Quotes about web

A collection of quotes on the topic of web, likeness, people, use.

Quotes about web

Douglas Adams photo
Pablo Picasso photo

“The artist is a receptacle for emotions derived from anywhere: from the sky, from the earth, from a piece of paper, from a passing figure, from a spider’s web. This is a spider's web. This is why one must not make a distinction between things. For them there are no aristocratic quarterings. One must take things where one finds them.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 258 (translation Daphne Woodward)
1960s

Ali Al-Wardi photo
Marcus Aurelius photo
Pierre Joseph Proudhon photo

“I protest against every order with which some authority may feel pleased on the basis of some alleged necessity to over-rule my free will. Laws: We know what they are, and what they are worth! They are spider webs for the rich and mighty, steel chains for the poor and weak, fishing nets in the hands of government.”

Pierre Joseph Proudhon (1809–1865) French politician, mutualist philosopher, economist, and socialist

"The Authority Principle" in No Gods, No Masters : An Anthology of Anarchism (1980) Daniel Guérin, as translated by Paul Sharkey (1998), p. 90
Context: I stand ready to negotiate, but I want no part of laws: I acknowledge none; I protest against every order with which some authority may feel pleased on the basis of some alleged necessity to over-rule my free will. Laws: We know what they are, and what they are worth! They are spider webs for the rich and mighty, steel chains for the poor and weak, fishing nets in the hands of government.

Sukirti Kandpal photo
William Shakespeare photo
Virginia Woolf photo

“Fiction is like a spider's web, attached ever so lightly perhaps, but still attached to life at all four corners.”

Source: A Room of One's Own (1929), Ch. 3, pp. 43-44
Context: Fiction is like a spider's web, attached ever so lightly perhaps, but still attached to life at all four corners. Often the attachment is scarcely perceptible; Shakespeare's plays, for instance, seem to hang there complete by themselves. But when the web is pulled askew, hooked up at the edge, torn in the middle, one remembers that these webs are not spun in midair by incorporeal creatures, but are the work of suffering human beings, and are attached to the grossly material things, like health and money and the houses we live in.

Rainer Maria Rilke photo

“Yet, no matter how deeply I go down into myself, my God is dark, and like a webbing made of a hundred roots that drink in silence.”

Rainer Maria Rilke (1875–1926) Austrian poet and writer

Source: The Selected Poetry of Rainer Maria Rilke

Whittaker Chambers photo
Chief Seattle photo
Patricia A. McKillip photo
Sergey Brin photo

“We came up with the notion that not all web pages are created equal. People are – but not web pages.”

Sergey Brin (1973) President of Alphabet Inc.

Guest lecture, UC Berkeley http://video.google.com/videoplay?docid=7582902000166025817 Oct. 5, 2005 – 40 min.

Tim Berners-Lee photo

“I just had to take the hypertext idea and connect it to the TCP and DNS ideas and — ta-da!— the World Wide Web.”

Tim Berners-Lee (1955) British computer scientist, inventor of the World Wide Web

Answers for Young People http://www.w3.org/People/Berners-Lee/Kids.html

Joseph Goebbels photo
Friedrich Nietzsche photo
Louise Bourgeois photo
Camille Paglia photo

“Art is a vast, ancient interconnected web-work, a fabricated tradition. Overconcentration on any one point is a distortion.”

Camille Paglia (1947) American writer

Source: Sex, Art and American Culture : New Essays (1992), Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf, p. 208
Context: The number one problem in academia today is not ignorant students but ignorant professors, who have substituted narrow “expertise” and “theoretical sophistication” (a preposterous term) for breadth and depth of learning in the world history of art and thought. … Art is a vast, ancient interconnected web-work, a fabricated tradition. Overconcentration on any one point is a distortion. This is one of the primary reasons for the dullness and ineptitude of so much twentieth-criticism, as compared to nineteenth-century belles-lettres.

Tim Berners-Lee photo

“Despite the buy don't build credo I came to the conclusion that I was going to have to create the web on my own.”

Tim Berners-Lee (1955) British computer scientist, inventor of the World Wide Web

Weaving the Web (1999)
Context: At CERN there was a credo meant to avoid unnecessary labors, it said that when acquiring new technology: Buy, Don't Build. There were several commercial hypertext editors and I thought we could just add some internet code, so that the hypertext documents could then be sent over the internet. I thought the companies engaged in the then fringe field of hypertext would immediately grasp the possibilities of the web. Unfortunately, their reaction was quite the opposite... it seemed that explaining the vision of the web was exceedingly difficult without a web browser in hand, people had to be able to grasp the web in full, which meant imagining a whole world populated with websites and browsers. It was a lot to ask. Despite the buy don't build credo I came to the conclusion that I was going to have to create the web on my own.

Eckhart Tolle photo
Charles Bukowski photo

“Whiskers of the cat,
Webbed toes on my swimming dog;
God is in the details.”

Dean Koontz (1945) American author

Source: The Book Of Counted Sorrows

Stephen King photo

“Friends and lovers lie endlessly, caught in the web of regard.”

Variant: Only enemies speak the truth; friends and lovers lie endlessly, caught in the web of duty.
Source: The Gunslinger

Gustave Flaubert photo
Cornelia Funke photo
Roger Ebert photo

“Doing research on the Web is like using a library assembled piecemeal by pack rats and vandalized nightly.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

"Critical Eye" column, Yahoo! Internet Life (September 1998), p. 66

David Foster Wallace photo

“It is named the "Web" for good reason.”

David Foster Wallace (1962–2008) American fiction writer and essayist
Walter Scott photo

“O, what a tangled web we weave,
When first we practise to deceive!”

Canto VI, st. 17.
Variant: Oh what a tangled web we weave when first we practice to deceive
Source: Marmion (1808)

Jeffrey Zeldman photo
Ogden Nash photo

“Oh, what a tangled web do parents weave
When they think that their children are naive.”

Ogden Nash (1902–1971) American poet

"Baby, What Makes the Sky Blue?"

Gabrielle Zevin photo
John Keats photo
Zadie Smith photo
Cornelia Funke photo
Anacharsis photo

“These decrees of yours are no different from spiders' webs. They'll restrain anyone weak and insignificant who gets caught in them, but they'll be torn to shreds by people with power and wealth.”

Anacharsis Scythian philosopher

Discussing Solon's laws with him, as quoted by Plutarch, in Solon ch. 5; translation by Robin Waterfield from Plutarch Greek Lives (1998) p. 50.
Variants:
Written laws are like spiders’ webs; they will catch, it is true, the weak and poor, but would be torn in pieces by the rich and powerful.
Laws are spider-webs, which catch the little flies, but cannot hold the big ones.
as quoted in Beeton's Book of Jokes and Jests, or Good Things Said and Sung, Second Edition, Printed by Frederick Warne & Co., London, 1866.

“Love is just a little bit of death in the heart,
For how often can one love in certainty that love will be returned?
Giving so much love, and receiving so little of it;
Because people are fickle, or indifferent? Who knows?
During moments together as in hours apart,
I'm mindful that the moon fades, flowers wither, souls pass away…
They wander lost in the somber darkness of sorrow,
Those fools who follow the footprints of love.
Because life is an endless desert,
And love is an entangling web.
Love is just a little bit of death in the heart.”

Xuân Diệu (1916–1985) Vietnamese poet

"Love" [Yêu], as quoted in "Shattered Identities and Contested Images: Reflections of Poetry and History in 20th-Century Vietnam" by Neil Jamieson, in Crossroads: An Interdisciplinary Journal of Southeast Asian Studies, Vol. 7, No. 2, 1992, pp. 86–87, and in Understanding Vietnam by Neil Jamieson (University of California Press, 1995), p. 162
Variant translation by Huỳnh Sanh Thông:
To love is to die a little in the heart,
for when you love can you be sure you're loved?
You give so much, so little you get back—
the other lets you down or looks away.
Together or apart, it's still the same.
The moon turns pale, blooms fade, the soul's bereaved...
They'll lose their way amidst dark sorrowland,
those passionate fools who go in search of love.
And life will be a desert bare of joy,
and love will tie the knot that binds to grief.
To love is to die a little in the heart.

Fenton Johnson photo

“Pathetic Ron Paulian Jew-Hating Post of the Day… So who’s responsible for letting this Ron Paulian post insane antisemitic garbage like this… UPDATE… This freak actually has a page at the official Barack Obama campaign web site…”

Charles Foster Johnson (1953) American musician

May 18, 2008 http://littlegreenfootballs.com/article/29992_Pathetic_Ron_Paulian_Jew-Hating_Post_of_the_Day_-_Update-_It_Has_a_My_Obama_Page&only

Johannes Grenzfurthner photo

“Contemporary art -- the field we are usually working in because there's money -- is mostly concerned with systems or systematic concepts. In the context of their work, artists adapt models of individual art-specific or economic or political systems like in a laboratory, to reveal the true nature of these systems by deconstructing them. So would it be fair to say that by their chameleon-like adaptation they are attempting to generate a similar system? Well… the corporate change in the art market has aged somewhat in the meantime and looks almost as old as the 'New Economy'. Now even the last snotty brat has realized that all the hogwash about the creative industries, sponsoring, fund-raising, the whole load of bullshit about the beautiful new art enterprises, was not much more than the awful veneer on the stupid, crass fanfare of neo-liberal liberation teleology. What is the truth behind the shifting spheres of activity between computer graphics, web design and the rest of all those frequency-orientated nerd pursuits? A lonely business with other lonely people at their terminals. And in the meantime the other part of the corporate identity has incidentally wasted whole countries like Argentina or Iceland. That's the real truth of the matter.”

Johannes Grenzfurthner (1975) Austrian artist, writer, curator, and theatre and film director

Interview on Furtherfield http://www.furtherfield.org/interviews/interview-johannes-grenzfurthner-monochrom-part-1

Gloria Steinem photo
Steven Wright photo
Kent Hovind photo
John Davies (poet) photo

“Much like a subtle spider which doth sit
In middle of her web, which spreadeth wide;
If aught do touch the utmost thread of it,
She feels it instantly on every side.”

John Davies (poet) (1569–1626) English poet, lawyer, and politician, born 1569

The Immortality of the Soul (c. 1594). Compare:
:"Our souls sit close and silently within / And their own webs from their own entrails spin; / And when eyes meet far off, our sense is such / That, spider-like, we feel the tenderest touch." John Dryden, Mariage à la Mode, act ii. sc. 1.;
:"The spider’s touch—how exquisitely fine!— / Feels at each thread, and lives along the line." Alexander Pope, Epistle i. line 217.

Ricardo Sanchez photo
Tad Williams photo
Jeremy Rifkin photo

“Oh what a tangled web we weave when first we practice to weave.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Unclassified

Burkard Schliessmann photo

“The trends that produced Schumann’s early piano works started out not so much from Weber’s refined brilliance as from Schubert’s more intimate and deeply soul-searching idiom. His creative imagination took him well beyond the harmonic sequences known until his time. He looked at the fugues and canons of earlier composers and discovered in them a Romantic principle. In the interweaving of the voices, the essence of counterpoint found its parallel in the mysterious relationships between the human psyche and exterior phenomena, which Schumann felt impelled to express. Schubert’s broad melodic lyricism has often been contrasted with Schumann’s terse, often quickly repeated motifs, and by comparison Schumann is often erroneously seen as short-winded. Yet it is precisely with these short melodic formulae that he shone his searchlight into the previously unplumbed depths of the human psyche. With them, in a complex canonic web, he wove a dense tissue of sound capable of taking in and reflecting back all the poetical character present. His actual melodies rarely have an arioso form; his harmonic system combines subtle chromatic progressions, suspensions, a rapid alternation of minor and major, and point d’orgue. The shape of Schumann’s scores is characterized by contrapuntal lines, and can at first seem opaque or confused. His music is frequently marked by martial dotted rhythms or dance-like triple time signatures. He loves to veil accented beats of the bar by teasingly intertwining two simultaneous voices in independent motion. This highly inde-pendent instrumental style is perfectly attuned to his own particular compositional idiom. After a period in which the piano had indulged in sensuous beauty of sound and brilliant coloration, in Schumann it again became a tool for conveying poetic monologues in musical terms.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

“Most of the network related programming in games has to do with providing a good interactive experience when playing over the internet. This matter is very different from serving web pages. The primary concern there is to handle connection latency, latency fluctuations, packet loss and bandwidth limitations, and pretty much hide all of that from the player's experience.”

Timothee Besset French software programmer

Quoted in Brian Boyko, "ID Software Developer Timothee Besset on Network Performance in Games" http://www.networkperformancedaily.com/2007/01/id_software_developer_timothee.html Network Performance Daily (2007-01-29).

Helen Nearing photo
Tim Berners-Lee photo
Caterina Davinio photo
Roger Ebert photo

“These seem like bristles, and the hide is tough.
No claw or web here: each foot ends in hoof.”

Thom Gunn (1929–2004) English poet

Moly (l. 9-10)
Collected Poems by Thom Gunn (1994)

Kevin Kelly photo

“To prosper, feed the web first.”

Kevin Kelly (1952) American author and editor

Out of Control: The New Biology of Machines, Social Systems and the Economic World (1995), New Rules for the New Economy: 10 Radical Strategies for a Connected World (1999)

Robert Graves photo

“There’s a cool web of language winds us in,
Retreat from too much joy or too much fear:
We grow sea-green at last and coldly die
In brininess and volubility.”

Robert Graves (1895–1985) English poet and novelist

"The Cool Web," lines 9–12, from Poems 1914-1926 (1927).
Poems

Heather Brooke photo

“It’s a little too early to play curmudgeon and complain that the kids today don’t have the patience to read long web pages.”

Mark Rosenfelder American language inventor

About the paradigm change http://zompist.wordpress.com/2008/07/31/ask-zompist-blogs-vs-non-blogs/ from static web pages to blogs.

Robert Kraft (astronomer) photo
Garry Kasparov photo

“Putin hasn’t come out of the blue, you know? It’s not just Putin. That’s why again in my book Winter is Coming, I emphasize why Vladimir Putin and enemies of the free world must be stopped. Because Putin, you may call him bosses of bosses, Capo dei Capi, he’s like a spider in the center of this web. Because Putin helps other bad guys, other thugs, dictators, and terrorists to sort of feel free to attack the free world. Because they all know that unless they attack the free world, unless they attack the United States as the leader of the free world, they will have no credibility with their own people because neither Putin nor Iranian mullahs, nor Al Qaeda, Islamic State or other dictators around the globe, they have nothing to offer but confrontation. They have to present themselves of the protectors of their own people against the world evil. And of course, they have to attack the free world that produces everything that, by the way, they use quite effectively against us. They cannot compete in innovations, they cannot compete in ideas, in productivity. But they can compete in something quite different because for us, each human life is unique. *For them, killing a thousand people, hundreds of thousands of people, a million is a demonstration of strengths. So we should realize that they have no allergy for blood. And they will keep pressing their advantage, and it’s not that we have grown – that our enemies have grown stronger. It’s our resolve that has grown weaker.”

Garry Kasparov (1963) former chess world champion

2010s, Interview with Bill Kristol (2016)

Eugène Delacroix photo
Martin Amis photo
Ernst Mach photo

“I know of nothing more terrible than the poor creatures who have learned too much. Instead of the sound powerful judgement which would probably have grown up if they had learned nothing, their thoughts creep timidly and hypnotically after words, principles and formulae, constantly by the same paths. What they have acquired is a spider's web of thoughts too weak to furnish sure supports, but complicated enough to provide confusion.”

Ernst Mach (1838–1916) Austrian physicist and university educator

"On the Relative Educational Value of the Classics and the Mathematico-Physical Sciences in Colleges and High Schools", an address in (16 April 1886), published in Popular Scientific Lectures (1898), as translated by Thomas J. McCormack, p. 367
19th century

Clarence Darrow photo

“Life cannot be reconciled with the idea that back of the universe is a Supreme Being, all merciful and kind, and that he takes any account of the human beings and other forms of life that exist upon the earth. Whichever way man may look upon the earth, he is oppressed with the suffering incident to life. It would almost seem as though the earth had been created with malignity and hatred. If we look at what we are pleased to call the lower animals, we behold a universal carnage. We speak of the seemingly peaceful woods, but we need only look beneath the surface to be horrified by the misery of that underworld. Hidden in the grass and watching for its prey is the crawling snake which swiftly darts upon the toad or mouse and gradually swallows it alive; the hapless animal is crushed by the jaws and covered with slime, to be slowly digested in furnishing a meal. The snake knows nothing about sin or pain inflicted upon another; he automatically grabs insects and mice and frogs to preserve his life. The spider carefully weaves his web to catch the unwary fly, winds him into the fatal net until paralyzed and helpless, then drinks his blood and leaves him an empty shell. The hawk swoops down and snatches a chicken and carries it to its nest to feed its young. The wolf pounces on the lamb and tears it to shreds. The cat watches at the hole of the mouse until the mouse cautiously comes out, then with seeming fiendish glee he plays with it until tired of the game, then crushes it to death in his jaws. The beasts of the jungle roam by day and night to find their prey; the lion is endowed with strength of limb and fang to destroy and devour almost any animal that it can surprise or overtake. There is no place in the woods or air or sea where all life is not a carnage of death in terror and agony. Each animal is a hunter, and in turn is hunted, by day and night. No landscape is beautiful or day so balmy but the cry of suffering and sacrifice rends the air. When night settles down over the earth the slaughter is not abated. Some creatures are best at night, and the outcry of the dying and terrified is always on the wind. Almost all animals meet death by violence and through the most agonizing pain. With the whole animal creation there is nothing like a peaceful death. Nowhere in nature is there the slightest evidence of kindness, of consideration, or a feeling for the suffering and the weak, except in the narrow circle of brief family life.”

Clarence Darrow (1857–1938) American lawyer and leading member of the American Civil Liberties Union

Source: The Story of My Life (1932), p. 383

Randal Marlin photo

“Anyone familiar with the marvels of the Worldwide Web can hardly fail to see that we have entered a new era in communications on a scale perhaps comparable to the invention of the Gutenberg press.”

Randal Marlin (1938) Canadian academic

Source: Propaganda & The Ethics Of Persuasion (2002), Chapter Eight, Propaganda, Democracy, And the Internet, p. 284

Karl Pilkington photo

“The Web is the new book though, innit?”

Karl Pilkington (1972) English television personality, social commentator, actor, author and former radio producer

Xfm 30 November 2002
On Technology

Chinmayananda Saraswati photo
Shona Brown photo
Daniel Berrigan photo

“I think of the good, decent, peace-loving people I have known by the thousands, and I wonder. How many of them are so afflicted with the wasting disease of normalcy that, even as they declare for the peace, their hands reach out with an instinctive spasm… in the direction of their comforts, their home, their security, their income, their future, their plans—that five-year plan of studies, that ten-year plan of professional status, that twenty-year plan of family growth and unity, that fifty-year plan of decent life and honorable natural demise. “Of course, let us have the peace,” we cry, “but at the same time let us have normalcy, let us lose nothing, let our lives stand intact, let us know neither prison nor ill repute nor disruption of ties.” And because we must encompass this and protect that, and because at all costs—at all costs—our hopes must march on schedule, and because it is unheard of that in the name of peace a sword should fall, disjoining that fine and cunning web that our lives have woven, because it is unheard of that good men should suffer injustice or families be sundered or good repute be lost—because of this we cry peace and cry peace, and there is no peace. There is no peace because there are no peacemakers. There are no makers of peace because the making of peace is at least as costly as the making of war—at least as exigent, at least as disruptive, at least as liable to bring disgrace and prison and death in its wake.”

Daniel Berrigan (1921–2016) American Catholic priest, peace activist, and poet

No Bars to Manhood (1971), p. 49.

Robert E. Howard photo
Fausto Cercignani photo
Mark Pesce photo
Kate Bush photo
Gottfried Feder photo
Algernon Charles Swinburne photo

“For in the days we know not of
Did fate begin
Weaving the web of days that wove
Your doom.”

Algernon Charles Swinburne (1837–1909) English poet, playwright, novelist, and critic

Faustine.
Undated

William H. Rehnquist photo

“A public library does not acquire Internet terminals in order to create a public forum for Web publishers to express themselves, any more than it collects books in order to provide a public forum for the authors of books to speak.”

William H. Rehnquist (1924–2005) Chief Justice of the United States

United States v. American Library Association, 539 U.S. 194 (2003) (plurality opinion); the case concerned whether Congress could require libraries receiving Federal subsidies for Internet connectivity to install filtering software.
Judicial opinions

Jean-Paul Marat photo
Philip José Farmer photo
George Eliot photo
Robert F. Kennedy photo

“Every dictatorship has ultimately strangled in the web of repression it wove for its people, making mistakes that could not be corrected because criticism was prohibited.”

Robert F. Kennedy (1925–1968) American politician and brother of John F. Kennedy

"Value of Dissent" speech Nashville, Tennessee (21 March 1968)

Glenn Beck photo
E. B. White photo
Ken Wilber photo
Kent Hovind photo
Donald J. Trump photo
Francisco Varela photo
Rachel Whiteread photo

“I became aware of Louise Bourgeois in my first or second year at Brighton Art College. One of my teachers, Stuart Morgan, curated a small retrospective of her work at the Serpentine, and both he and another teacher, Edward Allington, saw something in her, and me, and thought I should be aware of her. I thought the work was wonderful. It was her very early pieces, The Blind Leading the Blind, the wooden pieces and some of the later bronze works. Biographically, I don't really think she has influenced me, but I think there are similarities in our work. We have both used the home as a kind of kick-off point, as the space that starts the thoughts of a body of work. I eventually got to meet Louise in New York, soon after I made House. She asked to see me because she had seen a picture of House in the New York Times while she was ironing it one morning, so she said. She was wonderful and slightly kind of nutty; very interested and eccentric. She drew the whole time; it was very much a salon with me there as her audience, watching her. I remember her remarking that I was shorter than she was. I don't know if this was true but she was commenting on the physicality of making such big work and us being relatively small women. When you meet her you don't know what's true, because she makes things up. She has spun her web and drawn people in, and eaten a few people along the way.”

Rachel Whiteread (1963) British sculptor

Rachel Whiteread, " Kisses for Spiderwoman http://www.theguardian.com/artanddesign/2007/oct/14/art2," The Guardian, 14 Oct. 2007: on Louise Bourgeois

William Gibson photo