Quotes about tower
page 3

Khalil Gibran photo
Van Morrison photo

“When you come down
From your Ivory Tower
You will see how it really must be
To be like me, to see like me,
To feel like me.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

Ivory Tower
Song lyrics, No Guru (1986)

Matthew Arnold photo
Isaac Barrow photo

“Mathematics is the fruitful Parent of, I had almost said all, Arts, the unshaken Foundation of Sciences, and the plentiful Fountain of Advantage to Human Affairs. In which last Respect, we may be said to receive from the Mathematics, the principal Delights of Life, Securities of Health, Increase of Fortune, and Conveniences of Labour: That we dwell elegantly and commodiously, build decent Houses for ourselves, erect stately Temples to God, and leave wonderful Monuments to Posterity: That we are protected by those Rampires from the Incursions of the Enemy; rightly use Arms, skillfully range an Army, and manage War by Art, and not by the Madness of wild Beasts: That we have safe Traffick through the deceitful Billows, pass in a direct Road through the tractless Ways of the Sea, and come to the designed Ports by the uncertain Impulse of the Winds: That we rightly cast up our Accounts, do Business expeditiously, dispose, tabulate, and calculate scattered 248 Ranks of Numbers, and easily compute them, though expressive of huge Heaps of Sand, nay immense Hills of Atoms: That we make pacifick Separations of the Bounds of Lands, examine the Moments of Weights in an equal Balance, and distribute every one his own by a just Measure: That with a light Touch we thrust forward vast Bodies which way we will, and stop a huge Resistance with a very small Force: That we accurately delineate the Face of this Earthly Orb, and subject the Oeconomy of the Universe to our Sight: That we aptly digest the flowing Series of Time, distinguish what is acted by due Intervals, rightly account and discern the various Returns of the Seasons, the stated Periods of Years and Months, the alternate Increments of Days and Nights, the doubtful Limits of Light and Shadow, and the exact Differences of Hours and Minutes: That we derive the subtle Virtue of the Solar Rays to our Uses, infinitely extend the Sphere of Sight, enlarge the near Appearances of Things, bring to Hand Things remote, discover Things hidden, search Nature out of her Concealments, and unfold her dark Mysteries: That we delight our Eyes with beautiful Images, cunningly imitate the Devices and portray the Works of Nature; imitate did I say? nay excel, while we form to ourselves Things not in being, exhibit Things absent, and represent Things past: That we recreate our Minds and delight our Ears with melodious Sounds, attemperate the inconstant Undulations of the Air to musical Tunes, add a pleasant Voice to a sapless Log and draw a sweet Eloquence from a rigid Metal; celebrate our Maker with an harmonious Praise, and not unaptly imitate the blessed Choirs of Heaven: That we approach and examine the inaccessible Seats of the Clouds, the distant Tracts of Land, unfrequented Paths of the Sea; lofty Tops of the Mountains, low Bottoms of the Valleys, and deep Gulphs of the Ocean: That in Heart we advance to the Saints themselves above, yea draw them to us, scale the etherial Towers, freely range through the celestial Fields, measure the Magnitudes, and determine the Interstices of the Stars, prescribe inviolable Laws to the Heavens themselves, and confine the wandering Circuits of the Stars within fixed Bounds: Lastly, that we comprehend the vast Fabrick of the Universe, admire and contemplate the wonderful Beauty of the Divine 249 Workmanship, and to learn the incredible Force and Sagacity of our own Minds, by certain Experiments, and to acknowledge the Blessings of Heaven with pious Affection.”

Isaac Barrow (1630–1677) English Christian theologian, and mathematician

Source: Mathematical Lectures (1734), p. 27-30

Marie-Louise von Franz photo
Benoît Mandelbrot photo
Conrad Aiken photo
Logan Pearsall Smith photo

“When they come downstairs from their Ivory Towers, Idealists are very apt to walk straight into the gutter.”

Logan Pearsall Smith (1865–1946) British American-born writer

Other People.
Afterthoughts (1931)

Christopher Pitt photo
Ann Coulter photo
Harry Hill photo
Rudy Rucker photo

“My real speciality is the mathematical analysis of Hilbert Space operators. But this was no time to come on like an ivory-tower idealist.”

Rudy Rucker (1946) American mathematician, computer scientist, science fiction author and philosopher

Source: The Sex Sphere (1983), p. 18

Letitia Elizabeth Landon photo
Muqtada Sadr photo
Alain de Botton photo

“He was reminded of a Dutch book whose moral he often returned to: De Schoonheid van hoogspanningslijnen in het Hollandse landschap, written by a couple of academics in Rotterdam University, Anne Kieke Backer and Arij de Boode. The Beauty of Electricity Pylons in the Dutch Landscape was a defence of the contribution of transmission engineering to the visual appeal of Holland, referencing the often ignored grandeur of the towers on their march from power stations to cities. Its particular interest for Ian, however, lay in its thesis about the history of the Dutch relationship to windmills, for it emphasised that these early industrial objects had originally been felt to have all the pylons’ threateningly alien qualities, rather than the air of enchantment and playfulness now routinely associated with them. They had been denounced from pulpits and occasionally burnt to the ground by suspicious villagers. The re-evaluation of the windmills had in large part been the work of the great painters of the Dutch Golden Age, who, moved by their country’s dependence on the rotating utilitarian objects, gave them pride of place in their canvases, taking care to throw their finest aspect into relief, like their resilience during storms and the glint of their sails in the late afternoon sun. … It would perhaps be left to artists of our own day to teach us to discern the virtues of the furniture of contemporary technology.”

Alain de Botton (1969) Swiss writer

Source: The Pleasures and Sorrows of Work (2009), p. 212.

Maxwell D. Taylor photo
Letitia Elizabeth Landon photo

“What is the world that lies around our own? Shadowy, unsubstantial, and wonderful are the viewless elements, peopled with spirits powerful and viewless as the air which is their home. From the earth's earliest hour, the belief in the supernatural has been universal. At first the faith was full of poetry; for, in those days, the imagination walked the earth even as did the angels, shedding their glory around the children of men. The Chaldeans watched from their lofty towers the silent beauty of night — they saw the stars go forth on their appointed way, and deemed that they bore with them the mighty records of eternity. Each separate planet shone on some mortal birth, and as its aspect was for good or for evil, such was the aspect of the fortunes that began beneath its light. Those giant watch-towers, with their grey sages, asked of the midnight its mystery, and held its starry roll to be the chronicle of this breathing world. Time past on, angels visited the earth no more, and the divine beliefs of young imagination grew earthlier. Yet poetry lingered in the mournful murmur of the oaks of Dodona, and in the fierce war song of the flying vultures, of whom the Romans demanded tidings of conquest. But prophecy gradually sank into divination, and it is a singular proof of the extent both of human credulity and of curiosity, to note the various methods that have had the credit of forestalling the future. From the stars to a tea-cup is a fall indeed”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Literary Remains

Asger Jorn photo
Donald J. Trump photo
Herman Melville photo
Michael Ende photo

“You were compelled to?' he repeated. 'You mean you weren't sufficiently powerful to resist?'
'In order to seize power,' replied the dictator, 'I had to take it from those that had it, and in order to keep it I had to employ it against those that sought to deprive me of it.'
The chef's hat gave a nod. 'An old, old story. It has been repeated a thousand times, but no one believes it. That's why it will be repeated a thousand times more.'
The dictator felt suddenly exhausted. He would gladly have sat down to rest, but the old man and the children walked on and he followed them.
'What about you?' he blurted out, when he had caught the old man up. 'What do you know of power? Do you seriously believe that anything great can be achieved on earth without it?'
'I?' said the old man. 'I cannot tell great from small.'
'I wanted power so that I could give the world justice,' bellowed the dictator, and blood began to trickle afresh from the wound in his forehead, 'but to get it I had to commit injustice, like anyone who seeks power. I wanted to end oppression, but to do so I had to imprison and execute those who opposed me - I became an oppressor despite myself. To abolish violence we must use it, to eliminate human misery we must inflict it, to render war impossible we must wage it, to save the world we must destroy it. Such is the true nature of power.'
Chest heaving, he had once more barred the old man's path with his pistol ready.'
'Yet you love it still,' the old man said softly.
'Power is the supreme virture!' The dictator's voice quavered and broke. 'But its sole shortcoming is sufficient to spoil the whole: it can never be absolute - that's what makes it so insatiable. The only true form of power is omnipotence, which can never be attained, hence my disenchantment with it. Power has cheated me.'
'And so,' said the old man, 'you have become the very person you set out to fight. It happens again and again. That is why you cannot die.'
The dictator slowly lowered his gun. 'Yes,' he said, 'you're right. What's to be done?'
'Do you know the legend of the Happy Monarch?' asked the old man.

'When the Happy Monarch came to build the huge, mysterious palace whose planning alone had occupied ten whole years of his life, and to which marvelling crowds made pilgrimage long before its completion, he did something strange. No one will ever know for sure what made him do it, whether wisdom or self-hatred, but the night after the foundation stone had been laid, when the site was dark and deserted, he went there in secret and buried a termites' nest in a pit beneath the foundation stone itself. Many decades later - almost a life time had elapsed, and the many vicissitudes of his turbulent reign had long since banished all thought of the termites from his mind - when the unique building was finished at last and he, its architect and author, first set foot on the battlements of the topmost tower, the termites, too, completed their unseen work. We have no record of any last words that might shed light on his motives, because he and all his courtiers were buried in the dust and rubble of the fallen palace, but long-enduring legend has it that, when his almost unmarked body was finally unearthed, his face wore a happy smile.”

Michael Ende (1929–1995) German author

"Mirror in the Mirror", page 193

Joseph Conrad photo

“Then, on the slight turn of the Lower Hope Reach, clusters of factory chimneys come distinctly into view, tall and slender above the squat ranges of cement works in Grays and Greenhithe. Smoking quietly at the top against the great blaze of a magnificent sunset, they give an industrial character to the scene, speak of work, manufactures, and trade, as palm-groves on the coral strands of distant islands speak of the luxuriant grace, beauty and vigour of tropical nature. The houses of Gravesend crowd upon the shore with an effect of confusion as if they had tumbled down haphazard from the top of the hill at the back. The flatness of the Kentish shore ends there. A fleet of steam-tugs lies at anchor in front of the various piers. A conspicuous church spire, the first seen distinctly coming from the sea, has a thoughtful grace, the serenity of a fine form above the chaotic disorder of men’s houses. But on the other side, on the flat Essex side, a shapeless and desolate red edifice, a vast pile of bricks with many windows and a slate roof more inaccessible than an Alpine slope, towers over the bend in monstrous ugliness, the tallest, heaviest building for miles around, a thing like an hotel, like a mansion of flats (all to let), exiled into these fields out of a street in West Kensington. Just round the corner, as it were, on a pier defined with stone blocks and wooden piles, a white mast, slender like a stalk of straw and crossed by a yard like a knitting-needle, flying the signals of flag and balloon, watches over a set of heavy dock-gates. Mast-heads and funnel-tops of ships peep above the ranges of corrugated iron roofs. This is the entrance to Tilbury Dock, the most recent of all London docks, the nearest to the sea.”

Hope Point to Tilbury / Gravesend
The Mirror of the Sea (1906), On the River Thames, Ch. 16

Ernesto Che Guevara photo
Jerome K. Jerome photo
Roy Campbell (poet) photo
Maxwell D. Taylor photo
Ernesto Grassi photo
Jonas Salk photo
Mickey Spillane photo

“Nobody ever walked across the bridge, not on a night like this. The rain was misty enough to be almost fog-like, a cold gray curtain that separated me from the pale ovals of white that were faces locked behind the steamed-up windows of the cars that hissed by. Even the brilliance that was Manhattan by night was reduced to a few sleepy, yellow lights off in the distance.
Some place over there I had left my car and started walking, burying my head in the collar of my raincoat, with the night pulled in around me like a blanket. I walked and I smoked and I flipped the spent butts ahead of me and watched them arch to the pavement and fizzle out with one last wink. If there was life behind the windows of the buildings on either side of me, I didn't notice it. The street was mine, all mine. They gave it to me gladly and wondered why I wanted it so nice and all alone.
There were others like me, sharing the dark and the solitude, but they were huddled in the recessions of the doorways not wanting to share the wet and the cold. I could feel their eyes follow me briefly before they turned inward to their thoughts again.
So I followed the hard concrete footpaths of the city through the towering canyons of the buildings and never noticed when the sheer cliffs of brick and masonry diminished and disappeared altogether, and the footpath led into a ramp then on to the spidery steel skeleton that was the bridge linking two states.
I climbed to the hump in the middle and stood there leaning on the handrail with a butt in my fingers, watching the red and green lights of the boats in the river below. They winked at me and called in low, throaty notes before disappearing into the night.
Like eyes and faces. And voices.
I buried my face in my hands until everything straightened itself out again, wondering what the judge would say if he could see me now. Maybe he'd laugh because I was supposed to be so damn tough, and here I was with hands that wouldn't stand still and an empty feeling inside my chest.”

One Lonely Night (1951)

R. A. Salvatore photo
Henry Abbey photo
Martin Luther King, Jr. photo

“And so I say to you today, my friends, that you may be able to speak with the tongues of men and angels; you may have the eloquence of articulate speech; but if you have not love, it means nothing. Yes, you may have the gift of prophecy; you may have the gift of scientific prediction and understand the behavior of molecules; you may break into the storehouse of nature and bring forth many new insights; yes, you may ascend to the heights of academic achievement so that you have all knowledge; and you may boast of your great institutions of learning and the boundless extent of your degrees; but if you have not love, all of these mean absolutely nothing. You may even give your goods to feed the poor; you may bestow great gifts to charity; and you may tower high in philanthropy; but if you have not love, your charity means nothing. You may even give your body to be burned and die the death of a martyr, and your spilt blood may be a symbol of honor for generations yet unborn, and thousands may praise you as one of history's greatest heroes; but if you have not love, your blood was spilt in vain. What I'm trying to get you to see this morning is that a man may be self-centered in his self-denial and self-righteous in his self-sacrifice. His generosity may feed his ego, and his piety may feed his pride. So without love, benevolence becomes egotism, and martyrdom becomes spiritual pride.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, Where Do We Go from Here: Chaos or Community? (1967)

Yurii Andrukhovych photo
Robert E. Howard photo
Anish Kapoor photo
Elizabeth I of England photo
Conrad Aiken photo
Murray N. Rothbard photo
A.E. Housman photo
Philip K. Dick photo
Mike Oldfield photo

“The Watcher and the Tower
Waiting hour by hour.”

Mike Oldfield (1953) English musician, multi-instrumentalist

Song lyrics, Crises (1983)

Norman G. Finkelstein photo
Edgar Rice Burroughs photo
Aldo Capitini photo

“From a high tower I have looked to the four points of the horizon.
I will go and lift up the dead on the battlefield.
I will stretch out their contorted arms and legs.
I will close their cold eyelids on their fixed pupils.
I cannot bear to see eyes if I do not receive any words.
Invisible life entrusts us with sad tasks,
I look back to my years, and the pains I have suffered
are not enough.
Soon there will be clashings of men and horrible clanging sounds.
And people hunted, pushed, wrenched.
Also I will find myself in the midst of the madness of war.
I will open pure words, orders of thought, fraternal acts.
In the meantime they will bring forward the man
condemned to death and they will tell him to dig his own grave.
He will look up at the still hills and the sky.
Some distant sounds of life will still reach him.
He will not have time to think back to his many days –
to the voices of his dear people, and the close relationships.
Not even will he be able to look ahead,
to come to terms with what is happening now.
And when the shots will be fired, with the flash a cry will go up
The human cry which is too late, and it’s lost.
To free, to free as soon as possible.
They will ask me: why don’t you come to fight with us?
They will not understand, they will carry on with the war.
I loved to be with other people, as the light of the day.
It is so good to work together, in trust, in mutual help.
To lose myself in the crowd in modest clothes.
In a circle of equals to listen and to speak.
And now nobody wants to listen, and yet they are all people.
I have become a stranger, the others do not know that I am there.
The abrupt reply, the friend who looks the other way.
It would be easy to join them in earnest action.
Forgetting the deeper unity, beyond the war?
I remain here, isolated from everybody,
working for a deeper togetherness.
Everything was only a trial, reality must yet begin.
Every being was partaking of another reality yet he did not know.
But now this reality is becoming clear,
and it matters only what opens us to it.”

Aldo Capitini (1899–1968) Italian philosopher and political activist
Chinmayananda Saraswati photo

“One single ideal can transform a listless soul into a towering leader of men.”

Chinmayananda Saraswati (1916–1993) Indian spiritual teacher

Quotations from Gurudev’s teachings, Chinmya Mission Chicago

Clara Jessup Moore photo
John Milton photo

“Towered cities please us then,
And the busy hum of men.”

John Milton (1608–1674) English epic poet

Source: L'Allegro (1631), Line 117

Thomas Beecham photo

“The musical equivalent of the towers of St Pancras Station”

Thomas Beecham (1879–1961) British conductor and impresario

Of Edward Elgar's 1st symphony
Neville Cardus: Sir Thomas Beecham, A Memoir, (1961)

David Cameron photo
David Lange photo

“On a trip to Germany, Lange and his entourage were climbing the tower of an ancient castle when they stopped to catch their breath. "How old is this ruin?" someone asked a guide. "Forty-two years," said Lange.”

David Lange (1942–2005) New Zealand politician and 32nd Prime Minister of New Zealand

Anecdotes
Source: A New Zealand Dictionary of Political Quotations, p. 94.

Peter Medawar photo
James A. Garfield photo
Robert Venturi photo
Johannes Grenzfurthner photo
George William Russell photo

“The tower of heaven turns darker blue; a starry sparkle now begins;
The mystery and magnificence, the myriad beauty and the sins
Come back to me.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

The Nuts of Knowledge (1903)

Charles, Prince of Wales photo

“Instead of designing an extension to the elegant facade of the National Gallery which complements it and continues the concept of columns and domes, it looks as if we may be presented with a kind of municipal fire station, complete with the sort of tower that contains the siren. I would understand better this type of high-tech approach if you demolished the whole of Trafalgar Square and started again with a single architect responsible for the entire layout, but what is proposed is like a monstrous carbuncle on the face of a much-loved and elegant friend.”

Charles, Prince of Wales (1948) son of Queen Elizabeth II of the United Kingdom

Prince of Wales' website http://www.princeofwales.gov.uk/speechesandarticles/a_speech_by_hrh_the_prince_of_wales_at_the_150th_anniversary_1876801621.html
Speech at the 150th anniversary of the Royal Institute of British Architects, Royal Gala Evening at Hampton Court Palace, 30 May, 1984.
The Prince had undoubtedly read "The Spencers on Spas" written the previous year by his step-mother-in-law, Raine, Countess Spencer, which included on page 14 the observation that "Monstrous carbuncles of concrete have erupted in gentle Georgian Squares".
1990s

Georgia O'Keeffe photo
Han-shan photo
F. Scott Fitzgerald photo
Osama bin Laden photo
Conrad Aiken photo
Gloria Estefan photo
Nick Griffin photo
Joyce Kilmer photo
Geoff Boycott photo

“We were brought up watching opening batsmen score nine before lunch. If Geoffrey Boycott flashed at a ball outside off stump in the first over of a Test match, questions were asked in Parliament. If he flashed at two, the ravens abandoned the Tower of London.”

Geoff Boycott (1940) cricket player of England

Brian Viner in the Independent http://www.independent.co.uk/sport/cricket/its-cricket-geoff-but-not-as-we-know-it-503579.html, 2005.

Bill O'Reilly photo

“If I'm the president of the United States, I walk right into Union Square, I set up my little presidential podium, and I say, "Listen, citizens of San Francisco, if you vote against military recruiting, you're not going to get another nickel in federal funds. Fine. You want to be your own country? Go right ahead. And if Al-Qaeda comes in here and blows you up, we're not going to do anything about it. We're going to say, look, every other place in America is off limits to you, except San Francisco. You want to blow up the Coit Tower? Go ahead."”

Bill O'Reilly (1949) American political commentator, television host and writer

2005-11-08
The Radio Factor
Fox News Talk
Radio
2005-11-10
O'Reilly to San Francisco: "[I<nowiki>]</nowiki>f Al Qaeda comes in here and blows you up, we're not going to do anything about it. … You want to blow up the Coit Tower? Go ahead"
Media Matters for America
http://mediamatters.org/mmtv/200511100008
2010-11-24
2005-11-11
Democracy Now
http://www.democracynow.org/2005/11/11/headlines
2010-11-19
[2005-11-26, http://findarticles.com/p/articles/mi_qn4176/is_20051126/ai_n15876099, Protest in San Francisco targets O'Reilly, KNEW, Oakland Tribune, FindArticles.com, 2008-07-17]
2007-08-03
Dodd-O'Reilly: Interview, shouting match or both?
http://content.usatoday.com/communities/onpolitics/post/2007/08/37269190/1
2010-11-19
reacting to 60% of San Francisco voters approving a nonbinding ballot measure encouraging public schools and colleges to prohibit military recruiting on campus

Bernard Cornwell photo
George Raymond Richard Martin photo
John Muir photo

“The rugged old Norsemen spoke of death as Heimgang — home-going. So the snow-flowers go home when they melt and flow to the sea, and the rock-ferns, after unrolling their fronds to the light and beautifying the rocks, roll them up close again in the autumn and blend with the soil. Myriads of rejoicing living creatures, daily, hourly, perhaps every moment sink into death’s arms, dust to dust, spirit to spirit — waited on, watched over, noticed only by their Maker, each arriving at its own heaven-dealt destiny. All the merry dwellers of the trees and streams, and the myriad swarms of the air, called into life by the sunbeam of a summer morning, go home through death, wings folded perhaps in the last red rays of sunset of the day they were first tried. Trees towering in the sky, braving storms of centuries, flowers turning faces to the light for a single day or hour, having enjoyed their share of life’s feast — all alike pass on and away under the law of death and love. Yet all are our brothers and they enjoy life as we do, share heaven’s blessings with us, die and are buried in hallowed ground, come with us out of eternity and return into eternity. 'Our little lives are rounded with a sleep.”

John Muir (1838–1914) Scottish-born American naturalist and author

pages 439-440
("Trees towering … into eternity" are the next-to-last lines of the documentary film " John Muir in the New World http://www.pbs.org/wnet/americanmasters/episodes/john-muir-in-the-new-world/watch-the-full-documentary-film/1823/" (American Masters), produced, directed, and written by Catherine Tatge.)
John of the Mountains, 1938

Hank Williams photo

“When I wrote about Hank Williams 'A hundred floors above me in the tower of song', it's not some kind of inverse modesty. I know where Hank Williams stands in the history of popular song. Your Cheatin' Heart, songs like that, are sublime, in his own tradition, and I feel myself a very minor writer.”

Hank Williams (1923–1953) American country music singer

Leonard Cohen, Who held a gun to Leonard Cohen's head? http://www.guardian.co.uk/arts/fridayreview/story/0,12102,1305765,00.html The Guardian (2006-06-20)
About

“I had no idea what I was doing when I wrote Search. There was no carefully designed work plan. There was no theory that I was out to prove. I went out and talked to genuinely smart, remarkably interesting, first-rate people. I had an infinite travel budget that allowed me to fly first class and stay at top-notch hotels and a license from McKinsey to talk to as many cool people as I could all around the United States and the world.
I went to see Karl Weick, who had totally influenced my life. I had read his work a thousand times, and I'd never met him. I went to Oslo to talk with Einar Thorsrud, who had studied empowerment on oil tankers. I went to the Tavistock Institute in London, where the leading thinkers on organizational development were looking at why people work together effectively in team configurations under certain circumstances.
Word of the meeting got back to McKinsey USA, and I was invited to give a presentation to the top management of PepsiCo… The time was drawing near for the Pepsi presentation to take place. One morning at about 6, I sat down at my desk overlooking the San Francisco Bay from the 48th floor of the Bank of America Tower, and I closed my eyes. Then I leaned forward, and I wrote down eight things on a pad of paper. Those eight things haven't changed since that moment. They were the eight basic principles of Search.”

Tom Peters (1942) American writer on business management practices

Tom Peters (2001) "Tom Peters's True Confessions" in Fast Company, December 2001 ( online http://www.fastcompany.com/44077/tom-peterss-true-confessions, Nov 31, 2001).

Franz Kafka photo

“If it had been possible to build the Tower of Babel without climbing it, it would have been permitted.”

18; (9 November 1917) a slight variant of this was published in Parables and Paradoxes (1946): If it had been possible to build the Tower of Babel without ascending it, the work would have been permitted.
The Zürau Aphorisms (1917 - 1918)

Yehuda Ashlag photo
Henry Wadsworth Longfellow photo
Roberto Bolaño photo

“Literature is a vast forest and the masterpieces are the lakes, the towering trees or strange trees, the lovely eloquent flowers, the hidden caves, but a forest is also made up of ordinary trees, patches of grass, puddles, clinging vines, mushrooms and little wildflowers.”

Roberto Bolaño (1953–2003) Chilean author

La literatura es un vasto bosque y las obras maestras son los lagos, los árboles inmensos o extrañísimos, las elocuentes flores preciosas o las escondidas grutas, pero un bosque también está compuesto por árboles comunes y corrientes, por yerbazales, por charcos, por plantas parásitas, por hongos y por florecillas silvestres.
2666: A Novel (2008)

Percy Bysshe Shelley photo
Oliver Cowdery photo

“BE IT KNOWN unto all nations, kindreds, tongues, and people, unto whom this work shall come: That we, through the grace of God the Father, and our Lord Jesus Christ, have seen the plates which contain this record, which is a record of the people of Nephi, and also of the Lamanites, their brethren, and also of the people of Jared, who came from the tower of which hath been spoken. And we also know that they have been translated by the gift and power of God, for his voice hath declared it unto us; wherefore we know of a surety that the work is true. And we also testify that we have seen the engravings which are upon the plates; and they have been shown unto us by the power of God, and not of man. And we declare with words of soberness, that an angel of God came down from heaven, and he brought and laid before our eyes, that we beheld and saw the plates, and the engravings thereon; and we know that it is by the grace of God the Father, and our Lord Jesus Christ, that we beheld and bear record that these things are true. And it is marvelous in our eyes. Nevertheless, the voice of the Lord commanded us that we should bear record of it; wherefore, to be obedient unto the commandments of God, we bear testimony of these things. And we know that if we are faithful in Christ, we shall rid our garments of the blood of all men, and be found spotless before the judgment-seat of Christ, and shall dwell with him eternally in the heavens. And the honor be to the Father, and to the Son, and to the Holy Ghost, which is one God. Amen. OLIVER COWDERY DAVID WHITMER MARTIN HARRIS”

Oliver Cowdery (1806–1850) American Mormon leader

Book of Mormon, 1830 Edition, p. 585 (1830).

Arlo Guthrie photo
Joyce Kilmer photo
Anish Kapoor photo
Peter Greenaway photo
Conrad Aiken photo

“Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.”

Conrad Aiken (1889–1973) American novelist and poet

The House of Dust (1916 - 1917)

Russell Brand photo
Statius photo

“The towers shine in a larger blue, and the portals bloom with a mystic light. Silence was ordered and mute in terror fell the world. From on high he begins. His holy words have weight heavy and immutable and the Fates follow his voice.”
Radiant majore sereno culmina et arcano florentes lumine postes. postquam jussa quies siluitque exterritus orbis, incipit ex alto: grave et inmutabile sanctis pondus adest verbis, et vocem fata sequuntur.

Source: Thebaid, Book I, Line 209

John Greenleaf Whittier photo
Winston S. Churchill photo
Edward Dorr Griffin photo
Mike Scott photo
Giovanni Sartori photo
Justin D. Fox photo
Cass Elliot photo