Quotes about writing
page 27

Julien Offray de La Mettrie photo

“Write as if thou wert alone in the universe and hadst nothing to fear from the jealousies and prejudices of the people. Otherwise thou wilt miss thy purpose.”

Julien Offray de La Mettrie (1709–1751) French physician and philosopher

Preface, Oeuvres philosophiques de Monsieur de La Mettrie (1764) as quoted by Paul Carus, The Mechanistic Principle and the Non-mechanical (1913) p. 102. https://books.google.com/books?id=wGNRAAAAYAAJ&pg=PA102

Tam Dalyell photo
Marshall McLuhan photo

“The Age of Writing has passed. We must invent a new metaphor, restructure our thoughts and feelings.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, Counterblast (1969), p. 14

Randal Marlin photo
Andrew Dickson White photo
Andrea Dworkin photo

“I have spent 20 years writing these books. Had I wanted to say men are beasts and scream, that takes 30 seconds.”

Andrea Dworkin (1946–2005) Feminist writer

Modern Times Interview of Andrea Dworkin With Larry Josephson, on "Modern Times" (American Public Radio, 1992) (radio program) (transcript of tape (end of tape missing)) http://www.andreadworkin.com/audio/moderntimes.html, as accessed Sep. 5, 2010.

Muhammad ibn Zakariya al-Razi photo

“(…) I have written so far around 200 books and articles on different aspects of science, philosophy, theology, and hekmat (wisdom). (…) I never entered the service of any king as a military man or a man of office, and if I ever did have a conversation with a king, it never went beyond my medical responsibility and advice. (…) Those who have seen me know, that I did not into excess with eating, drinking or acting the wrong way. As to my interest in lil pump yuhh!! people know perfectly well and must have witnessed how I have devoted all my life to science since my youth. My patience and diligence in the pursuit of science has been such that on one special issue specifically I have written 20,000 pages (in small print), moreover I spent fifteen years of my life - night and day - writing the big collection entitled Al Hawi. It was during this time that I lost my eyesight, my hand became paralyzed, with the result that I am now deprived of reading and writing. Nonetheless, I've never given up, but kept on reading and writing with the help of others. I could make concessions with my opponents and admit some shortcomings, but I am most curious what they have to say about my scientific achievement. If they consider my approach incorrect, they could present their views and state their points clearly, so that I may study them, and if I determined their views to be right, I would admit it. However, if I disagreed, I would discuss the matter to prove my standpoint. If this is not the case, and they merely disagree with my approach and way of life, I would appreciate they only use my written knowledge and stop interfering with my behaviour.”

Muhammad ibn Zakariya al-Razi (865–925) Persian polymath, physician, alchemist and chemist, philosopher

Lost History: The Enduring Legacy of Muslim Scientists, Thinkers, and Artists

Robert Maynard Hutchins photo
Svetlana Alexievich photo
J. M. Barrie photo
Neal Stephenson photo
William Saroyan photo
Ken Thompson photo
Georg Christoph Lichtenberg photo
Paolo Bacigalupi photo

“We write dust epitaphs for our vanquished enemies and watch them blow away in the desert wind.”

Paolo Bacigalupi (1972) American science fiction and fantasy writer

"The Pasho", Asimov's Science Fiction, September 2004

Joanna MacGregor photo
Robert Penn Warren photo
David Eugene Smith photo
Anthony Burgess photo
Machado de Assis photo

“For some time I debated over whether I should start these memoirs at the beginning or at the end, that is, whether I should put my birth or my death in first place. Since common usage would call for beginning with birth, two considerations led me to adopt a different method: the first is that I am not exactly a writer who is dead but a dead man who is a writer, for whom the grave was a second cradle; the second is that the writing would be more distinctive and novel in that way. Moses, who also wrote about his death, didn't place it at the opening but at the close: a radical difference between this book and the Pentateuch.”

Machado de Assis (1839–1908) Brazilian writer

Algum tempo hesitei se devia abrir estas memórias pelo princípio ou pelo fim, isto é, se poria em primeiro lugar o meu nascimento ou a minha morte. Suposto o uso vulgar seja começar pelo nascimento, duas considerações me levaram a adotar diferente método: a primeira é que eu não sou propriamente um autor defunto mas um defunto autor, para quem a campa foi outro berço; a segunda é que o escrito ficaria assim mais galante e mais novo. Moisés, que também contou a sua morte, não a pôs no intróito, mas no cabo: diferença radical entre este livro e o Pentateuco.
Source: As Memórias Póstumas de Brás Cubas (1881), Ch. 1 (opening words), p. 7.

L. David Mech photo

“[Vickery in his handbook of procedures for making faceted classifications, writes that organizing a field into facets] can be achieved only by a detailed examination of the literature of the field”

Brian Campbell Vickery (1918–2009) British information theorist

Brian Campbell Vickery (1970) Faceted Classification: A Guide to Construction and Use of Special Schemes. p. 20 as cited in: Claire Beghtol (1986) " Semantic Validity: Concepts of Warrant in Bibliographic Classification Systems http://downloads.alcts.ala.org/lrts/lrtsv30no2.pdf" Library Resources & Technical Services. Vol 30. p. 113.

Samuel R. Delany photo
Cesare Pavese photo

“In the mental disturbance and effort of writing, what sustains you is the certainty that on every page there is something left unsaid.”

Cesare Pavese (1908–1950) Italian poet, novelist, literary critic, and translator

This Business of Living (1935-1950)

Shelley Jackson photo
Neil Gaiman photo

“If poets spoke their poetry, they would not need to write it.”

Dennis O'Driscoll (1954–2012) Irish poet, critic

Poetry Quotes

Bret Easton Ellis photo
Paul Krugman photo
David Mermin photo

“A veritable brain washing of the nation is under way trying to turn history upside down and write off the persecution of Hindus through various subterfuges.”

Harsh Narain (1921–1995) Indian writer

The Ayodhya temple-mosque dispute: Focus on Muslim sources (1993)

Perry Anderson photo
Dinesh D'Souza photo
Felix Frankfurter photo

“No judge writes on a wholly clean slate.”

Felix Frankfurter (1882–1965) American judge

The Commerce Clause (1937), p. 12.
Other writings

Barbara Hepworth photo
Isaac Asimov photo
Cyril Connolly photo
Ravi Zacharias photo

“Then he said something that was absolutely defining for him: "Write this down and never forget it: Love is as much a question of the will as it is of the emotion. And if you will to love somebody, you can."”

Ravi Zacharias (1946) Indian philosopher

[I, Isaac, Take Thee, Rebekah: Moving from Romance to Lasting Love, 2005, 9781418515812, http://books.google.com/books?id=lhWCB2v3UlQC&pg=PA29&dq=%22Love+is+as+much+a+question+of+the+will%22, 29]
quoting his brother
2000s

Lois Duncan photo
Rose Wilder Lane photo
Maeve Binchy photo

“I once tried to write a novel about revenge. It's the only book I didn't finish. I couldn't get into the mind of the person who was plotting vengeance.”

Maeve Binchy (1940–2012) Irish novelist

shelf-life.ew.com http://shelf-life.ew.com/2012/07/31/circle-of-friends-author-maeve-binchy-dies/

Desmond Morris photo

“The coffee having arrived (how hard it is to write without the ablative absolute!) we guzzled genteelly for a while…”

Kyril Bonfiglioli (1928–1985) British art dealer

Source: The Mortdecai Trilogy, Don't Point That Thing At Me (1972), Ch. 4.

“The fact that randomness requires a physical rather than a mathematical source is noted by almost everyone who writes on the subject, and yet the oddity of this situation is not much remarked.”

Brian Hayes (scientist) (1900) American scientist, columnist and author

Source: Group Theory in the Bedroom (2008), Chapter 2, Random Resources, p. 35

Pauline Kael photo
Willa Cather photo

“To note an artist's limitations is but to define his talent. A reporter can write equally well about everything that is presented to his view, but a creative writer can do his best only with what lies within the range and character of his deepest sympathies.”

Willa Cather (1873–1947) American writer and novelist

"Miss Jewett"; originally published as the Preface to The Best Stories of Sarah Orne Jewett (1925)
Not Under Forty (1936)

Henry John Stephen Smith photo
John Lydgate photo
Johann Wolfgang von Goethe photo

“Smoking stupefies a man, and makes him incapable of thinking or writing. It is only fit for idlers, people who are always bored, who sleep for a third of their lifetime, fritter away another third in eating, drinking, and other necessary or unnecessary affairs, and don’t know—though they are always complaining that life is so short—what to do with the rest of their time. Such lazy Turks find mental solace in handling a pipe and gazing at the clouds of smoke that they puff into the air; it helps them to kill time. Smoking induces drinking beer, for hot mouths need to be cooled down. Beer thickens the blood, and adds to the intoxication produced by the narcotic smoke. The nerves are dulled and the blood clotted. If they go on as they seem to be doing now, in two or three generations we shall see what these beer-swillers and smoke-puffers have made of Germany. You will notice the effect on our literature—mindless, formless, and hopeless; and those very people will wonder how it has come about. And think of the cost of it all! Fully 25,000,000 thalers a year end in smoke all over Germany, and the sum may rise to forty, fifty, or sixty millions. The hungry are still unfed, and the naked unclad. What can become of all the money? Smoking, too, is gross rudeness and unsociability. Smokers poison the air far and wide and choke every decent man, unless he takes to smoking in self-defence. Who can enter a smoker’s room without feeling ill? Who can stay there without perishing?”

Johann Wolfgang von Goethe (1749–1832) German writer, artist, and politician

Heinrich Luden, Rueckblicke in mein Leben, Jena 1847
Attributed

Jeremy Clarkson photo
Mikhail Bulgakov photo

“In fact, I'm beginning to fear that this confusion will go on for a long time. And all because he writes down what I said incorrectly.”

Book One in 'Pontius Pilate', B/O, here Yeshua is speaking to Pontius Pilate
The Master and Margarita (1967)

David Crystal photo
David Mitchell photo

“All men have talents. Some build, some paint, some write, some fight. For me it is different.”

Source: Drenai series, Legend, Pt 1: Against the Horde, Ch. 17

Richard Aldington photo
Ernest Hemingway photo

“You write a book like that that you're fond of over the years, then you see that happen to it, it's like pissing in your father's beer.”

Ernest Hemingway (1899–1961) American author and journalist

Statement after seeing David O. Selznick's remake of A Farewell to Arms (1957).
Papa Hemingway (1966)

Ibn Khaldun photo

“Arabic writing at the beginning of Islam was, therefore, not of the best quality nor of the greatest accuracy and excellence. It was not (even) of medium quality, because the Arabs possessed the savage desert attitude and were not familiar with crafts. One may compare what happened to the orthography of the Qur’an on account of this situation. The men around Muhammad wrote the Qur’an in their own script which, was not of a firmly established, good quality. Most of the letters were in contradiction to the orthography required by persons versed in the craft of writing…. Consequently, (the Qur’anic orthography of the men around Muhammad was followed and became established, and the scholars acquainted with it have called attention to passages where (this is noticeable). No attention should be paid in this connection with those incompetent (scholars) that (the men around Muhammad) knew well the art of writing and that the alleged discrepancies between their writing and the principles of orthography are not discrepancies, as has been alleged, but have a reason. For instance, they explain the addition of the alif in la ‘adhbahannahU "I shall indeed slaughter him" as indication that the slaughtering did not take place ( lA ‘adhbahannahU ). The addition of the ya in bi-ayydin "with hands (power)," they explain as an indication that the divine power is perfect. There are similar things based on nothing but purely arbitrary assumptions. The only reason that caused them to (assume such things) is their belief that (their explanations) would free the men around Muhammad from the suspicion of deficiency, in the sense that they were not able to write well. They think that good writing is perfection. Thus, they do not admit the fact that the men around Muhammad were deficient in writing.”

Muqqadimah, ibn Khaldun, vol. 2, p. 382
Muqaddimah (1377)

Calvin Coolidge photo

“No one can examine this record and escape the conclusion that in the great outline of its principles the Declaration was the result of the religious teachings of the preceding period. The profound philosophy which Jonathan Edwards applied to theology, the popular preaching of George Whitefield, had aroused the thought and stirred the people of the Colonies in preparation for this great event. No doubt the speculations which had been going on in England, and especially on the Continent, lent their influence to the general sentiment of the times. Of course, the world is always influenced by all the experience and all the thought of the past. But when we come to a contemplation of the immediate conception of the principles of human relationship which went into the Declaration of Independence we are not required to extend our search beyond our own shores. They are found in the texts, the sermons, and the writings of the early colonial clergy who were earnestly undertaking to instruct their congregations in the great mystery of how to live. They preached equality because they believed in the fatherhood of God and the brotherhood of man. They justified freedom by the text that we are all created in the divine image, all partakers of the divine spirit.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Speech on the Anniversary of the Declaration of Independence (1926)

Erica Jong photo

“It takes a spasm of love to write a poem.”

Erica Jong (1942) Novelist, poet, memoirist, critic

How to Save Your Own Life (1977)

Joseph Goebbels photo

“When I sit near the ocean in the morning and write my verses and breathe the salty wind which is coming from the water, I rejoice in God and I am blissful, as I was as a child.”

Joseph Goebbels (1897–1945) Nazi politician and Propaganda Minister

Wenn ich morgens am Meere sitze und Verse dichte und atme dabei den salzigen Wind, der vom Wasser herüberspringt, dann gehe ich auf in Gott und bin glücklich, wie ich es nur noch in der Kinderzeit war.
Michael: a German fate in diary notes (1926)

Mike Tyson photo
Ossip Zadkine photo
Emma Orczy photo
Graham Greene photo

“A petty reason perhaps why novelists more and more try to keep a distance from journalists is that novelists are trying to write the truth and journalists are trying to write fiction.”

Graham Greene (1904–1991) English writer, playwright and literary critic

Letter to critic Stephen Pile, Sunday Times (London) (January 18, 1981)

Camille Pissarro photo

“Journalism is writing that first appears in any periodic journal.”

William Zinsser (1922–2015) writer, editor, journalist, literary critic, professor

Source: On Writing Well (Fifth Edition, orig. pub. 1976), Chapter 9, Nonfiction as Literature, p. 61.

Terry Eagleton photo

“Writing seems to rob me of my being: it is a second hand mode of communication, a pallid, mechanical transcript of speech, and so always at one remove from my consciousness.”

Terry Eagleton (1943) British writer, academic and educator

Source: 1980s, Literary Theory: An Introduction (1983), Chapter 4, p. 113 (See also: Julian Jaynes)

Donald Ervin Knuth photo

“People write or speak sentences in order to produce an effect, and the success of a sentence is measured by the degree to which the desired effect has been achieved.”

Stanley Fish (1938) American academic

Source: How To Write A Sentence And How To Read One (2011), Chapter 4, What Is A Good Sentence?, p. 37

“What makes a good writer of history is a guy who is suspicious. Suspicion marks the real difference between the man who wants to write honest history and the one who'd rather write a good story.”

Jim Bishop (1907–1987) American journalist and author

As quoted by Lewis Nichols http://www.nytimes.com/1982/04/30/obituaries/lewis-nichols-times-drama-critic-during-world-war-ii-dead-at-78.html in "Talk With Jim Bishop" http://query.nytimes.com/gst/abstract.html?res=9F03EEDE133AE53BBC4E53DFB466838E649EDE, The New York Times (6 February 1955).

Raymond Chandler photo

“Emerson writes in his Journal that all men try their hands at poetry, but few know which their poems are. The poets are not those who write poems, but those who know which of the things they write are poems.”

Carl Andre (1935) American artist

Quote from a 1962 essay by Andre; as quoted in ' Objects Are What We Aren't' https://www.theparisreview.org/blog/2015/02/26/objects-are-what-we-arent/, by Andy Battaglia; The Parish Review, February 26, 2015

Robert Smith (musician) photo
Thomas Little Heath photo
George Will photo

“Machiavelli, however, took his bearings from people as they are. He defined the political project as making the best of this flawed material. He knew (in words Kant would write almost three centuries later) that nothing straight would be made from the crooked timber of humanity.”

George Will (1941) American newspaper columnist, journalist, and author

Speech at Washington University, Danforth Center for Religion and Politics, St. Louis, broadcast (4 December 2012)
2010s

Linda McQuaig photo
Martin Luther King, Jr. photo
Rose Wilder Lane photo

“Writing fiction is … an endless and always defeated effort to capture some quality of life without killing it.”

Rose Wilder Lane (1886–1968) American journalist

Source: Old Home Town (1935), Ch. 1.

James Branch Cabell photo

“The desire to write perfectly of beautiful happenings is, as the saying runs, old as the hills — and as immortal.”

James Branch Cabell (1879–1958) American author

"Auctorial Induction"
The Certain Hour (1916)

Eugène Delacroix photo

“Perhaps we shall one day find that Rembrandt is a greater painter than Raphael. I write down this blasphemy which will cause the hair of the school-men to stand on end without taking sides.”

Eugène Delacroix (1798–1863) French painter

Quote in Delacroix's Journal of 1851; as cited in The Rise of the Cult of Rembrandt: Reinventing an Old Master in Nineteenth-Century France (2004) by Alison McQueen, p. 102
1831 - 1863

Herbert Read photo

“The distinction between a major and minor poet is the ability to write a long poem successfully.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

Form in Modern Poetry(1932)

Juan Ramón Jimenéz photo

“This short book, where joy and sadness are twins, like the ears of Platero, was written for … I have no idea for whom! … For whomever lyric poets write …”

Juan Ramón Jimenéz (1881–1958) Spanish poet

"A NOTE TO THOSE GROWNUPS WHO MIGHT READ THIS BOOK TO CHILDREN", as translated by Antonio T. de Nicolas (1985), p. xv.
‪Platero and I‬ (1917)

Joseph McManners photo
Giorgio de Chirico photo
Marianne Moore photo