“I will write the evangel-poem of comrades and of love.”
Walt Whitman Starting from Paumanok
Starting from Paumanok, 6
Bartlett's Familiar Quotations, 10th ed. (1919)
How to Save Your Own Life (1977)
“I will write the evangel-poem of comrades and of love.”
Walt Whitman Starting from Paumanok
Starting from Paumanok, 6
Bartlett's Familiar Quotations, 10th ed. (1919)
Randall Jarrell (1914–1965) poet, critic, novelist, essayist
“The Obscurity of the Poet”, p. 24
Poetry and the Age (1953)
Context: People always ask: For whom does the poet write? He needs only to answer, For whom do you do good? Are you kind to your daughter because in the end someone will pay you for being?... The poet writes his poem for its own sake, for the sake of that order of things in which the poem takes the place that has awaited it.
“I prefer the absurdity of writing poems
to the absurdity of not writing poems.”
Wisława Szymborska (1923–2012) Polish writer
Source: Nothing Twice: Selected Poems
“…whether they write poems or don’t write poems, poets are best.”
Randall Jarrell (1914–1965) poet, critic, novelist, essayist
“Recent Poetry”, p. 227
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)
“It’s not easy to write a poem about a poem.”
Dejan Stojanovic (1959) poet, writer, and businessman
“Is It Possible to Write a Poem?,” p. 111
The Sun Watches the Sun (1999), Sequence: “Is It Possible to Write a Poem”
Carl Andre (1935) American artist
Quote from a 1962 essay by Andre; as quoted in ' Objects Are What We Aren't' https://www.theparisreview.org/blog/2015/02/26/objects-are-what-we-arent/, by Andy Battaglia; The Parish Review, February 26, 2015
“To write good poems is the secret of brevity.”
Dejan Stojanovic (1959) poet, writer, and businessman
Simplicity http://www.poetrysoup.com/famous/poem/21390/Simplicity <br class="br">From the poems written in English
“We are all writing God's poem.”
Anne Sexton (1928–1974) poet from the United States
As quoted by Erica Jong, in "Into the lion's den" in The Guardian (26 October 2000) http://www.guardian.co.uk/theguardian/2000/oct/26/features11.g2