauty she possessed was protean and odd.”

Michael Chabon book Wonder Boys

Wonder Boys (1995)

Women

“Believe me,… the bitterness of life, or at least of mine, which runs through it like a strand of red, and becomes less and less endurable as I grow older, is not compensated in the hundredth part by the joy of life. I will freely admit that these burdens, which to me have been so grievous, would have been lighter to many another; but our temperament is part of ourselves, given to us by the Creator with our very existence, and we have very little power to change it. I find, on the other hand, in this very consciousness of the vanity of life, which nearly all men must confess to as they draw near the end, my strongest assurance of the approach of a more beautiful metamorphosis. In this, my dear friend, let us find comfort, and endeavour to call up calmness to bear life out to the end.”

Carl Friedrich Gauss (1777–1855) German mathematician and physical scientist

As quoted in Kneller, Karl Alois, Kettle, Thomas Michael, 1911. "Christianity and the leaders of modern science; a contribution to the history of culture in the nineteenth century" https://archive.org/stream/christianitylead00kneluoft#page/44/mode/2up, Freiburg im Breisgau, p. 44-45

Life, Men, Change, Joy

“North from the beautiful islands,
North from the headlands and highlands,
The long sea-wall,
The white ships flee with the swallow;
The day-beams follow and follow,
Glitter and fall.”

Louise Imogen Guiney (1861–1920) American writer

Gloucester Harbor

Sea

“So stands the statue that enchants the world,
So bending tries to veil the matchless boast,
The mingled beauties of exulting Greece.”

James Thomson (poet) The Seasons

Source: The Seasons (1726-1730), Summer (1727), l. 1346.

World

““Mama’s beautiful?” I asked. “Are you blind?” said my brother. “Don’t you see how men and women are always looking at our mother everywhere she goes. Our mother is more beautiful than any movie star you’ll ever see, and yet this isn’t why papa chose her. He chose her, he’s told us a thousand times, because when he first saw her, she was in line to go into the dance hall over in Carlos Malo with her brother and sister. And when a fight broke out, she didn’t get excited and enjoy it like her sister and the other women. No, she and her brother moved away, wanting no part of it, and so, by seeing this, papa knew that she was a woman of high intelligence, respect, and responsibility; a person that he could trust with his life. And trust, remember, is the foundation of all love, papa says.””

Victor Villaseñor (1940) American writer

Burro Genius: A Memoir (2004)

Love, Life, Women, Men

“Ah, ah, thy beauty! like a beast it bites,
Stings like an adder, like an arrow smites.”

Algernon Charles Swinburne book Poems and Ballads

"Anactoria", line 115.
Poems and Ballads (1866-89)

“.. on the banks of a very picturesque mountain stream that pours out its crystalline water in four or five waterfalls into the Dussel brook... Oh, in this cave, at this crystal flood, I often felt myself so well! Sensations frequently welled up in my bosom at this blessed place that ennoble the soul and make pour out joyful tombs; [they] give the heart impressions that neither greatness or honor can steal from us. An indomitable longing came to me, to learn more and more about these enchanting shades of beautiful and holy nature, and to transfer them on the canvas with my brush.”

Barend Cornelis Koekkoek (1803–1862) painter from the Northern Netherlands

(original Dutch, citaat van B.C. Koekkoek:) ..aan den oever van eenen hoogst schilderachtigen bergstroom die zijn kristallijnen vocht door vier of vijf watervalletjes in de Dusselbeek uitstort.. .Oh, in deze grot, bij dezen kristallen vloed, gevoelde ik mij dikwijls zo wel! Gewaarwordingen, die den ziel veredelen, vreugdentranen uit het oog doen vloeijen, het hart indrukken geven, die grootheid noch eer ons kunnen ontvreemden, welden vaak in dit zalige oord in mijn boezem op. Een ontembare zucht greep mij aan, om die tooverachtige schakeringen der schoone en heilige natuur meer en meer te leren kennen, en die door mijn penseel op het doek over te brengen.
he frequently visited this location along the Düssel stream, as Koekoek's quote illustrates
Source: Herinneringen aan en Mededeelingen van…' (1841), p. 37-38

Soul, Mountain, Nature, Learning

“.. But it doesn't frighten me, because I studied in France, thank God, and I know of no artist in history who was not 'literary' when it came down to it. Not a single one. And even if they don't appear to be, I know of none and you at least don't recall them, because there is nothing to recall... Sometime or other I'd like to see a << pure >> artist, but I didn't even find one in France. Obviously the trouble is that one approaches painting from the other side, so that the word << sujet >> conceals the point of the thing. Yet even the most beautiful and << emptiest >> sujet (an apple, a grape or any << non-figurative painting >>) doesn't help if there are no foundations, either innate or acquired through hard work... Why don't we say clearly: << That is freedom, and this is commitment to the subject >> and << to each tree its berries >>, but let it be a tree and not a donkey..”

Marc Chagall (1887–1985) French artist and painter

Quote in Chagall's letter to A. N. Benois, 1918; as quoted in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, p. 150
1910's

God, History, Tree, Study

“Yes, [Virginia], there is a Santa Claus. He exists as certainly as love and generosity and devotion exist, and you know that they abound and give to your life its highest beauty and joy.”

Francis Pharcellus Church Yes, Virginia, there is a Santa Claus

Yes, Virginia, there is a Santa Claus (1897)

Love, Life, Joy

“They stood in silence, in their beauty: like two young trees of the plain, when the shower of spring is on their leaves, and the loud winds are laid.”

James Macpherson (1736–1796) Scottish writer, poet, translator, and politician

"Carric-thura". Compare:
Τὼ δ᾽ ἄνεῳ καὶ ἄναυδοι ἐφέστασαν ἀλλήλοισιν,
ἢ δρυσίν, ἢ μακρῇσιν ἐειδόμενοι ἐλάτῃσιν,
τε παρᾶσσον ἕκηλοι ἐν οὔρεσιν ἐρρίζωνται,
νηνεμίῃ· μετὰ δ᾽ αὖτις ὑπὸ ῥιπῆς ἀνέμοιο
κινύμεναι ὁμάδησαν ἀπείριτον.
The pair then faced each other, silent, unable to speak, like oaks or tall firs, which at first when there is no wind stand quiet and firmly rooted on the mountains, but afterwards stir in the wind and rustle together ceaselessly.
Apollonius of Rhodes, Argonautica (3rd century BC), Book III, lines 967–971 (tr. Richard Hunter)
The Poems of Ossian

Spring, Tree, Silence

“I continued for some time longer to ramble with Strauss and other school-fellows, to visit coffee-houses and billiard-rooms, but had a great antipathy to other debaucheries. The company of comedians of Mr. Seiler came just now to Celle, performing comedies and tragedies. This was a new life for me; I became acquainted with each individual of this company; they all were fond of me; the beautiful Madame Koch gave me lessons in dancing, and I suddenly deserted all my former companions, neglecting them to such a degree, that one Mackphail, considering my conduct as an insult to the whole school, sent me a challenge, which ended in ray wounding him in the hand. My father loved me dearly, but did not much inquire into my conduct; he allowed me a great deal of money, but owing to my attachment to Ferry, whose salary was but small, I provided him with money, and having myself an extravagant taste for dress, I was often in great difficulties to pay my bills, of which my father was ignorant, till my creditors became troublesome, and my good father immediately discharged them, after giving me some kind admonition.”

Albrecht Thaer (1752–1828) German agronomist and an avid supporter of the humus theory for plant nutrition

My Life and Confessions, for Philippine, 1786

Love, Life, Money, School

“Cease the bickering! I am indulging the exotic whims of a beautiful princess and must not be distracted.”

Jack Vance Dying Earth

Source: Dying Earth (1950-1984), The Eyes of the Overworld (1966), Chapter 1, "The Overworld"

Princess

“Parents, I urge you to make the Bible the sweetest, the dearest book to your children; not by compelling them to read so many chapters each day, which will have the effect of making them hate the Bible, but by reading its pages with them, and by your tender parental love, so showing them the beauty of its wondrous incidents, from the story of Adam and Eve to the story of Bethlehem and Calvary, that no book in the home will be so dear to your children as the Bible; and thus you will be strengthening their minds with the sublimest truths, storing their hearts with the purest love, and sinking deep in their souls solid principles of righteousness, whose divine stones no waves of temptation can ever move.”

Abbott Eliot Kittredge (1834–1912) American minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 39.

Love, Hate, Children, Truth

“As beautiful as Halle is on the outside, she's 10 times more beautiful on the inside.”

Halle Berry (1966) American actress

Rick Yune — reported in Amy Longsdorf (November 17, 2002) "Still flying, still down to earth - Nothing's been the same since Oscar night, except Halle Berry herself", The Record, p. E01.
About

Time

“When one is aligned with the purpose of service, acts that seem exceptionally courageous to others are a matter of course.
When one experiences the world as abundant, then acts of generosity are natural, since there is no doubt about continued supply.
When one sees other people as reflections of oneself, forgiveness becomes second nature, as one realizes “But for the grace of God, so go I.”
When one appreciates the order, beauty, mystery, and connectedness of the universe, a deep joy and cheerfulness arises that nothing can shake.
When one sees time as abundant and life as infinite, one develops superhuman patience.
When one lets go of the limitations of reductionism, objectivity, and determinism, technologies become possible that the science of separation cannot countenance.
When one lets go of the story of the discrete and separate self, amazing intuitive and perceptual capabilities emerge from lifelong latency.”

Charles Eisenstein (1967) American writer

The More Beautiful World Our Hearts Know Is Possible. The Vision and Practice of Interbeing (2013)

Life, God, People, World

“Order is the shape upon which beauty depends.”

Pearl S. Buck (1892–1973) American writer

To My Daughters, With Love (1967)

Dependency

“It's very simple and it has nothing to do with identifiable goals. It is to keep thinking about what architecture can be, in whatever form. That is an answer, isn't it? I think that S, M, L, XL has one beautiful ambiguity: it used the past to build a future and is very adamant about giving notice that this is not the end. That's how it felt to me, anyway. That is in itself evidence of a kind of discomfort with achievement measured in terms of identifiable entities, and an announcement that continuity of thinking in whatever form, around whatever subject, is the real ambition.”

Rem Koolhaas (1944) Dutch architect (b.1944)

Rem Koolhaas Interview with Jennifer Sigler in Index Magazine http://www.indexmagazine.com/interviews/rem_koolhaas.shtml, (2000)

Thinking, Past, Future

“[It] is all about the African woman, her beauty and how she makes herself beautiful. An African woman is therefore not to be messed up with or looked down upon because she’s feminine. Even though she’s beautiful, she’s strong and has a sense of pride.”

Muma Gee (1978) Nigerian singer and songwriter

In " The role Emeka Ike played in my marriage http://www.vanguardngr.com/2013/06/the-role-emeka-ike-played-in-my-marriage/" by Opeoluwani Ogunjimi on vanguardngr.com, June 15, 2013: On her song "African Woman Skillashy"

Sense, Strong

“Today we face a problem that involves two difficult to satisfy conditions. On the one hand we have to find a way for computer assisted verification of mathematical proofs. This is necessary, first of all, because we have to stop the dissolution of the concept of proof in mathematics. On the other hand, we have to preserve the intimate connection between mathematics and the world of human intuition. This connection is what moves mathematics forward and what we often experience as the beauty of mathematics.”

Vladimir Voevodsky (1966–2017) Russian mathematician

UniMath by Vladimir Voevodsky, Heidelberg Laureate Forum, Sept. 22, 2016, Heidelberg https://www.math.ias.edu/vladimir/sites/math.ias.edu.vladimir/files/2016_09_22_HLF_Heidelberg.pdf p. 3

World, Way, Mathematics, Problem

“This is to me one of the most poignant communities of the world: a great, sad city, where the spark of human genius has always had to penetrate the darkness, the dampness, and the cold in order to make its light felt, and has acquired, for that very reason, a strange warmth, a strange intensity, a strange beauty. I know that in this city, where I have never lived, there has nevertheless, by some strange quirk of fate—a previous life, perhaps?—been deposited a portion of my own capacity to feel and to love, a portion, in other words, of my own life; and that this is something which no American will ever understand and no Russian ever believe.”

George F. Kennan (1904–2005) American advisor, diplomat, political scientist and historian

Leningrad, September 1945
The Kennan Diaries

Love, Life, Fate, World

“They come transfigured back,
Secure from change in their high-hearted ways,
Beautiful evermore, and with the rays
Of morn on their white Shields of Expectation!”

James Russell Lowell (1819–1891) American poet, critic, editor, and diplomat

St. 8. Ode Recited at the Harvard Commemoration http://www.readbookonline.net/readOnLine/1169/ (July 21, 1865)

Way, Change, Heart

“One of life's quiet excitements is to stand somewhat apart from yourself and watch yourself softly becoming the author of something beautiful even if it is only a floating ash.”

Norman Maclean (1902–1990) American author and scholar

"A River Runs Through It", p. 68
A River Runs Through It (1976)

Life

“I feel beautiful in love. There is a lot of love for you in the beholder's eye. That makes you feel very happy.”

Rani Mukerji (1978) Indian film actress

http://www.pinkvilla.com/entertainment/interviews/rani-mukerji-talks-about-her-equation-aishwarya-abhishek-kajol-aamir.
Famous Quotes

Love, Feeling, Happiness

“Most human lives are forgotten after four generations. We build our splendid houses on the edge of the abyss then distract and dazzle ourselves with entertainers and sex while we slowly at first, then more rapidly, spin around the ever-thirsty plughole in the middle. My treasured possessions -- all the silly little mementoes and toys and special books I’ve carried with me for decades -- will wind up on flea market tables or rot on garbage heaps. Someone else will inhabit the rooms that were mine. Everything that was important to me will mean nothing to the countless generations that follow our own. In the grand sprawl of it all, I have no significance at all. I don’t believe a giant gaseous pensioner will reward or censure me when my body stops working and I don’t believe individual consciousness survives for long after brain death so I lack the consolations of religion. I wanted Annihilator to peek into that implacable moment where everything we are comes to an end so I had to follow the Black Brick Road all the way down and seriously consider the abject pointlessness of all human endeavours. I found these contemplations thrilling and I was drawn to research pure nihilism, which led me to Ray Brassier’s Nihil Unbound and back to Ligotti. I have a fundamentally optimistic and positive view of human existence and the future and I think it’s important to face intelligent, well-argued challenges to that view on a regular basis. While I agree with Ligotti that the universe is, on the face of it, a blind emergent process, driven by chance over billions of years of trial and error to ultimately produce creatures capable of little more than flamboyant expressions of the agonizing awareness of their own imminent deaths, I don’t share his slightly huffy disappointment at this state of affairs. If the universe is intrinsically meaningless, if the mindless re-arrangement of atomic debris into temporarily arising then dissipating forms has no point, I can only ask, why do I see meaning everywhere, why can I find a point in everything? Why do other human beings like me seem to see meaning in everything too? If the sun is only an apocalyptic series of hydrogen fusion reactions, why does it look like an angel and inspire poetry? Why does the flesh and fur-covered bone and jelly of my cat’s face melt my heart? Is all that surging, roaring incandescent meaning inside me, or is it out there? “Meaning” to me is equivalent to “Magic.” The more significance we bring to things, even to the smallest and least important things, the more special, the more “magical” they seem to become. For all that materialistic science and existential philosophy tells us we live in a chaotic, meaningless universe, the evidence of my senses and the accounts of other human beings seem to indicate that, in fact, the whole universe and everything in it explodes second-to-second with beauty, horror, grandeur and significance when and wherever it comes into contact with consciousness. Therefore, it’s completely down to us to revel in our ability to make meaning, or not. Ligotti, like many extreme Buddhist philosophers, starts from the position that life is an agonizing, heartbreaking grave-bound veil of tears. This seems to be a somewhat hyperbolic view of human life; as far as I can see most of us round here muddle through ignoring death until it comes in close and life’s mostly all right with just enough significant episodes of sheer joy and connection and just enough sh-tty episodes of pain or fear. The notion that the whole span of our lives is no more than some dreadful rehearsal for hell may resonate with the deeply sensitive among us but by and large life is pretty okay generally for most of us. And for some, especially in the developed countries, “okay” equals luxurious. To focus on the moments of pain and fear we all experience and then to pretend they represent the totality of our conscious experience seems to me a little effete and indulgent. Most people don’t get to be born at all, ever. To see in that radiant impossibility only pointlessness, to see our experience as malignantly useless, as Ligotti does, seems to me a bit camp.”

Grant Morrison (1960) writer

2014
http://www.blastr.com/2014-9-12/grant-morrisons-big-talk-getting-deep-writer-annihilator-multiversity
On life

Life, Death, Pain, People

“To that high Capital, where kingly Death
Keeps his pale court in beauty and decay,
He came.”

Percy Bysshe Shelley Adonaïs

St. VI
Adonais (1821)

Death

“Beautiful as sweet!
And young as beautiful! and soft as young!
And gay as soft! and innocent as gay.”

Edward Young Night-Thoughts

Source: Night-Thoughts (1742–1745), Night III, Line 81.

“The negligence of Nature wide and wild,
Where, undisguised by mimic art, she spreads
Unbounded beauty to the roving eye.”

James Thomson (poet) The Seasons

Source: The Seasons (1726-1730), Spring (1728), l. 71-73.

Art, Nature

“In our land the educated poor, who at the most can only cycle or take short railway journeys into the country from an adjoining town, are fast losing their rightful heritage — the beauty of the country-side, which is rapidly disappearing with very little benefit to anyone. Apparently nobody but a few timid adherents of the Archeological Society cares a straw.”

Harry Johnston (1858–1927) British explorer, botanist, linguist and colonial administrator

As quoted in "Gleanings" by Mary V. Fuller, in The American City, Vol. I, No. 3 (November 1903)

Education, Country

“And beauty, for confiding youth,
Those shocks of passion can prepare
That kill the bloom before its time;
And blanch, without the owner's crime,
The most resplendent hair.”

William Wordsworth (1770–1850) English Romantic poet

Lament of Mary Queen of Scots, st. 6 (1817).

Youth, Confidence, Passion, Time

“Beauty from order springs.”

William King (1663–1712) contemporary American sculptor

Source: The Art of Cookery

Spring

“Speech has arisen through the need for expression. Certain factors have contributed to making it the paramount utilitarian method of expression. There are ideas and things expressible in words, but there are ideas better expressed in music, the person with no musical ear, or without discipline in the language of music, lacks the key to the door of the world of musical experience. But we live in a world of volume and space; it is hard to conceive of the person who is space-blind or volume-deaf. The great majority of people have the means of approach to plastic beauty as part of their natural equipment. The teacher can develop this natural endowment as Necessity, the greatest teacher, has developed speech.”

Hans Hofmann (1880–1966) American artist

'Painting and Culture' p. 57
Search for the Real and Other Essays (1948)

People, World, Music, Idea

“Meadows trim, with daisies pied,
Shallow brooks, and rivers wide;
Towers and balements it sees
Bosomed high in tufted trees,
Where perhaps some beauty lies,
The cynosure of neighboring eyes.”

John Milton (1608–1674) English epic poet

Source: L'Allegro (1631), Line 75

Tree

“This blue is the light that got lost. Light at the blue end of the spectrum does not travel the whole distance from the sun to us. It disperses among the molecules of the air, it scatters in water. Water is colorless, shallow water appears to be the color of whatever lies underneath it, but deep water is full of this scattered light, the purer the water the deeper the blue. The sky is blue for the same reason, but the blue at the horizon, the blue of land that seems to be dissolving into the sky, is a deeper, dreamier, melancholy blue, the blue at the farthest reaches of the places where you see for miles, the blue of distance. This light that does not touch us, does not travel the whole distance, the light that gets lost, gives us the beauty of the world, so much of which is in the color blue.”

Rebecca Solnit (1961) Author and essayist from United States

A Field Guide to Getting Lost (2005)

World, Color, Travel, Light

“People call my music complex because I will have instruments playing at their own paces, as if the other instruments weren't even there. It doesn't march along in the same way that most older music does. But to me, I honestly don't think that a work like Debussy's La Mer is any less complex than my work. It's full of all sorts of sounds and textures going on at once, yet we still look at is as beautiful, structured and fluid. That's all I'm trying to do; I'm not out to compose for complexity's sake.”

Elliott Carter (1908–2012) American composer

From American Gothic: An Interview with Elliott Carter http://edwebproject.org/carter.html (1993) by Andy Carvin.

People, Music, Way, Thinking

“The Triad has a special beauty and fairness beyond all numbers, primarily because it is the very first to make actual the potentiality of the Monad — oddness, perfection, proportionality, unification, limit.”

Iamblichus (240–320) Syrian philosopher

On the Triad
The Theology of Arithmetic

Perfection

“Beauty, thou wild fantastic ape
Who dost in every country change thy shape!”

Abraham Cowley (1618–1667) British writer

"Beauty," complete poem in The Works of the English Poets, from Chaucer to Cowper, Samuel Johnson ed., vol. 7, p. 115.

Change, Country

“It would be foolish to describe the logistics hub as merely ugly, for it has the horrifying, soulless, immaculate beauty characteristic of many of the workplaces of the modern world.”

Alain de Botton (1969) Swiss writer

Source: The Pleasures and Sorrows of Work (2009), p. 39.

World

“My dear Theo, Feeling, even a fine feeling, for the beauties of nature isn't the same as religious feeling, although I believe that the two are closely connected. The same is true of a feeling for art. Don't give in to that too much either. Hold fast especially to your love for the firm [of the Paris' art dealers Goupil & C0, where both brothers worked - Vincent started in 1869 and Theo in 1873] and for your work.... Nearly everyone has a feeling for nature, some more than others, but there are few who feel that God is a spirit, and that they must worship Him in spirit and in truth. Pa is one of the few, Ma too, and also Uncle Vincent, I believe.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

quote from his Letter #049 to Theo on 'religious feeling' (Paris, 17 Sept. 1875) http://vangoghletters.org/vg/letters/let049/letter.html 1870s

Love, God, Truth, Art

“Oh! what is memory but a gift
Within a ruin'd temple left,
Recalling what its beauties were,
And then presenting what they are.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Canto III
The Troubadour (1825)

Memory

“The star rating system is relative, not absolute. When you ask a friend if Hellboy is any good, you're not asking if it's any good compared to Mystic River, you're asking if it's any good compared to The Punisher. And my answer would be, on a scale of one to four, if Superman (1978) is four, then Hellboy is three and The Punisher is two. In the same way, if American Beauty gets four stars, then [The United States of] Leland clocks in at about two.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/shaolin-soccer-2004 of Shaolin Soccer (23 April 2004) Reviews, Three star reviews

Way, Star

“Cruelty, rage, grief — and something others carelessly name evil — can reduce the strange collation of profanity and beauty which makes up each of us to an inanimate lump of decaying meat.”

Nick Drake (poet) (1961) British writer

Ch 1
The Rahotep series, Book 3: Egypt: The Book of Chaos (2011)

Rage, Evil

“Take ye my solemn farewell! O, my friends,
Already night is darkening on my eyes;—
But is not Heaven most beautiful by night?
Thousands of stars shine in the kindling sky,
Which is an azure desert during day.
Thus do the gathering of eternal shades
Reveal innumerable thoughts, half lost
In the full daylight of prosperity.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Translations, From the French

Star, Night

“Happiness and Beauty are by-products.”

George Bernard Shaw (1856–1950) Irish playwright

#102
1900s, Maxims for Revolutionists (1903)

Happy, Good Morning, Happiness

“The assignment must fit the kid. That's the beauty of it, Obie." Obie waited a minute or two and couldn't resist asking, "You running out of ideas, Archie?" The great Archie Costello running dry? The possibility was staggering to contemplate. "Just being artistic, Obie. It's an art, you know. Take a kid like this Renault. Special circumstances.”

Robert Cormier book The Chocolate War

He fell silent. "Put him down for the chocolates."
Source: The Chocolate War (1974), p. 15

Art, Idea, Waiting

“If I could really paint! A month ago I was so sure of what I wanted. Inside me I saw it out there, walked around with it like a queen, and was blissful. Now the veils have fallen again, gray veils, hiding the whole idea of me. I stand like a beggar at the door, shivering in the cold, pleading to be let in. It is hard to move patiently, step by step, when one is young and demanding... I walk along the boulevards [Paris] and crowds of people pass by and something inside me cries out, 'I still have such beautiful things before me. None of you, not one, has such things.”

Paula Modersohn-Becker (1876–1907) German artist

And then it cries, 'When will it come? Soon?'
excerpt of her Journal, Paris 1897; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 195
1897

People, Idea, Painting

“What we find in life is based on where we put our attention. When we focus on the small worlds our thoughts create, we miss out on the beauty and possibilities we are meant to enjoy.”

Guy Finley (1949) American self-help writer, philosopher, and spiritual teacher, and former professional songwriter and musician

The Intimate Enemy

Life, World

“For – to say a few words on technique – whereas the curved line was used predominantly for reasons of beauty, (Phidias, Michelangelo, Raphael, Rubens) it has been used more and more economically for reasons of truth (Millet, Claude Monet, Paul Cézanne) until it will end as the straight line for reasons of Love. This will enable the art of the future to create an international form; a form understandable to all and vital enough to the expression of a general feeling of love in a monumental way. Such is the future.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote from 'Onafhankelijke bespiegelingen over de kunst', by Theo van Doesburg, in the Dutch journal De Avondpost 23 January 1916
1912 – 1919

Love, Truth, Art, Way

“He was, she thought, as beautiful as a young god, lying on his side among the grass and flowers”

Alice Borchardt (1939–2007) American fiction writer

The Raven Warrior

God, Flowers, Lying, Grass

“Everything that tends to make it difficult to distinguish youth from age is an act of civilization. The best-mannered age in history invented the wig - a homage rendered by hair to baldness. The effect of powder and rouge is to make young women like their grandmothers, and invalids like healthy people. Clever dressmaking establishments and beauty shops create fashions which make it possible for elderly women to keep hoping. After a certain age, the art of dressing consists of hiding one's shortcomings, and this is another form of politeness. The veil is a marvelous invention for confusing the image and giving its wearers the semblance of beauty. All adornments are veils: they conceal the ravages of time as well as may be.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Growing Old

Women, People, Youth, Age

“Exceeding fair she was not; and yet fair
In that she never studied to be fairer
Than Nature made her; beauty cost her nothing,
Her virtues were so rare.”

George Chapman All Fools

Act I, scene i.
All Fools (1605)

Nature, Study

“But I have to tell you what I saw... I had entered a dark room [in the city Tunis], lit by a small, elongated horizontal window,.. The light cut sharply.... and drew itself on the stone floor... There behind the table was sitting the Jewish scribe with his arms forward, leaning on the parchment. He turned his lordly head in my direction... It was a beautiful head, delicate and translucent pale as alabaster, large and small wrinkles were lining along the small eyes and around the big curved hawk nose. A black cap covered the white skull and a low white-yellow beard lay in large tufts over the written parchment... two crutches lay slantingly on the floor beside him. How much I desired to get my sketchbook out.... but in front of the staring gaze of the scribe, I didn't find the courage to carry out my intention.”

Jozef Israëls (1824–1911) Dutch painter

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat van de tekst van Jozef Israëls, in het Nederlands): Maar ik moet u vertellen wat ik zag.. Ik was een donkere ruimte binnengetreden, verlicht door een klein langwerpig horizontaal liggend raampje,.. .Scherp sneed het licht.. ..en tekende zich af op de stenen vloer.. .Daar zat achter de tafel de joodse wetschrijver met zijn armen voorover op het perkament geleund en draaide zijn vorstelijk hoofd naar mij toe;. ..Het was een prachtig hoofd, fijn en doorschijnend bleek als albast, rimpels, grote en kleine, liepen langs de kleine ogen en om de grote gekromde haviksneus. Een zwart kapje bedekte de witte schedel en een lage witgele baard lag in grote vlokken over het beschreven perkament.. ..twee krukken lagen naast hem schuin op de grond. Hoe gaarne had ik mijn schetsboek voor de dag gehaald,. ..maar voor de starende blik van de wetschrijver durfde ik mijn voornemen niet ten uitvoer te brengen.
Quote of Israëls from his text Spanje, een reisverhaal, publisher, Martinus Nijhoff, De Haag, 1899, p. unknown
Quotes of Jozef Israels, 1871 - 1900

Courage, Light

“Although Titian's works seem to many to have been created without much effort, this is far from the truth and those who think so are deceiving themselves. In fact, it is clear that Titian retouched his pictures, going over them with his colours several times, so that he must obviously have taken great pains. The method he used is judicious, beautiful, and astonishing, for it makes pictures appear alive and painted with great art, but it conceals the labour that has gone into them.”

Giorgio Vasari (1511–1574) Italian painter, architect, writer and historian

Giorgio Vasari in "Titian of Cadore", in Lives of the Artists as translated by George Bull (1987), Vol. I p. 458.

Pain, Truth, Art, Thinking

“Nor, perchance,
If I were not thus taught, Should I the more
Suffer my genial spirits to decay:
For thou art with me here upon the banks
Of this fair river; thou, my dearest Friend,
My dear, dear Friend; and in thy voice I catch
The language of my former heart, and read
My former pleasures in the shooting lights
Of thy wild eyes. Oh! yet a little while
May I behold in thee what I was once,
My dear, dear Sister! And this prayer I make,
Knowing that Nature never did betray
The heart that loved her; 'tis her privilege,
Through all the years of this our life, to lead
From joy to joy: for she can so inform
The mind that is within us, so impress
With quietness and beauty, and so feed
With lofty thoughts, that neither evil tongues,
Rash judgments, nor the sneers of selfish men,
Nor greetings where no kindness is, nor all
The dreary intercourse of daily life,
Shall e'er prevail against us, or disturb
Our cheerful faith that all which we behold
Is full of blessings.”

William Wordsworth book Lyrical Ballads

Stanza 4.
Lyrical Ballads (1798–1800), Lines written a few miles above Tintern Abbey (1798)

Love, Life, Men, Pleasure

“Sometimes I believe that evil is everything, and that good is only a beautiful desire for evil.”

Antonio Porchia (1885–1968) Italian Argentinian poet

A veces creo el mal es todo y que el bien es sólo un bello deseo del mal.
Voces (1943)

Evil

“His hallelujahs open the heavens. He utters the word "Wonderful," as if all their trumpets spoke together. And then, when he comes to earth, to make love amidst nymphs and shepherds (for the beauties of all religions found room within his breast), his strains drop milk and honey, and his love is the youthfulness of the Golden Age.”

George Frideric Handel (1685–1759) German, later British Baroque composer

Leigh Hunt Table-Talk (1851) pp. 147-8.
Criticism

Love, Youth, Age, Making love

“Gargoyles were the complement to saints; Leonardo's caricatures were complementary to his untiring search for ideal beauty. And gargoyles were the expression of all the passions, the animal forces, the Caliban gruntings and groanings which are left in human nature when the divine has been poured away. Leonardo was less concerned than his Gothic predecessors with the ethereal parts of our nature, and so his caricatures, in their expression of passionate energy, merge imperceptibly into the heroic.”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

Source: Leonardo da Vinci (1939), Ch. Three: The Notebooks

Search, Nature, Passion, Animals

“I have a need to create works that are not just shocking, or say: striking, smashing – but also such works that can become companions of my various life events, and become companions of other people in their situations. These are the works that I create from the deep need to communicate with my sense and my ideal of beauty.”

Tomasz Vetulani (1965) Polish artist

There is no threat. Weapons and colour https://www.youtube.com/watch?v=qqfjr78Pyfs, video, Galeria Olympia, 23 November 2017 (in Polish)

Life, People, Communication, Sense

“…his book, Orpheus, or the Way to a Death Mask, of which he had said that he regretted not having written it as a poem.
And with dream-awakened eyes she saw all the beauty around her, saw the sea, felt the sun, and knew: she had to vanish for a while from the human plane and make every sacrifice in order to create her world anew out of the depths.”

Charlotte Salomon (1917–1943) German painter

Charlotte's 2th ending, written page in brush, related to JHM no. 4924v https://upload.wikimedia.org/wikipedia/commons/5/5e/Charlotte_Salomon_-_JHM_4924-02.jpg: 'Life? or Theater..', p. 822 Charlotte Salomon - Life? or Theater?

Death, Books, World, Dreams

“There is a simpler, finer way to organize human endeavor. I have declared this for many years and seen it to be true in many places. This simpler way is demonstrated to us in daily life, not the life we see on the news with its unending stories of human grief and horror, but what we feel when we experience a sense of life's deep harmony, beauty, and power, of how we feel when we see people helping each other, when we feel creative, when we know we're making a difference, when life feels purposeful.”

Margaret J. Wheatley (1941) American writer

Finding Our Way: Leadership For an Uncertain Time (2005)

Life, People, Way, Feeling

“But tir'd at length poor Beauty slept,
And while she rested, wearied quite,
Indifference to the dear lamp crept,
And quench'd its warm, and splendid light.”

Eliza Acton (1799–1859) Poet, cook

Song (1826)

Light, Indifference

“And I go to my room and stretch out my arms to the West—that it is far away [from here], that I will someday return. Outside those painful sensations—it is horrible to be before these people and their lives. Service and family troubles -a hard beginning, pay raise, promotion - sweet dreams, scandal - daily bread, [This is a figurative reference to Our Lord's Prayer, "give us this day our daily bread.."] and their happiness reminds me sweetly, of those who buy "for the people," and whose food you wouldn't put in your mouth. I think of Munich and of my health. All that is here is suffering and this horror of beauty and this horrible life and this overbearing literature, and the complete superfluousness of art.”

Marianne von Werefkin (1860–1938) expressionist painter

1906 - 1911 Source: a letter to Alexej von Jawlensky, between December 1909 and Spring 1910; as quoted in 'Ambiguity of Home: Identity and Reminiscence in Marianne Werefkin's Return Home, c. 1909', Adrienne Kochman http://www.19thc-artworldwide.org/spring06/52-spring06/spring06article/171-ambiguity-of-home-identity-and-reminiscence-in-marianne-werefkins-return-home-c-1909

Life, Pain, People, Health

“The world is a mirror of infinite beauty, yet no man sees it. It is a Temple of Majesty, yet no man regards it. It is a region of Light and Peace, did not man disquiet it. It is the Paradise of God.”

Thomas Traherne (1636–1674) English poet

First Century, sect. 31.
Centuries of Meditations

God, World, Peace, Light

“[Karel Appel called out to 'his Night':] You, Beauty! And since I have to account for a body, I have handed this torture over to the executioner”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

CF,28; p. 219
Karel Appel, a gesture of colour' (1992/2009)

Night

“Nature gives beauty; fortune, wealth in vain.”

Edward Fairfax (1580–1635) English translator

Book XVI, stanza 65
Tasso's Jerusalem Delivered (1600)

Nature, Wealth

“.. Our life is a pilgrim's progress. I once saw a very beautiful picture: it was a landscape at evening. In the distance on the right-hand side a row of hills appeared blue in the evening mist. Above those hills the splendour of the sunset, the grey clouds with their linings of silver and gold and purple. The landscape is a plain or heath covered with grass and its yellow leaves, for it was in autumn. Through the landscape a road leads to a high mountain far, far away, on the top of that mountain is a city wherein the setting sun casts a glory. On the road walks a pilgrim, staff in hand. He has been walking for a good long while already and he is very tired. And now he meets a woman, or figure in black, that makes one think of St. Paul's word: As being sorrowful yet always rejoicing. That Angel of God has been placed there to encourage the pilgrims and to answer their questions and the pilgrim asks her: Does the road go uphill then all the way? And the answer is: "Yes to the very end."”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote of Vincent van Gogh, from his 'First Sunday Sermon' http://www.vggallery.com/misc/archives/sermon.htm: 'I Am a Stranger on the Earth..'; 29 October 1876 1870s

Life, God, Angels, Way

“We are honored for research which is today referred to as the "Two Neutrino Experiment". How does one make this research comprehensible to ordinary people? In fact "The Two Neutrinos" sounds like an Italian dance team. How can we have our colleagues in chemistry, medicine, and especially in literature share with us, not the cleverness of our research, but the beauty of the intellectual edifice, of which our experiment is but one brick? This is a dilemma and an anguish for all scientists because the public understanding of science is no longer a luxury of cultural engagement, but it is an essential requirement for survival in our increasingly technological age: In this context, I believe this Nobel Ceremony with its awesome tradition and pomp has as one of its most important benefits; the public attention it draws to science and its practitioners.”

Leon M. Lederman (1922–2018) American mathematician and physicist

Lederman's speech at the Nobel Banquet, December 10, 1988 http://nobelprize.org/nobel_prizes/physics/laureates/1988/lederman-speech.html (URL accessed on October 20, 2008)

People, Age, Literature, Understanding

“Go out and be assured that that God is going to last forever. Storms might come and go. Our great skyscraping buildings will come and go. Our beautiful automobiles will come and go, but God will be here. Plants may wither, the flowers may fade away, but the word of our God shall stand forever and nothing can ever stop him. All of the P-38s in the world can never reach God. All of our atomic bombs can never reach him. The God that I'm talking about this morning is the God of the universe and the God that will last through the ages. If we are to go forward this morning, we've got to go back and find that God. That is the God that demands and commands our ultimate allegiance.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1950s, Rediscovering Lost Values (1954)

God, Age, World, Flowers

“A time will come when under changed circumstances she will recover her beauty. I thought of it to-day and at once asked myself what would be our relations towards each other in the future, and whether it would make any change. I am certain it will not. I know already how it feels to live without her, and shall not do anything which might make her cast me off.”

Henryk Sienkiewicz book Without Dogma

9 November
Without Dogma (1891)

Feeling, Change, Time, Future

“On a novel plan, I have combined the historical progress with the scientific developement of the subject; and endeavoured to lay down and inculcate the principles of the Calculus, whilst I traced its gradual and successive improvements…. there is little doubt, the student's curiosity and attention will be more excited and sustained, when he finds history blended with science, and the demonstration of formulae accompanied with the object and the causes of their invention, than by a mere analytical exposition of the principles of the subject. He will have an opportunity of observing how a calculus, from simple beginnings, by easy steps, and seemingly the slightest improvements, is advanced to perfection; his curiosity too, may be stimulated to an examination of the works of the contemporaries of Newton; works once read and celebrated: yet the writings of the Bernoullis are not antiquated from loss of beauty, nor deserve neglect…”

Robert Woodhouse (1773–1827) English mathematician

Preface p. iv-v
A Treatise on Isoperimetrical Problems, and the Calculus of Variations (1810)

History, Science, Loss, Reading

“Each and every loss becomes an instance of ultimate tragedy—something that once was, but shall never be known to us. The hump of the giant deer—as a nonfossilizable item of soft anatomy—should have fallen into the maw of erased history. But our ancestors provided a wondrous rescue, and we should rejoice mightily. Every new item can instruct us; every unexpected object possesses beauty for its own sake; every rescue from history's great shredding machine is—and I don't know how else to say this—a holy act of salvation for a bit of totality.”

Stephen Jay Gould book Leonardo's Mountain of Clams and the Diet of Worms

"A Lesson from the Old Masters", p. 195
Leonardo's Mountain of Clams and the Diet of Worms (1998)

History, Loss

“I don't want to do anything to change my face, I like the fact that I'm 41, that I've been through everything I've been through. And I like my lines, but at the same time you want to look the best version of yourself as you age. You want to age gracefully. And I think it's beautiful to get older, and to embrace the life that you've lived, but I also think part of that is wanting to look after your skin a little bit more, and just be a little more proactive.”

Gwyneth Paltrow (1972) American actress, singer, and food writer

In an interview to the website PopSugar. http://www.popsugar.com/beauty/Gwyneth-Paltrow-Restorsea-Interview-34384830#opening-slide (March 28, 2014)

Life, Age, Thinking, Change

“These are the gardens of the Desert, these
The unshorn fields, boundless and beautiful,
For which the speech of England has no name—
The Prairies.”

William Cullen Bryant (1794–1878) American romantic poet and journalist

The Prairies http://www.vcu.edu/engweb/webtexts/Bryant/prairies.html, l. 1 (1833)

“But they all do sort of the same thing, and that is rearrange what you thought was real, and they remind you of the beauty of pretty simple things. You forget, because you're so busy going from A to Z, that there's 24 letters in between…
You turn on… tune in… and you drop out…”

Timothy Leary (1920–1996) American psychologist

Grace Slick, and Leary are both quoted in the Infected Mushroom song "Drop out" on the EP Deeply Disturbed (2003), but only the final portion actually quotes Leary.
Misattributed

Business, Forgetting

“The ideals of truth, beauty, and goodness represent attempts to interpret the process of development as a group of tendencies permanently directed towards certain permanent and universal ends. But human behaviour is not directed towards unchanging ends, not even towards those temporary ideals which each community sets up for itself. The formative tendency is displayed, not in any steady process of definite orientation, but in a rhythmic sequence of transformation which cannot be represented as tending towards any particular final condition.”

Lancelot Law Whyte (1896–1972) Scottish industrial engineer

Source: The Next Development in Man (1948), p. 261-262

Truth, Communication, Universe

“In Christ we see the strength of achievement, and the strength of endurance. He moved with a calm majesty, like the sun. The bloody sweat, and the crown of thorns, and the cross, were full in His eyes; but He was obedient unto death. In His perfect self-sacrifice, we see the perfection of strength; in the love that prompted it, we see the perfection of beauty. This combination of self-sacrifice and love must be commenced in every Christian; and when it shall be in its spirit complete in him, then will he also be perfect in strength and beauty.”

Mark Hopkins (educator) (1802–1887) American educationalist and theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 61.

Love, Death, Sun, Christ

“Suppose a person entering a house were to feel heat on the porch, and going further, were to feel the heat increasing, the more they penetrated within. Doubtless, such a person would believe there was a fire in the house, even though they did not see the fire that must be causing all this heat. A similar thing will happen to anyone who considers this world in detail: one will observe that all things are arranged according to their degrees of beauty and excellence, and that the nearer they are to God, the more beautiful and better they are.”

Thomas Aquinas (1225–1274) Italian Dominican scholastic philosopher of the Roman Catholic Church

Sermon on the Apostles' Creed, 13-14

God, World, Feeling, Housing

“Democracy is beautiful in theory; in practice it is a fallacy. You in America will see that some day.”

Benito Mussolini (1883–1945) Duce and President of the Council of Ministers of Italy. Leader of the National Fascist Party and subsequen…

to Edwin L. James of the New York Times (1928)
1920s

Democracy

“Beauty seen is never lost.”

John Greenleaf Whittier (1807–1892) American Quaker poet and advocate of the abolition of slavery

Sunset on the Bearcamp, reported in Bartlett's Familiar Quotations, 10th ed. (1919)

“To make something beautiful is revolutionary (not low class, not easy, not a sign of low intelligence).”

Beth Anderson (1950) American neo-romantic composer

Opening-sentence
Beauty is Revolution (1980)

Intelligence

“Now kiss, and think that there are really those,
My own high-bosom'd beauty, who increase
Vain gold, vain lore, and yet might choose our way!
Through many years they toil; then on a day
They die not, — for their life was death, — but cease;
And round their narrow lips the mould falls close.”

Dante Gabriel Rossetti (1828–1882) English poet, illustrator, painter and translator

The Choice

Life, Death, Way, Kiss

“Christ is a persuasion, a form of evoking desire… Such an account [of Christ] must inevitably make an appeal to beauty.”

David Bentley Hart (1965) American theologian

Source: The Beauty of the Infinite (2003), p. 3

Christ

“The beauty of the forest is extraordinary — but “beauty” is too simple a word, for being here is not just an aesthetic experience, but one steeped with mystery, with awe. … [The forest] has to do with the ancient, the aboriginal, the beginning of all things. The primeval, the sublime, are much better words here — for they indicate realms remote from the moral or the human, realms which force us to gaze into immense vistas of space and time, where the beginnings and originations of all things lie hidden. Now, as I wandered in the cycad forest on Rota, it seemed as if my senses were actually enlarging, as if a new sense, a time sense, was opening within me, something which might allow me to appreciate millennia or aeons as directly as I had experienced seconds or minutes. … Standing here in the jungle, I feel part of a larger, calmer identity; I feel a profound sense of being at home, a sort of companionship with the earth.”

Oliver Sacks (1933–2015) British neurologist and writer

“The Island of the Colour-blind and Cycad Island” (Picador, London, 1996) pages 223-225

Lie, Feeling, Home, Sense

“Baine, what do you think of this?” Tossie said, indicating the bishop’s bird stump. “Don’t you agree it’s the most beautiful piece of art you’ve ever seen?”
Baine straightened and looked at it, blinking water out of his eyes.
There was a considerable pause while Baine wrung out his sleeve. “No.”
“No?” Tossie said, making it into a screamlet.
“No.”…
“What do you mean, ‘no’?”
“I mean the sculpture is a hideous atrocity, vulgarly conceived, badly designed, and shoddily executed,” he said, folding the shawl carefully and bending to lay it back in the bundle.
“How dare you say that,” Tossie said, her cheeks very pink.
Baine straightened. “I beg you pardon, miss. I thought you were asking my opinion.”
“I was, but I expected you to tell me you thought it was beautiful.”

Connie Willis book To Say Nothing of the Dog

He bowed slightly. “As you wish, miss.” He looked at it, his face impassive. “It is very beautiful.”
Source: To Say Nothing of the Dog (1998), Chapter 19 (p. 333; the ellipsis represents a minor elision of description)

Art, Bird, Thinking, Water

“Many years before, I had left a beautiful country and a rich nation and I returned to that country six years later to find it fundamentally changed and in a state of upheaval, and in great spiritual and material need.”

Fritz Sauckel (1894–1946) German general

Quoted in "Trial of the Major War Criminals Before the International Military Tribunal" - Nuremberg, Germany - 1948.

Change, Country

“Lady Cannon's gone to a matinée at the St. James's. We had tickets for the first night, but of course she wouldn't use them then. She preferred to go alone in the afternoon, because she detests the theatre, anyhow, and afternoon performances give her a headache. If she does a thing that's disagreeable to her, she likes to do it in the most painful possible way. She has a beautiful nature.”

Ada Leverson (1862–1933) British writer

Source: Love's Shadow (1908), Chapter ii.

Pain, Way, Nature, Night

“Many of my Hamptstead friends may remember this 'young lady' [an ash tree] at the entrance to the village. Her fate was distressing, for it is scarcely too much to say that she died of a broken heart. I made this drawing [Study of Trees, pencil on paper, circa 1821] when she was in full health and beauty; on passing some times afterwards, I saw, to my grief, that a wretched board had been nailed to her side, on which was written in large letters: 'All vagrants and beggars will be dealt with according to law.' The tree seemed to have felt the disgrace, for even then some of the top branches had withered. Two long spike nails had been driven far into her side. In another year one half became paralysed, and not long after the other shared the same fate, and this beautiful creature was cut down to a stump, just high enough to hold the board.”

John Constable (1776–1837) English Romantic painter

Quote from Constable's Lecture, given at Hamptstead (July 1836), as quoted in Leslie Parris and Ian Fleming-Williams, Constable, Tate Gallery Publications, London 1993, p. 391
1830s, his lectures History of Landscape Painting (1836)

Fate, Health, Law, Tree

“Not beauty, not nobility,
Not fortune will suffice to raise a wife
To highest honour and esteem if she
Neglects to lead a chaste and seemly life.”

Ludovico Ariosto book Orlando Furioso

A donna né bellezza,
Né nobiltà, né gran fortuna basta,
Sì che di vero onor monti in altezza,
Se per nome e per opre non è casta.
Canto XLIII, stanza 84 (tr. B. Reynolds)
Orlando Furioso (1532)

Life

“All beauty is sad. For it fades.”

David Gemmell book Legend

Source: Drenai series, Legend, Pt 1: Against the Horde, Ch. 16

Sadness

“Painting is the most beautiful lie.”

Kees van Dongen (1877–1968) Dutch painter

Alternative:
Painting is the most beautiful of lies.
Source: Modern Dutch painting: an introduction, Netherlands Information Service, (1960), p. 26
Source: Dossier pédagogique, Service culturel, Musée d’Art Moderne de la Ville de Paris, Mars 2011

Lie, Painting

“The Beatles may be more popular than Jesus but heavy cats like Chairman Mao, Uncle Ho, and beautiful long-haired Che Guevara are more popular than The Beatles.”

Abbie Hoffman book Woodstock Nation

Down on Me and Janis Joplin
Woodstock Nation (1969)

Cats

“Machines as simple as thermostats can be said to have beliefs, and having beliefs seems to be a characteristic of most machines capable of problem solving performance. However, the machines mankind has so far found it useful to construct rarely have beliefs about beliefs, although such beliefs will be needed by computer programs that reason about what knowledge they lack and where to get it. Mental qualities peculiar to human-like motivational structures, such as love and hate, will not be required for intelligent behavior, but we could probably program computers to exhibit them if we wanted to, because our common sense notions about them translate readily into certain program and data structures. Still other mental qualities, e. g. humor and appreciation of beauty, seem much harder to model.”

John McCarthy (1927–2011) American computer scientist and cognitive scientist

" Ascribing Mental Qualities to Machines http://www-formal.stanford.edu/jmc/ascribing.html" (1979) Sect. 1: Introduction. Reprinted in Formalizing Common Sense: Papers By John McCarthy, 1990, ISBN 0893915351 1970s

Love, Hate, Behavior, Intelligence

“A virgin is like a rose: while she remains on the thorn whence she sprang, alone and safe in a lovely garden, no flock, no shepherd approaches. The gentle breeze and the dewy dawn, water, and earth pay her homage; amorous youths and loving maidens like to deck their brows with her, and their breasts. / But no sooner is she plucked from her mother-stalk, severed from her green stem, than she loses all, all the favour, grace, and beauty wherewith heaven and men endowed her.”

Ludovico Ariosto book Orlando Furioso

La verginella e simile alla rosa
Ch'in bel giardin' su la nativa spina
Mentre sola e sicura si riposa
Ne gregge ne pastor se le avvicina;
L'aura soave e l'alba rugiadosa,
L'acqua, la terra al suo favor s'inchina:
Gioveni vaghi e donne inamorate
Amano averne e seni e tempie ornate.Ma no si tosto dal materno stelo
Rimossa viene, e dal suo ceppo verde
Che quato havea dagli huoi e dal cielo
Favor gratia e bellezza tutto perde.
Canto I, stanzas 42–43 (tr. G. Waldman)
Compare:
Ut flos in saeptis secretus nascitur hortis,
Ignotus pecori, nullo contusus aratro,
Quem mulcent aurae, firmat sol, educat imber;
Multi illum pueri, multae optavere puellae:
idem cum tenui carptus defloruit ungui,
nulli illum pueri, nullae optavere puellae:
sic virgo, dum intacta manet, dum cara suis est;
cum castum amisit polluto corpore florem,
nec pueris iucunda manet, nec cara puellis.
As a flower springs up secretly in a fenced garden, unknown to the cattle, torn up by no plough, which the winds caress, the sun strengthens, the shower draws forth, many boys, many girls, desire it: so a maiden, whilst she remains untouched, so long she is dear to her own; when she has lost her chaste flower with sullied body, she remains neither lovely to boys nor dear to girls.
Catullus, Carmina, LXII (tr. Francis Warre-Cornish)
Orlando Furioso (1532)

Love, Men, Youth, Water

“No. It is not wonderful. It is an ugly world. Not like this one. Anarres is all dusty and dry hills. All meager, all dry. And the people aren’t beautiful. They have big hands and feet, like me and the waiter there. But not big bellies. They get very dirty, and take baths together, nobody here does that. The towns are very small and dull, they are dreary. No palaces. Life is dull, and hard work. You can’t always have what you want, or even what you need, because there isn’t enough. You Urrasti have enough. Enough air, enough rain, grass, oceans, food, music, buildings, factories, machines, books, clothes, history. You are rich, you own. We are poor, we lack. You have, we do not have. Everything is beautiful here. Only not the faces. On Anarres nothing is beautiful, nothing but the faces. The other faces, the men and women. We have nothing but that, nothing but each other. Here you see the jewels, there you see the eyes. And in the eyes you see the splendor, the splendor of the human spirit. Because our men and women are free—possessing nothing, they are free. And you the possessors are possessed. You are all in jail. Each alone, solitary, with a heap of what he owns. You live in prison, die in prison. It is all I can see in your eyes—the wall, the wall!”

Ursula K. Le Guin Hainish Cycle

Source: Hainish Cycle, (1974), Chapter 7 (pp. 228-229)

Life, Women, Men, People

Quotes about beauty page 29

Quotes about beauty
page 29