“Persons whom I saw thirty years ago and with whom I was intimate now appear on the page, and this compels me to declare that The Story of the Stone is a book of the deepest feelings and the truest words. Unless, however, one has in fact experienced such events or been deluded by such feelings, reading it is like "chewing wax" absentmindedly, never understanding the miraculous wonders of what one has witnessed.”

—  Zhiyanzhai

Comment in the 1760 manuscript of The Story of the Stone, as quoted by Anthony C. Yu in Rereading the Stone (Princeton University Press, 1997), p. 7

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“Persons whom I saw thirty years ago and with whom I was intimate now appear on the page, and this compels me to declare that The Story of the Stone is a book of the deepest feelings and the truest words. Unless, however, one has in fact experienced such events or been deluded by such feelings, reading it is like "chewing wax" absentmindedly, never understanding the miraculous wonders of what one has witnessed.”

Zhiyanzhai

Comment in the 1760 manuscript of Dream of the Red Chamber, as quoted by Anthony C. Yu in Rereading the Stone (Princeton University Press, 1997), p. 7

Oliver Wendell Holmes Jr. photo

“Gentlemen, to the lady without whom I should never have survived for eighty, nor sixty, nor yet thirty years. Her smile has been my lyric, her understanding, the rhythm of the stanza. She has been the spring wherefrom I have drawn the power to write the words. She is the poem of my life.”

Oliver Wendell Holmes Jr. (1841–1935) United States Supreme Court justice

Attribution reported in Respectfully Quoted: A Dictionary of Quotations (1989), which states that this is not verified in works about him nor in Magnificent Yankee, the film about him. Holmes expressed a similar sentiment in a letter to Sir Frederick Pollock (May 24, 1929): "For sixty years she made life poetry for me". Mark De Wolfe Howe, ed., Holmes-Pollock Letters (1941), vol. 2, p. 243.
Attributions

Simone Weil photo

“Human beings are so made that the ones who do the crushing feel nothing; it is the person crushed who feels what is happening. Unless one has placed oneself on the side of the oppressed, to feel with them, one cannot understand.”

Simone Weil (1909–1943) French philosopher, Christian mystic, and social activist

Source: Lectures on Philosophy

Garth Nix photo

“A year ago, I turned the final page of The Book of the Dead. I don't feel young any more.”

Garth Nix (1963) Australian fantasy writer

Source: Old Kingdom series (The Abhorsen Trilogy), Sabriel (1995), p. 46.

“I, born in Essex thirty-four
Essentially sexual years ago,
Stepped down, looked around, and saw
I had been cast a little low
In the social register
For the friends whom I now know.
Is a constable a mister?
Bob's your uncle, even so.”

George Barker (1913–1991) British poet

The True Confession of George Barker

“People often repeat the fallacy that "film is a passive medium". The statement is usually elaborated like this: "When I read a story in a book, I have to use my imagination to conjure up what the characters look like, the sound of their voices, the appearance of their surroundings, the house, the landscape. When I see a movie, those things are all nailed down for me, so I don't feel as involved." What the person is describing are the most obvious aspects of a given story, that is, its physical properties. They are, in fact, the least interesting and least important components of a story. I do not read books in order to imagine the physical appearance of things.”

Peter Chung (1961) Korean-American animator

The State of Visual Narrative In Film And Comics http://www.awn.com/mag/issue3.4/3.4pages/3.4chung.html

Jacqueline Woodson photo

“I think what happened was the language settled in me much deeper than it settled into people who just can read something once and absorb what they absorb of it. I feel like what I was absorbing was not by any means superficial. And I think I was - from a really young age, I was reading like a writer. I was reading for this deep understanding of the literature not simply to hear the story but to understand how the author got the story on the page…”

Jacqueline Woodson (1963) American writer

On how she processed literature differently at an early age in “Jacqueline Woodson On Growing Up, Coming Out And Saying Hi To Strangers” https://www.npr.org/2016/10/14/497953254/jacqueline-woodson-on-growing-up-coming-out-and-saying-hi-to-strangers in NPR (2016 Oct 14)

Arthur Hugh Clough photo

“Trust me, I’ve read your German sage
To far more purpose e’er than you did;
You find it in his wisest page,
Whom God deludes is well deluded.”

Arthur Hugh Clough (1819–1861) English poet

Dipsychus, Pt. II, sc. ii.

“If there is any person to whom you feel a dislike, that is the person of whom you ought never to speak.”

Richard Cecil (clergyman) (1748–1810) British Evangelical Anglican priest and social reformer

Source: Dictionary of Burning Words of Brilliant Writers (1895), p. 214.

“Theorem II. Any feel which feeling has not informed me of, is unknown to me. Comments. 1. Words are sensibly intelligent to a man of only such words as he has experienced. 2. The intellectual signification of words discriminated from the sensible signification. 3. Intellectual intimations discriminated from sensible revelations.”

Alexander Bryan Johnson (1786–1867) United States philosopher and banker

Part II. Of the Extent of Sensible Knowledge.
The Physiology of the Senses: Or, How and what We See, Hear, Taste, Feel and Smell (1856)

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