Farewell letter to Fidel Castro (1965)
Quotes about wound
page 7
Rien ne me choque autant que l'acharnement sur un vaincu, surtout quand les lyncheurs prennent la pose. Entre les chiens et le loup, je serai toujours du côté du loup, surtout quand il est blessé.
Beauté du crime (Plon, 1988, ISBN 2-259-01897-1), p. 13 http://www.denistouret.net/textes/Verges.html
Collected Works, Vol. 28, p. 98.
Collected Works
Speech to the 65th anniversary luncheon of the United Wards' Club in the Connaught Rooms, London (23 February 1942), quoted in The Times (24 February 1942), p. 2.
War Cabinet
Dans les jours orageux de la jeunesse, on s'imagine que la solitude est le grand refuge contre les atteintes, le grand remède aux blessures du combat; c'est une grave erreur, et l'expérience de la vie nous apprend que, là ou l'on ne peut vivre en paix avec ses semblables, il n'est point d'admiration poétique ni de jouissances d'art capables de combler l'abîme qui se creuse au fond de l'âme.
Un Hiver à Majorque, pt. 3, ch. 5 (1855); Robert Graves (trans.) Winter in Majorca (Chicago: Academy Press, 1978) p. 165
"The Old Man with the Broken Arm" (a satire on militarism)
Arthur Waley's translations
Children at the Gate (1962)
“Heal the Wound, Cure the illness, but let the Dying spirit go”
Source: Earthsea Books, A Wizard of Earthsea (1968), Chapter 5
Enver Hoxha, Selected Works, 1941–1948, vol. I (Tirana: 8 Nëntori Publishing House, 1974, 599-600)
Writings, Selected Works, 1941–1948
Radio Interview for BBC Radio 4 The World this Weekend (4 January 1981) http://www.margaretthatcher.org/document/104477
First term as Prime Minister
Main Street and Other Poems (1917), The Robe of Christ
Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 88.
Quote from the first lines in De Cirico's essay 'Painting', 1938; from http://www.fondazionedechirico.org/wp-content/uploads/211_Painting_1938_Metaphysical_Art.pdf 'Painting', 1938 - G. de Chirico, presentation to the catalogue of his solo exhibition Mostra personale del pittore Giorgio de Chirico, Galleria Rotta, Genoa, May 1938], p. 211
1920s and later
St. 3
Memorial Verses (1852)
Song 24 Shots http://www.sing365.com/music/lyric.nsf/24-Shots-lyrics-Necro/64198B0091F2423E48256D98000D6B54
“241. An ill wound is cured, not an ill name.”
Jacula Prudentum (1651)
1960s, Letter to Ho Chi Minh (1967)
“I haven't been wounded, but I can still feel that hit. I will not tolerate such behaviour.”
President Kaczyński's comment on being attacked by an anarchist with a blueberry-and-cream pie after banning an LGBT Equality Parade in Warsaw (2 June 2004)
The Four Cardinal Virtues: Prudence, Justice, Fortitude, Temperance (1965)
"Why the AR-15 Is So Lethal", The Atlantic (7 November 2017)
“To wound the heart is to create it.”
Herir al corazón es crearlo.
Voces (1943)
Sweet Morality (p. 212)
The Immortalization Commission: The Strange Quest to Cheat Death (2011)
The Fame of a Dead Man's deeds, 2001
2000s, 2001
Source: [Griffin, 2001, 68]
Me voici devant tous un homme plein de sens
Connaissant la vie et de la mort ce qu'un vivant peut connaître
Ayant éprouvé les douleurs et les joies de l'amour
Ayant su quelquefois imposer ses idées
Connaissant plusieurs langages
Ayant pas mal voyagé
Ayant vu la guerre dans l'Artillerie et l'lnfanterie
Blessé à la tête trépané sous le chloroforme
Ayant perdu ses meilleurs amis dans l'effroyable lutte
Je sais d'ancien et de nouveau autant qu'un homme seul pourrait des deux savoir
"La jolie rousse" (The Pretty Redhead), line 1; p. 133.
Calligrammes (1918)
27 May 1849
Journal Intime (1882), Journal entries
My Life (1927), chapter 28; Liveright Publishing, 2013, p. 276 https://books.google.it/books?id=7bmj03oQH9IC&pg=PA276.
Gregory S. Paul (1988) Predatory Dinosaurs of the World, Simon and Schuster, p. 338
Predatory Dinosaurs of the World
Radio message to Adolf Hitler, January 24, 1943. Quoted in "The World Changers" - Page 171 - by Bruce Bliven - 1965
From Amritanandamayi's Speech Against Human Trafficking and Slavery at the Vatican (2014)
Anish Kapoor Opens the Door:Modern Artist Creates Monuments that Transcend Space & Time
Source: Visions of Excess: Selected Writings 1927-1939, p. 250
"On Cant and Hypocrisy"
Men and Manners: Sketches and Essays (1852)
No, it is not I, it is else who is suffering.
I could not have borne it. And this thing, which has happened
Let them cover it with black cloths,
And take away the lanterns...
Night.
Translated by D. M. Thomas
Requiem; 1935-1940 (1963; 1987), Prologue
Lamb in September 27, 1796. In his letter to Coleridge; after the family tragedy. As quoted in Works of Charles and Mary Lamb. Letters (1905).
The Never-Ending Wrong (1977)
"The Malevolent Jobholder," The American Mercury (June 1924), p. 156
1920s
Account of 8 October 1918.
Diary of Alvin York
Adam Bernstein. (2003, February 7). Newsman Larry LeSueur Dies: [FINAL Edition]. The Washington Post, p. B.06. Retrieved June 21, 2011, from ProQuest National Newspapers Premier. (Document ID: 284067491), as told by LeSueur to the Washington Post in 1984.
Act V., Scene II. — (Cornelio).
Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 274.
I Lucidi (published 1549)
On Coalition Government (1945)
Source: The Theosophist, Volume 33 http://books.google.co.in/books?id=wJ9VAAAAYAAJ, p. 183
1960s, Inaugural address (1965)
“Here sits the Unicorn;
The wounds in his side
Still bleed”
The Unicorn in Captivity (1955)
Source: Father and Child Reunion (2001), p. 121.
"Extreme Pornography Law in the UK" (2010) http://stallman.org/articles/extreme.html
2010s
As quoted by Jordanes, The Origin and Deeds of the Goths http://people.ucalgary.ca/~vandersp/Courses/texts/jordgeti.html#attila, translated by Charles C. Mierow
DJ AM talks about plane crash http://www.celebritysmackblog.com/2008/10/16/dj-am-opens-up-about-the-plane-crash-that-nearly-took-his-life/ People Magazine. October 2008.
“What makes the vanity of others insufferable to us is that it wounds our own.”
Ce qui nous rend la vanité des autres insupportable, c'est qu'elle blesse la nôtre.
Maxim 389.
Reflections; or Sentences and Moral Maxims (1665–1678)
Jadunath Sarkar, Fall of the Mughal Empire, Volume II, Fourth Edition, New Delhi, 1991, p.210-11
A Week on the Concord and Merrimack Rivers http://www.gutenberg.org/dirs/etext03/7cncd10.txt (1849), Friday
"The Sensitive Artist" (p. 43)
quote from Degas' letter to a friend; but unknown because Vollard did not want to reveal the name
posthumous quotes, Degas: An Intimate Portrait' (1927)
A Woman in April.
Broken Vessels (1991)
Act III, Scene I, p. 25
Mariamne: A Tragedy (1723)
July 27, 2006 http://littlegreenfootballs.com/weblog/?entry=21802&only
American Notes online at Project Gutenberg http://www.gutenberg.org/cache/epub/675/pg675.html
Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 4: 1921
About the fight with the Rai of Banares and capture of Asni and of Benares. Hasan Nizami: Taju’l-Ma’sir, in Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 222-223 Also quoted in Jain, Meenakshi (2011). The India they saw: Foreign accounts.
As quoted in the New York Times, That’s Amore: Italy as Muse: Woody Allen on Italian Movies and ‘To Rome With Love’ http://www.nytimes.com/2012/06/17/movies/woody-allen-on-italian-movies-and-to-rome-with-love.html?_r=1&smid=FB-nytimes&WT.mc_id=MO-E-FB-SM-LIN-TAI-061912-NYT-NA&WT.mc_ev=click, June 15, 2012.
Others
[CHINA-JAPAN: Hero Ma, TIME, 23 November 1931, http://www.time.com/time/magazine/article/0,9171,742656-2,00.html]
The Battlefield http://www.gutenberg.org/files/16341/16341-h/16341-h.htm#page222 (1839), st. 9
Interview with Radio.com (July 6, 2016)
About the exploits of Titumir. Narahari Kaviraj, Wahabi And Faraizi Rebels of Bengal, New Delhi, 1982, Pp. 37-38, 43-44, 50-51. Quoted in Goel, Sita Ram (1995). Muslim separatism: Causes and consequences. ISBN 9788185990262
“A reading-machine, always wound up and going,
He mastered whatever was not worth the knowing.”
Prologue, st. 7
A Fable for Critics (1848)
Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 54.
Letter http://books.google.com/books?id=yEA_AQAAMAAJ&q=%22small+debts+are+like+small+shot+they+are+rattling+on+every+side+and+can+scarcely+be+escaped+without+a+wound+great+debts+are+like+cannon+of+loud+noise+but+little+danger%22&pg=PA189#v=onepage to Joseph Simpson, circa 1759
Life of Samuel Johnson (1791), Vol I
Speech in the House of Commons (26 March 1794), reported in The Parliamentary History of England, from the Earliest Period to the Year 1803. Vol. XXXI (London: 1818), pp. 94-95.
1790s
If They Come in The Morning (1971)
"Free Speech and the First Amendment" https://www.c-span.org/video/?437511-1/free-speech-amendment&start=150 (20 November 2017), C-SPAN
2010s
Oriana Fallaci (December 30, 1973), The Mystically Divine Shah of Iran (interview), Chicago Tribune
Interviews
“If we only have love
We can reach those in pain
We can heal all our wounds
We can use our own names.”
Translations and adaptations, If We Only Have Love (1968)
"Recalling War," lines 1–6, from Collected Poems 1938 (1938).
Poems
“Time wounds all the heals, as we fade out of view.”
"I Sat By the Ocean", ...Like Clockwork (2013)
Lyrics, Queens of the Stone Age
“Ariane, my sister, wounded by what love,
You died on the shores where you were abandoned.”
Ariane, ma sœur, de quel amour blessée,
Vous mourûtes aux bords où vous fûtes laissée.
Phèdre, act I, scene III.
Phèdre (1677)
Religion and Philosophy in Germany, A fragment https://archive.org/stream/religionandphilo011616mbp#page/n5/mode/2up. p. 25
Context: I believe in progress; I believe that happiness is the goal of humanity, and I cherish a higher idea of the Divine Being than those pious folk who suppose that man was created only to suffer. Even here on earth I would strive, through the blessings of free political and industrial institutions, to bring about that reign of felicity which, in the opinion of the pious, is to be postponed till heaven is reached after the day of Judgment. The one expectation is perhaps as vain as the other; there may be no resurrection of humanity either in a political or in a religious sense. Mankind, it may be, is doomed to eternal misery; the nations are perhaps under a perpetual curse, condemned to be trodden under foot by despots, to be made the instruments of their accomplices and the laughing-stocks of their menials. Yet, though all this be the case, it will be the duty even of those who regard Christianity as an error still to uphold it; and men must journey barefoot through Europe, wearing monks' cowls, preaching the doctrine of renunciation and the vanity of all earthly possessions, holding up before the gaze of a scourged and despised humanity the consoling Cross, and promising, after death, all the glories of heaven.
The duration of religions has always been dependent on human need for them. Christianity has been a blessing for suffering humanity during eighteen centuries; it has been providential, divine, holy. All that it has done in the interest of civilisation, curbing the strong and strengthening the weak, binding together the nations through a common sympathy and a common tongue, and all else that its apologists have urged in its praise all this is as nothing compared with that great consolation it has bestowed on man. Eternal praise is due to the symbol of that suffering God, the Saviour with the crown of thorns, the crucified Christ, whose blood was as a healing balm that flowed into the wounds of humanity. The poet especially must acknowledge with reverence the terrible sublimity of this symbol.
1960s, The Quest for Peace and Justice (1964)
Context: Nonviolence is a powerful and just weapon. Indeed, it is a weapon unique in history, which cuts without wounding and ennobles the man who wields it.
I believe in this method because I think it is the only way to reestablish a broken community. It is the method which seeks to implement the just law by appealing to the conscience of the great decent majority who through blindness, fear, pride, and irrationality have allowed their consciences to sleep.
On Literature, Revolution, Entropy and Other Matters (1923)
Context: A new form is not intelligible to everyone; many find it difficult. Perhaps. The ordinary, the banal is, of course, simpler, more pleasant, more comfortable. Euclid's world is very simple, and Einstein's world is very difficult — but it is no longer possible to return to Euclid. No revolution, no heresy is comfortable or easy. For it is a leap, it is a break in the smooth evolutionary curve, and a break is a wound, a pain. But the wound is necessary: most of mankind suffers from hereditary sleeping sickness, and victims of this sickness (entropy) must not be allowed to sleep, or it will be their final sleep, death.
The same disease often afflicts artists and writers: they sink into satiated slumber in forms once invented and twice perfected. And they lack the strength to wound themselves, to cease loving what they once loved, to leave their old, familiar apartments filled with the scent of laurel leaves and walk away into the open field, to start anew.
Of course, to wound oneself is difficult, even dangerous. But for those who are alive, living today as yesterday and yesterday as today is still more difficult.
The Other World (1657)
Context: How do you think a spade, sword or dagger wounds us? Because the metal is a form of matter in which the particles are closer and more tightly bound together than those of your flesh. The metal forces flesh to yield to strength, just as a galloping squadron penetrates a battle line that is of much greater extent.
And why is a piece of hot metal hotter than a piece of burning wood? Because the metal contains more heat in a smaller volume. The particles in the metal are more compact than those in the wood.
Christ, Old Student in a New School (1972)
Context: I am the dreamer and the doer
I the hearer and the knower
I the giver and the taker
I the sword and the wound of sword.
If this be true, then let sword fall free from hand.
I embrace myself.
I laugh until I weep
And weep until I smile…
“We can heal all our wounds
We can use our own names.”
If Only We Have Love (1957)
Context: If we only have love
We can reach those in pain
We can heal all our wounds
We can use our own names.