Quotes about wax

A collection of quotes on the topic of wax, likeness, doing, thing.

Quotes about wax

Ahmed Omaar photo

“Si aad u hesho wax aaney qayrkaa heli doonin mustaqbalka, samee wax ka duwan waxa ay sameeyaan.”

Ahmed Omaar (1987)

Source: https://www.pinterest.com/ahmedomaar7/

Omar Khayyám photo

“Yon rising Moon that looks for us again —
How oft hereafter will she wax and wane;
How oft hereafter rising look for us
Through this same Garden — and for one in vain!”

Omar Khayyám (1048–1131) Persian poet, philosopher, mathematician, and astronomer

The Rubaiyat (1120)

James Watt photo

“I proposed to remedy this defect by employing wax, tallow, or other grease, to lubricate and keep the piston tight. It next occurred to me”

James Watt (1736–1819) British engineer

"Notes on Professor Robison's Dissertation on Steam-engines" (1769)
Context: In Newcomen's engine, the piston is kept tight by water, which could not be applicable in this new method; as, if any of it entered into a partially-exhausted and hot cylinder, it would boil, and prevent the production of a vacuum, and would also cool the cylinder by its evaporation during the descent of the piston. I proposed to remedy this defect by employing wax, tallow, or other grease, to lubricate and keep the piston tight. It next occurred to me, that the mouth of the cylinder being open, the air which entered to act on the piston would cool the cylinder, and condense some steam on again filling it. I therefore proposed to put an air-tight cover upon the cylinder, with a hole and stuffing-box for the piston-rod to slide through, and to admit steam above the piston to act upon it, instead of the atmosphere.... There still remained another source of the destruction of steam, the cooling of the cylinder by the external air, which would produce an internal condensation whenever steam entered it, and which would be repeated every stroke; this I proposed to remedy by an external cylinder, containing steam, surrounded by another of wood, or of some other substance which would conduct heat slowly.

William Shakespeare photo

“Rich gifts wax poor when givers prove unkind.”

Source: Hamlet

Lewis Carroll photo

“The time has come," the walrus said, "to talk of many things: Of shoes and ships - and sealing wax - of cabbages and kings”

Lewis Carroll (1832–1898) English writer, logician, Anglican deacon and photographer

Source: Alice's Adventures in Wonderland & Through the Looking-Glass

Lewis Carroll photo
Theodoret photo
Thomas Cranmer photo

“It is not also taught you in Scripture, that you should desire St. Rock to preserve you from the pestilence, to pray to St. Barbarra to defend you from thunder or gun-shot, to offer St. Loy an horse of wax, a pig to St. Anthony, a candle to St, Sithine. But I should be too long, if I were to rehearse unto you all the superstitions that have grown out of the invocation and praying to saints departed, wherewith men have been seduced, and God's honour given to creatures.
This was also no small abuse that we called the images by the names of the things, whom they did represent. For we were won't to say, "This is St. Ann's altar;"-"My father is gone a pilgrimage to our Lady of Walsingham;"-" In our church St. James standeth on the right hand of the high altar." These speeches we were wont to use, although they be not to be commended. For St. Austin in the exposition of the 113th Psalm affirmeth, that they who do call such images, as the carpenter hath made, do change the truth of God into a lie. It is not also taught you in all Scripture.
Thus, good children, I have declared how we were wont to abuse images, not that hereby I condemn your fathers, who were men of great devotion, and had an earnest love towards God, although their zeal in all points was not ruled and governed by true knowledge, but they were seduced and blinded partly by the common ignorance that reigned in their time, partly by the covetousness of their teachers, who abused the simplicity of the unlearned people to the maintenance of their own lucre and glory. But this be profitable, for if they had, either Christ would have taught it or the Holy Ghost would have revealed it unto the Apostles, which they did not. And if they did, the Apostles were very negligent that would not make some mention of it, and speak some good word for images, seeing that they speak so many against them. And by this means Anti-christ and his holy Papists had more knowledge or fervent zeal to give s godly things ad profitable for us, than had the very holy saints of Christ, yea more than Christ himself and the Holy Ghost. Now forasmuch, good children, as images be neither necessary nor profitable in our churches and temples, nor were not used at the beginning in Christ's nor the Apostles' time, nor many years after, and that at length they were brought in by bishops of Rome, maugre emperors' teeth; and seeing also, that they be very slanderous to Christ's religion, for by them the name of God is blasphemed among the infidels, Turks, and Jews, which because of our images do call Christian religion, idolatry and worshiping of images: and for as much also, as they have been so wonderfully abused within this realm to the high contumely and dishonor of God, and have been great cause of blindness and of much contention among the King's Majesty's loving subjects and are like so to be still, if they should remain: and chiefly seeing God's word speaketh so much against them, you may hereby right well consider what great causes and ground the King's Majesty had to take them away within his realm, following here in the example of the godly King Hezekias, who brake down the brazen serpent, when he saw it worshiped, and was therefore praised of God, notwithstanding at the first the same was made and set up by God's commandment, and was not only a remembrance of God's benefits, before received, but also a figure of Christ to come. And not only Hezekias, but also Manasses, and Jehosaphat, and Josias, the best kings that were of the Jews, did pull down images in the time of their reign.”

Thomas Cranmer (1489–1556) leader of the English Reformation and Archbishop of Canterbury

The Life, Martyrdom, and Selections from the Writings of Thomas Cranmer https://books.google.com/books?id=FvNeAAAAcAAJ&pg=PA3&lpg=PA3&dq=The+Life,+Martyrdom,+and+Selections+from+the+Writings+of+Thomas+Cranmer+...&source=bl&ots=LbXiMjz5Zp&sig=0pi5SHuxfdt_YUoiJcxvLgr7x5E&hl=en&sa=X&ved=0ahUKEwjzmZL_wsfaAhVl6YMKHWubBkcQ6AEILDAB by Thomas Cranmer, p.139-142, (1809)

Friedrich Nietzsche photo
Friedrich Nietzsche photo
Marquis de Sade photo

“The Duc, pike aloft, closed in upon Augustine; he brayed, he swore, he waxed unreasonable, and the poor little thing, all atremble, retreated like a dove before the bird of prey ready to pounce upon it.”

Le duc, le vit en l'air, serrait Augustine de bien près; il braillait, il jurait, il déraisonnait, et la pauvre petite, toute tremblante, se reculait toujours, comme la colombe devant l'oiseau de proie qui la guette et qui est près d'en faire sa capture.
The Second Day
The 120 Days of Sodom (1785)

George Carlin photo

“And now, ladies and gentlemen, that we've enjoyed some good times this evening, and enjoyed some laughter together, I feel it is my obligation to remind you of some of the negative, depressing, dangerous, life-threatening things that life is really all about; things you have not been thinking about tonight, but which will be waiting for you as soon as you leave the theater or as soon as you turn off your television sets. Anal rape, quicksand, body lice, evil spirits, gridlock, acid rain, continental drift, labor violence, flash floods, rabies, torture, bad luck, calcium deficiency, falling rocks, cattle stampedes, bank failure, evil neighbors, killer bees, organ rejection, lynching, toxic waste, unstable dynamite, religious fanatics, prickly heat, price fixing, moral decay, hotel fires, loss of face, stink bombs, bubonic plague, neo-Nazis, friction, cereal weevils, failure of will, chain reaction, soil erosion, mail fraud, dry rot, voodoo curse, broken glass, snake bite, parasites, white slavery, public ridicule, faithless friends, random violence, breach of contract, family scandals, charlatans, transverse myelitis, structural defects, race riots, sunspots, rogue elephants, wax buildup, killer frost, jealous coworkers, root canals, metal fatigue, corporal punishment, sneak attacks, peer pressure, vigilantes, birth defects, false advertising, ungrateful children, financial ruin, mildew, loss of privileges, bad drugs, ill-fitting shoes, widespread chaos, Lou Gehrig's disease, stray bullets, runaway trains, chemical spills, locusts, airline food, shipwrecks, prowlers, bathtub accidents, faulty merchandise, terrorism, discrimination, wrongful cremation, carbon deposits, beef tapeworm, taxation without representation, escaped maniacs, sunburn, abandonment, threatening letters, entropy, nine-mile fever, poor workmanship, absentee landlords, solitary confinement, depletion of the ozone layer, unworthiness, intestinal bleeding, defrocked priests, loss of equilibrium, disgruntled employees, global warming, card sharks, poisoned meat, nuclear accidents, broken promises, contamination of the water supply, obscene phone calls, nuclear winter, wayward girls, mutual assured destruction, rampaging moose, the greenhouse effect, cluster headaches, social isolation, Dutch elm disease, the contraction of the universe, paper cuts, eternal damnation, the wrath of God, and PARANOIAAAAAAAAA!!!!!!!”

George Carlin (1937–2008) American stand-up comedian

Playing With Your Head (1986)

Christopher Paolini photo
Leonardo Da Vinci photo
Ludwig von Mises photo
Benjamin Franklin photo

“If your head is wax, don't walk in the sun. ”

Benjamin Franklin (1706–1790) American author, printer, political theorist, politician, postmaster, scientist, inventor, civic activist, …
Rick Riordan photo
Rick Riordan photo
Jodi Picoult photo
Jim Butcher photo
Jennifer Donnelly photo
James Patterson photo
Anaïs Nin photo
Libba Bray photo

“I've had so many bikini waxes, I cry every time I see a Popsicle stick.”

Libba Bray (1964) American teen writer

Source: Beauty Queens

Margaret Atwood photo
Ray Bradbury photo
Brandon Sanderson photo

“Oh, Wax has always been solemn, but when he's at his best, there's a smirk underneath.”

Brandon Sanderson (1975) American fantasy writer

Source: The Alloy of Law

Brandon Sanderson photo
Eoin Colfer photo
Wayne W. Dyer photo
Jerry Seinfeld photo

“What I don't understand is how women can pour hot wax on their bodies, let it dry, then rip out every single hair by its root and still be scared of spiders.”

Jerry Seinfeld (1954) American comedian and actor

I'm Telling You for the Last Time (1998)
Context: Men and women will never understand each other; my advice is to just stop trying. Just forget it. I know I will never understand women. I will never understand how you can take boiling hot wax, pour it onto your upper thigh, rip the hair out by the root... and still be afraid of a spider.

Rick Riordan photo
Sylvia Plath photo
Brandon Sanderson photo
Stanley Kubrick photo
William James photo
Emily Brontë photo
Edwin Abbott Abbott photo

“Had the acute-angled rabble been all, without exception, absolutely destitute of hope and of ambition, they might have found leaders in some of their many seditious outbreaks, so able as to render their superior numbers and strength too much even for the wisdom of the Circles. But a wise ordinance of Nature has decreed that, in proportion as the working-classes increase in intelligence, knowledge, and all virtue, in that same proportion their acute angle (which makes them physically terrible) shall increase also and approximate to the comparatively harmless angle of the Equilateral Triangle. Thus, in the most brutal and formidable of the soldier class — creatures almost on a level with women in their lack of intelligence — it is found that, as they wax in the mental ability necessary to employ their tremendous penetrating power to advantage, so do they wane in the power of penetration itself.

How admirable is this Law of Compensation! And how perfect a proof of the natural fitness and, I may almost say, the divine origin of the aristocratic constitution of the States in Flatland! By a judicious use of this Law of Nature, the Polygons and Circles are almost always able to stifle sedition in its very cradle, taking advantage of the irrepressible and boundless hopefulness of the human mind. Art also comes to the aid of Law and Order. It is generally found possible — by a little artificial compression or expansion on the part of the State physicians — to make some of the more intelligent leaders of a rebellion perfectly Regular, and to admit them at once into the privileged classes; a much larger number, who are still below the standard, allured by the prospect of being ultimately ennobled, are induced to enter the State Hospitals, where they are kept in honourable confinement for life; one or two alone of the more obstinate, foolish, and hopelessly irregular are led to execution.”

Source: Flatland: A Romance of Many Dimensions (1884), PART I: THIS WORLD, Chapter 3. Concerning the Inhabitants of Flatland

Julian of Norwich photo
Michael Moorcock photo
Alanis Morissette photo

“Supposed former infatuation junkie,
I sink three pointers and you wax poetically.”

Alanis Morissette (1974) Canadian-American singer-songwriter

So Pure
Supposed Former Infatuation Junkie (1998)

Miguel de Cervantes photo

“My heart is wax molded as she pleases, but enduring as marble to retain.”

La Gitanilla (The Little Gypsy) (c. 1590–1612; published 1613)

Roger Bacon photo

“I use the example of the rainbow and of the phenomena connected with it, of which sort are the circle around the sun and the stars, likewise the rod lying at the side of the sun or of a star which appears to the eye in a straight line… called the rod by Seneca, and the circle is called the corona, which often has the colors of the rainbow. But neither Aristotle nor Avicenna, in their Natural Histories, has given us knowledge of things of this sort, nor has Seneca, who composed a special book on them. But Experimental Science makes certain of them. [The experimenter] considers rowers and he finds the same colors in the falling drops dripping from the raised oars when the solar rays penetrate drops of this sort. It is the same with waters falling from the wheels of a mill; and when a man sees the drops of dew in summer of a morning lying on the grass in the meadow or the field, he will see the colors. And in the same way when it rains, if he stands in a shady place and if the rays beyond it pass through dripping moisture, then the colors will appear in the shadow nearby; and very frequently of a night colors appear around the wax candle. Moreover, if a man in summer, when he rises from sleep and while his eyes are yet only partly opened, looks suddenly toward an aperture through which a ray of the sun enters, he will see colors. And if, while seated beyond the sun, he extend his hat before his eyes, he will see colors; and in the same way if he closes his eye, the same thing happens under the shade of the eyebrow; and again, the same phenomenon occurs through a glass vessel filled with water, placed in the rays of the sun. Or similarly if any one holding water in his mouth sprinkles it vigorously into the rays and stands to the side of the rays; and if rays in the proper position pass through an oil lamp hanging in the air, so that the light falls on the surface of the oil, colors will be produced. And so in an infinite number of ways, as well natural as artificial, colors of this sort appear, as the careful experimenter is able to discover.”

6th part Experimental Science, Ch.2 Tr. Richard McKeon, Selections from Medieval Philosophers Vol.2 Roger Bacon to William of Ockham
Opus Majus, c. 1267

George Herbert photo

“421. He that hath a head of waxe must not walke in the sunne.”

George Herbert (1593–1633) Welsh-born English poet, orator and Anglican priest

Jacula Prudentum (1651)

Jagadish Chandra Bose photo
Jacopone da Todi photo
Jonathan Swift photo
Charles Baudelaire photo

“One night, the soul of wine was singing in the flask:
"O man, dear disinherited! to you I sing
This song full of light and of brotherhood
From my prison of glass with its scarlet wax seals."”

Un soir, l'âme du vin chantait dans les bouteilles:
"Homme, vers toi je pousse, ô cher déshérité,
Sous ma prison de verre et mes cires vermeilles."
"L'Âme du Vin" [The Soul of Wine] http://fr.wikisource.org/wiki/L%E2%80%99%C3%82me_du_vin
Les fleurs du mal (Flowers of Evil) (1857)

Timothy Ferriss photo
W. S. Gilbert photo

“Oh! my name is John Wellington Wells,
I'm a dealer in magic and spells,
In blessings and curses
And ever-filled purses,
In prophecies, witches, and knells.

If you want a proud foe to "make tracks"—
If you'd melt a rich uncle in wax—
You've but to look in
On our resident Djinn,
Number seventy, Simmery Axe!”

W. S. Gilbert (1836–1911) English librettist of the Gilbert & Sullivan duo

Mr Wells' song, Act I.
"Simmery Axe" is the traditional pronunciation of "St. Mary Axe", a road in the City of London.
In Gilbert's day, the last building was number 68, though number 70 was built later.
The Sorcerer (1877)

Peter Greenaway photo
Robert Kuttner photo

“In America, we build public housing by creating lucrative inducements to private developers, and then wax indignant at the public waste.”

Robert Kuttner (1943) American journalist

Source: The Economic Illusion (1984), Chapter 1, Equality and Efficiency, p. 37

Poul Anderson photo
H. Rider Haggard photo
Alexandre Dumas, fils photo

“Christianity is ever-present, with its wonderful parable of the prodigal son, to urge us to counsels of forbearance and forgiveness. Jesus was full of love for souls of women wounded by the passions of men, and He loved to bind their wounds, drawing from those same wounds the balm which would heal them. Thus he said to Mary Magdalene: "Your sins, which are many, shall be forgiven, because you loved much?" a sublime pardon which was to awaken a sublime faith.
Why should we judge more strictly than Christ? Why, clinging stubbornly to the opinions of the world which waxes hard so that we shall think it strong, why should we too turn away souls that bleed from wounds oozing with the evil of their past, like infected blood from a sick body, as they wait only for a friendly hand to bind them up and restore them to a convalescent heart?”

Alexandre Dumas, fils (1824–1895) French writer and dramatist, son of the homonym writer and dramatist

Le christianisme est là avec sa merveilleuse parabole de l'enfant prodigue pour nous conseiller l'indulgence et le pardon. Jésus était plein d'amour pour ces âmes blessées par les passions des hommes, et dont il aimait à panser les plaies en tirant le baume qui devait les guérir des plaies elles-mêmes. Ainsi, il disait à Madeleine : - "il te sera beaucoup remis parce que tu as beaucoup aimé", sublime pardon qui devait éveiller une foi sublime. Pourquoi nous ferions-nous plus rigides que le Christ ?
Pourquoi, nous en tenant obstinément aux opinions de ce monde qui se fait dur pour qu'on le croie fort, rejetterions-nous avec lui des âmes saignantes souvent de blessures par où, comme le mauvais sang d'un malade, s'épanche le mal de leur passé, et n'attendant qu'une main amie qui les panse et leur rende la convalescence du coeur ?
La Dame aux Camélias, English translation by David Coward; Oxford University Press, Sep 18, 1986.

Radhanath Swami photo
Mark Steyn photo
Ben Carson photo

“The reason that [political correctness] is very troubling to me is that it’s the very same thing that happened to the Roman Empire. They were extremely powerful. There was no way anybody could overcome them. But these philosophers, with the long flowing white robes and the long white beards, they could wax eloquently on every subject, but nothing was right and nothing was wrong. They soon completely lost sight of who they were.”

Ben Carson (1951) 17th and current United States Secretary of Housing and Urban Development; American neurosurgeon

As quoted in "Ben Carson thinks “political correctness” could lead U.S. to collapse like Rome" http://www.salon.com/2014/10/15/ben_carson_thinks_political_correctness_could_lead_u_s_to_collapse_like_rome/, Salon (October 15, 2014)

Henry Wadsworth Longfellow photo
Hunter S. Thompson photo
George Moore (novelist) photo

“Everything about Pee-Wee's Big Adventure, from its toy-box colors to its superb, hyper-animated Danny Elfman score to the butch-waxed hairdo and wooden-puppet walk of its star and mastermind is pure pleasure.”

Stephanie Zacharek (1963) American film critic

Review http://www.salon.com/ent/movies/dvd/review/2000/10/10/peewees_big_adventure/index.html of Pee-Wee's Big Adventure (1985)

Richard Dawkins photo

“It is fashionable to wax apocalyptic about the threat to humanity posed by the AIDS virus, "mad cow" disease, and many others, but I think a case can be made that faith is one of the world's great evils, comparable to the smallpox virus but harder to eradicate.”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

" Is Science a Religion? http://www.thehumanist.org/humanist/articles/dawkins.html", The Humanist (January 1997)

George Gordon Byron photo

“His heart was one of those which most enamour us,
Wax to receive, and marble to retain:
He was a lover of the good old school,
Who still become more constant as they cool.”

George Gordon Byron (1788–1824) English poet and a leading figure in the Romantic movement

Stanza 34; this can be compared to: "My heart is wax to be moulded as she pleases, but enduring as marble to retain", Miguel de Cervantes, The Little Gypsy.
Beppo (1818)

Charlotte Brontë photo

“The theatre was full — crammed to its roof: royal and noble were there; palace and hotel had emptied their inmates into those tiers so thronged and so hushed. Deeply did I feel myself privileged in having a place before that stage; I longed to see a being of whose powers I had heard reports which made me conceive peculiar anticipations. I wondered if she would justify her renown: with strange curiosity, with feelings severe and austere, yet of riveted interest, I waited. She was a study of such nature as had not encountered my eyes yet: a great and new planet she was: but in what shape? I waited her rising.She rose at nine that December night: above the horizon I saw her come. She could shine yet with pale grandeur and steady might; but that star verged already on its judgment-day. Seen near, it was a chaos — hollow, half-consumed: an orb perished or perishing — half lava, half glow.I had heard this woman termed "plain," and I expected bony harshness and grimness — something large, angular, sallow. What I saw was the shadow of a royal Vashti: a queen, fair as the day once, turned pale now like twilight, and wasted like wax in flame.For awhile — a long while — I thought it was only a woman, though an unique woman, who moved in might and grace before this multitude. By-and-by I recognized my mistake. Behold! I found upon her something neither of woman nor of man: in each of her eyes sat a devil. These evil forces bore her through the tragedy, kept up her feeble strength — for she was but a frail creature; and as the action rose and the stir deepened, how wildly they shook her with their passions of the pit! They wrote HELL on her straight, haughty brow. They tuned her voice to the note of torment. They writhed her regal face to a demoniac mask. Hate and Murder and Madness incarnate she stood.It was a marvellous sight: a mighty revelation.It was a spectacle low, horrible, immoral.Swordsmen thrust through, and dying in their blood on the arena sand; bulls goring horses disembowelled, made a meeker vision for the public — a milder condiment for a people's palate — than Vashti torn by seven devils: devils which cried sore and rent the tenement they haunted, but still refused to be exorcised.Suffering had struck that stage empress; and she stood before her audience neither yielding to, nor enduring, nor in finite measure, resenting it: she stood locked in struggle, rigid in resistance. She stood, not dressed, but draped in pale antique folds, long and regular like sculpture. A background and entourage and flooring of deepest crimson threw her out, white like alabaster — like silver: rather, be it said, like Death.”

Source: Villette (1853), Ch. XXIII: Vashi

Rudyard Kipling photo

“Being kissed by a man who didn't wax his moustache was like eating an egg without salt.”

The Story of the Gadsbys (1888), "Poor Dear Mamma".
Other works

Statius photo

“One in particular, whose warped will it ever was even in the upper world (hence his life ended ill) to insult misfortune and wax sour at prosperity.”
Unus ibi ante alios, cui laeva voluntas semper et ad superos (hinc et gravis exitus aevi) insultare malis rebusque aegrescere laetis.

Source: Thebaid, Book II, Line 16

Nikolai Gogol photo
Denise Scott Brown photo
Woody Allen photo
Omar Khayyám photo
Thomas More photo
Thomas Fuller (writer) photo

“2155. He that hath a Head of Wax, must not walk in the Sun.”

Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual

Compare Poor Richard's Almanack (1749) : If your head is wax, don't walk in the sun.
Introductio ad prudentiam: Part II (1727), Gnomologia (1732)

Kevin Kelly photo

“The capacity to evolve must be evolved itself. Evolution has been, and will keep on, exploring the space of possible evolutions. Organisms, memes, the whole ball of wax are only evolution's way to keep evolving.”

Kevin Kelly (1952) American author and editor

Out of Control: The New Biology of Machines, Social Systems and the Economic World (1995)

Theodor Mommsen photo

“The fall of the patriciate by no means divested the Roman commonwealth of its aristocratic character. We have already indicated that the plebeian party carried within it that character from the first as well as, and in some sense still more decidedly than, the patriciate; for, while in the old body of burgesses an absolute equality of rights prevailed, the new constitution set out from a distinction between the senatorial houses who were privileged in point of burgess rights and of burgess usufructs, and the mass of the other citizens. Immediately, therefore, on the abolition of the patriciate and the formal establishment of civic equality, a new aristocracy and a corresponding opposition were formed; and we have already shown how the former engrafted itself as it were on the fallen patriciate, and how, accordingly, the first movements of the new party of progress were mixed up with the last movements of the old opposition between the orders. The formation of these new parties began in the fifth century, but they assumed their definite shape only in the century which followed. The development of this internal change is, as it were, drowned amidst the noise of the great wars and victories, and not merely so, but the process of formation is in this case more withdrawn from view than any other in Roman history. Like a crust of ice gathering imperceptibly over the surface of a stream and imperceptibly confining it more and more, this new Roman aristocracy silently arose; and not less imperceptibly, like the current concealing itself beneath and slowly extending, there arose in opposition to it the new party of progress. It is very difficult to sum up in a general historical view the several, individually insignificant, traces of these two antagonistic movements, which do not for the present yield their historical product in any distinct actual catastrophe. But the freedom hitherto enjoyed in the commonwealth was undermined, and the foundation for future revolutions was laid, during this epoch; and the delineation of these as well as of the development of Rome in general would remain imperfect, if we should fail to give some idea of the strength of that encrusting ice, of the growth of the current beneath, and of the fearful moaning and cracking that foretold the mighty breaking up which was at hand. The Roman nobility attached itself, in form, to earlier institutions belonging to the times of the patriciate. Persons who once had filled the highest ordinary magistracies of the state not only, as a matter of course, practically enjoyed all along a higher honour, but also had at an early period certain honorary privileges associated with their position. The most ancient of these was doubtless the permission given to the descendants of such magistrates to place the wax images of these illustrious ancestors after their death in the family hall, along the wall where the pedigree was painted, and to have these images carried, on occasion of the death of members of the family, in the funeral procession.. the honouring of images was regarded in the Italo-Hellenic view as unrepublican, and on that account the Roman state-police did not at all tolerate the exhibition of effigies of the living, and strictly superintended that of effigies of the dead. With this privilege were associated various external insignia, reserved by law or custom for such magistrates and their descendants:--the golden finger-ring of the men, the silver-mounted trappings of the youths, the purple border on the toga and the golden amulet-case of the boys--trifling matters, but still important in a community where civic equality even in external appearance was so strictly adhered to, and where, even during the second Punic war, a burgess was arrested and kept for years in prison because he had appeared in public, in a manner not sanctioned by law, with a garland of roses upon his head.(6) These distinctions may perhaps have already existed partially in the time of the patrician government, and, so long as families of higher and humbler rank were distinguished within the patriciate, may have served as external insignia for the former; but they certainly only acquired political importance in consequence of the change of constitution in 387, by which the plebeian families that attained the consulate were placed on a footing of equal privilege with the patrician families, all of whom were now probably entitled to carry images of their ancestors. Moreover, it was now settled that the offices of state to which these hereditary privileges were attached should include neither the lower nor the extraordinary magistracies nor the tribunate of the plebs, but merely the consulship, the praetorship which stood on the same level with it,(7) and the curule aedileship, which bore a part in the administration of public justice and consequently in the exercise of the sovereign powers of the state.(8) Although this plebeian nobility, in the strict sense of the term, could only be formed after the curule offices were opened to plebeians, yet it exhibited in a short time, if not at the very first, a certain compactness of organization--doubtless because such a nobility had long been prefigured in the old senatorial plebeian families. The result of the Licinian laws in reality therefore amounted nearly to what we should now call the creation of a batch of peers. Now that the plebeian families ennobled by their curule ancestors were united into one body with the patrician families and acquired a distinctive position and distinguished power in the commonwealth, the Romans had again arrived at the point whence they had started; there was once more not merely a governing aristocracy and a hereditary nobility--both of which in fact had never disappeared--but there was a governing hereditary nobility, and the feud between the gentes in possession of the government and the commons rising in revolt against the gentes could not but begin afresh. And matters very soon reached that stage. The nobility was not content with its honorary privileges which were matters of comparative indifference, but strove after separate and sole political power, and sought to convert the most important institutions of the state--the senate and the equestrian order--from organs of the commonwealth into organs of the plebeio-patrician aristocracy.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

The History of Rome - Volume 2

Charlotte Brontë photo
Federico García Lorca photo

“Black are the horses.
The horseshoes are black.
On the dark capes glisten
stains of ink and wax.
Their skulls are leaden,
which is why they do not weep.
With their patent leather souls
they come down the street.”

Federico García Lorca (1898–1936) Spanish poet, dramatist and theatre director

Los caballos negros son.
Las herraduras son negras.
Sobre las capas relucen
manchas de tinta y de cera.
Tienen, por eso no lloran,
de plomo las calaveras.
Con el alma de charol
vienen por la carretera.
" Romance de la Guardia Civil Española http://www.poesia-inter.net/index214.htm" from Primer Romancero Gitano (1928)

Kate Bush photo
John Clare photo

“In politics and politicians' lies
The modern farmer waxes wondrous wise;”

John Clare (1793–1864) English poet

"The Parish: A Satire"
Poems Chiefly from Manuscript

Peter Greenaway photo
Mark Heard photo

“There is no magic in parchment or in wax.”

William Henry Ashurst (judge) (1725–1807) English judge

Master v. Miller (1763), 4 T. R. 320.

Neal Stephenson photo
Mary Wollstonecraft Shelley photo
Garrison Keillor photo

“None of the men and women who voted for this bill has any right to speak in public about the rule of law anymore, or to take a high moral view of the Third Reich, or to wax poetic about the American Idea.”

Garrison Keillor (1942) American radio host and writer

Referring to the Military Commissions Act of 2006, in "Congress's Shameful Retreat From American Values" in The Chicago Tribune (4 October 2006) http://www.truthout.org/article/garrison-keillor-congresss-shameful-retreat-from-american-values

Kent Hovind photo
Rembrandt van Rijn photo

“The Ground of Rinebrant of Rine: Take half an ounce of Expoltum burnt of Amber, one ounce of Virgin's was, half an ounce of Mastick, then take the Mastick and Expoltum, and beat them severally very fine in a Mortar; this being done, take a new earthen pot and set upon it a charcoal-fire, then shake into it the Mastick and Expoltum by degrees, stirring the Wax about till they be thoroughly mingled, then pour it forth into fair water and make a ball of it, and use it as before mentioned, but be sure you do not heat the plate too hot when you lay the ground upon it, this is the only way of Rinebrant.”

Rembrandt van Rijn (1606–1669) Dutch 17th century painter and etcher

Rembrandt's etching recipe http://remdoc.huygens.knaw.nl/#/document/remdoc/e12885, in 'The Whole Art of Drawing', Alexander Browne, London 1660, p. 106
Strauss & Van der Meulen 1979, p. 476, RD 1660/29: 'This recipe, specifically attributed to Rembrandt, for preparing the ground of a plate for etching is given by Alexander Brown in 'The Whole of Drawing'
1640 - 1670

Samuel Daniel photo
Salvador Dalí photo