Quotes about writing
page 27

“If a writer of prose knows enough about what he is writing about he may omit things that he knows, and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an iceberg is due to only one-eighth of it being above water. A writer who omits things only because he does not know them only makes hollow places in his writing.”

Ernest Hemingway book Death in the Afternoon

Hemingway's famous iceberg theory of writing.
Source: Death in the Afternoon (1932), Ch. 16

Feeling, Water

“Stevens’s poetry makes one understand how valuable it can be for a poet to write a great deal. Not too much of that great deal, ever, is good poetry; but out of quantity can come practice, naturalness, accustomed mastery, adaptations and elaborations and reversals of old ways, new ways, even—so that the poet can put into the poems, at the end of a lifetime, what the end of a lifetime brings him. Stevens has learned to write at will, for pleasure; his methods of writing, his ways of imagining, have made this possible for him as it is impossible for many living poets—Eliot, for instance. Anything can be looked at, felt about, meditated upon, so Stevens can write about anything; he does not demand of his poems the greatest concentration, intensity, dramatic immediacy, the shattering and inexplicable rightness the poet calls inspiration.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“The Collected Poems of Wallace Stevens”, p. 65
The Third Book of Criticism (1969)

Pleasure, Way, Imagination, Understanding

“Nietzsche himself was a great moralist; his writings abound with value judgments about individuals, character types, modes of thinking, and national traits. It is as if he develops immoralist psychology in order to tame his own nature, to keep his own greatest vice in check.”

John Carroll (1944) Australian professor and author

Source: Break-Out from the Crystal Palace (1974), p. 38

Nature, Thinking

“Write as if thou wert alone in the universe and hadst nothing to fear from the jealousies and prejudices of the people. Otherwise thou wilt miss thy purpose.”

Julien Offray de La Mettrie (1709–1751) French physician and philosopher

Preface, Oeuvres philosophiques de Monsieur de La Mettrie (1764) as quoted by Paul Carus, The Mechanistic Principle and the Non-mechanical (1913) p. 102. https://books.google.com/books?id=wGNRAAAAYAAJ&pg=PA102

People, Fear, Jealousy, Universe

“This is how Tam Dalyell is feeling -- about the Belgrano, about Westland, the miners' strike, Libya, GCHQ, Zircon, the Peter Wright affair… this book is really just a cry of rage: "I was right -- surely you can see -- look, here is the evidence -- let's go through it all carefully again -- how can anyone disagree..?" But the thrust of the book, and the detailed evidence assembled, are for the most part familiar. Writing it all up, again, and publishing it in this way, is just one more try at persuading somebody (I don't think Mr Dalyell is quite sure whom) to say: "Yes, Tam, you were right. Off with Maggie's head!" How he loathes Mrs Thatcher. She is variously called pig-headed, a fishwife, and a mass murderess as the story proceeds. This element of personal vendetta seriously weakens his case because -- for all that he rests it upon alleged facts -- his gravest charges rely upon his imputing to her the worst imaginable motives consistent with those facts. One has to say -- without denying that his allegations of facts need answering -- that there is a certain sleight-of-hand here.”

Tam Dalyell (1932–2017) Scottish politician

Matthew Parris (Review of 'MISRULE - How Mrs Thatcher has misled Parliament from the sinking of the Belgrano to the Wright affair' by Tam Dalyell, 1987)
About

Books, Way, Feeling, Imagination

“Nothing in nature or the cosmos is ever completely still — as I write this, several wild Mallards have returned to the Museum courtyard and are creating a frantic spectacle of water and wings as they dive and attack in their annual spring ritual. Further from home, a supermassive black hole at the center of a galaxy 56 million light years from Earth has recently been observed to be spinning at close to the speed of light.”

Evalyn Gates (1958)

"Letter from the director", Explore magazine of the Cleveland Museum of Natural History (Spring 2013), p. 4

Home, Spring, Nature, Light

“The Age of Writing has passed. We must invent a new metaphor, restructure our thoughts and feelings.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, Counterblast (1969), p. 14

Age, Feeling

“Aristotle writes that persuasion is based on three things: the ethos, or personal character of the speaker; the pathos, or getting the audience into the right kind of emotional receptivity; and the logos, or the argument itself, carried out by abbreviated syllogisms, or something like deductive syllogisms, and by the use of example.”

Randal Marlin (1938) Canadian academic

Source: Propaganda & The Ethics Of Persuasion (2002), Chapter Two, History Of Propaganda, p. 47

Personality

““Rebelling acts as a substitute for the more difficult process of struggling through to one’s own autonomy, to new beliefs,” writes Rollo May, as if one could struggle through to one’s own identity without rebelling.”

Russell Jacoby (1945) American historian

Source: Social Amnesia: A Critique of Conformist Psychology from Adler to Laing (1975), p. 51

“My purpose in writing these essays has been to acquaint men who are interested in the bearings of modern history on public life with sundry statesmen whose time was devoted not to seeking office or to winning a brief popular fame by chicanery or pettifoggery, but to serving the great interests of modern states and, indeed, of universal humanity. I would present these statesmen and their work as especially worthy to be studied by those who aspire to serve their country in any way.”

Andrew Dickson White (1832–1918) American politician

Source: Seven Great Statesmen in the Warfare of Humanity with Unreason (1915), p. ix

Life, Men, Way, History

“I have spent 20 years writing these books. Had I wanted to say men are beasts and scream, that takes 30 seconds.”

Andrea Dworkin (1946–2005) Feminist writer

Modern Times Interview of Andrea Dworkin With Larry Josephson, on "Modern Times" (American Public Radio, 1992) (radio program) (transcript of tape (end of tape missing)) http://www.andreadworkin.com/audio/moderntimes.html, as accessed Sep. 5, 2010.

Men, Books

“(…) I have written so far around 200 books and articles on different aspects of science, philosophy, theology, and hekmat (wisdom). (…) I never entered the service of any king as a military man or a man of office, and if I ever did have a conversation with a king, it never went beyond my medical responsibility and advice. (…) Those who have seen me know, that I did not into excess with eating, drinking or acting the wrong way. As to my interest in lil pump yuhh!! people know perfectly well and must have witnessed how I have devoted all my life to science since my youth. My patience and diligence in the pursuit of science has been such that on one special issue specifically I have written 20,000 pages (in small print), moreover I spent fifteen years of my life - night and day - writing the big collection entitled Al Hawi. It was during this time that I lost my eyesight, my hand became paralyzed, with the result that I am now deprived of reading and writing. Nonetheless, I've never given up, but kept on reading and writing with the help of others. I could make concessions with my opponents and admit some shortcomings, but I am most curious what they have to say about my scientific achievement. If they consider my approach incorrect, they could present their views and state their points clearly, so that I may study them, and if I determined their views to be right, I would admit it. However, if I disagreed, I would discuss the matter to prove my standpoint. If this is not the case, and they merely disagree with my approach and way of life, I would appreciate they only use my written knowledge and stop interfering with my behaviour.”

Muhammad ibn Zakariya al-Razi (865–925) Persian polymath, physician, alchemist and chemist, philosopher

Lost History: The Enduring Legacy of Muslim Scientists, Thinkers, and Artists

Life, Wisdom, People, Books

“One voice in the Great Conversation itself announces this modern point of view. In the closing paragraph of his An Enquiry Concerning Human Understanding, David Hume writes: "When we run over libraries, persuaded of these principles, what havoc must we make? If we take in our hand any volume… let us ask, Does it contain any abstract reasoning concerning quantity or number? No. Does it contain any experimental reasoning concerning matter of fact and existence? No. Commit it then to flames: for it can contain nothing but sophistry and illusion."… the positivists of our own day, would commit to burning or, what is the same, to dismissal from serious consideration… Those books… argue the case against the kind of positivism that asserts that everything except mathematics and experimental science is sophistry and illusion…. The Great Conversation… contains both sides of the issue.”

Robert Maynard Hutchins (1899–1977) philosopher and university president

Great Books: The Foundation of a Liberal Education (1954)

Books, Mathematics, Understanding, Science

“My teacher, Ales Adamovich, whose name I mention today with gratitude, felt that writing prose about the nightmares of the 20th century was sacrilege. Nothing may be invented. You must give the truth as it is. A "super-literature" is required. The witness must speak. Nietzsche's words come to mind – no artist can live up to reality. He can't lift it. It always troubled me that the truth doesn't fit into one heart, into one mind, that truth is somehow splintered. There's a lot of it, it is varied, and it is strewn about the world.”

Svetlana Alexievich (1948) Belarusian investigative journalist and non-fiction prose writer

Quotes from Nobel Lecture

Truth, World, Literature, Reality

“The construction of an economic model, or of any model or theory for that matter (or the writing of a novel, a short story, or a play) consists of snatching from the enormous and complex mass of facts called reality, a few simple, easily-managed key points which, when put together in some cunning way, become for certain purposes a substitute for reality itself.”

Evsey Domar (1914–1997) American economist

Essays in the Theory of Economic Growth (1957)

Way, Reality

“The life of every man is a diary in which he means to write one story, and writes another; and his humblest hour is when he compares the volume as it is with what he vowed to make it.”

J. M. Barrie (1860–1937) Scottish writer

Source: The Little Minister (1891), Ch. 1 : The Love-Light

Life

“It is a bit unsettling, at first, to think of Apple as a control freak, because it is completely at odds with their corporate image. Weren't these the guys who aired the famous Super Bowl ads showing suited, blindfolded executives marching like lemmings off a cliff? Isn't this the company that even now runs ads picturing the Dalai Lama (except in Hong Kong) and Einstein and other offbeat rebels?
It is indeed the same company, and the fact that they have been able to plant this image of themselves as creative and rebellious free-thinkers in the minds of so many intelligent and media-hardened skeptics really gives one pause. It is testimony to the insidious power of expensive slick ad campaigns and, perhaps, to a certain amount of wishful thinking in the minds of people who fall for them. It also raises the question of why Microsoft is so bad at PR, when the history of Apple demonstrates that, by writing large checks to good ad agencies, you can plant a corporate image in the minds of intelligent people that is completely at odds with reality.”

Neal Stephenson (1959) American science fiction writer

"Class Struggle on the Desktop"
In the Beginning... was the Command Line (1999)

People, Guy, History, Intelligence

“I took to writing at an early age to escape from meaninglessness, uselessness, unimportance, insignificance, poverty, enslavement, ill health, despair, madness, and all manner of other unattractive, natural and inevitable things.”

William Saroyan (1908–1981) American writer

My Heart's in the Highlands (1939)

Health, Age, Nature, Madness

“I would try out the [C++] language [at AT&T] as it was being developed and make comments on it. It was part of the work atmosphere there. And you'd write something and then the next day it wouldn't work because the language changed. It was very unstable for a very long period of time. At some point, I said, no, no more. In an interview I said exactly that, that I didn't use it because it wouldn't stay still for two days in a row. When Stroustrup read the interview he came screaming into my room about how I was undermining him and what I said mattered and I said it was a bad language.”

Ken Thompson (1943) American computer scientist, creator of the Unix operating system

Ken Thompson; cited in [Seibel, Peter, Coders At Work, 2009, 475]
"Coders At Work", 2009

Change, Time, Reading, Parting

“If it is permissible to write plays that are not intended to be seen, I should like to see who can prevent me from writing a book no one can read.”

Georg Christoph Lichtenberg (1742–1799) German scientist, satirist

F 1
Aphorisms (1765-1799), Notebook F (1776-1779)

Books, Reading

“We write dust epitaphs for our vanquished enemies and watch them blow away in the desert wind.”

Paolo Bacigalupi (1972) American science fiction and fantasy writer

"The Pasho", Asimov's Science Fiction, September 2004

“A successful poem says what a poet wants to say, and more, with particular finality. The remarks he makes about his poems are incidental when the poem is good, or embarrassing or absurd when it is bad — and he is not permitted to say how the good poem is good, and may never know how the bad poem is bad. It is better to write about other people's poetry.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

"Answers to Questions," from Mid-Century American Poets, edited by John Ciardi, 1950 [p. 171]
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

People, Success

“The musicians who interest me most are people like Nitin Sawhney, Talvin Singh, Django Bates. They are not just writing music but performing it, recording it, putting tours together and running their own labels. That is what real musicians are, rather than over-publicised specialists.”

Joanna MacGregor (1959) British musician

Independent On Sunday, 14/10/2001
On Classical Music

People, Music

“I know that any discussion of the relation of this poem to its historical materials is, in one perspective, irrelevant to its value; and it could be totally accurate as history and still not worth a dime as a poem. I am trying to write a poem, not a history, and therefore have no compunction about tampering with non-essential facts. But poetry is more than fantasy and is committed to the obligation of trying to say something, however obliquely, about the human condition. Therefore, a poem dealing with history is no more at liberty to violate what the writer takes to be the spirit of his history than it is at liberty to violate what he takes to be the nature of the human heart. What he takes those things to be is, of course, his ultimate gamble.”

Robert Penn Warren (1905–1989) American poet, novelist, and literary critic

Foreword, Brother to Dragons: A Tale in Verse and Voices — A New Version (1979)

History, Nature, Heart

“The fact that arithmetic and geometry took such a notable step forward… was due in no small measure to the introduction of Egyptian papyrus into Greece. This event occurred about 650 B. C., and the invention of printing in the 15th century did not more surely effect a revolution in thought than did this introduction of writing material on the northern shores of the Mediterranean Sea just before the time of Thales.”

David Eugene Smith (1860–1944) American mathematician

History of Mathematics (1923) Vol.1

Time, Sea

“[Stendhal] was small, ugly and obsessed by physical beauty in others, and he spent most of his time in salons and opera houses, pursuing aristocratic hostesses and singers. After the fall of Napoleon, he retired to Italy, adopted his pseudonym and began to write. He was a sexual freebooter who “found a notion of obtaining happiness from a virtuous woman wholly inconceivable.””

Anthony Burgess (1917–1993) English writer

At 59, unmarried, syphilitic and obscure, he dropped dead in a Paris street.
"Homage to QWERT YUIOP".
Non-Fiction, Homage to QWERT YUIOP: Selected Journalism 1978-1985 (1986)

Happiness, Beauty, Time, Housing

“For some time I debated over whether I should start these memoirs at the beginning or at the end, that is, whether I should put my birth or my death in first place. Since common usage would call for beginning with birth, two considerations led me to adopt a different method: the first is that I am not exactly a writer who is dead but a dead man who is a writer, for whom the grave was a second cradle; the second is that the writing would be more distinctive and novel in that way. Moses, who also wrote about his death, didn't place it at the opening but at the close: a radical difference between this book and the Pentateuch.”

Machado de Assis (1839–1908) Brazilian writer

Algum tempo hesitei se devia abrir estas memórias pelo princípio ou pelo fim, isto é, se poria em primeiro lugar o meu nascimento ou a minha morte. Suposto o uso vulgar seja começar pelo nascimento, duas considerações me levaram a adotar diferente método: a primeira é que eu não sou propriamente um autor defunto mas um defunto autor, para quem a campa foi outro berço; a segunda é que o escrito ficaria assim mais galante e mais novo. Moisés, que também contou a sua morte, não a pôs no intróito, mas no cabo: diferença radical entre este livro e o Pentateuco.
Source: As Memórias Póstumas de Brás Cubas (1881), Ch. 1 (opening words), p. 7.

Death, Books, Way, Birth

“Today's novelist is not only limited by the thin subject matter of personal experience, but by the pinched clinical conventions of the Health generation. Faced with Othello, say, he would have to divide the man into departments, like a liberal arts course. Race relations — that's still a subject, although of course whites can't write about blacks and vice versa; sexual politics (somehow); Othello's ultimate therapy and decision to endure. Since jealousy is now curable, like TB, we can't have people dying of it anymore. A few rap sessions, some fearless touching, and a new sense of self-worth would have Othello and Iago and Hamlet and Juliet back on their feet in no time; and Fiction struggling.”

Wilfrid Sheed (1930–2011) English-American novelist and essayist

"A Moral Problem" (1974), p. 88
The Good Word & Other Words (1978)

People, Health, Jealousy, Art

“The misinformation promulgated by wolf advocacy groups ranges from minor technical errors to major deception and fraud. Technical biological misinformation, though bothersome to professionals working with wolves, is not as serious as deception about such issues as the status and trends in wolf populations. This latter type of misinformation tends to motivate well-meaning wolf advocates to press their causes through letter-writing campaigns, public meetings, lobbying, and lawsuits. For example, animal welfare and wolf advocacy groups have been advertising for funds in major national newspapers for years, claiming that wolves were threatened in Denali National Park and other parts of Alaska, despite documentation to the contrary. These misrepresentations have even made it into conference proceedings. In the non-peer-reviewed proceedings of a nonprofit citizen organization, "Defenders of Wildlife's Restoring the Wolf Conference," undocumented claims were made the the wolf has been eliminated from "95% of its former range" and "95% of its historic range in Noth America."”

L. David Mech (1937) American Biologist , Ecologist

The actual figures are closer to 30% of its global range and 40% of its North American range.
Wolf Restoration to the Adirondacks: The Advantages and Disadvantages of Public Participation in the Decision, (2001).

Error, Motivation, Fraud, Wolf

“[Vickery in his handbook of procedures for making faceted classifications, writes that organizing a field into facets] can be achieved only by a detailed examination of the literature of the field”

Brian Campbell Vickery (1918–2009) British information theorist

Brian Campbell Vickery (1970) Faceted Classification: A Guide to Construction and Use of Special Schemes. p. 20 as cited in: Claire Beghtol (1986) " Semantic Validity: Concepts of Warrant in Bibliographic Classification Systems http://downloads.alcts.ala.org/lrts/lrtsv30no2.pdf" Library Resources & Technical Services. Vol 30. p. 113.

Literature

“I want to know but I can't see are you up there. I don't have a lot of strength now. The sky is stripped. I am too weak to write much. But I still hear them walking in the trees; not speaking. Waiting here, away from the terrifying weaponry, out of the halls of vapor and light, beyond holland and into the hills, I have come to”

Samuel R. Delany book Dhalgren

Part VII, "The Anathēmata" (p. 801)
Dhalgren (1975)

Tree, Light, Waiting

“Who Are the Semanticists? To answer this question, let us go to the writings of those who make frequent references to semantics or to equivalent terms which have to do with the study of meaning. We find that a number of prominent thinkers have occupied themselves with this study. In England these include Whitehead, Russell, Ogden, Richards, Ayer, and others; in Austria (later scattered, fleeing from fascism), a group of writers who called themselves the Vienna Circle, which included Carnap and Frank (now in in the United States), Wittgenstein (now in England), and Neurath (deceased); the United States is represented by Charles Morris, and Poland by Tarski and Korzybski (deceased), both of whom emigrated to the United States.”

Anatol Rapoport (1911–2007) Russian-born American mathematical psychologist

1950, p. 12 (1952, p. 123)
1950s, "What is Semantics?", 1950

Question, Study

“In the mental disturbance and effort of writing, what sustains you is the certainty that on every page there is something left unsaid.”

Cesare Pavese (1908–1950) Italian poet, novelist, literary critic, and translator

This Business of Living (1935-1950)

Effort

“Vito Acconci’s extraordinary career—poetry, art, architecture: a sort of triathlon of the arts—began in the Bronx, where as an aspiring author of seven years he wrote stories about cowboys and athletes. At his Catholic college, he published sexy stuff about priests and nuns that got the school magazine banned for three issues running. He went on to write fiction in the Iowa Writers’ Workshop. But when he came back to New York in the early ’60s, something changed, and he began writing poems. Highly conceptual constructions, they did not tell stories, express feelings, or evoke a fictional world. They were not representational. Maybe you could call them presentational: this is a word, this is a sentence, you are reading.”

Shelley Jackson (1963) a writer and artist known for her cross-genre experiments

Shelley Jackson, in: Shelley Jackson talks with Vito Acconci http://www.believermag.com/issues/200612/?read=interview_acconci, in: The Believer, Nr. 12. 2006.

World, School, Art, Feeling

“The first paper I ever wrote was "Gestalt Programming" and that was in 1955. The whole idea there was to replace the laborious writing out of detailed programs and all those steps by having analyzed a problem area well enough so that you had what I later came to call a "systematized solution." Then you could compose different problems of this class by just plugging together pieces of program, and they would in turn be controlled by a pushbutton language. The user would make a number of discreet selections. It's just like nowadays it's done with menus, and when you had indicated all the pieces that you wanted to put together--by these mnemonic names and words for things associated with buttons, switches, with one meaning "period," essentially, for that sentence, you see--all these things would be brought together and that would be the man/machine, manual-intervention mode of problem-solving. I took over the term from studying Gestalt psychology, meaning that everything was brought together at once, as a unit, instead of this laborious step-by-step build-up.”

Douglas T. Ross (1929–2007) American computer scientist

Source: An Interview with Douglas T. Ross (1989), p. 4.

Idea, Problem, Study

“Chesterton was important — as important to me in his way as C. S. Lewis had been.
You see, while I loved Tolkien and while I wished to have written his book, I had no desire at all to write like him. Tolkien’s words and sentences seemed like natural things, like rock formations or waterfalls, and wanting to write like Tolkien would have been, for me, like wanting to blossom like a cherry tree or climb a tree like a squirrel or rain like a thunderstorm. Chesterton was the complete opposite. I was always aware, reading Chesterton, that there was someone writing this who rejoiced in words, who deployed them on the page as an artist deploys his paints upon his palette. Behind every Chesterton sentence there was someone painting with words, and it seemed to me that at the end of any particularly good sentence or any perfectly-put paradox, you could hear the author, somewhere behind the scenes, giggling with delight.”

Neil Gaiman (1960) English fantasy writer

"Mythcon 35 Guest of Honor Speech", in Mythprint (October 2004) http://www.mythsoc.org.nyud.net:8090/mythcon/35/speech/

Love, Books, Way, Nature

“If poets spoke their poetry, they would not need to write it.”

Dennis O'Driscoll (1954–2012) Irish poet, critic

Poetry Quotes

“It might be my favorite book of mine. It was a very exciting time in my life. I was writing that book while I was at college. Sort of like the best of times, the worst of times. There was a lot of elation, there was a lot of despair. It was just a really fun book to write. I loved mimicking all the different voices. The stream of conscious does get a little out of hand. I kind of like that about the book. It's kind of all over the place. It's casual. It's scruffy. That's the one book of mine that I have a very, very soft spot for.”

Bret Easton Ellis (1964) American novelist

On The Rules of Attraction <br class="br"> http://www.amazon.com/gp/feature.html?docId=571852

Love, Life, Books, Time

“There are three kinds of writing in economics: Greek-letter, up-and-down, and airport. Greek-letter writing formal, theoretical, mathematical is how professors communicate. Like any academic field, economics has its fair share of hacks and phonies, who use complicated language to hide the banality of their ideas; it also contains profound thinkers, who use the specialized language of the discipline as an efficient way to express deep insights. […] Up-and-down economics is what one encounters on the business pages of newspapers, or for that matter on TV. It is preoccupied with the latest news and the latest numbers, hence its name. […] Finally, airport economics is the language of economics bestsellers. These books are most prominently displayed at airport bookstores, where the delayed business traveler is likely to buy them. Most of these books predict disaster: a new great depression, the evisceration of our economy by Japanese multinationals, the collapse of our money. A minority have the opposite view, a boundless optimism: new technology or supply-side economics is about to lead us into an era of unprecedented economic progress. Whether pessimistic or optimistic, airport economics is usually fun, rarely well informed, and never serious.”

Paul Krugman (1953) American economist

Preface
The Age of Diminished Expectations (1990; 1994; 1997)

Money, Books, Way, Travel

“… coincident with the explosive growth of research, the art of writing science suffered a grave setback, and the stultifying convention descended that the best scientific prose should sound like a non-human author addressing a mechanical reader. … We injure ourselves when we fail to make our discipline as clear and vibrant as we can to students - prospective scientists - and to the public who pay the taxes.”

David Mermin (1935) American physicist

Art, Suffering, Science

“A veritable brain washing of the nation is under way trying to turn history upside down and write off the persecution of Hindus through various subterfuges.”

Harsh Narain (1921–1995) Indian writer

The Ayodhya temple-mosque dispute: Focus on Muslim sources (1993)

Way, History

“The dichotomies which are the signature of their work – the esoteric and the exoteric, the civil and the managerial, the friend and the foe, the lawful and the legislative – are so many cordons. Their function is to hold popular sovereignty at bay. The different gifts displayed in this enterprise, whatever view is taken of it, were remarkable. For all his later tendency to textual dressage, Strauss's range and subtlety as a master of the canon of political philosophy had no equal in his generation. Schmitt's moral instability never impaired an extraordinary capacity to fuse conceptual insight and metaphoric imagination in lightning flashes of illumination around the state. Hayek could seem tactically ingenuous, but he fashioned a theoretical synthesis out of his epistemology and economics whose scope and strength has yet to be supplanted. Oakeshott was the literary artist in this gallery. His writing varies considerably in quality, and can be whimsically arch at one moment and curiously crude at another, disconcertingly close to Punch or Cross-Bencher. But at its best, when it moves into high register, it can rise to a lyrical beauty.”

Perry Anderson (1938) British historian

Source: Spectrum: From Right to Left in the World of Ideas (2005), Ch. 1. "The Intransigent Right, Michael Oakeshott, Leo Strauss, Carl Schmitt, Friedrich von Hayek" (1992), p. 27

Law, Beauty, Imagination, Fashion

“We are today living out the script for America and the world that was dreamt up not by Obama but by Obama's father. How do I know this? Because Obama says so himself. Reflect for a moment on the title of his book: it's not Dreams of My Father but rather Dreams from My Father. In other words, Obama is not writing a book about his father's dreams; he is writing a book about the dreams that he got from his father.Think about what this means. The most powerful country in the world is being governed according to the dreams of a Luo tribesman of the 1950s—a polygamist who abandoned his wives, drank himself into stupors, and bounced around on two iron legs (after his real legs had to be amputated because of a car crash caused by his drunk driving). This philandering, inebriated African socialist, who raged against the world for denying him the realization of his anti-colonial ambitions, is now setting the nation’s agenda through the reincarnation of his dreams in his son. The son is the one who is making it happen, but the son is, as he candidly admits, only living out his father’s dream. The invisible father provides the inspiration, and the son dutifully gets the job done. America today is being governed by a ghost.”

Dinesh D'Souza (1961) Indian-American political commentator, filmmaker, author

Source: Books, The Roots of Obama's Rage (2010), Ch. 10: The Last Anti-Colonial

Books, World, Dreams, Cars

“The writing was impeccably neat and legible though rather crabbed into the centre of the page; I saw a neat crabbed man behind it. Presumably some sort of retreat, one of those desiccated young Catholics that used to mince around Oxford when I was an undergraduate.”

John Fowles book Daniel Martin

Daniel Martin (1977)

“No judge writes on a wholly clean slate.”

Felix Frankfurter (1882–1965) American judge

The Commerce Clause (1937), p. 12.
Other writings

“I cannot write anything about landscape without writing about the human figure and the human spirit inhabiting the landscape, for me, the whole art sculpture is a fusion of these two element – the balance of sensation and the evocation of man in his universe. Every work in sculpture is either a figure I see, or a sensation I have, whether in Yorkshire, Cornwall or Greece, or the Mediterranean.”

Barbara Hepworth (1903–1975) English sculptor

'Studio International 171' – June 1966; as quoted in Voicing our visions, - Writings by women artists, ed. by Mara R. Witzling, Universe New York 1991, p. 280
1961 - 1975

Art, Universe

“I had gone to hear the winner of that year's drum and bugle corps competition. That band played a chord that made every hair on my body stand up. I've been in front of great symphony orchestras, and the greatest bands, but I've never had my hair stand up quite like that. That's when I decided to write for the bugles.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

As quoted in "Voicing With a Heart" by Ernie Rideout, in Keyboard (August 2000)

“If you're going to write a story, avoid contemporary references. They date a story and they have no staying power.”

Isaac Asimov book Buy Jupiter and Other Stories

Buy Jupiter and Other Stories (1975), p. 134
General sources

“Mr. Wilson does not write as one who believes in a particular religion but rather as an intellectual who is being forced more and more into accepting religion as the only solution to the problem of the Outsider. In other words, the anxiety and uneasiness, the sheer horror of being oneself in the modern world is not to be cured by reason or even of study of philosophies which set out to explain them, like Existentialism; the unpleasant symptoms have to be lived through, leading to the worst, in order that the final, mystical experience may be attained. The Outsider has it within him to become a saint. Yet, though Mr. Wilson is drawn to religion, and all his arrows point that way, he never departs from his standards of intellectual analysis.”

Cyril Connolly (1903–1974) British author

'Loser Take All', Sunday Times, p. 5 (27 May 1956)

World, Religion, Way, Problem

“Then he said something that was absolutely defining for him: "Write this down and never forget it: Love is as much a question of the will as it is of the emotion. And if you will to love somebody, you can."”

Ravi Zacharias (1946) Indian philosopher

[I, Isaac, Take Thee, Rebekah: Moving from Romance to Lasting Love, 2005, 9781418515812, http://books.google.com/books?id=lhWCB2v3UlQC&pg=PA29&dq=%22Love+is+as+much+a+question+of+the+will%22, 29]
quoting his brother
2000s

Love, Question, Forgetting

“March and Simon's work reflects a key concern with the issue of inducing contributions from organizational members and emphasizes rationality in organizations. The writing of Likert and McGregor reflects a central interest in organizational arrangements for releasing the underutilized energy of individual members. Argyris' work emphasizes the impact of the organization on individual development. All of these writers tend to start with the individual as the basic unit of analysis and build toward the large organization, while we are proposing to start with larger, sociological entities- the entire organization and its larger subsystems.”

Paul R. Lawrence (1922–2011) American business theorist

Source: "Differentiation and integration in complex organizations," 1967, p. 3

“I was in my forties and teaching magazine writing for the Journalism Department at the University of New Mexico. I was hired on a fluke. The professor who was scheduled to teach the course became ill, so the chair of the department, my personal friend Tony Hillerman, asked me to fill in for a semester. Tony knew I’d never been to college and didn’t care; he just knew I’d written successfully for magazines for years. The original professor never returned, and someone else replaced Tony as Chair and automatically kept me on. I discovered I loved teaching writing and started to get worried that my deep dark secret, (no college!) might be discovered, so I began taking courses under my married name, Lois Arquette, hoping I could get a degree before someone “outed” me. In the course of that endeavor, I took a juvenile literature class where they were studying “Lois Duncan books.””

Lois Duncan (1934–2016) American young-adult and children's writer

My fellow students were excitedly writing A-plus papers about how many of my books were based on Greek myths. I had never even read those myths! <br class="br">On teaching and attending college, interview https://web-beta.archive.org/web/20111119202009/https://abbottgran.wordpress.com/2011/04/17/the-deep-bottom-drawer-an-interview-with-lois-duncan/ with Megan Abbott (2011) <br class="br">2003–2016

Love, Secret, Books, Hope

“I somehow always have this idea that as soon as I can get through this work that’s piled up ahead of me, I’ll really write a beautiful thing. But I never do. I always have the idea that someday, somehow, I’ll be living a beautiful life.”

Rose Wilder Lane (1886–1968) American journalist

Written in the 1920s, as quoted in The Ghost in the Little House, ch. 8, by William V. Holtz (1993).

Life, Beauty, Idea

“I once tried to write a novel about revenge. It's the only book I didn't finish. I couldn't get into the mind of the person who was plotting vengeance.”

Maeve Binchy (1940–2012) Irish novelist

shelf-life.ew.com http://shelf-life.ew.com/2012/07/31/circle-of-friends-author-maeve-binchy-dies/

Books, Revenge, Personality

“I discovered long ago that, if you write a book about cats or dogs, everybody loves you, but if you dare to write a book about human beings, all hell breaks loose. It is impossible to write an uncensored, honest book about human behaviour without offending at least part of your audience. If you feel you have a basic truth to tell, then you must tell it and be prepared to suffer the inevitable criticisms.”

Desmond Morris (1928) English zoologist, ethologist and surrealist painter

Desmond Morris in: "The Dan Schneider Interview 8: Desmond Morris" at cosmoetica.com, first posted 2/16/08.

Love, Truth, Books, Dogs

“The coffee having arrived (how hard it is to write without the ablative absolute!) we guzzled genteelly for a while…”

Kyril Bonfiglioli (1928–1985) British art dealer

Source: The Mortdecai Trilogy, Don't Point That Thing At Me (1972), Ch. 4.

Coffee

“The fact that randomness requires a physical rather than a mathematical source is noted by almost everyone who writes on the subject, and yet the oddity of this situation is not much remarked.”

Brian Hayes (scientist) (1900) American scientist, columnist and author

Source: Group Theory in the Bedroom (2008), Chapter 2, Random Resources, p. 35

Mathematics

“I loved writing about things when I was excited about them. It's not fun writing about bad movies. I used to think it was bad for my skin. It's painful writing about the bad things in an art form, particularly when young kids are going to be enthusiastic about those things, because they haven't seen anything better, or anything different.”

Pauline Kael (1919–2001) American film critic

Quoted in Francis Davis, Afterglow: A Last Conversation with Pauline Kael (Da Capo, 2003, ISBN 0-306-81230-4).

Love, Pain, Art, Thinking

“To note an artist's limitations is but to define his talent. A reporter can write equally well about everything that is presented to his view, but a creative writer can do his best only with what lies within the range and character of his deepest sympathies.”

Willa Cather (1873–1947) American writer and novelist

"Miss Jewett"; originally published as the Preface to The Best Stories of Sarah Orne Jewett (1925)
Not Under Forty (1936)

“The first demonstration (Disq. Arith., Arts. 125-145) which is presented by Gauss in a form very repulsive to any but the most laborious students, has been resumed by Lejeune Dirichlet in a memoir in Crelle's Journal… and has been developed by him with that luminous perspicuity by which his mathematical writings are distinguished.”

Henry John Stephen Smith (1826–1883) mathematician

Report on the Theory of Numbers (1859) Part I, p. 59.
The Collected Mathematical Papers of Henry John Stephen Smith (1894) Vol. 1

Art, Mathematics

“He is the first of our writers whose style is cloathed with that perspicuity, in which the English phraseology appears at this day to an English reader…Whether his subject be the life of a hermit or a hero, of saint Austin or Guy earl of Warwick, ludicrous or legendary, religious or romantic, a history or an allegory, he writes with facility.”

John Lydgate (1370–1450) monk and poet

Thomas Warton The History of English Poetry (1774-81) vol. 2, pp. 52-3.
Criticism

Life, Guy, History, Appearance

“Smoking stupefies a man, and makes him incapable of thinking or writing. It is only fit for idlers, people who are always bored, who sleep for a third of their lifetime, fritter away another third in eating, drinking, and other necessary or unnecessary affairs, and don’t know—though they are always complaining that life is so short—what to do with the rest of their time. Such lazy Turks find mental solace in handling a pipe and gazing at the clouds of smoke that they puff into the air; it helps them to kill time. Smoking induces drinking beer, for hot mouths need to be cooled down. Beer thickens the blood, and adds to the intoxication produced by the narcotic smoke. The nerves are dulled and the blood clotted. If they go on as they seem to be doing now, in two or three generations we shall see what these beer-swillers and smoke-puffers have made of Germany. You will notice the effect on our literature—mindless, formless, and hopeless; and those very people will wonder how it has come about. And think of the cost of it all! Fully 25,000,000 thalers a year end in smoke all over Germany, and the sum may rise to forty, fifty, or sixty millions. The hungry are still unfed, and the naked unclad. What can become of all the money? Smoking, too, is gross rudeness and unsociability. Smokers poison the air far and wide and choke every decent man, unless he takes to smoking in self-defence. Who can enter a smoker’s room without feeling ill? Who can stay there without perishing?”

Johann Wolfgang von Goethe (1749–1832) German writer, artist, and politician

Heinrich Luden, Rueckblicke in mein Leben, Jena 1847
Attributed

Life, Money, People, Feeling

“Over the years the Flying Scotsman has travelled the world and been owned by pretty well everyone except my wife, and possibly Kate Moss. As I write he's for sale again, for a not inconsiderable 2.5 million Pounds. That may seem a lot for something that no longer has a purpose, even if he is Britain's engineering heritage. But he is not simply a machine. Like an Aston Martin DB7 or an F-16 fighter, he works as an art form too, a piece of sculpture. So what if you can't go anywhere in him anymore. Put him in your garden and spend your days just looking at him.”

Jeremy Clarkson (1960) English broadcaster, journalist and writer

I Know You Got Soul (2004)

World, Art, Travel, Flying

“In fact, I'm beginning to fear that this confusion will go on for a long time. And all because he writes down what I said incorrectly.”

Mikhail Bulgakov book The Master and Margarita

Book One in 'Pontius Pilate', B/O, here Yeshua is speaking to Pontius Pilate
The Master and Margarita (1967)

Fear, Time

“I believe that any form of writing exercise is good for you. I also believe that any form of tuition which helps develop your awareness of the different properties, styles, and effects of writing is good for you. It helps you become a better reader, more sensitive to nuance, and a better writer, more sensitive to audience. Texting language is no different from other innovative forms of written expression that have emerged in the past. It is a type of language whose communicative strengths and weaknesses need to be appreciated.”

David Crystal (1941) British linguist and writer

David Crystal, Txtng: The Gr8 Db8, OUP Oxford, 2009. p. 128

Exercises, Communication, Past, Help

“Perhaps the best answer is that the writer that I am has been shaped by the stammering kid that I was, and that although my stammer didn’t make me write, it did, in part, inform and influence the writer I became. It’s true that stammerers can become more adept at sentence construction. Synonyms aren’t always neatly interchangeable. Sometimes choosing word B over word A requires you to construct a different sentence to house it—and quickly, too, before your listener smells the stammering rat.”

David Mitchell (1969) English novelist

Paris Review

Parting, Housing

“All men have talents. Some build, some paint, some write, some fight. For me it is different.”

David Gemmell book Legend

Source: Drenai series, Legend, Pt 1: Against the Horde, Ch. 17

Men, Fight, Painting

“I began to write what I called 'rhythms' ie unrhymed pieces with no formal metrical scheme where the rhythm was created by a kind if inner chant.. Later I was told I was writing 'free verse' or Vers libre.”

Richard Aldington (1892–1962) English writer and poet

Introduction to Collected Poems, 1929

“You write a book like that that you're fond of over the years, then you see that happen to it, it's like pissing in your father's beer.”

Ernest Hemingway (1899–1961) American author and journalist

Statement after seeing David O. Selznick's remake of A Farewell to Arms (1957).
Papa Hemingway (1966)

Books, Beer

“Arabic writing at the beginning of Islam was, therefore, not of the best quality nor of the greatest accuracy and excellence. It was not (even) of medium quality, because the Arabs possessed the savage desert attitude and were not familiar with crafts. One may compare what happened to the orthography of the Qur’an on account of this situation. The men around Muhammad wrote the Qur’an in their own script which, was not of a firmly established, good quality. Most of the letters were in contradiction to the orthography required by persons versed in the craft of writing…. Consequently, (the Qur’anic orthography of the men around Muhammad was followed and became established, and the scholars acquainted with it have called attention to passages where (this is noticeable). No attention should be paid in this connection with those incompetent (scholars) that (the men around Muhammad) knew well the art of writing and that the alleged discrepancies between their writing and the principles of orthography are not discrepancies, as has been alleged, but have a reason. For instance, they explain the addition of the alif in la ‘adhbahannahU "I shall indeed slaughter him" as indication that the slaughtering did not take place ( lA ‘adhbahannahU ). The addition of the ya in bi-ayydin "with hands (power)," they explain as an indication that the divine power is perfect. There are similar things based on nothing but purely arbitrary assumptions. The only reason that caused them to (assume such things) is their belief that (their explanations) would free the men around Muhammad from the suspicion of deficiency, in the sense that they were not able to write well. They think that good writing is perfection. Thus, they do not admit the fact that the men around Muhammad were deficient in writing.”

Ibn Khaldun book Muqaddimah

Muqqadimah, ibn Khaldun, vol. 2, p. 382
Muqaddimah (1377)

Men, Art, Thinking, Sense

“No one can examine this record and escape the conclusion that in the great outline of its principles the Declaration was the result of the religious teachings of the preceding period. The profound philosophy which Jonathan Edwards applied to theology, the popular preaching of George Whitefield, had aroused the thought and stirred the people of the Colonies in preparation for this great event. No doubt the speculations which had been going on in England, and especially on the Continent, lent their influence to the general sentiment of the times. Of course, the world is always influenced by all the experience and all the thought of the past. But when we come to a contemplation of the immediate conception of the principles of human relationship which went into the Declaration of Independence we are not required to extend our search beyond our own shores. They are found in the texts, the sermons, and the writings of the early colonial clergy who were earnestly undertaking to instruct their congregations in the great mystery of how to live. They preached equality because they believed in the fatherhood of God and the brotherhood of man. They justified freedom by the text that we are all created in the divine image, all partakers of the divine spirit.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Speech on the Anniversary of the Declaration of Independence (1926)

God, People, World, Search

“It takes a spasm of love to write a poem.”

Erica Jong (1942) Novelist, poet, memoirist, critic

How to Save Your Own Life (1977)

Love

“When I sit near the ocean in the morning and write my verses and breathe the salty wind which is coming from the water, I rejoice in God and I am blissful, as I was as a child.”

Joseph Goebbels (1897–1945) Nazi politician and Propaganda Minister

Wenn ich morgens am Meere sitze und Verse dichte und atme dabei den salzigen Wind, der vom Wasser herüberspringt, dann gehe ich auf in Gott und bin glücklich, wie ich es nur noch in der Kinderzeit war.
Michael: a German fate in diary notes (1926)

God, Water

“I like the hip writers: Fitzgerald, the guy who committed suicide, Hemingway, all those guys. Some of them were alcoholics and drug addicts but they had fun. They were real people. They formed the culture of American literature. Hemingway admired Tolstoy, Tolstoy admired Pushkin, and Mailer admired Hemingway. It all flows down. The greats are all connected. One day I'm gonna write a book myself. The first chapter will be about what a rough deal my momma got. She believed in you guys and your society.”

Mike Tyson (1966) American boxer

http://www.telegraph.co.uk/sport/othersports/boxing/3026999/Boxing-Tysons-complicated-world.html
On literature

People, Alcohol, Books, Guy

“.. I write you from the French front where I'am serving as a soldier in the Russian ambulance Corps. How are you feeling and what are you doing? How are your friends, Lissitsky, Libakov [also former students of Pen], Mazel, Mekler, and Chagall? Please, for God's sake, answer me. I would be so glad to hear how everyone is.
I'm in fine health, but tired of it all – it's utterly disgraceful, makes the soul turn cold. If only it [the war] would just end.
What are you working on, what are you doing? Please write me.”

Ossip Zadkine (1890–1967) French sculptor

Yours Zadkine.
Quote in a letter of Zadkine (in France) to his former art-teacher Yuri Moiseevich Pen in Vitebsk, Russia, 16 Nov. 1916 (transl. into Belorussian E.M. Kichina); as quoted in Vitebsk: The Life of Art, by Aleksandra Semenovna Shatskikh; Yale University Press, 2007, p. 19
1915 - 1940

God, War, Health, Feeling

“At fifteen years of age, when first my parents settled down in London (temporarily as they thought) I had never been in England, never had an English friend or English governess, or English tuition of any sort or kind. I did not speak one word of English. Then how did it all come about? Neo-Victorians and Neo-Georgians will put it down to destiny; others to predestination. I, in my humble way, put it down to the Will of God. And looking back on my long life and its many changes I can trace the links of my chain of life that began on the great plains of Hungary, continued through the heart of London, and find me now at this hour of writing this book in Monte Carlo jotting down all that I can remember of those links which led me one by one to the conception of my first literary work. If any one of those links had not been, if any turn of event in my life had been different, I would probably have ended my days in the country of my birth and known nothing of the happiness which comes from love, from the affection of friends (such as one meets in England) and from success in the work to which I devoted so many years of my life.”

Emma Orczy (1865–1947) Hungarian-British author of "The Scarlet Pimpernel"

Source: Links in the Chain of Life (1947), Ch. 1

Love, Life, God, Happiness

“A petty reason perhaps why novelists more and more try to keep a distance from journalists is that novelists are trying to write the truth and journalists are trying to write fiction.”

Graham Greene (1904–1991) English writer, playwright and literary critic

Letter to critic Stephen Pile, Sunday Times (London) (January 18, 1981)

Truth

“This morning I received a letter from de Bellio. He writes that he does not believe scientific research into the nature of color and light can help the artist, neither can anatomy nor the laws of optics. He wants to discuss these questions with me and find out my views. Now everything depends on how this knowledge is to be used. But surely it is clear that we could not pursue our studies of light with much assurance if we did not have as a guide the discoveries of Chevreul and other scientists. I would not have distinguished between local color and light if science had not given us the hint; the same holds true for complementary colors, contrasting colors, etc. 'Yes', he will tell me: 'but these have always been taken into account, look at Monet' It is at this point that the question becomes serious!”

Camille Pissarro (1830–1903) French painter

Quote of Camille Pissarro, in a letter, Eragny, 23 February 1887, to his son Lucien; in Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, p. 99
1880's

Law, Color, Question, Nature

“Journalism is writing that first appears in any periodic journal.”

William Zinsser (1922–2015) writer, editor, journalist, literary critic, professor

Source: On Writing Well (Fifth Edition, orig. pub. 1976), Chapter 9, Nonfiction as Literature, p. 61.

Appearance

“Writing seems to rob me of my being: it is a second hand mode of communication, a pallid, mechanical transcript of speech, and so always at one remove from my consciousness.”

Terry Eagleton (1943) British writer, academic and educator

Source: 1980s, Literary Theory: An Introduction (1983), Chapter 4, p. 113 (See also: Julian Jaynes)

Communication

“The chronological inconsistencies are perhaps most clearly exemplified by the writings of Nicole Oresme. In his Traictie de la Premierere Invention des Monnies, written about 1360, he develops a theory of money which reveals a very different approach to economic problems from that of his fellow Churchmen.”

Eric Roll, Baron Roll of Ipsden (1907–2005) British economist

Source: A History of Economic Thought (1939), Chapter I, The Beginnings, p. 53

Money, Problem

“People who are more than casually interested in computers should have at least some idea of what the underlying hardware is like. Otherwise the programs they write will be pretty weird.”

Donald Ervin Knuth book The Art of Computer Programming

Vol. I Fasc. 1, "MMIX, a RISC computer for the new millennium"
The Art of Computer Programming (1968–2011)

People, Idea

“Prior to 1952, when M. Ventris first published his decipherment of the 'Linear B' tablets from Crete and Greece, showing that they were Greek, everyone assumed that Hebrew was recorded in writing before Greek. But now… we are reading Linear B Greek texts, written before the birth of Abraham”

Cyrus H. Gordon (1908–2001) American linguist

let alone before the date of any known Hebrew text
Introduction
Adventures in the Nearest East (1957)

Birth, Reading

“This is the sort of book that justifies fatwahs. If WWIII occurred right now, we could die happy knowing Baxter would never write again. If a dinosaur killing asteroid was headed for Earth and I knew Baxter had another book coming up, I would campaign for letting the rock hit, since it is obviously the work of a benevolent deity trying to save us from another Titan.”

James Nicoll (1961) Canadian fiction reviewer

[914171029.329464@watserv4.uwaterloo.ca, 1998]
1990s

Happiness, Books

“People write or speak sentences in order to produce an effect, and the success of a sentence is measured by the degree to which the desired effect has been achieved.”

Stanley Fish (1938) American academic

Source: How To Write A Sentence And How To Read One (2011), Chapter 4, What Is A Good Sentence?, p. 37

People, Success

“What makes a good writer of history is a guy who is suspicious. Suspicion marks the real difference between the man who wants to write honest history and the one who'd rather write a good story.”

Jim Bishop (1907–1987) American journalist and author

As quoted by Lewis Nichols http://www.nytimes.com/1982/04/30/obituaries/lewis-nichols-times-drama-critic-during-world-war-ii-dead-at-78.html in "Talk With Jim Bishop" http://query.nytimes.com/gst/abstract.html?res=9F03EEDE133AE53BBC4E53DFB466838E649EDE, The New York Times (6 February 1955).

Guy, History

“The mystery story is a kind of writing that need not dwell in the shadow of the past and owes little if any allegiance to the cult of the classics. It is a good deal more than unlikely that any writer now living will produce a better historical novel than Henry Esmond, a better tale of children than The Golden Age, a sharper social vignette than Madame Bovary, a more graceful and elegant evocation than The Spoils of Poynton, a wider and richer canvas than War and Peace or The Brothers Karamazov. But to devise a more plausible mystery than The Hound of the Baskervilles or The Purloined Letter should not be too difficult. Nowadays it would be rather more difficult not to.”

Raymond Chandler book The Simple Art of Murder

Introduction
The Simple Art of Murder (1950)

War, Children, Age, Peace

“Emerson writes in his Journal that all men try their hands at poetry, but few know which their poems are. The poets are not those who write poems, but those who know which of the things they write are poems.”

Carl Andre (1935) American artist

Quote from a 1962 essay by Andre; as quoted in ' Objects Are What We Aren't' https://www.theparisreview.org/blog/2015/02/26/objects-are-what-we-arent/, by Andy Battaglia; The Parish Review, February 26, 2015

Men

“I have a bag full of words, and when one of us comes up with a good piece of music, I look in the bag to see if anything there will fit. If nothing does, I sit down and try to put down on paper what the music makes me feel; very rarely will a piece of writing inspire a piece of music.”

Robert Smith (musician) (1959) English singer, songwriter and musician

CANOE 1996

Music, Feeling

“There has been a rush of competitors anxious to be first in the field with a new text-book on the more "practical" lines which now find so much favour. The natural desire of each teacher who writes such a text-book is to give prominence to some special nostrum which he has found successful with pupils. One result is, too often, a loss of a due sense of proportion… It is, perhaps too early yet to prophesy what will be the ultimate outcome of the new order of things; but it would at least seem possible that history will repeat itself and that, when chaos has come again in geometrical teaching, there will be a return to Euclid more or less complete for the purpose of standardising it once more.”

Thomas Little Heath (1861–1940) British civil servant and academic

The Thirteen Books of Euclid's Elements (1908)

Books, History, Nature, Sense

“Machiavelli, however, took his bearings from people as they are. He defined the political project as making the best of this flawed material. He knew (in words Kant would write almost three centuries later) that nothing straight would be made from the crooked timber of humanity.”

George Will (1941) American newspaper columnist, journalist, and author

Speech at Washington University, Danforth Center for Religion and Politics, St. Louis, broadcast (4 December 2012)
2010s

People

“"Short-term inequality remains a problem," writes [right-wing scholar Dinesh] D'Souza… "but is it a problem we can live with?" …After searching his soul for a few seconds, he apparently concludes that we can live with it. Of course, inequality always feels like less of a problem to those who don't live in corrugated shacks, which is why sales of D'Souza's book have probably been brisker in Manhattan than in, say, Addis Ababa or Khartoum.”

Linda McQuaig (1951) journalist and author

All You Can Eat: Greed, Lust and the New Capitalism (2001)

Books, Feeling, Soul, Search

“Never before have I written so long a letter. I'm afraid it is much too long to take your precious time. I can assure you that it would have been much shorter if I had been writing from a comfortable desk, but what else can one do when he is alone in a narrow jail cell, other than write long letters, think long thoughts, and pray long prayers?”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, (1963)

Thinking, Time

“Writing fiction is … an endless and always defeated effort to capture some quality of life without killing it.”

Rose Wilder Lane (1886–1968) American journalist

Source: Old Home Town (1935), Ch. 1.

Life, Effort

“The desire to write perfectly of beautiful happenings is, as the saying runs, old as the hills — and as immortal.”

James Branch Cabell (1879–1958) American author

"Auctorial Induction"
The Certain Hour (1916)

Beauty

“Perhaps we shall one day find that Rembrandt is a greater painter than Raphael. I write down this blasphemy which will cause the hair of the school-men to stand on end without taking sides.”

Eugène Delacroix (1798–1863) French painter

Quote in Delacroix's Journal of 1851; as cited in The Rise of the Cult of Rembrandt: Reinventing an Old Master in Nineteenth-Century France (2004) by Alison McQueen, p. 102
1831 - 1863

Men, School

“The distinction between a major and minor poet is the ability to write a long poem successfully.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

Form in Modern Poetry(1932)

“This short book, where joy and sadness are twins, like the ears of Platero, was written for … I have no idea for whom! … For whomever lyric poets write …”

Juan Ramón Jimenéz (1881–1958) Spanish poet

"A NOTE TO THOSE GROWNUPS WHO MIGHT READ THIS BOOK TO CHILDREN", as translated by Antonio T. de Nicolas (1985), p. xv.
‪Platero and I‬ (1917)

Books, Sadness, Idea, Joy

“I write the lyrics first, then the music," he says. "I don't want to try to be someone I'm not, because people easily see through that. So I only write about my own experiences, things I know and enjoy. Like my pets. I can't write about lovey or coupley things.”

Joseph McManners (1992) British singer, actor

In regards to his own music:

People, Music

“I exhibited three paintings at the Salon d'Automne exhibition [Paris], which is the most interesting exhibition I have seen until now. Much more interesting than the Secession [in München]. My paintings [two words cancelled] were noticed and praised by the art critics. I think I will be very famous here in a few years time. Reading my name in the newspapers and seeing people notice my paintings and write about them has given me new and strange joy. – Paris is a beautiful city. Why do you remain in the monotony of Munich's heavy atmosphere? Here one can find everything one desires. Everything is refined and has spirit and everyday one learns something new.. The French are more intelligent than I thought. They laugh a lot, but they understand better than the Germans what is refined, strange and outside the ordinary.”

Giorgio de Chirico (1888–1978) Italian artist

Quote from De Chirico's letter to Mr. Fritz Gartz, Paris, 8 Oct. 1912; from LETTERS BY GIORGIO DE CHIRICO TO FRITZ GARTZ, PARIS, 1912-1914 http://www.fondazionedechirico.org/wp-content/uploads/576-579Metafisica7_8.pdf, p. 576 <br class="br">1908 - 1920

People, Beauty, Art, Intelligence

Quotes about writing page 27

Quotes about writing
page 27