Quotes about unique
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Also quoted in Between the Devil and the Dragon : The Best Essays and Aphorisms of Eric Hoffer (1982)
Reflections on the Human Condition (1973)
Source: The Greening of America (1970), Chapter IX : The New Generation, p. 228
1960s, The Quest for Peace and Justice (1964)
Context: Nonviolence is a powerful and just weapon. Indeed, it is a weapon unique in history, which cuts without wounding and ennobles the man who wields it.
I believe in this method because I think it is the only way to reestablish a broken community. It is the method which seeks to implement the just law by appealing to the conscience of the great decent majority who through blindness, fear, pride, and irrationality have allowed their consciences to sleep.
Rolling Stone interview (1968)
Context: I think the unique thing about music and graphic art is as oposed to, say, acting and directing, that if you are good you can always create a place for yourself. In acting, for instance, there's only a certain amount of good parts; you have to find the right vehicle. But if you're making good music, man, there's so much room. I think that any group that's really good can make it, anytime. That was my feeling behind the Mamas and Papas. When I heard us sing together the first time… we knew, we knew… this is it. This was when we first came to California, after we'd left the islands.
Propaganda: The Formation of Men's Attitudes (1965)
Context: Propaganda tries to surround man by all possible routes in the realm of feelings as well as ideas, by playing on his will or on his needs, through his conscious and his unconscious, assailing him in both his private and his public life. It furnishes him with a complete system for explaining the world, and provides immediate incentives to action. We are here in the presence of an organized myth that tries to take hold of the entire person. Through the myth it creates, propaganda imposes a complete range of intuitive knowledge, susceptible of only one interpretation, unique and one-sided, and precluding any divergence. This myth becomes so powerful that it invades every arena of consciousness, leaving no faculty or motivation intact. It stimulates in the individual a feeling of exclusiveness, and produces a biased attitude.
Source: Darkness Visible (1990), II
Context: When I was a young writer there had been a stage where Camus, almost more than any other contemporary literary figure, radically set the tone for my own view of life and history. I read his novel The Stranger somewhat later than I should have — I was in my early thirties — but after finishing it I received the stab of recognition that proceeds from reading the work of a writer who has wedded moral passion to a style of great beauty and whose unblinking vision is capable of frightening the soul to its marrow. The cosmic loneliness of Meursault, the hero of that novel, so haunted me that when I set out to write The Confessions of Nat Turner I was impelled to use Camus’s device of having the story flow from the point of view of a narrator isolated in his jail cell during the hours before his execution. For me there was a spiritual connection between Meursault’s frigid solitude and the plight of Nat Turner — his rebel predecessor in history by a hundred years — likewise condemned and abandoned by man and God. Camus’s essay “Reflections on the Guillotine” is a virtually unique document, freighted with terrible and fiery logic; it is difficult to conceive of the most vengeful supporter of the death penalty retaining the same attitude after exposure to scathing truths expressed with such ardor and precision. I know my thinking was forever altered by that work, not only turning me around completely, convincing me of the essential barbarism of capital punishment, but establishing substantial claims on my conscience in regard to matters of responsibility at large. Camus was a great cleanser of my intellect, ridding me of countless sluggish ideas, and through some of the most unsettling pessimism I had ever encountered causing me to be aroused anew by life’s enigmatic promise.
“Every moment is great, we were taught, every moment is unique.”
The Zookeeper's Wife (2008)
Context: In my youth, growing up in a Jewish milieu, there was one thing we did not have to look for and that was exaltation. Every moment is great, we were taught, every moment is unique.
“There is no unique, correct answer in most cases. It is a matter of taste”
Methods of Mathematics Applied to Calculus, Probability, and Statistics (1985)
Context: There is no unique, correct answer in most cases. It is a matter of taste, depending on the circumstances... and the particular age you live in.... Gradually, you will develop your own taste, and along the way you may occasionally recognize that your taste may be the best one! It is the same as an art course.
We the People interview (1996)
Context: The latent function of schooling, that is, the hidden curriculum, which forms individuals into needy people who know that they have now satisfied a little bit of their needs for education, is much more important... The idea that people are born with needs, that needs can be translated into rights, that these rights can be translated into entitlements, is a development of the modem world and it's reasonable, it's acceptable, it's obvious only for people who have had some of their educational needs awakened or created, then satisfied, and then learned that they have less than others. Schooling, which we engage in and which supposedly creates equal opportunities, has become the unique, never-before-attempted way of dividing the whole society into classes. Everybody knows at which level of his twelve or sixteen years of schooling he has dropped out, and in addition knows what price tag is attached to the higher schooling he has gotten. It's a history of degrading the majority of people.
Source: Autobiography of a Brown Buffalo (1972), p. 198.
Context: When I have the one million Brown Buffalos on my side I will present the demands for a new nation to both the U. S. Government and the United Nations … and then I’ll split and write the book. I have no desire to be a politician. I don’t want to lead anyone. I have no practical ego. I am not ambitious. I merely want to do what is right. Once in every century there comes a man who is chosen to speak for his people. Moses, Mao and Martin are examples. Who’s to say that I am not such a man? In this day and age the man for all seasons needs many voices. Perhaps that is why the gods have sent me into Riverbank, Panama, San Francisco, Alpine and Juarez. Perhaps that is why I’ve been taught so many trades. Who will deny that I am unique? For months, for years, no, all my life I sought to find out who I am. Why do you think I became a Baptist? Why did I try to force myself into the Riverbank Swimming Pool? And did I become a lawyer just to prove to the publishers I could do something worthwhile? Any idiot that sees only the obvious is blind. For God sake, I have never seen and I have never felt inferior to any man or beast. My single mistake has been to seek an identity with any one person or nation or with any part of history.… What I see now, on this rainy day in January, 1968, what is clear to me after this sojourn is that I am neither a Mexican nor an American. I am neither a Catholic nor a Protestant. I am a Chicano by ancestry and a Brown Buffalo by choice.
Inside Information
The Book on the Taboo Against Knowing Who You Are (1966)
Context: We do not "come into" this world; we come out of it, as leaves from a tree. As the ocean "waves," the universe "peoples." Every individual is an expression of the whole realm of nature, a unique action of the total universe. This fact is rarely, if ever, experienced by most individuals. Even those who know it to be true in theory do not sense or feel it, but continue to be aware of themselves as isolated "egos" inside bags of skin.
Travis McGee series, A Deadly Shade of Gold (1965)
Context: I think there is some kind of divine order in the universe. Every leaf on every tree in the world is unique. As far as we can see, there are other galaxies, all slowly spinning, numerous as the leaves in the forest. In an infinite number of planets, there has to be an infinite number with life forms on them. Maybe this planet is one of the discarded mistakes. Maybe it's one of the victories. We'll never know.
Letter to Liberal MPs in 2006 http://www.theage.com.au/news/national/pms-letter-to-mps/2006/07/31/1154198052387.html
Paris Review interview (1986)
Context: Whitman to me is the most fascinating of American poets. Whitman started to write the great poetry from scratch after he had written all that junk for newspapers, the sentimental lyrical poems. All of a sudden he wrote Leaves of Grass. When I was teaching at the University of Nebraska, my friend James Miller was chairman of the English Department. He wrote the first book attempting to make a parallel between the structure of Leaves of Grass and the steps of the mystical experience as in St. John of the Cross. I was completely bowled over by this, not having been able to explain how Whitman came to write “Song of Myself,” which is unlike anything not only in American literature, but unique in all the world. The parallels to it are mystical literature. Miller tried to show that there was actual evidence for this kind of experience, which evidently happens at a particular moment in someone’s life. … When I saw the negative reaction to Whitman with the great ruling critics of the time, I couldn’t believe it. Eliot never really gave up hammering away on Whitman, neither did Pound. Although Pound makes little concessions. Whitman, you know, didn’t have any influence in this country until Allen Ginsberg came along.
"What Has Become"
For Whom The Troubadour Sings (2010)
Context: If a fist can hold a sword, and a fist can clench a pen, but the points of both are missed, by dull, tarnished pride of men. We must open up our hands, raise our palms up high to see, the mazes of our unique selves, end with similarity.
Free translation, as quoted by Edwin Powell Hubble, The Realm of the Nebulae (1936)
An Original Theory or New Hypothesis of the Universe (1750)
Context: I come now to another part of my system, and because it suggests a lofty idea of the plan of creation, it appears to me as the most seductive. The sequence of ideas that led us to it is very simple and natural. They are as follows: let us imagine a system of stars gathered together in a common plane, like those of the Milky Way, but situated so far away from us that even with the telescope we cannot distinguish the stars composing it; let us assume that its distance, compared to that separating us from the stars of the Milky Way, is the same proportion as the Milky Way is to the distance from the earth to the sun; such a stellar world will appear to the observer, who contemplates it at so enormous a distance, only as a little spot feebly illumined and subtending a very small angle; its shape will be circular, if its plane is perpendicular to the line of sight, elliptical, if it is seen obliquely. The faintness of its light, its form, and its appreciable diameter will obviously distinguish such a phenomenon from the isolated stars around it.
We do not need to seek far in the observations of astronomers to meet with such phenomena. They have been seen by various observers, who have wondered at their strange appearance, have speculated about them, and have suggested some times the most amazing explanations, sometimes theories which were more rational, but which had no more foundation than the former. We refer to the nebulæ, or, more precisely, to a particular kind of celestial body which M. de Maupertius describes as follows:
"These are small luminous patches, only slightly more brilliant than the dark background of the sky; they have this in common, that their shapes are more or less open elipses; and their light is far more feeble than that of any other objects to be perceived in the heavens."
... It is much more natural and reasonable to assume that a nebula is not a unique and solitary sun, but a system of numerous suns, which appear crowded, because of their distance, into a space so limited that their light, which would be imperceptible were each of them isolated, suffices, owing to their enormous numbers, to give a pale and uniform luster. Their analogy with our own system of stars; their form, which is precisely what it should be according to our theory; the faintness of their light, which denotes an infinite distance; all are in admirable accord and lead us to consider these elliptical spots as systems of the same order as our own—in a word, to be Milky Ways similar to the one whose constitution we have explained. And if these hypotheses, in which analogy and observation consistently lend mutual support, have the same merit as formal demonstrations, we must consider the existence of such systems as demonstrated...
We see that scattered through space out to infinite distances, there exist similar systems of stars [nebulous stars, nebulæ], and that creation, in the whole extent of its infinite grandeur, is everywhere organized into systems whose members are in relation with one another.... A vast field lies open to discoveries, and observations alone will give the key.
“I'm telling what it was like for me. And I know it was not unique for me.”
NOW interview (2004)
Context: Maybe there are lots of children or certainly those who are not drawn to my work because they don't want to see those shadows. But, I'm telling what it was like for me. And I know it was not unique for me.
I've known many children, many unhappy and many disturbed children who don't know how to talk about it. And you know, the strangest thing... the fan mail I get from kids are asking me questions which they do not ask their mothers and fathers. Because if they had, why write to me, a perfect stranger?
"Calmly We Walk Through This April's Day" ( full text online http://www.poemhunter.com/poem/calmly-we-walk-through-this-april-s-day/); this poem has also been printed under the title "For Rhoda"
Selected Poems: Summer Knowledge (1959)
Context: Each minute bursts in the burning room,
The great globe reels in the solar fire,
Spinning the trivial and unique away.
(How all things flash! How all things flare!)
What am I now that I was then?
May memory restore again and again
The smallest color of the smallest day:
Time is the school in which we learn,
Time is the fire in which we burn.
“What is unique about the "I" hides itself exactly in what is unimaginable about a person.”
The Unbearable Lightness of Being (1984), Part Five: Lightness and Weight
Context: What is unique about the "I" hides itself exactly in what is unimaginable about a person. All we are able to imagine is what makes everyone like everyone else, what people have in common. The individual "I" is what differs from the common stock, that is, what cannot be guessed at or calculated, what must be unveiled, uncovered, conquered.
The Kate Bush Story (2014)
Context: They're not "normal" songs. None of her songs have been "normal." She's just who she is, she's unique. She's — a mystery. She's the most beautiful mystery. … Let me tell you a story: when I had my civil partnership, nine years ago, in 2005, and Kate — we invited Kate, we didn't think she'd come but she came, she came with her husband Danny, and there were a lot of very famous people in that room, there were like 600 people — and all anybody wanted to meet was Kate Bush. I mean, musician, anybody — they couldn't believe Kate Bush was there. She's kind of an enigma.
Source: Psychotherapy, East and West (1961), p. 9
Part I : Contemporary Issues in Science, Ch. 1 : "The Scientist as Rebel"; this first appeared in New York Review of Books (25 May 1995).
The Scientist As Rebel (2006)
Context: There is no such thing as a unique scientific vision, any more than there is a unique poetic vision. Science is a mosaic of partial and conflicting visions. But there is one common element in these visions. The common element is rebellion against the restrictions imposed by the locally prevailing culture, Western or Eastern as the case may be. It is no more Western than it is Arab or Indian or Japanese or Chinese. Arabs and Indians and Japanese and Chinese had a big share in the development of modern science. And two thousand years earlier, the beginnings of science were as much Babylonian and Egyptian as Greek. One of the central facts about science is that it pays no attention to East and West and North and South and black and yellow and white. It belongs to everybody who is willing to make the effort to learn it. And what is true of science is true of poetry.... Poetry and science are gifts given to all of humanity.
The Outsider (1953)
Memoirs of Aga Khan: World Enough & Time (1954)
Source: Confessions of a Young Man http://www.gutenberg.org/files/12278/12278-h/12278-h.htm (1886), Ch. 12.
Context: I will admit that an artist may be great and limited; by one word he may light up an abyss of soul; but there must be this one magical and unique word. Shakespeare gives us the word, Balzac, sometimes, after pages of vain striving, gives us the word, Tourgueneff gives it with miraculous certainty; but Henry James, no; a hundred times he flutters about it; his whole book is one long flutter near to the one magical and unique word, but the word is not spoken; and for want of the word his characters are never resolved out of the haze of nebulae. You are on a bowing acquaintance with them; they pass you in the street, they stop and speak to you, you know how they are dressed, you watch the colour of their eyes.
The Need for Transcendence in the Postmodern World (1994)
Context: Until recently, it might have seemed that we were an unhappy bit of mildew on a heavenly body whirling in space among many that have no mildew on them at all. this was something that classical science could explain. Yet, the moment it begins to appear that we are deeply connected to the entire universe, science reaches the outer limits of its powers. Because it is founded on the search for universal laws, it cannot deal with singularity, that is, with uniqueness. The universe is a unique event and a unique story, and so far we are the unique point of that story. But unique events and stories are the domain of poetry, not science. With the formulation of the Anthropic Cosmological Principle, science has found itself on the border between formula and story, between science and myth. In that, however, science has paradoxically returned, in a roundabout way, to man, and offers him — in new clothing — his lost integrity. It does so by anchoring him once more in the cosmos.
“Absolute power achieves uniqueness by dehumanizing others.”
Journal entry (28 March 1959)
Working and Thinking on the Waterfront (1969)
Context: The significant point is that people unfit for freedom — who cannot do much with it — are hungry for power. The desire for freedom is an attribute of a "have" type of self. It says: leave me alone and I shall grow, learn, and realize my capacities. The desire for power is basically an attribute of a "have-not" type of self. If Hitler had had the talents and the temperament of a genuine artist, if Stalin had had the capacity to become a first-rate theoretician, if Napoleon had had the makings of a great poet or philosopher they would hardly have developed the all-consuming lust for absolute power.
Freedom gives us a chance to realize our human and individual uniqueness. Absolute power can also bestow uniqueness: to have absolute power is to have the power to reduce all the people around us to puppets, robots, toys, or animals, and be the only man in sight. Absolute power achieves uniqueness by dehumanizing others.
To sum up: Those who lack the capacity to achieve much in an atmosphere of freedom will clamor for power.
We'll Never Conquer Space (1960)
Context: Our age is in many ways unique, full of events and phenomena that never occurred before and can never happen again. They distort our thinking, making us believe that what is true now will be true forever, though perhaps on a larger scale. Because we have annihilated distance on this planet, we imagine that we can do it once again. The facts are otherwise, and we see them more clearly if we forget the present and turn our minds towards the past.
Speech on the 50th anniversary of the UN Universal Declaration of Human Rights, Prague Castle (10 December 1998)
Context: The history of the human race has generated several papers articulating basic moral imperatives, or fundamental principles, of human coexistence that — maybe in association with concurring historical events — substantially influenced the fate of humanity on this planet. Among these historic documents, the Universal Declaration of Human Rights — adopted fifty years ago today — holds a very special, indeed, unique position. It is the first code of ethical conduct that was not a product of one culture, or one sphere of civilization only, but a universal creation, shaped and subscribed to by representatives of all humankind. Since its very inception, the Declaration has thus represented a planetary, or global commitment, a global intention, a global guideline. For this reason alone, this exceptional document — conceived as a result of a profound human self-reflection in the wake of the horrors of World War II, and retaining its relevance ever since — deserves to be remembered today.
Episode 13: "The Long Childhood"
The Ascent of Man (1973)
Context: And I am infinitely saddened to find myself suddenly surrounded in the west by a sense of terrible loss of nerve, a retreat from knowledge into—into what? Into Zen Buddhism; into falsely profound questions about, Are we not really just animals at bottom; into extra-sensory perception and mystery. They do not lie along the line of what we are able to know if we devote ourselves to it: an understanding of man himself. We are nature’s unique experiment to make the rational intelligence prove itself sounder than the reflex. Knowledge is our destiny. Self-knowledge, at last bringing together the experience of the arts and the explanations of science, waits ahead of us.
“Freedom gives us a chance to realize our human and individual uniqueness.”
Journal entry (28 March 1959)
Working and Thinking on the Waterfront (1969)
Context: The significant point is that people unfit for freedom — who cannot do much with it — are hungry for power. The desire for freedom is an attribute of a "have" type of self. It says: leave me alone and I shall grow, learn, and realize my capacities. The desire for power is basically an attribute of a "have-not" type of self. If Hitler had had the talents and the temperament of a genuine artist, if Stalin had had the capacity to become a first-rate theoretician, if Napoleon had had the makings of a great poet or philosopher they would hardly have developed the all-consuming lust for absolute power.
Freedom gives us a chance to realize our human and individual uniqueness. Absolute power can also bestow uniqueness: to have absolute power is to have the power to reduce all the people around us to puppets, robots, toys, or animals, and be the only man in sight. Absolute power achieves uniqueness by dehumanizing others.
To sum up: Those who lack the capacity to achieve much in an atmosphere of freedom will clamor for power.
Internet Encyclopedia of Philosophy
Context: Poetic truth is different from scientific truth since it reveals the real in its qualitative uniqueness and not in its quantitative universality. Poetry is the language of the soul, while prose is the language of science. The former is the language of mystery, of devotion, of religion. Prose lays bare its whole meaning to the intelligence, while poetry plunges us in the mysterium tremendum of life and suggests the truths that cannot be stated.
The Aristos (1964)
Context: The artefacts of a genius are distinguished by rich human content, for which he forges new images and new techniques, creates new styles. He sees himself as a unique eruption in the desert of the banal. He feels himself mysteriously inspired or possessed. The craftsman, on the other hand, is content to use the traditional materials and techniques. The more self-possessed he is, the better craftsman he will be. What pleases him is skill of execution. He is very concerned with his contemporary success, his market value. If a certain kind of political commitment is fashionable, he may be committed; but out of fashion, not conviction. The genius, of course, is largely indifferent to contemporary success; and his commitment to his ideals, both artistic and political, is profoundly, Byronically, indifferent to their contemporary popularity. <!-- no. 61
“You're unique like all other women.”
Raimon to Regina, p. 55
All Men are Mortal (1946)
Journey to the East (1932)
Context: It was my destiny to join in a great experience. Having had the good fortune to belong to the League, I was permitted to be a participant in unique journey. What wonder it had at the time! How radiant and comet-like it seemed, and how quickly it has been forgotten and allowed to fall into disrepute. For this reason, I have decided to attempt a short description of this fabulous journey, a journey the like of which had not been attempted since the days of Hugo and mad Roland.
Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 5, citing P.M. Currie.
Quotes, IPI speech (2000)
Context: We are now in a new era. To label this time "the post-Cold War era" belies its uniqueness and its significance. We are now in a Global Age. Like it or not, we live in an age when our destinies and the destinies of billions of people around the globe are increasingly intertwined. When our grand domestic and international challenges are also intertwined. We should neither bemoan nor naively idealize this new reality. We should deal with it.
Søren Kierkegaard, Two Ages: A Literary Review, 1846, Hong 1978/2009, pp. 67–68
1840s, Two Ages: A Literary Review (1846)
Context: It is not uncommon to hear a man who has become confused about what he should do in a particular situation complain about the unique nature of the situation, thinking that he could easily act if the situation were a great event with only one either/or. This is a mistake and a hallucination of the understanding. There is no such situation. The presence of the crucial either/or depends upon the individual’s own impassioned desire directed toward acting decisively, upon the individual’s own intrinsic competence, and therefore a competent man covets an either/or in every situation because he does not want anything more. But as soon as the individual no longer has essential enthusiasm in his passion but is spoiled by letting his understanding frustrate him every time he is going to act, he never in his life discovers the disjunction. And even if his penetrating, resourceful understanding is adequate for managing an entire household, he still has not had an understanding of his life in advance or in the moment of action, and it cannot be understood afterwords, either, because the action essentially did not take place, and the coherence of his life, became a garrulous continuation or a continued garrulity, a participial or infinitive phrase in which the subject must be understood or, more correctly, cannot be located at all because, as the grammarians say, the meaning does not make it clear for the simple reason that it lacks meaning. The whole thing becomes a flux, a blend of a little resolution and a little situation, a little prudence and a little courage, a little probability and a little faith, a little action and a little incident. Anyone who has made the fraudulent trade of getting abnormally good sense by losing the capacity to will and the passion to act is very inclined to stiffen his spinelessness with various and sundry predeliberations that feel their way ahead and various and sundry postmortem reinterpretations of what happened. Compared to this, an action is a brief something and apparently a poor something, yet it is in fact a definite something. The other is more splendid, but for all that it is a splendid shabbiness.
“Welcome to the O2. A unique building in Dublin, in that it is actually finished.”
Dandelion Mind (2010)
What Will Get Us Ready (1944)
Context: There is very great need to have the unique aspect of spirit in man and its relation to the divine spirit in the universe freshly interpreted in a world that has become bogged down with material conceptions of life and the world.
There is very great need of a more vital grasp of the unique Person at the headwaters of our faith linked up with the Real Presence of the inward Christ who is the Life of our lives…
Collected Poems (1992), When the Watchman Saw the Light (1900)
Context: Of course many people will have much to say.
We should listen. But we won't be deceived
by words such as Indispensable, Unique, and Great.
Someone else indispensable and unique and great
can always be found at a moment's notice.
Open letter to Dr. Gustáv Husák, Communist President (8 April 1975)
Context: Life cannot be destroyed for good, neither … can history be brought entirely to a halt. A secret streamlet trickles on beneath the heavy lid of inertia and pseudo-events, slowly and inconspicuously undercutting it. It may be a long process, but one day it must happen: the lid will no longer hold and will start to crack. This is the moment when something once more begins visibly to happen, something truly new and unique … something truly historical, in the sense that history again demands to be heard.
“Yes, our DNA is unique but so is a salamander’s.”
Source: Hyperion (1989), Chapter 3 (p. 191)
Nobel lecture (2001)
Context: In a world filled with weapons of war and all too often words of war, the Nobel Committee has become a vital agent for peace. Sadly, a prize for peace is a rarity in this world. Most nations have monuments or memorials to war, bronze salutations to heroic battles, archways of triumph. But peace has no parade, no pantheon of victory.
What it does have is the Nobel Prize — a statement of hope and courage with unique resonance and authority. Only by understanding and addressing the needs of individuals for peace, for dignity, and for security can we at the United Nations hope to live up to the honour conferred today, and fulfil the vision of our founders. This is the broad mission of peace that United Nations staff members carry out every day in every part of the world.
"The Painter in the Press", X magazine, Vol. I, No.4 (October 1960).
Context: The Art of painting is itself an intensely personal activity… a picture is a unique and private event in the life of the painter: an object made alone with a man and a blank canvas... A real painting is something which happens to the painter once in a given minute; it is unique in that it will never happen again and in this sense is an impossible object... And it is something which happens in life not in art: a picture which was merely the product of art would not be very interesting and could tell us nothing we were not already aware of. The old saying, “what you don’t know can’t hurt you”, expresses the opposite idea to that which animates the painter before his canvas. It is precisely what he does not know which may destroy him.
Nobel lecture (2005)
Context: I am an Egyptian Muslim, educated in Cairo and New York, and now living in Vienna. My wife and I have spent half our lives in the North, half in the South. And we have experienced first hand the unique nature of the human family and the common values we all share.
Shakespeare speaks of every single member of that family in The Merchant of Venice, when he asks: "If you prick us, do we not bleed? If you tickle us, do we not laugh? If you poison us, do we not die? And if you wrong us, shall we not revenge?"
And lest we forget:
There is no religion that was founded on intolerance — and no religion that does not value the sanctity of human life.
Judaism asks that we value the beauty and joy of human existence.
Christianity says we should treat our neighbours as we would be treated.
Islam declares that killing one person unjustly is the same as killing all of humanity.
Hinduism recognizes the entire universe as one family.
Buddhism calls on us to cherish the oneness of all creation.
Some would say that it is too idealistic to believe in a society based on tolerance and the sanctity of human life, where borders, nationalities and ideologies are of marginal importance. To those I say, this is not idealism, but rather realism, because history has taught us that war rarely resolves our differences. Force does not heal old wounds; it opens new ones.
The Rickover Effect (1992)
Context: Responsibility is a unique concept... You may share it with others, but your portion is not diminished. You may delegate it, but it is still with you... If responsibility is rightfully yours, no evasion, or ignorance or passing the blame can shift the burden to someone else. Unless you can point your finger at the man who is responsible when something goes wrong, then you have never had anyone really responsible.
The Evolution of Physics (1938) (co-written with Leopold Infeld) <!-- later published by Simon & Schuster (1967) -->
1930s
Context: Physical concepts are free creations of the human mind, and are not, however it may seem, uniquely determined by the external world. In our endeavor to understand reality we are somewhat like a man trying to understand the mechanism of a closed watch. He sees the face and the moving hands, even hears its ticking, but he has no way of opening the case. If he is ingenious he may form some picture of a mechanism which could be responsible for all the things he observes, but he may never be quite sure his picture is the only one which could explain his observations. He will never be able to compare his picture with the real mechanism and he cannot even imagine the possibility or the meaning of such a comparison. But he certainly believes that, as his knowledge increases, his picture of reality will become simpler and simpler and will explain a wider and wider range of his sensuous impressions. He may also believe in the existence of the ideal limit of knowledge and that it is approached by the human mind. He may call this ideal limit the objective truth.
So I started my Love Class. I taught it free of salary and tuition just so students could have a forum to consider the truly essential things. I really didn't "teach" the class. I facilitated it — helping the students to discover their own magic.
A Magazine of People and Possibilities interview (1998)
Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 60
Draft for a Statement of Human Obligation (1943)
Context: There is a reality outside the world, that is to say, outside space and time, outside man's mental universe, outside any sphere whatsoever that is accessible to human faculties.
Corresponding to this reality, at the centre of the human heart, is the longing for an absolute good, a longing which is always there and is never appeased by any object in this world.
Another terrestrial manifestation of this reality lies in the absurd and insoluble contradictions which are always the terminus of human thought when it moves exclusively in this world.
Just as the reality of this world is the sole foundation of facts, so that other reality is the sole foundation of good.
That reality is the unique source of all the good that can exist in this world: that is to say, all beauty, all truth, all justice, all legitimacy, all order, and all human behaviour that is mindful of obligations.
Those minds whose attention and love are turned towards that reality are the sole intermediary through which good can descend from there and come among men.
Although it is beyond the reach of any human faculties, man has the power of turning his attention and love towards it.
Nothing can ever justify the assumption that any man, whoever he may be, has been deprived of this power.
It is a power which is only real in this world in so far as it is exercised. The sole condition for exercising it is consent.
This act of consent may be expressed, or it may not be, even tacitly; it may not be clearly conscious, although it has really taken place in the soul. Very often it is verbally expressed although it has not in fact taken place. But whether expressed or not, the one condition suffices: that it shall in fact have taken place.
To anyone who does actually consent to directing his attention and love beyond the world, towards the reality that exists outside the reach of all human faculties, it is given to succeed in doing so. In that case, sooner or later, there descends upon him a part of the good, which shines through him upon all that surrounds him.
Encounters with Animals (1958)
Context: There would be a dreadful outcry if anyone suggested obliterating, say, the Tower of London, and quite rightly so; yet a unique and wonderful species of animal which has taken hundreds of thousands of years to develop to the stage we see today, can be snuffed out like a candle without more than a handful of people raising a finger or a voice in protest. So, until we consider animal life to be worthy of the consideration and reverence we bestow upon old books and pictures and historic monuments, there will always be the animal refugee living a precarious life on the edge of extermination, dependent for existence on the charity of a few human beings.
Source: Banal Nationalism (1995), p. 86
Vintage, p. 61
Propaganda: The Formation of Men's Attitudes (1962)
Propaganda: The Formation of Men's Attitudes (1962)
Exclusive Interview: Composer Jason Graves Discusses Dead Space, F.E.A.R. 3 and Resistance: Burning Skies http://www.dreadcentral.com/news/33744/exclusive-interview-composer-jason-graves-discusses-dead-space-f-e-a-r-3-and-resistance-burning-skies (May 14, 2012)
On how she conjures an erotic scene in her writing in “Outlander Author Diana Gabaldon on Her Two Rules for Writing a Good Sex Scene” https://www.townandcountrymag.com/leisure/arts-and-culture/a24146013/outlander-diana-gabaldon-interview-great-american-read in Town and Country (2018 Oct 24)
Source: Meditations. Yogas, Gods, Religions (2000), p. 101 ff
Source: A Soldier's Story (1951), p. xii
On creating rounded characters in “A Conversation with Carolina De Robertis on Immigration, Sexuality, and the True Origins of the Tango” https://lareviewofbooks.org/article/conversation-carolina-de-robertis-immigration-sexuality-true-origins-tango/ in Los Angeles Review of Books (2016 Apr 20)
On if the poet has a responsibility in “‘The language is constructing our ideas more than we are deploying the language’: An interview with Gregory Pardlo” http://gulfcoastmag.org/reviews-and-interviews/art-and-reviews/an-interview-with-gregory-pardlo/ in Gulf Coast Magazine (2019 Jul 17)
Source: An Ethic for Christians and Other Aliens in a Strange Land (1973), pp. 47-48
"The Recasting of Some Basic Psychoanalytic ideas", p. 26
The Denial of Death (1973)
Source: The Other America (1962), Ch. 2
On how he’s viewed differently compared to when he was a television personality in “Reggie Yates: ‘I have late-night romantic dinners with my laptop’” https://www.theguardian.com/tv-and-radio/2018/mar/18/reggie-yates-searching-for-grenfell-missing-victims-interview in The Guardian (2018 Mar 18)
Kenyon College Commencement Speech.
Essays
On how plays about Black people are changing in “Pushing Beyond the Pulitzer” https://books.google.com/books?id=9tgDAAAAMBAJ&pg=PA116&lpg=PA116&dq in Jet Magazine (Mar 1983)
James Harrington in American Record Guide ARG, USA, issue November/December 2010, Volume 73, Number 6, p. 107
13 March 2016 http://cnnpressroom.blogs.cnn.com/2016/03/13/full-rush-transcript-hillary-clinton-partcnn-tv-one-democratic-presidential-town-hall/
Presidential campaign (April 12, 2015 – 2016)
Speech in the House of Commons, June 10, 1941 "Defence of Crete" http://hansard.millbanksystems.com/commons/1941/jun/10/defence-of-crete#column_152, in The Churchill War Papers : 1941 (1993), Churchill/Gilbert, Norton, p. 785 ISBN 0393019594
The Second World War (1939–1945)
Speech to a Press Gallery luncheon (14 February 1977), quoted in The Times (15 February 1977), p. 4
1970s
Par pouvoir… je n’entends pas un système général de domination exercée par un élément ou un groupe sur un autre, et dont les effets, par dérivations successives, traversaient le corps social tout entier… il me semble qu’il faut comprendre d’abord la multiplicité de rapports de force qui sont immanents au domaine où ils s’exercent, et sont constitutifs de leur organisation ; le jeu qui par voie de luttes et d’affrontements incessants les transforme, les renforce, les inverse ; les appuis que ces rapports de force trouvent les uns dans les autres, de manière à former chaîne ou système, ou, au contraire, les décalages, les contradictions qui les isolent les uns des autres ; les stratégies enfin dans lesquelles ils prennent effet, et dont le dessin général ou la cristallisation institutionnelle prennent corps dans les appareils étatiques, dans la formulation de la loi, dans les hégémonies sociales. La condition de possibilité du pouvoir… il ne fait pas la chercher dans l’existence première d’un point central, dans un foyer unique de souveraineté d’où rayonneraient des formes dérivées et descendantes ; induisent sans cesse, par leur inégalité, des états de pouvoir, mais toujours locaux et instables. Omniprésence du pouvoir : non point parce qu’il aurait le privilège de tout regrouper sous son invincible unité, mais parce qu’il se produit à chaque instant, en tout point, ou plutôt dans toute relation d’un point à un autre. Le pouvoir est partout ; ce n’est pas qu’il englobe tout, c’est qu’il vient de partout.
Vol. I, p. 121-122.
History of Sexuality (1976–1984)
Source: Becoming Hitler: The Making of a Nazi (2017), p. 73
The Strange Death of Europe: Immigration, Identity, Islam (2017)
Letter to Hitler. 24 December 1940. Quoted from Koenraad Elst: Return of the Swastika (2007). (Also in https://web.archive.org/web/20100310135408/http://koenraadelst.bharatvani.org/articles/fascism/gandhihitler.html)
1940s
Source: From Bethlehem to Calvary (1937), Chapter One
"The Recasting of Some Basic Psychoanalytic ideas", p. 26
The Denial of Death (1973)
2017
Orest Slipak, the brother of singer. Brother about brother. The Day. Кyiv.ua. - 2017. - 27 April. https://day.kyiv.ua/en/article/topic-day/brother-about-brother
2017
Orest Slipak, the brother of singer. Brother about brother. The Day. Кyiv.ua. - 2017. - 27 April. https://day.kyiv.ua/en/article/topic-day/brother-about-brother
“I am owner of my might, and I am so when I now myself as unique.”
In the unique one the owner himself returns into his creative nothing, of which he is born. Every higher essence above me, be it God, be it man, weakens the feeling of my uniqueness, and pales only before the sun of this consciousness. If I concern myself for myself, the unique one, then my concern rests on its transitory, mortal creator, who consumes himself, and I may say: All things are nothing to me.
Dover 2005, p. 366
The Ego and Its Own (1845)
Her quote on Master of ceremonies in Businessworld, dated September 17, 2019 http://everythingexperiential.businessworld.in/article/For-an-Emcee-every-event-is-a-new-experience-Lipi-Goyal/17-09-2019-176236/.
“With all due respect for the title of professor. Vetulani, however, is a unique moron.”
Cezary Gmyz, right-wing journalist, in an entry from his Twitter account https://twitter.com/cezarygmyz/status/642096205737119744.
His simplicity survived rewards of public life
Khurshid Alam Khan in: Foreword.
About Zakir Hussain, Quest for Truth (1999)
Khurshid Alam Khan in: Foreword.
About Zakir Hussain, Quest for Truth (1999)
In p. ix
The Long March: Profile of Prime Minister Chandra Shekhar
By Norman Borlauge in "Our Leaders".
Praksah Karat in “EMS on Gandhi” quoted in "The Mahatma and the Ism" in page=8.
About E.M.S.
Peter Lavezzoli in his bo [Lavezzoli, Peter, The Dawn of Indian Music in the West, http://books.google.com/books?id=OSZKCXtx-wEC&pg=PA375, 24 April 2006, Continuum, 978-0-8264-1815-9, 32]
Sting, House of Rufus box set
Boulding (1958) "Evidences for an Administrative Science: A review of the Administrative Science Quarterly, volumes 1 and 2". In Administrative Science Quarterly. vol. 3, no. 1, pp. 14
1950s
1960s, We'll Never Conquer Space (1960)
1960s, Address to Cornell College (1962)
Chap. 14 : Resist the Downward Pull of the Group
The Laws of Human Nature (2018)
Attributed in "The Final Resolution", in Jewish World Periodical (1908), p. 189
Disputed
With the century, vol. 4
Address to United Nations General Assembly, quoted in * 2019-09-24
Trump UN speech knocks globalism: The future belongs to nationalism
Tim Pearce
Washington Examiner
https://www.washingtonexaminer.com/news/trump-un-speech-knocks-globalism-the-future-belongs-to-nationalism
2010s, 2019, September