Quotes about writing
page 26

“There's a leveling homogeneity in America today created by television. Each day it passes over the vast land mass, over the states nudging each other like the sovereignties of the Balkans, creating a unifying cloud of aesthetic properties and experience. East and West, North and South are wrapped in a sort of over-soul of images, facts, happenings, celebrities. This debris is as sacred to our current fiction as gossip about the new vicar was to Trollope. And there it is on the page, informing the domestically restless households, father off somewhere, mother chagrined. Sons and daughters writing the books.”

Elizabeth Hardwick (1916–2007) Novelist, short story writer, literary critic

"Locations: An Introduction" (pp. xix-xx)
American Fictions (1999)

Books, Soul, Daughters

“We're the only branch of government that explains itself in writing every time it makes a decision.”

Byron White (1917–2002) Associate Justice of the U.S. Supreme Court, American football player

Reported by Evan Thomas in Time Magazine, Oct. 08, 1984, in response to the assertion that the Supreme Court is the most secretive branch in terms of carrying out its deliberations.

Decision, Time

“There were other Batman writers throughout the years but they could never capture the style and flavor of Bill's scripts. Bill was the best writer in the business and it seemed that he was destined to write Batman".”

Bill Finger (1914–1974) American comic strip and comic book writer

About

Business

“Interestingly, she [Romila Thapar] has refrained from mentioning the persecution of Buddhists by Pushyamitra Shunga… and the melting of idols by king Harsha of Kashmir, which had so far figured most prominently in the writings of her school. I wonder whether she has realized that those allegations have no legs to stand upon, even though others of her school continue to harp on them.”

Pushyamitra Shunga King of Sunga Dynasty

Sita Ram Goel, Hindu Temples - What Happened to Them?, Appendix IV

School

“I love writing, but I feel like you need time to really get in touch with yourself to do that. On [Metamorphosis], I would have liked to have had more time to work with the writers [and] write some more of my own stuff. Hopefully I can do that on my second album.”

Hilary Duff (1987) American actress and singer

Rosen, Craig. "Hilary Duff: A Performer's Metamorphosis" http://www.billboard.com/bbcom/news/article_display.jsp?vnu_content_id=2076149. Billboard. January 26 2004. Retrieved October 25 2006. On Metamorphosis (2003), her second album and first non-holiday album.

Love, Feeling, Time

“I wish I could write well enough to write about aircraft. Faulkner did it very well in Pylon but you cannot do something someone else has done though you might have done it if they hadn't.”

Ernest Hemingway (1899–1961) American author and journalist

Letter (3 July 1956); published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker

“We might add now that we do have an authoritative account of why the United States bombed Serbia in 1999. It comes from Strobe Talbott, now the director of the Brookings Institution, but in 1999 he was in charge of the State Department-Pentagon team that supervised the diplomacy in the affair. He wrote the introduction to a recent book by his Director of Communications, John Norris, which presents the position of the Clinton administration at the time of the bombing. Norris writes that "it was Yugoslavia's resistance to the broader trends of political and economic reform - not the plight of Kosovar Albanians - that best explains NATO's war". In brief, they were resisting absorption into the U. S. dominated international socioeconomic system. Talbott adds that thanks to John Norris, anyone interested in the war in Kosovo "will know … how events looked and felt at the time to those of us who were involved" in the war, actually directing it. This authoritative explanation will come as no surprise at all to students of international affairs who are more interested in fact than rhetoric. And it will also come as no surprise, to those familiar with intellectual life, that the attack continues to be hailed as a grand achievement of humanitarian intervention, despite massive Western documentation to the contrary, and now an explicit denial at the highest level; which will change nothing, it's not the way intellectual life works.”

Noam Chomsky (1928) american linguist, philosopher and activist

Talk at the Englert Theatre in Iowa, April 10, 2006 http://www.greenteaphd.com/greenteablog/?p=252 Quotes 2000s, 2006

Life, War, Books, Way

“There's only one person who needs a glass of water oftener than a small child tucked in for the night, and that's a writer sitting down to write.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Unclassified

Water, Personality, Night

“I'm sorry, Jeff, I'm a little taken back right now. I mean, this is… this… this is what it comes to? People actually cheering because you haven't failed a drug test in a year? This is not an accomplishment! Maybe it's an accomplishment to you, Jeff, so congratulations. You haven't failed a drug test in three hundred and sixty-five days. You can start writing your Hall of Fame speech right now.”

Phil Brooks (1978) American professional wrestler and mixed martial artist

Beginning a lecture criticizing Jeff Hardy on being proud of the fact that he hasn't failed a drug test in over a year, despite the fact that he'd already failed two beforehand and would've been fired if he'd failed a third one. July 17, 2009.
Friday Night SmackDown

People

“And swear
No where
Lives a woman true and fair.
If thou find'st one, let me know,
Such a pilgrimage were sweet;
Yet do not, I would not go,
Though at next door we might meet,
Though she were true, when you met her,
And last, till you write your letter,
Yet she
Will be
False, ere I come, to two, or three.”

John Donne (1572–1631) English poet

Song (Go and Catch a Falling Star), stanzas 2-3

Falseness

“Now, if Mr. Shaw and Mr. Saroyan are poles apart, no comparison between the two, one great and the other nothing, one a genius and the other a charlatan, let me repeat that if you must know which writer has influenced my writing when influences are real and for all I know enduring, then that writer has been George Bernard Shaw. I shall in my own day influence a young writer or two somewhere or other, and no one need worry about that.
Young Shaw, hello out there.”

William Saroyan (1908–1981) American writer

In the The Bicycle Rider In Beverly Hills (1952) Saroyan additionally wrote of Shaw:
He was a gentle, delicate, kind, little man who had established a pose, and then lived it so steadily and effectively that the pose had become real. Like myself, his nature has been obviously a deeply troubled one in the beginning. He had been a man who had seen the futility, meaninglessness and sorrow of life but had permitted himself to thrust aside these feelings and to perform another George Bernard Shaw, which is art and proper.
Hello Out There (1941)

“He thought for a moment, brought back from his reflections. "It was only possible for me to do it," he said, "because it was necessary. I either had to write the book or be reduced to despair; it was the only means of saving me from nothingness, chaos and suicide. The book was written under this pressure and brought me the expected cure, simply because it was written, irrespective of whether it was good or bad. That was the only thing that counted. And while writing it, there was no need for me to think at all of any other reader but myself, or at the most, here and there another close war comrade, and I certainly never thought then about the survivors, but always about those who fell in the war. While writing it, I was as if delirious or crazy, surrounded by three or four people with mutilated bodies — that is how the book was produced."”

Hermann Hesse book Journey to the East

Journey to the East (1932)

War, People, Books, Thinking

“Because, Renisenb, it is so easy and it costs so little labour to write down ten bushels of barley, or a hundred head of cattle, or ten fields of spelt - and the thing that is written will come to seem like the real thing, and so the writer and the scribe will come to despise the man who ploughs the fields and reaps the barley and raises the cattle - but all the same the fields and the cattle are real - they are not just marks of inks on papyrus. And when all the records and all the papyrus rolls are destroyed and the scribes are scattered, the men who toil and reap will go on, and Egypt will still live.”

Agatha Christie (1890–1976) English mystery and detective writer

Hori
(1945)

Men

“The book cannot be called, as some say, “a written evidence of the mind and character of Hitler and his henchmen,” for at the time of writing Hitler was seeking power, and once having gained this power it becomes the old story of the oppressed gaining power, becoming the oppressor, a fact that runs through history with a persistency of man’s claims to “natural rights.””

Virgil John Tangborn (1920–1944)

Mein Kampf review by Vigil Tangborn

Books, History, Nature, Time

“Everything has altered its dimensions, except the world we live in. The more we know of that, the smaller it seems. Time and distance have been abridged, remote countries have become accessible, and the antipodes are upon visiting terms. There is a reunion of the human race; and the family resemblance now that we begin to think alike, dress alike, and live alike, is very striking. The South Sea Islanders, and the inhabitants of China, import their fashions from Paris, and their fabrics from Manchester, while Rome and London supply missionaries to the ‘ends of the earth,’ to bring its inhabitants into ‘one fold, under one Shepherd.’ Who shall write a book of travels now? Livingstone has exhausted the subject. What field is there left for a future Munchausen? The far West and the far East have shaken hands and pirouetted together, and it is a matter of indifference whether you go to the moors in Scotland to shoot grouse, to South America to ride and alligator, or to Indian jungles to shoot tigers-there are the same facilities for reaching all, and steam will take you to either with the equal ease and rapidity. We have already talked with New York; and as soon as our speaking-trumpet is mended shall converse again. ‘To waft a sigh from Indus to the pole,’ is no longer a poetic phrase, but a plain matter of fact of daily occurrence. Men breakfast at home, and go fifty miles to their counting-houses, and when their work is done, return to dinner. They don’t go from London to the seaside, by way of change, once a year; but they live on the coast, and go to the city daily. The grand tour of our forefathers consisted in visiting the principle cities of Europe. It was a great effort, occupied a vast deal of time, cost a large sum of money, and was oftener attended with danger than advantage. It comprised what was then called, the world: whoever had performed it was said to have ‘seen the world,’ and all that it contained. The Grand Tour now means a voyage round the globe, and he who has not made it has seen nothing.”

Thomas Chandler Haliburton (1796–1865) Canadian-British politician, judge, and author

The Season-Ticket, An Evening at Cork 1860 p. 1-2.

Men, Money, Books, World

“I write fantasy. The only science fiction I have written is Fahrenheit 451. It's the art of the possible. Science fiction is the art of the possible. It could happen. It has happened.”

Ray Bradbury (1920–2012) American writer

Art, Science

“But my father he didn’t read moon, he didn’t speak moon, and he didn’t write moon. So there was no letter found next to his body in the garage when he chose to leave this place on purpose without saying where he was goin’ or why. There are still days you can catch me tape-recording eternal silence and playing it backwards for an empty room just so I can listen to his dying wish. Shh.”

Buddy Wakefield (1974) American poet

Human the Death Dance
Poetry

Silence, Reading

“Whenever you feel an impulse to perpetrate a piece of exceptionally fine writing, obey it—whole-heartedly—and delete it before sending your manuscript to press. Murder your darlings.”

Arthur Quiller-Couch (1863–1944) British writer and literary critic

sic On the Art of Writing: Lectures Delivered in the University of Cambridge, 1913–1914 http://www.bartleby.com/190/ Often misattributed, e.g. to Hemingway, Faulkner, and others, or shortened to 'Kill your darlings.' source http://www.randomhouse.ca/hazlitt/feature/should-you-kill-your-babies

Feeling

“I might like to be an actor, but there are loads of other things I'm interested in as well, like music and writing and sports. I want to keep my options open.”

Daniel Radcliffe (1989) English actor

about acting http://www.danradcliffe.com/index.php?option=com_content&view=article&id=23&Itemid=28

Music, Sport

“Each play was, for me, 'a different kind of failure.' And that fact, I suppose, sent me on to write the next one.”

Harold Pinter (1930–2008) playwright from England

15
Writing for the Theatre (1962)

Failure

“So today, let's write a program simply. But let's also realize that tomorrow, we're going to make it more complex, because tomorrow it's going to do more. So we'll take that simplicity and we'll lose some of it. But tomorrow, hopefully tomorrow's program is as simple as possible for tomorrow's needs. Hopefully we'll preserve simplicity as the program grows.”

Ward Cunningham (1949) American computer programmer who developed the first wiki

A Conversation with Ward Cunningham (2003), The Simplest Thing that Could Possibly Work

“One thing I've found that I can do that I really enjoy is rereading my own writing, earlier stories and novels especially. It induces mental time travel, the same way certain songs you hear on the radio do … the whole thing returns, an eerie feeling that I'm sure you've experienced.”

Philip K. Dick (1928–1982) American author

Introduction to The Golden Man (1980)

Way, Travel, Feeling, Time

“If a man, sitting all alone, cannot dream strange things, and make them look like truth, he need never try to write romances.”

Nathaniel Hawthorne book The Scarlet Letter

Introduction: The Custom-House
The Scarlet Letter (1850)

Truth, Dreams

“I have written a few short stories for different venues, but I don’t see a big market in writing collections of short stories—at least not enough to sustain a living. Short stories are great for writing, but this is how I earn a living.”

Steve Alten (1959) American writer

Interview with New HWA Member Steve Alten http://horror.org/interview-with-new-hwa-member-steve-alten-by-ron-breznay/ (December 7, 2011)

“During the four hundred years of Han supremacy the march of civilization went steadily forward. Paper and ink were invented, and also the camel's-hair brush, both of which gave a great impetus to the arts of writing and painting.”

Herbert Giles (1845–1935) British sinologist and diplomat

The Civilization of China https://www.gutenberg.org/files/2076/2076-h/2076-h.htm (1911), p. 37

Art, Painting

“If you said goodbye to me tonight
There would still be music left to write.
What else could I do?
I'm so inspired by you.
That hasn't happened for the longest time.”

Billy Joel (1949) American singer-songwriter and pianist

The Longest Time.
Song lyrics, An Innocent Man (1983)

Music, Time

“It never seems to occur to people that a man might just want to write a piece of music.”

Ralph Vaughan Williams (1872–1958) English composer

Quoted in Michael Kennedy The Works of Ralph Vaughan Williams ([1964] 1992) p. 302. He reportedly said this to Roy Douglas regarding whether his Symphony No.6 was meant to be programmatic.

People, Music

“I wrote it [Maurice] neither for my friends or the public—but because it was weighing on me; and my previous training made me write it as literature, though for a long time I meant to show it no one at all. […] I am much dependant on criticism and now, backed by you and some others, do feel that I have created something absolutely new, even to the Greeks. Whitman nearly anticipated me but he didn't really know what he was after, or only half knew—shirked, even to himself, the statement.”

E.M. Forster (1879–1970) English novelist

Letter 144, to Edward Joseph Dent, 6 March 1915
Selected Letters (1983-1985)

Feeling, Literature, Time, Dependency

“Travers's Mary Poppins was a natural phenomena, ancient as mountain ranges, on first-name terms with the primal powers of the universe, adored and respected by everything that saw the world as it was. And she was a mystery. … philosophically, I suspect now, the universe of Mary Poppins underpins all my writing …”

Neil Gaiman (1960) English fantasy writer

In his Foreword to Myth, Symbol, and Meaning in Mary Poppins: The Governess as Provocateur (2007) by Giorgia Grilli, p. xiii

World, Mountain, Nature, Universe

“…WHEREAS, IN THE PAST, THE POINT OF DISAGREEMENT HAS BEEN BETWEEN DISSONANCE AND CONSONANCE, IT WILL BE, IN THE IMMEDIATE FUTURE, BETWEEN NOISE AND SO-CALLED MUSICAL SOUNDS.
THE PRESENT METHODS OF WRITING MUSIC, PRINCIPALLY THOSE WHICH EMPLOY HARMONY AND ITS REFERENCE TO PARTICULAR STEPS IN THE FIELD OF SOUND, WILL BE INADEQUATE FOR THE COMPOSER, WHO WILL BE FACED WITH THE ENTIRE FIELD OF SOUND.”

John Cage (1912–1992) American avant-garde composer

Quote of John Cage, in: 'The Future of Music: Credo' (1937); SILENCE; lectures and writings by Cage, John', Publisher Middletown, Conn. Wesleyan University Press, June 1961, CREDO/3
1930s

Music, Past, Future

“We needed an operating system at Seattle Computer for our own computers and I wanted to do one. So we decided to go for it. I was waiting for Digital [Research] to come out with CP/M-86. I thought they would have it real soon. If they had beat me I wouldn't have taken the trouble. I had always wanted to write my own operating system. I've always hated CP/M and thought I could do it a lot better.”

Tim Paterson (1956) American computer programmer, best known as the original author of MS-DOS

"The Roots of DOS", 1983, 2007-06-18, Hunter, David http://www.patersontech.com/Dos/Softalk/Softalk.html,

Hate, Waiting

“Writing a novel is not very difficult: you simply write ten pages a day for a month and then you have a novel.”

Henri Peyre (1901–1988) American linguist

Henri Peyre, at Yale, as quoted in Graham, Garrett, The Writer's Voice: Conversations with Contemporary Writers (1973), p. 272

“Black women write differently from white women. This is the most marked difference of all those combinations of black and white, male and female. It's not so much that women write differently from men, but that black women write differently from white women. Black men don't write very differently from white men.”

Toni Morrison (1931–2019) American writer

Black Women Writers at Work (1983) by Claudia Tate

Women, Men

“As I was painting today, some thoughts came to me and I want to write them down for the people I love. I know that I shall not live very long. But I wonder, is that sad? Is a celebration more beautiful because it lasts longer? And my life is a celebration, a short, intense celebration.”

Paula Modersohn-Becker (1876–1907) German artist

In her Journal-entry, 26 July 1900; as quoted in Tromp M, Ravelli AC, Reitsma JB, Bonsel GJ, Mol BW: Increasing maternal age at first pregnancy planning: health outcomes and associated costs, in: 'J Epidemiol Community Health', Dec. 2010, p. 4
1900 - 1905

Love, Life, People, Sadness

“Emilio and I like projects to breathe and grow. We started with a concept -- write songs, make demos, then let the guest stars listen to them and then afffect the writing process. For Jose Feliciano, I had written a chorus and a bit of a melody. He started playing the chorus and ad-libbing. I went, "This is the [stuff]! Forget my melody!" Carlos Santana worked just the other way. He wanted me to record a plished take singing first, so his playing could recreate my emotion. I got goose bumps [writing "90 Millas"]. Like in "Esperando," which is addressed to Cubans on the island. Those of us in America, we're like the bogeyman, but I wanted Cubans at home to know: Whatever happened doesn't matter. The future is for us to heal. Adn also: because we're here, we latched onto any part of our culture. Yes and no [this is a political record]. Politics is life, so yes. but it's not specific. Saying that 90 miles haven't divided us sends a message about freedom for Cuba -- and for everyone.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

www.huffingtonpost.com (September 7, 2007)
2007, 2008

Life, Way, Home, Star

“It took us two years to write, produce and arange the new album [90 Millas]. Aside from that, I wrote the two children's books based on Noelle, my bulldog, and I was fortunate enought that they ended up on the New York Times bestseller list. By now, we've got seven restaurants and two hotels, which we're very hands-on with, and we're building a third one in Vero Beach, Florida, And I took a vacation for once, because ever since Emilio and I got married in'78, every trip we've take has been for work. So last year, we went to Egypt, Panama, the Bahamas and Greece. It was fantastic!”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

Latina Magazine (September, 2007)
2007, 2008

Children, Books, Time

“Writing is hard work. Even when you start with the raw ingredients – a mad family, a sense of humour, talent…it’s hard work. But you do get to sit around in silk pyjamas all day.”

Carole Morin British writer

Trivial and Profound (2013)

Family, Sense, Madness

“.. whatever may have been the style and title, the sovereign ruler was there, and accordingly the court established itself at once with all its due accompaniments of pomp, insipidity, and emptiness. Caesar appeared in public not in the robe of the consuls which was bordered with purple stripes, but in the robe wholly of purple which was reckoned in antiquity as the proper regal attire, and received, sitting on his golden chair and without rising from it, the solemn procession of the senate. The festivals in his honour commemorative of birthday, of victories, and of vows, filled the calendar. When Caesar came to the capital, his principal servants marched forth in trips to great distances so as to meet and escort him. To be near to him began to be of such importance, that the rents rose in the quarter of the city where he lived. Personal interviews with him were rendered so difficult by the multitude of individuals soliciting audience, that Caesar found himself compelled in many cases to communicate even with his intimate friends in writing, and that persons even of the highest rank had to wait for hours in the ante-chamber. People felt, more clearly than was agreeable to Caesar himself, that they no longer approached a fellow-citizen. There arose a monarchical aristocracy, which was a remarkable manner at once new and old, and which had sprung out of the idea of casting into the shade the aristocracy of the oligarchy by that of the royalty, the nobility of the patriciate. The patrician body still subsisted, although without essential privileges as an order, in the character of a close aristocratic guild; but as it could receive no new gentes it had dwindled away more and more in the course of centuries, and in Caesar's time there were not more than fifteen or sixteen patrician gentes still in existence. Caesar, himself sprung from one of them, got the right of creating new patrician gentes conferred on the Imperator by decree of the people, and so established, in contrast to the republican nobility, the new aristocracy of the patriciate, which most happily combined all the requisites of a monarchichal aristocracy - the charm of antiquity, entire dependence on the government, and total insignificance. On all sides the new sovereignty revealed itself.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol. 4, Part 2. Translated by W.P. Dickson.
The New Court.
The History of Rome - Volume 4: Part 2

People, Communication, Idea, Birthday

“Art is like sex: when you're doing it, nothing else matters. Away from his desk the novelist can care deeply about the social, political, moral aspects of what he is writing but when he sits down to write, all those concerns fall away and nothing matters except the putting down of one carefully chosen word after another carefully chosen word, until a sentence is finished, then a paragraph, then a page, then a chapter, then a book. When I'm working I don't care about anything, not even myself. All my concentration is directed towards the making of the thing on the page. The rest is just stuff — even though it is the stuff of life.”

John Banville (1945) Irish writer

John Banville, The Art of Fiction No. 200 (2009)

Life, Books, Art, Sex

“Learning is not doing; it is reflecting on doing. T. S. Eliot writes in one of his poems, “We had the experience but missed the meaning.” Reflection is about getting the meaning.”

Henry Mintzberg (1939) Canadian busines theorist

Source: Managers Not MBAs (2005), p. 254

Learning

“Pope has more virulence and less vehemence than any of the great satirists. His character of Sporus is the perfection of satirical writing. The very sound of words scarify before the sense strikes.”

Aubrey Beardsley (1872–1898) English illustrator and author

Table Talk" p. 64
Under the Hill and Other Essays (1904)

Sense, Perfection

“I was going to write about how I was going to take away women's right to vote, but that one is pretty obvious since nobody wants women to vote, except for women, and they don't count.”

Maddox (1978) American internet writer

Looking for a safe stance on abortion? Me neither. http://maddox.xmission.com/c.cgi?u=regressive The Best Page in the Universe

Women

“She has a fascination with Mayan prophecies, and she's writing a book that's sort of her remembrance of her past incarnation. Whatever she applies herself to, she makes it this beautiful, glorious world around her. All of us kids have always been artistic because of her influence.”

Brandon Boyd (1976) American rock singer, writer and visual artist

on his mom, Dolly Wiseman. Spin (October 2001)

Books, World, Beauty, Past

“I am very interested in memorization which is the process of incorporating a poem, so, I would say the kind of poetry I write is the kind that emphasises the physical qualities of the words.”

Robert Pinsky (1940) American poet, editor, literary critic, academic.

WPFW-FM inteview with Grace Cavalieri 1995/96 season

“All you can write is what you see.”

Woody Guthrie (1912–1967) American singer-songwriter and folk musician

Comment written on his first manuscript notes for "God Blessed America" (23 February 1940); quoted in Woody Guthrie: A Life (1981) by Joe Klein, p. 136

“It should be noted that no ethically-trained software engineer would ever consent to write a DestroyBaghdad procedure. Basic professional ethics would instead require him to write a DestroyCity procedure, to which Baghdad could be given as a parameter.”

Nathaniel Borenstein (1957) American computer scientist

Footnote in a paper about computational email. Computational Mail as Network Infrastructure for Computer-Supported Cooperative Work http://www.guppylake.com/~nsb/CSCW-ATOMICMAIL.txt Collected quotes about computer languages http://www.sysprog.net/quotlang.html Attributed

Training

“I love writers who limit themselves, who write beneath their intelligence.”

Elias Canetti (1905–1994) Bulgarian-born Swiss and British jewish modernist novelist, playwright, memoirist, and non-fiction writer

J. Agee, trans. (1989), p. 27
Das Geheimherz der Uhr [The Secret Heart of the Clock] (1987)

Love, Intelligence

“I'm signed to release the third book in the series. When they invited me to do the Noelle book I had started on an autobiography, sort of, because I still get a lot of questions about that. I done so much music in my life, and writing is a beautiful outlet to continue to grow.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

Reuters (November 17, 2006)
2007, 2008

Life, Books, Beauty, Music

“If the Gods would only inspire me a little more vigorously I would write no end, but as it is I have to sweat over my work, such as it is, and often groan that I never have a chance to do it properly.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

Letter to Mrs. T. P. Hyatt (1895)

God, Chance

“Some few there must be in every age and every land of whom life claims nothing very insistently save that they write perfectly of beautiful happenings.”

James Branch Cabell (1879–1958) American author

"Auctorial Induction"
The Certain Hour (1916)

Life, Age, Beauty

“You wouldn't want Alan Greenspan to write the instructions for assembling a beach chair.”

Robert Orben (1928) American magician and writer

Chicago Tribune staff (June 25, 1995) "Think About It", Chicago Tribune, p. 3.
Attributed

“I am of the firm belief that everybody could write books and I never understand why they don't. After all, everyone speaks. Once the grammar has been learnt it is simply talking on paper and in time learning what not to say.”

Beryl Bainbridge (1932–2010) English novelist

James Vinson & D. L. Kirkpatrick (eds.), Contemporary Novelists, 2nd edition, (London: St. James Press, 1976). http://biography.jrank.org/pages/4121/Bainbridge-Beryl-Margaret-Beryl-Bainbridge-comments.html

Books, Understanding, Learning, Time

“When one recalls the first months of the Workers' Government, months which were so rich in magnificent illusions, plans, ardent initiatives to improve life, to organize the world anew, months of the real romanticism of the Revolution, one would in fact like to write about all else save about one's self.”

Alexandra Kollontai (1872–1952) Soviet diplomat

The Autobiography of a Sexually Emancipated Communist Woman (1926)

Life, World

“Raphael paints wisdom, Handel sings it, Phidias carves it, Shakespeare writes it, Wren builds it, Columbus sails it, Luther preaches it, Washington arms it, Watt mechanizes it.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Society and Solitude, Art
Bartlett's Familiar Quotations, 10th ed. (1919)

Wisdom, Singing, Painting

“(Gardner) writes about various kinds of cranks with the conscious superiority of the scientist, and in most cases one can share his sense of the victory of reason. But after half a dozen chapters this non-stop superiority begins to irritate; you begin to wonder about the standards that make him so certain he is always right. He asserts that the scientist, unlike the crank, does his best to remain open-minded. So how can he be so sure that no sane person has ever seen a flying saucer, or used a dowsing rod to locate water? And that all the people he disagrees with are unbalanced fanatics? A colleague of the positivist philosopher A. J. Ayer once remarked wryly "I wish I was as certain of anything as he seems to be about everything."”

Colin Wilson (1931–2013) author

Martin Gardner produces the same feeling.
Source: The Quest For Wilhelm Reich (1981), pp. 2-3

People, Feeling, Sense, Water

“I do feel strongly that this is nonsense! … So perhaps I could entertain future historians by saying I think all this superstring stuff is crazy and is in the wrong direction. I think all this superstring stuff is crazy and is in the wrong direction. … I don’t like it that they’re not calculating anything. … why are the masses of the various particles such as quarks what they are? All these numbers … have no explanations in these string theories – absolutely none! … I don’t like that they don’t check their ideas. I don’t like that for anything that disagrees with an experiment, they cook up an explanation—a fix-up to say, “Well, it might be true.” For example, the theory requires ten dimensions. Well, maybe there’s a way of wrapping up six of the dimensions. Yes, that’s all possible mathematically, but why not seven? When they write their equation, the equation should decide how many of these things get wrapped up, not the desire to agree with experiment. In other words, there’s no reason whatsoever in superstring theory that it isn’t eight out of the ten dimensions that get wrapped up and that the result is only two dimensions, which would be completely in disagreement with experience. So the fact that it might disagree with experience is very tenuous, it doesn’t produce anything.”

Richard Feynman (1918–1988) American theoretical physicist

interview published in Superstrings: A Theory of Everything? (1988) edited by Paul C. W. Davies and Julian R. Brown, p. 193-194

Way, Feeling, Mathematics, Idea

“When someone asks me, 'Why do you write comics?' I tell them, for the same reason I write editorials, essays, and articles; the same reason I give speeches; the same reason I appear on TV programs, and give interviews. Same message; different forum. There is no universal forum, so the more outreach we can do, the better the chance of forming coalitions.”

Andrew Vachss (1942) American writer and lawyer

Borderline, January 2003

Universe, Appearance, Chance

“When you are writing before there is an audience anything written is as important as any other thing and you cherish anything and everything that you have written. After the audience begins, naturally they create something that is they create you, and so not everything is so important, something is more important than another thing.”

Gertrude Stein (1874–1946) American art collector and experimental writer of novels, poetry and plays

What Are Masterpieces and Why Are There So Few of Them (1936)

Nature

“My advice to anyone who loves to read or write is to love words first. Look at fonts and at print carefully. Ignore what they mean and just marvel at what they look like.”

Mark Getty (1960) British businessman

City A.M.: "What I'm reading: Quickfire interview with Getty Images co-founder Mark Getty on his favourite books and the advice he'd give to aspiring writers" http://www.cityam.com/288100/im-reading-quickfire-interview-getty-images-co-founder-mark (25 June 2018)

Love, Reading

“I have known books written on Tolerance, the proper title of which would be — intolerant or intolerable books on tolerance. Should not a man who writes a book expressly to inculcate tolerance learn to treat with respect, or at least with indulgence, articles of faith which tens of thousands ten times told of his fellow-subjects or his fellow-creatures believe with all their souls, and upon the truth of which they rest their tranquillity in this world, and their hopes of salvation in the next, — those articles being at least maintainable against his arguments, and most certainly innocent in themselves?”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

3 January 1834
Table Talk (1821–1834)

Truth, Books, World, Faith

“Politicians are all on the same platform when it comes down to me. I think it’s because they think that if they can satisfy the Muslim fundamentalists they will get votes. I believe I am a victim of votebank politics. This also shows that how weak the democracy is and politicians ask votes by banning a writer … Even though I am not staying there, she (Banerjee) has not allowed my book ‘Nirbasan’ to be published. Also, she has stopped the broadcast of a TV serial scripted by me after Muslim fundamentalists objected to it. She is not allowing me to enter the state… This is a dangerous opposition … I wrote to Mamata Banerjee. But there was no response to that… No I am not going to write to her again. I do not think she will consider my request. I feel very hopeless because I expected something positive. I think when it comes down to me, she has similar vision like that of the Left leaders…. I do not consider India as a foreign country. The history of this country is my history. It’s the country of my forefathers. I love this country and in Kolkata, I feel at home because I can relate that place to my homeland. … I have sacrificed my freedom and have been sacrificing for a big cause… All these (problems) are because of my writings. I could have stopped writing against fundamentalists and possibly the bans would have been removed and I had got back my freedom and allowed to enter my motherland again. But I will never do that. … I have spoken of humanism and equal rights for women and secularism stating that religion and nation should be treated separately. One should not get confused with nation and religion. Rules should be made based on equality, and not on religion. … I know that only by writing I will not be able to change an entire society. The laws need to be changed. Equal rights cannot be established in a short time, it requires a long time and huge efforts … I have got many awards but the best is when people come forward and tell me that my writings have help them change their vision,… I do not think I would have been treated in the same manner if I was born there (Europe). I am a writer, not an activist… I write with a pen and if you have any problem why do not you pick up a pen to protest…. The surprising thing in this part of the world is that they have picked up arms against me because I have expressed my views. I have never enforced my thoughts on anybody ever, then why they are trying to kill me. I am not a supporter of violence.”

Taslima Nasrin (1962) Poet, columnist, novelist

Taslima Nasrin about Mamata, Indian Express https://indianexpress.com/article/india/mamata-banerjee-turned-out-harsher-than-left-in-my-case-taslima-nasreen-4486028/

Love, Women, People, Books

“The books I write because I want to read them, the games because I want to play them, and stories I tell because I find them exciting personally.”

Gary Gygax (1938–2008) American writer and game designer

GameSpy interview, Pt. 2 (16 August 2004)

Books, Game, Reading, Personality

“I think there are three possible scenarios for the future of Chinese writing, in all of which the government plays a major role. In the first, and at present apparently the least likely scenario, the government abandons its hostility to an expanded role for Pinyin and instead fosters a climate of digraphia and biliteracy in which those who can do so become literate in both characters and Pinyin, and those who cannot are at least literate in Pinyin. This is essentially a reversion to the Latinization movement of the 1930s and 1940s, when Mao Zedong and other high Communist Party officials like Xu Teli, the commissioner of education in Yan'an, lent their prestigious support to the New Writing. Such a change within the governing bureaucracy would in all likelihood result in an explosion of activity that might end in Pinyin ascendancy in use over characters in less than a generation.
In the second scenario the government adopts a policy of benign indifference that involves abandoning its hostility toward Pinyin but without actively supporting it, leaving it up to the rival protagonists of the two systems to contest for supremacy among themselves. This is likely to result in a somewhat longer struggle.
In the third scenario the government continues its present policy of repression, resulting in a much more protracted struggle (though surely not as long as the fascinating parallel struggle between Latin and Italian in Italy, where it took 500 [! ] years after Dante’s start in 1292 for academics, the last holdouts, to finally abandon their long resistance and start using Italian in university lectures).47 In this long struggle, PCs and mobile phones and other innovations still to come will undoubtedly allow more and more advocates of writing reform to escape the stranglehold of officialdom, to the point where (in a century or so?) characters are finally relegated to the status of Latin in the West.
My own view is that this is actually the least likely scenario, the most probable one being that the Chinese pragmatism that has manifested itself so strongly in economics will extend further into writing, and that, perhaps sooner rather than later, given the success of the promotion of Mandarin, some influential Party bureaucrats will finally arrive at the conclusion that the "some day in the future" anticipated by Mao has arrived, and that wholehearted Party support should now be unleashed for his anticipated "basic reform."”

John DeFrancis (1911–2009) American linguist

In any case it is basically all a matter of time. And the decisive factor that will seal the ultimate fate of Chinese characters is the new reality, noted by a perceptive observer, that "the PC is mightier than the Pen." "The Prospects for Chinese Writing Reform" (2006, p. 20-21) http://sino-platonic.org/complete/spp171_chinese_writing_reform.pdf "The Prospects for Chinese Writing Reform" (2006)

Hostility, Fate, Education, Support

“Writing graffiti is about the most honest way you can be an artist. It takes no money to do it, you don't need an education to understand it and there's no admission fee.”

Banksy pseudonymous England-based graffiti artist, political activist, and painter

(Tristan Manco. Stencil Graffiti)
Other sources

Money, Education, Way, Understanding

“All writing is an antisocial act, since the writer is a man who can speak freely only when alone; to be himself he must lock himself up, to communicate he must cut himself off from all communication; and in this there is something always a little mad.”

Kenneth Tynan (1927–1980) English theatre critic and writer

"Tennessee Williams" (1956), p. 97
Profiles (1990)

Communication, Madness

“Let's not worry about what somebody reading the code tomorrow is going to think. Let's not worry about whether it's efficient. Let's not even worry about whether it will work. Let's just write the simplest thing that could possibly work.”

Ward Cunningham (1949) American computer programmer who developed the first wiki

A Conversation with Ward Cunningham (2003), The Simplest Thing that Could Possibly Work

Thinking, Reading

“Some poets still write about the hair and eyes and body of a beloved and depict scenes of joy when lovers meet to drink and dance and be merry. But that is not the kind of poetry that the Islamic movement, grown on the concept of jihad and martyrdom, wants.”

Amir Taheri (1942) Iranian journalist

When the Ayatollah Dictates Poetry http://www.aawsat.net/2015/07/article55344336/when-the-ayatollah-dictates-poetry, Ashraq Al-Awsat (Jul 11, 2015).

Lovers, Drink, Joy, Dance

“My work is writing, but my real work is being.”

William Saroyan (1908–1981) American writer

Obituaries (1979)

“When poets — write about food it is usually celebratory. Food as the thing-in-itself, but also the thoughtful preparation of meals, the serving of meals, meals communally shared: a sense of the sacred in the profane.”

Joyce Carol Oates (1938) American author

"Writers’ Hunger: Food as Metaphor," New York Times (19 August 1986)

Food, Communication, Sense

“I would meet screenwriters in L. A. who would write these very complicated sitcoms like Cheers and who'd have the most extraordinary sense of plot of anybody I've ever met. I saw the insides of lots of great houses. And I met people who you and I would regard as famous, and then realized some very interesting things about them, like how lonely they are. It was those years I was least a minority. In a sense, I owned the world. I owned it because I had certain charms that allowed me to insinuate myself into the world. Intellectually, it was very satisfying to be at the edge of this world. But when it became clear to me that I wanted to write this book, I had to divorce myself from that world and move to San Francisco.”

Richard Rodríguez (1944) American journalist and essayist

Violating the Boundaries: An Interview with Richard Rodriguez (1999)

People, Books, World, Sense

“It is not as a very great philosopher, nor as an eloquent rhetorician, nor as a grammarian trained in the highest principles of his heart, that I have striven to write this work, but as an architect who has had only a dip into those studies.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 17

Study, Heart, Training

“Of all the stuff I write, probably 75% never gets recorded. Sometimes it's because I've read it at shows a few times to lukewarm response. But usually it's because I think it's not right. I will sometimes rewrite the same idea a few times before it feels good. I do this as opposed to taking a piece and tinkering with it in an effort to make it right. The earlier drafts wouldn't (and shouldn't) get recorded, because they're not as good.”

John S. Hall (1960) Poet, author, singer, lawyer

Quotes from interviews

Feeling, Idea, Thinking, Effort

“They take inadequate views of Christ's prophetic character, who think Jesus came only to utter discourses, parables, and prayers. Suppose all He ever said to be found in the writings of Jewish rabbis and heathen philosophers, His great function would still be an orginal one, to show us the Father.”

Edward Thomson (1810–1870) American bishop

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 65.

Thinking, Christ

“By and large, the critics and readers gave me an affirmed sense of my identity as a writer. You might know this within yourself, but to have it affirmed by others is of utmost importance. Writing is, after all, a form of communication.”

Ralph Ellison (1914–1994) American novelist, literary critic, scholar and writer

"The Art of Fiction: An Interview" (The Paris Review, Spring 1955), in The Collected Essays, ed. John F. Callahan (New York: Modern Library, 1995), p. 218.

Communication, Sense

“You've got to be willing to read other people's code, and then write your own, then have other people review your code. You've got to want to be in this incredible feedback loop where you get the world-class people to tell you what you're doing wrong…”

Bill Gates (1955) American business magnate and philanthropist

Interview from Programmers at Work (1986)

People, World, Reading

“The creationist is a sham religious person who, curiously, has no true sense of religion. In the language of religion, it is the facts we observe in the world around us that must be seen to constitute the words of God. Documents, whether the Bible, Qur'an or those writings that held such force for Velikovsky, are only the words of men. To prefer the words of men to those of God is what one can mean by blasphemy. This, we think, is the instinctive point of view of most scientists who, curiously again, have a deeper understanding of the real nature of religion than have the many who delude themselves into a frenzied belief in the words, often the meaningless words, of men. Indeed, the lesser the meaning, the greater the frenzy, in something like inverse proportion.”

Fred Hoyle (1915–2001) British astronomer

Our Place in the Cosmos (1993), p. 14

Men, God, World, Religion

“Once we reject lyricism, to blacken a page becomes an ordeal: what's the use of writing in order to say exactly what we had to say?”

Emil M. Cioran book The Trouble With Being Born

The Trouble With Being Born (1973)

“It’s not a matter of old or new forms; a person writes without thinking about any forms, he writes because it flows freely from his soul.”

Anton Chekhov (1860–1904) Russian dramatist, author and physician

Act IV
The Seagull (1896)

Soul, Thinking, Personality

“May I make a suggestion, hoping it is not an impertinence? Write it down: write down what you feel. It is sometimes a wonderful help in misery.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

Letter to Horace Davenport (3 April 1989).

Hope, Feeling, Help

“I am essentially a religious type. In my teens I gave up Catholicism, and at the same time I started writing. Writing keeps me at my desk, constantly trying to write a perfect sentence. It is a great privilege to make one's living from writing sentences. The sentence is the greatest invention of civilization. To sit all day long assembling these extraordinary strings of words is a marvelous thing. I couldn't ask for anything better. It's as near to godliness as I can get.”

John Banville (1945) Irish writer

John Banville, The Art of Fiction No. 200 (2009)

Time, Perfection

“Yogi Johnson stood looking out of the window of a big pump-factory in Michigan. Spring would soon be here. Could it be that what this writing fellow Hutchinson had said, 'If winter comes, can spring be far behind?' would be true again this year? Yogi Johnson wondered.”

Ernest Hemingway book The Torrents of Spring

Part 1, Ch. 1 (the opening lines of the novel)
The line Yogi Johnson quotes is actually from Percy Bysshe Shelley's Ode to the West Wind. This is one of several misattributed quotes in the novel.
The Torrents of Spring (1926)

Spring, Winter

“I should regard it as certainly a novelty in our jurisprudence if the regular order of a learned Judge could be affected, or qualified, or altered in the slightest degree by what some subordinate officer of the Court thought proper to say in writing about it, even though in so doing he committed this additional irregularity—that to that private correspondence he affixed the seal of the Court.”

Hardinge Giffard, 1st Earl of Halsbury (1823–1921) British politician

Stonor v. Fowle (1887), L. R. 13 Ap. Ca. 27.

Learning

“Well, fortunately, I am bilingual and I have really two cultures. So when you have that to draw on, you are able to write from one extreme to the other, or anywhere in-between. If you look at my discography, you will notice that one of my favorite albums is "Gloria!", which is totally dance-oriented, with very sensual lyrics; and then there's "Mi Tierra which is totoally roots-oriented and really promoted our culture worldwide through music, and that's important for me and also for people of Cuba to know that even though we were in exile and I grew up in the States, our culture and our music are very much a part of my life.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

answer to the question "How do you reinvent yourself through the years?"
2007, 2008

Life, People, Music, Dance

“The day has long passed when a university degree was a guarantee of experience in the humanities, or of literacy beyond its barest meaning of being able, after a fashion, to read and write.”

Robertson Davies book A Voice from the Attic

A Voice from the Attic (1960)

Fashion, Universe, Reading

“Having books published is very destructive to writing. It is even worse than making love too much. Because when you make love too much at least you get a damned clarte that is like no other light. A very clear and hollow light.”

Ernest Hemingway (1899–1961) American author and journalist

Letter to Bernard Berenson (2 October 1952); published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker

Love, Books, Making love, Light

“The same binome is printed in as many as half-a-dozen or more different combinations of characters that have been used throughout history lo write it out. This indicates powerfully the primacy of sound over written form as the ultimate determinant of Chinese language.”

Victor H. Mair (1943) American sinologist and linguist

The Need for an Alphabetically Arranged General Usage Dictionary of Mandarin Chinese (February 1986) http://www.sino-platonic.org/complete/spp001_chinese_dictionary.pdf.

History

“Whatever you specialize in, another specialty will either gobble you, or find a way to replace you. If you get what looks like a secure niche, somebody'll come along and wall you up in it and write your epitaph on it. And the more specialized a society gets, the more dangerous it is for the pure specialist. You think an electronic engineer in any safer than an actor? Or a ditch-digger?”

Walter M. Miller, Jr. book The Darfsteller

"The Darfsteller" (1955)

Way, Thinking

“What can man know about happiness except how to write it?”

Waldemar Łysiak book Statek

Statek (1994)

Happiness

“I am one of what must be an increasing number who find the portentous moralisings of A. Solzhenitsyn a bore and an irritation. Scarcely any aspect of life in the countries where he passes his voluntary exile has failed to incur his pessimistic censure. Coming from Russia, where freedom of the press has been not so much unknown as uncomprehended since long before the Revolution, he is shocked to discover that a free press disseminated all kinds of false, partial and invented information and that journalists contradict themselves from one day to the next without shame and without apology. Only a Russian would find all that surprising, or fail to understand that freedom which is not misused is not freedom at all.

Like all travellers he misunderstands what he observes. It simply is not true that ‘within the Western countries the press has become more powerful than the legislative power, the executive and the judiciary’. The British electorate regularly disprove this by electing governments in the teeth of the hostility and misrepresentation of virtually the whole of the press. Our modern Munchhausen has, however, found a more remarkable mare’s nest still: he has discovered the ‘false slogan, characteristic of a false era, that everyone is entitled to know everything’. Excited by this discovery he announces a novel and profound moral principle, a new addendum to the catalogue of human rights. ‘People,’ he says, ‘have a right not to know, and it is a more valuable one.’ Not merely morality but theology illuminates the theme: people have, say Solzhenitsyn, ‘the right not to have their divine souls’ burdened with ‘the excessive flow of information’.

Just so. Whatever may be the case in Russia, we in the degenerate West can switch off the radio or television, or not buy a newspaper, or not read such parts of it as we do not wish to. I can assure Solzhenitsyn that the method works admirably, ‘right’ or ‘no right’. I know, because I have applied it with complete success to his own speeches and writings.”

Enoch Powell (1912–1998) British politician

Letter in answer to Solzhenitsyn's Harvard statement (21 June 1978), from Reflections of a Statesman. The Writings and Speeches of Enoch Powell (London: Bellew, 1991), p. 577
1970s

Life, Hostility, People, Travel

“A friend of mine in Brooklyn was talking about ethnic writers, and he was using Amy Tan as an example. And he said, "You know, the really interesting thing about ethnic writers in America right now is that the women sit down and tell these sets of interesting stories. Asian girl meets blonde boy and they go to Harvard together—they're dopey stories, but everybody loves them, and they're best sellers. That's what the women write, whereas the guys struggle and try to find these new literary forms—writing these intricate parables that nobody quite follows and so forth."”

Richard Rodríguez (1944) American journalist and essayist

And he said, "Isn't it interesting that women have always had this kind of genius for telling stories in the kitchen."
Violating the Boundaries: An Interview with Richard Rodriguez (1999)

Love, Women, Guy, Girl

“I've been keeping a diary since I was about 11. If you don't keep a diary everything washes away. And you can live everything three times: you live it when you live it, you live it when you write it down, and you live it a third time when you re-read it. Though I have to say rereading my diary for publication was a depressing experience. You shouldn't look back.”

Gyles Brandreth (1948) British writer, broadcaster and former Member of Parliament

WhatsonStage interview, 2010

Time, Reading

“First, justice was the promise that all who made the journey would share in the fruits of the land. In a land of great wealth, families must not live in hopeless poverty. In a land rich in harvest, children just must not go hungry. In a land of healing miracles, neighbors must not suffer and die unattended. In a great land of learning and scholars, young people must be taught to read and write.”

Lyndon B. Johnson (1908–1973) American politician, 36th president of the United States (in office from 1963 to 1969)

1960s, Inaugural address (1965)

Children, People, Family, Justice

“In an autobiography, I will have to write the truth, I should not hide anything. Just to avoid people’s feelings, I should not be hiding things. If I don’t present events as they happened, truthfully, it is not an autobiography at all. I have read Mahatma Gandhi’s autobiography and if I can muster up the kind of courage that he had, I will write one.”

Rajinikanth (1950) Indian actor

Naman Ramachandran, in Rajinikanth: The Definitive Biography (15 January 2014) http://books.google.co.in/books?id=3mzyPGSfwKMC&printsec=frontcover#v=onepage&q&f=false, page before preface.

People, Truth, Feeling, Courage