Quotes about writing
page 26

Pushyamitra Shunga photo
Hilary Duff photo

“I love writing, but I feel like you need time to really get in touch with yourself to do that. On [Metamorphosis], I would have liked to have had more time to work with the writers [and] write some more of my own stuff. Hopefully I can do that on my second album.”

Hilary Duff (1987) American actress and singer

Rosen, Craig. "Hilary Duff: A Performer's Metamorphosis" http://www.billboard.com/bbcom/news/article_display.jsp?vnu_content_id=2076149. Billboard. January 26 2004. Retrieved October 25 2006.
On Metamorphosis (2003), her second album and first non-holiday album.

Ernest Hemingway photo

“I wish I could write well enough to write about aircraft. Faulkner did it very well in Pylon but you cannot do something someone else has done though you might have done it if they hadn't.”

Ernest Hemingway (1899–1961) American author and journalist

Letter (3 July 1956); published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker

Noam Chomsky photo

“We might add now that we do have an authoritative account of why the United States bombed Serbia in 1999. It comes from Strobe Talbott, now the director of the Brookings Institution, but in 1999 he was in charge of the State Department-Pentagon team that supervised the diplomacy in the affair. He wrote the introduction to a recent book by his Director of Communications, John Norris, which presents the position of the Clinton administration at the time of the bombing. Norris writes that "it was Yugoslavia's resistance to the broader trends of political and economic reform - not the plight of Kosovar Albanians - that best explains NATO's war". In brief, they were resisting absorption into the U. S. dominated international socioeconomic system. Talbott adds that thanks to John Norris, anyone interested in the war in Kosovo "will know … how events looked and felt at the time to those of us who were involved" in the war, actually directing it. This authoritative explanation will come as no surprise at all to students of international affairs who are more interested in fact than rhetoric. And it will also come as no surprise, to those familiar with intellectual life, that the attack continues to be hailed as a grand achievement of humanitarian intervention, despite massive Western documentation to the contrary, and now an explicit denial at the highest level; which will change nothing, it's not the way intellectual life works.”

Noam Chomsky (1928) american linguist, philosopher and activist

Talk at the Englert Theatre in Iowa, April 10, 2006 http://www.greenteaphd.com/greenteablog/?p=252
Quotes 2000s, 2006

Phil Brooks photo

“I'm sorry, Jeff, I'm a little taken back right now. I mean, this is… this… this is what it comes to? People actually cheering because you haven't failed a drug test in a year? This is not an accomplishment! Maybe it's an accomplishment to you, Jeff, so congratulations. You haven't failed a drug test in three hundred and sixty-five days. You can start writing your Hall of Fame speech right now.”

Phil Brooks (1978) American professional wrestler and mixed martial artist

Beginning a lecture criticizing Jeff Hardy on being proud of the fact that he hasn't failed a drug test in over a year, despite the fact that he'd already failed two beforehand and would've been fired if he'd failed a third one. July 17, 2009.
Friday Night SmackDown

John Donne photo
William Saroyan photo

“Now, if Mr. Shaw and Mr. Saroyan are poles apart, no comparison between the two, one great and the other nothing, one a genius and the other a charlatan, let me repeat that if you must know which writer has influenced my writing when influences are real and for all I know enduring, then that writer has been George Bernard Shaw. I shall in my own day influence a young writer or two somewhere or other, and no one need worry about that.
Young Shaw, hello out there.”

William Saroyan (1908–1981) American writer

In the The Bicycle Rider In Beverly Hills (1952) Saroyan additionally wrote of Shaw:
He was a gentle, delicate, kind, little man who had established a pose, and then lived it so steadily and effectively that the pose had become real. Like myself, his nature has been obviously a deeply troubled one in the beginning. He had been a man who had seen the futility, meaninglessness and sorrow of life but had permitted himself to thrust aside these feelings and to perform another George Bernard Shaw, which is art and proper.
Hello Out There (1941)

Hermann Hesse photo
Agatha Christie photo
Thomas Chandler Haliburton photo

“Everything has altered its dimensions, except the world we live in. The more we know of that, the smaller it seems. Time and distance have been abridged, remote countries have become accessible, and the antipodes are upon visiting terms. There is a reunion of the human race; and the family resemblance now that we begin to think alike, dress alike, and live alike, is very striking. The South Sea Islanders, and the inhabitants of China, import their fashions from Paris, and their fabrics from Manchester, while Rome and London supply missionaries to the ‘ends of the earth,’ to bring its inhabitants into ‘one fold, under one Shepherd.’ Who shall write a book of travels now? Livingstone has exhausted the subject. What field is there left for a future Munchausen? The far West and the far East have shaken hands and pirouetted together, and it is a matter of indifference whether you go to the moors in Scotland to shoot grouse, to South America to ride and alligator, or to Indian jungles to shoot tigers-there are the same facilities for reaching all, and steam will take you to either with the equal ease and rapidity. We have already talked with New York; and as soon as our speaking-trumpet is mended shall converse again. ‘To waft a sigh from Indus to the pole,’ is no longer a poetic phrase, but a plain matter of fact of daily occurrence. Men breakfast at home, and go fifty miles to their counting-houses, and when their work is done, return to dinner. They don’t go from London to the seaside, by way of change, once a year; but they live on the coast, and go to the city daily. The grand tour of our forefathers consisted in visiting the principle cities of Europe. It was a great effort, occupied a vast deal of time, cost a large sum of money, and was oftener attended with danger than advantage. It comprised what was then called, the world: whoever had performed it was said to have ‘seen the world,’ and all that it contained. The Grand Tour now means a voyage round the globe, and he who has not made it has seen nothing.”

Thomas Chandler Haliburton (1796–1865) Canadian-British politician, judge, and author

The Season-Ticket, An Evening at Cork 1860 p. 1-2.

Ray Bradbury photo
Arthur Quiller-Couch photo

“Whenever you feel an impulse to perpetrate a piece of exceptionally fine writing, obey it—whole-heartedly—and delete it before sending your manuscript to press. Murder your darlings.”

Arthur Quiller-Couch (1863–1944) British writer and literary critic

sic
On the Art of Writing: Lectures Delivered in the University of Cambridge, 1913–1914 http://www.bartleby.com/190/
Often misattributed, e.g. to Hemingway, Faulkner, and others, or shortened to 'Kill your darlings.' source http://www.randomhouse.ca/hazlitt/feature/should-you-kill-your-babies

Daniel Radcliffe photo

“I might like to be an actor, but there are loads of other things I'm interested in as well, like music and writing and sports. I want to keep my options open.”

Daniel Radcliffe (1989) English actor

about acting http://www.danradcliffe.com/index.php?option=com_content&view=article&id=23&Itemid=28

Harold Pinter photo

“Each play was, for me, 'a different kind of failure.' And that fact, I suppose, sent me on to write the next one.”

Harold Pinter (1930–2008) playwright from England

15
Writing for the Theatre (1962)

Ward Cunningham photo
Philip K. Dick photo
Nathaniel Hawthorne photo

“I have written a few short stories for different venues, but I don’t see a big market in writing collections of short stories—at least not enough to sustain a living. Short stories are great for writing, but this is how I earn a living.”

Steve Alten (1959) American writer

Interview with New HWA Member Steve Alten http://horror.org/interview-with-new-hwa-member-steve-alten-by-ron-breznay/ (December 7, 2011)

Herbert Giles photo

“During the four hundred years of Han supremacy the march of civilization went steadily forward. Paper and ink were invented, and also the camel's-hair brush, both of which gave a great impetus to the arts of writing and painting.”

Herbert Giles (1845–1935) British sinologist and diplomat

The Civilization of China https://www.gutenberg.org/files/2076/2076-h/2076-h.htm (1911), p. 37

Billy Joel photo

“If you said goodbye to me tonight
There would still be music left to write.
What else could I do?
I'm so inspired by you.
That hasn't happened for the longest time.”

Billy Joel (1949) American singer-songwriter and pianist

The Longest Time.
Song lyrics, An Innocent Man (1983)

Ralph Vaughan Williams photo

“It never seems to occur to people that a man might just want to write a piece of music.”

Ralph Vaughan Williams (1872–1958) English composer

Quoted in Michael Kennedy The Works of Ralph Vaughan Williams ([1964] 1992) p. 302. He reportedly said this to Roy Douglas regarding whether his Symphony No.6 was meant to be programmatic.

E.M. Forster photo
Neil Gaiman photo
John Cage photo

“Writing a novel is not very difficult: you simply write ten pages a day for a month and then you have a novel.”

Henri Peyre (1901–1988) American linguist

Henri Peyre, at Yale, as quoted in Graham, Garrett, The Writer's Voice: Conversations with Contemporary Writers (1973), p. 272

Toni Morrison photo
Paula Modersohn-Becker photo

“As I was painting today, some thoughts came to me and I want to write them down for the people I love. I know that I shall not live very long. But I wonder, is that sad? Is a celebration more beautiful because it lasts longer? And my life is a celebration, a short, intense celebration.”

Paula Modersohn-Becker (1876–1907) German artist

In her Journal-entry, 26 July 1900; as quoted in Tromp M, Ravelli AC, Reitsma JB, Bonsel GJ, Mol BW: Increasing maternal age at first pregnancy planning: health outcomes and associated costs, in: 'J Epidemiol Community Health', Dec. 2010, p. 4
1900 - 1905

Gloria Estefan photo
Gloria Estefan photo
Carole Morin photo
Theodor Mommsen photo

“.. whatever may have been the style and title, the sovereign ruler was there, and accordingly the court established itself at once with all its due accompaniments of pomp, insipidity, and emptiness. Caesar appeared in public not in the robe of the consuls which was bordered with purple stripes, but in the robe wholly of purple which was reckoned in antiquity as the proper regal attire, and received, sitting on his golden chair and without rising from it, the solemn procession of the senate. The festivals in his honour commemorative of birthday, of victories, and of vows, filled the calendar. When Caesar came to the capital, his principal servants marched forth in trips to great distances so as to meet and escort him. To be near to him began to be of such importance, that the rents rose in the quarter of the city where he lived. Personal interviews with him were rendered so difficult by the multitude of individuals soliciting audience, that Caesar found himself compelled in many cases to communicate even with his intimate friends in writing, and that persons even of the highest rank had to wait for hours in the ante-chamber. People felt, more clearly than was agreeable to Caesar himself, that they no longer approached a fellow-citizen. There arose a monarchical aristocracy, which was a remarkable manner at once new and old, and which had sprung out of the idea of casting into the shade the aristocracy of the oligarchy by that of the royalty, the nobility of the patriciate. The patrician body still subsisted, although without essential privileges as an order, in the character of a close aristocratic guild; but as it could receive no new gentes it had dwindled away more and more in the course of centuries, and in Caesar's time there were not more than fifteen or sixteen patrician gentes still in existence. Caesar, himself sprung from one of them, got the right of creating new patrician gentes conferred on the Imperator by decree of the people, and so established, in contrast to the republican nobility, the new aristocracy of the patriciate, which most happily combined all the requisites of a monarchichal aristocracy - the charm of antiquity, entire dependence on the government, and total insignificance. On all sides the new sovereignty revealed itself.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol. 4, Part 2. Translated by W.P. Dickson.
The New Court.
The History of Rome - Volume 4: Part 2

John Banville photo
Henry Mintzberg photo
Aubrey Beardsley photo
Maddox photo

“I was going to write about how I was going to take away women's right to vote, but that one is pretty obvious since nobody wants women to vote, except for women, and they don't count.”

Maddox (1978) American internet writer

Looking for a safe stance on abortion? Me neither. http://maddox.xmission.com/c.cgi?u=regressive
The Best Page in the Universe

Brandon Boyd photo
Robert Pinsky photo

“I am very interested in memorization which is the process of incorporating a poem, so, I would say the kind of poetry I write is the kind that emphasises the physical qualities of the words.”

Robert Pinsky (1940) American poet, editor, literary critic, academic.

WPFW-FM inteview with Grace Cavalieri 1995/96 season

Woody Guthrie photo

“All you can write is what you see.”

Woody Guthrie (1912–1967) American singer-songwriter and folk musician

Comment written on his first manuscript notes for "God Blessed America" (23 February 1940); quoted in Woody Guthrie: A Life (1981) by Joe Klein, p. 136

“It should be noted that no ethically-trained software engineer would ever consent to write a DestroyBaghdad procedure. Basic professional ethics would instead require him to write a DestroyCity procedure, to which Baghdad could be given as a parameter.”

Nathaniel Borenstein (1957) American computer scientist

Footnote in a paper about computational email.
Computational Mail as Network Infrastructure for Computer-Supported Cooperative Work http://www.guppylake.com/~nsb/CSCW-ATOMICMAIL.txt
Collected quotes about computer languages http://www.sysprog.net/quotlang.html
Attributed

Elias Canetti photo

“I love writers who limit themselves, who write beneath their intelligence.”

Elias Canetti (1905–1994) Bulgarian-born Swiss and British jewish modernist novelist, playwright, memoirist, and non-fiction writer

J. Agee, trans. (1989), p. 27
Das Geheimherz der Uhr [The Secret Heart of the Clock] (1987)

Gloria Estefan photo
George William Russell photo
James Branch Cabell photo

“You wouldn't want Alan Greenspan to write the instructions for assembling a beach chair.”

Robert Orben (1928) American magician and writer

Chicago Tribune staff (June 25, 1995) "Think About It", Chicago Tribune, p. 3.
Attributed

“I am of the firm belief that everybody could write books and I never understand why they don't. After all, everyone speaks. Once the grammar has been learnt it is simply talking on paper and in time learning what not to say.”

Beryl Bainbridge (1932–2010) English novelist

James Vinson & D. L. Kirkpatrick (eds.), Contemporary Novelists, 2nd edition, (London: St. James Press, 1976). http://biography.jrank.org/pages/4121/Bainbridge-Beryl-Margaret-Beryl-Bainbridge-comments.html

Alexandra Kollontai photo
Ralph Waldo Emerson photo

“Raphael paints wisdom, Handel sings it, Phidias carves it, Shakespeare writes it, Wren builds it, Columbus sails it, Luther preaches it, Washington arms it, Watt mechanizes it.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Society and Solitude, Art
Bartlett's Familiar Quotations, 10th ed. (1919)

Colin Wilson photo
Richard Feynman photo

“I do feel strongly that this is nonsense! … So perhaps I could entertain future historians by saying I think all this superstring stuff is crazy and is in the wrong direction. I think all this superstring stuff is crazy and is in the wrong direction. … I don’t like it that they’re not calculating anything. … why are the masses of the various particles such as quarks what they are? All these numbers … have no explanations in these string theories – absolutely none! … I don’t like that they don’t check their ideas. I don’t like that for anything that disagrees with an experiment, they cook up an explanation—a fix-up to say, “Well, it might be true.” For example, the theory requires ten dimensions. Well, maybe there’s a way of wrapping up six of the dimensions. Yes, that’s all possible mathematically, but why not seven? When they write their equation, the equation should decide how many of these things get wrapped up, not the desire to agree with experiment. In other words, there’s no reason whatsoever in superstring theory that it isn’t eight out of the ten dimensions that get wrapped up and that the result is only two dimensions, which would be completely in disagreement with experience. So the fact that it might disagree with experience is very tenuous, it doesn’t produce anything.”

Richard Feynman (1918–1988) American theoretical physicist

interview published in Superstrings: A Theory of Everything? (1988) edited by Paul C. W. Davies and Julian R. Brown, p. 193-194

Andrew Vachss photo
Gertrude Stein photo

“My advice to anyone who loves to read or write is to love words first. Look at fonts and at print carefully. Ignore what they mean and just marvel at what they look like.”

Mark Getty (1960) British businessman

City A.M.: "What I'm reading: Quickfire interview with Getty Images co-founder Mark Getty on his favourite books and the advice he'd give to aspiring writers" http://www.cityam.com/288100/im-reading-quickfire-interview-getty-images-co-founder-mark (25 June 2018)

Samuel Taylor Coleridge photo
Taslima Nasrin photo

“Politicians are all on the same platform when it comes down to me. I think it’s because they think that if they can satisfy the Muslim fundamentalists they will get votes. I believe I am a victim of votebank politics. This also shows that how weak the democracy is and politicians ask votes by banning a writer … Even though I am not staying there, she (Banerjee) has not allowed my book ‘Nirbasan’ to be published. Also, she has stopped the broadcast of a TV serial scripted by me after Muslim fundamentalists objected to it. She is not allowing me to enter the state… This is a dangerous opposition … I wrote to Mamata Banerjee. But there was no response to that… No I am not going to write to her again. I do not think she will consider my request. I feel very hopeless because I expected something positive. I think when it comes down to me, she has similar vision like that of the Left leaders…. I do not consider India as a foreign country. The history of this country is my history. It’s the country of my forefathers. I love this country and in Kolkata, I feel at home because I can relate that place to my homeland. … I have sacrificed my freedom and have been sacrificing for a big cause… All these (problems) are because of my writings. I could have stopped writing against fundamentalists and possibly the bans would have been removed and I had got back my freedom and allowed to enter my motherland again. But I will never do that. … I have spoken of humanism and equal rights for women and secularism stating that religion and nation should be treated separately. One should not get confused with nation and religion. Rules should be made based on equality, and not on religion. … I know that only by writing I will not be able to change an entire society. The laws need to be changed. Equal rights cannot be established in a short time, it requires a long time and huge efforts … I have got many awards but the best is when people come forward and tell me that my writings have help them change their vision,… I do not think I would have been treated in the same manner if I was born there (Europe). I am a writer, not an activist… I write with a pen and if you have any problem why do not you pick up a pen to protest…. The surprising thing in this part of the world is that they have picked up arms against me because I have expressed my views. I have never enforced my thoughts on anybody ever, then why they are trying to kill me. I am not a supporter of violence.”

Taslima Nasrin (1962) Poet, columnist, novelist

Taslima Nasrin about Mamata, Indian Express https://indianexpress.com/article/india/mamata-banerjee-turned-out-harsher-than-left-in-my-case-taslima-nasreen-4486028/

Gary Gygax photo

“I think there are three possible scenarios for the future of Chinese writing, in all of which the government plays a major role. In the first, and at present apparently the least likely scenario, the government abandons its hostility to an expanded role for Pinyin and instead fosters a climate of digraphia and biliteracy in which those who can do so become literate in both characters and Pinyin, and those who cannot are at least literate in Pinyin. This is essentially a reversion to the Latinization movement of the 1930s and 1940s, when Mao Zedong and other high Communist Party officials like Xu Teli, the commissioner of education in Yan'an, lent their prestigious support to the New Writing. Such a change within the governing bureaucracy would in all likelihood result in an explosion of activity that might end in Pinyin ascendancy in use over characters in less than a generation.
In the second scenario the government adopts a policy of benign indifference that involves abandoning its hostility toward Pinyin but without actively supporting it, leaving it up to the rival protagonists of the two systems to contest for supremacy among themselves. This is likely to result in a somewhat longer struggle.
In the third scenario the government continues its present policy of repression, resulting in a much more protracted struggle (though surely not as long as the fascinating parallel struggle between Latin and Italian in Italy, where it took 500 [! ] years after Dante’s start in 1292 for academics, the last holdouts, to finally abandon their long resistance and start using Italian in university lectures).47 In this long struggle, PCs and mobile phones and other innovations still to come will undoubtedly allow more and more advocates of writing reform to escape the stranglehold of officialdom, to the point where (in a century or so?) characters are finally relegated to the status of Latin in the West.
My own view is that this is actually the least likely scenario, the most probable one being that the Chinese pragmatism that has manifested itself so strongly in economics will extend further into writing, and that, perhaps sooner rather than later, given the success of the promotion of Mandarin, some influential Party bureaucrats will finally arrive at the conclusion that the "some day in the future" anticipated by Mao has arrived, and that wholehearted Party support should now be unleashed for his anticipated "basic reform."”

John DeFrancis (1911–2009) American linguist

In any case it is basically all a matter of time. And the decisive factor that will seal the ultimate fate of Chinese characters is the new reality, noted by a perceptive observer, that "the PC is mightier than the Pen."
"The Prospects for Chinese Writing Reform" (2006, p. 20-21) http://sino-platonic.org/complete/spp171_chinese_writing_reform.pdf
"The Prospects for Chinese Writing Reform" (2006)

“Writing graffiti is about the most honest way you can be an artist. It takes no money to do it, you don't need an education to understand it and there's no admission fee.”

Banksy pseudonymous England-based graffiti artist, political activist, and painter

(Tristan Manco. Stencil Graffiti)
Other sources

Ward Cunningham photo

“Let's not worry about what somebody reading the code tomorrow is going to think. Let's not worry about whether it's efficient. Let's not even worry about whether it will work. Let's just write the simplest thing that could possibly work.”

Ward Cunningham (1949) American computer programmer who developed the first wiki

A Conversation with Ward Cunningham (2003), The Simplest Thing that Could Possibly Work

Amir Taheri photo

“Some poets still write about the hair and eyes and body of a beloved and depict scenes of joy when lovers meet to drink and dance and be merry. But that is not the kind of poetry that the Islamic movement, grown on the concept of jihad and martyrdom, wants.”

Amir Taheri (1942) Iranian journalist

When the Ayatollah Dictates Poetry http://www.aawsat.net/2015/07/article55344336/when-the-ayatollah-dictates-poetry, Ashraq Al-Awsat (Jul 11, 2015).

William Saroyan photo

“My work is writing, but my real work is being.”

William Saroyan (1908–1981) American writer

Obituaries (1979)

Joyce Carol Oates photo
Richard Rodríguez photo
Vitruvius photo
Edward Thomson photo
Ralph Ellison photo

“By and large, the critics and readers gave me an affirmed sense of my identity as a writer. You might know this within yourself, but to have it affirmed by others is of utmost importance. Writing is, after all, a form of communication.”

Ralph Ellison (1914–1994) American novelist, literary critic, scholar and writer

"The Art of Fiction: An Interview" (The Paris Review, Spring 1955), in The Collected Essays, ed. John F. Callahan (New York: Modern Library, 1995), p. 218.

Bill Gates photo
Fred Hoyle photo
Emil M. Cioran photo
Anton Chekhov photo

“May I make a suggestion, hoping it is not an impertinence? Write it down: write down what you feel. It is sometimes a wonderful help in misery.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

Letter to Horace Davenport (3 April 1989).

John Banville photo
Ernest Hemingway photo

“Yogi Johnson stood looking out of the window of a big pump-factory in Michigan. Spring would soon be here. Could it be that what this writing fellow Hutchinson had said, 'If winter comes, can spring be far behind?' would be true again this year? Yogi Johnson wondered.”

Part 1, Ch. 1 (the opening lines of the novel)
The line Yogi Johnson quotes is actually from Percy Bysshe Shelley's Ode to the West Wind. This is one of several misattributed quotes in the novel.
The Torrents of Spring (1926)

Hardinge Giffard, 1st Earl of Halsbury photo
Gloria Estefan photo
Ernest Hemingway photo

“Having books published is very destructive to writing. It is even worse than making love too much. Because when you make love too much at least you get a damned clarte that is like no other light. A very clear and hollow light.”

Ernest Hemingway (1899–1961) American author and journalist

Letter to Bernard Berenson (2 October 1952); published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker

“The same binome is printed in as many as half-a-dozen or more different combinations of characters that have been used throughout history lo write it out. This indicates powerfully the primacy of sound over written form as the ultimate determinant of Chinese language.”

Victor H. Mair (1943) American sinologist and linguist

The Need for an Alphabetically Arranged General Usage Dictionary of Mandarin Chinese (February 1986) http://www.sino-platonic.org/complete/spp001_chinese_dictionary.pdf.

Enoch Powell photo

“I am one of what must be an increasing number who find the portentous moralisings of A. Solzhenitsyn a bore and an irritation. Scarcely any aspect of life in the countries where he passes his voluntary exile has failed to incur his pessimistic censure. Coming from Russia, where freedom of the press has been not so much unknown as uncomprehended since long before the Revolution, he is shocked to discover that a free press disseminated all kinds of false, partial and invented information and that journalists contradict themselves from one day to the next without shame and without apology. Only a Russian would find all that surprising, or fail to understand that freedom which is not misused is not freedom at all.

Like all travellers he misunderstands what he observes. It simply is not true that ‘within the Western countries the press has become more powerful than the legislative power, the executive and the judiciary’. The British electorate regularly disprove this by electing governments in the teeth of the hostility and misrepresentation of virtually the whole of the press. Our modern Munchhausen has, however, found a more remarkable mare’s nest still: he has discovered the ‘false slogan, characteristic of a false era, that everyone is entitled to know everything’. Excited by this discovery he announces a novel and profound moral principle, a new addendum to the catalogue of human rights. ‘People,’ he says, ‘have a right not to know, and it is a more valuable one.’ Not merely morality but theology illuminates the theme: people have, say Solzhenitsyn, ‘the right not to have their divine souls’ burdened with ‘the excessive flow of information’.

Just so. Whatever may be the case in Russia, we in the degenerate West can switch off the radio or television, or not buy a newspaper, or not read such parts of it as we do not wish to. I can assure Solzhenitsyn that the method works admirably, ‘right’ or ‘no right’. I know, because I have applied it with complete success to his own speeches and writings.”

Enoch Powell (1912–1998) British politician

Letter in answer to Solzhenitsyn's Harvard statement (21 June 1978), from Reflections of a Statesman. The Writings and Speeches of Enoch Powell (London: Bellew, 1991), p. 577
1970s

Richard Rodríguez photo
Gyles Brandreth photo
Lyndon B. Johnson photo
Rajinikanth photo
André Maurois photo

“A few months ago I read an interview with a critic; a well-known critic; an unusually humane and intelligent critic. The interviewer had just said that the critic “sounded like a happy man”, and the interview was drawing to a close; the critic said, ending it all: “I read, but I don’t get any time to read at whim. All the reading I do is in order to write or teach, and I resent it. We have no TV, and I don’t listen to the radio or records, or go to art galleries or the theater. I’m a completely negative personality.”
As I thought of that busy, artless life—no records, no paintings, no plays, no books except those you lecture on or write articles about—I was so depressed that I went back over the interview looking for some bright spot, and I found it, one beautiful sentence: for a moment I had left the gray, dutiful world of the professional critic, and was back in the sunlight and shadow, the unconsidered joys, the unreasoned sorrows, of ordinary readers and writers, amateurishly reading and writing “at whim”. The critic said that once a year he read Kim, it was plain, at whim: not to teach, not to criticize, just for love—he read it, as Kipling wrote it, just because he liked to, wanted to, couldn’t help himself. To him it wasn’t a means to a lecture or an article, it was an end; he read it not for anything he could get out of it, but for itself. And isn’t this what the work of art demands of us? The work of art, Rilke said, says to us always: You must change your life. It demands of us that we too see things as ends, not as means—that we too know them and love them for their own sake. This change is beyond us, perhaps, during the active, greedy, and powerful hours of our lives, but during the contemplative and sympathetic hours of our reading, our listening, our looking, it is surely within our power, if we choose to make it so, if we choose to let one part of our nature follow its natural desires. So I say to you, for a closing sentence: Read at whim! read at whim!”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“Poets, Critics, and Readers”, pp. 112–113
A Sad Heart at the Supermarket: Essays & Fables (1962)

William McGonagall photo
Brian W. Aldiss photo
Ernest Hemingway photo
David Graeber photo
Amy Poehler photo
Ernest Hemingway photo