Quotes about toe

A collection of quotes on the topic of toe, likeness, going, doing.

Quotes about toe

Mwanandeke Kindembo photo
Jerry Seinfeld photo

“Pain is knowledge rushing in to fill a gap. When you stub your toe on the foot of the bed, that was a gap in knowledge. And the pain is a lot of information really quick. That's what pain is.”

Jerry Seinfeld (1954) American comedian and actor

Comedians in Cars Getting Coffee, Season 6, Episode 5: Trevor Noah http://comediansincarsgettingcoffee.com/trevor-noah-thats-the-whole-point-of-apartheid-jerry

Al Capone photo
Nikki Giovanni photo
Lewis Carroll photo
John Lennon photo
Jeannette Walls photo
Swami Vivekananda photo

“Anything that brings spiritual, mental, or physical weakness, touch it not with the toes of your feet.”

Swami Vivekananda (1863–1902) Indian Hindu monk and phylosopher

Pearls of Wisdom

Emile Zola photo

“The past was but the cemetery of our illusions: one simply stubbed one's toes on the gravestones.”

Emile Zola (1840–1902) French writer (1840-1902)

Source: The Masterpiece

Edwin Ransford photo

“In the days when we went gypsying
A long time ago;
The lads and lassies in their best
Were drest from top to toe.”

Edwin Ransford (1805–1876) British opera singer

In the Days when we went Gypsying.

Jane Fonda photo

“I am saddened that I have been linked with her politically… I have disagreed with her on every issue, from the bottom of my toes”

Jane Fonda (1937) American actress and activist

On Vanessa Redgrave, reported by Spartanburg Herald-Journal, 28 December 1979. http://news.google.com/newspapers?id=VW0sAAAAIBAJ&sjid=y80EAAAAIBAJ&pg=2069,7100074

W.B. Yeats photo

“Irish poets, earn your trade,
Sing whatever is well made,
Scorn the sort now growing up
All out of shape from toe to top,
Their unremembering hearts and heads
Base-born products of base beds.”

W.B. Yeats (1865–1939) Irish poet and playwright

Under Ben Bulben http://poetry.poetryx.com/poems/1745/, V
Last Poems (1936-1939)

Stefan Zweig photo
Philip Roth photo
Jodi Picoult photo

“Whiskers of the cat,
Webbed toes on my swimming dog;
God is in the details.”

Dean Koontz (1945) American author

Source: The Book Of Counted Sorrows

Tom Waits photo
Harry Truman photo

“Tact is the ability to step on a man's toes without messing up the shine on his shoes.”

Harry Truman (1884–1972) American politician, 33rd president of the United States (in office from 1945 to 1953)
Robert A. Heinlein photo
Patrick Rothfuss photo
Susan Elizabeth Phillips photo
Cassandra Clare photo

“You have been known to call upon Brother Zachariah for a broken toe.
"It was turning green,” said Will”

Cassandra Clare (1973) American author

Source: The Whitechapel Fiend

Sophie Kinsella photo
Kelley Armstrong photo
Sarah Dessen photo
Orson Scott Card photo
Elizabeth Bishop photo
Sherrilyn Kenyon photo
James A. Owen photo
James Patterson photo
Henry David Thoreau photo
Jasper Fforde photo
Dalton Trumbo photo
Julia Gillard photo

“I was very conscience that if you put even your toe on this very sticky piece of paper, then you would be caught on it.”

Julia Gillard (1961) Australian politician and lawyer, 27th Prime Minister of Australia

On her initial decision not to disclose details of her final meeting with Rudd, prior to challenging him for the Labor Party leadership in June 2010.
The Killing Season, Episode three: The Long Shadow (2010–13)

Pat Condell photo

“There are many reasons why the religion of Islam impoverishes western society, but the main one, in my opinion, is that it degrades and debases women, except, of course, for left-wing women, who happily degrade and debase themselves defending Islam, like turkeys defending Christmas. A woman in Islam needs to be covered from head to toe because men are not expected to exhibit any kind of basic self-control. I get a lot of correspondence from angry Muslim males and I've lost count of the number of times I've been told that western women are asking to be raped because of the way they dress. No other religion teaches people to think like this. Recently here in Britain, we've had a rash of Muslim gangs pimping and raping young girls in northern England. I do mean Muslim gangs, and not Asians, as the media keep reporting. There are no Sikhs or Hindus involved in this, and to call them Asians to avoid naming the real problem is a slander on Hindus and Sikhs. These men do it because they regard non-Muslim women as subhuman trash. And this poison is coming directly from their religion, a religion whose values are dictated and imposed by some of the most narrow-minded, psychotic human beings on this planet. And, coming as I do from an Irish Catholic background, believe me, that's saying something.”

Pat Condell (1949) Stand-up comedian, writer, and Internet personality

"Name the poison" (22 June 2011) http://youtube.com/watch?v=sEsWO4xep44
2011

Ani DiFranco photo

“We discovered we are both pleasantly furious half of the time,
When we're not just toeing the line.”

Ani DiFranco (1970) musician and activist

Brief Bus Stop
Song lyrics

Karin Housley photo

“You have to fight that much harder, and not in a whiny or combatant way,” she said. “You just have to be that much smarter, that much more organized, on your toes, always, and you have to dress that much more professionally. A lot more thought has to go into everything you do.”

Karin Housley (1964) American politician

The Thoroughly Modern Marriage of Phil and Karin Housley http://buffalonews.com/2017/11/23/the-thoroughly-modern-marriage-of-phil-and-karin-housley (November 23, 2017)

Jim Gaffigan photo

“I curse in everyday life, but usually when I stub my toe. The topics I'm discussing, it's not necessary to curse. I found [cursing] is a sign that a joke is not finished or well-written.”

Jim Gaffigan (1966) comedian, actor, author

Michael McIntyre (February 9, 2007) "He's bringing home the bacon, from clubs to Super Bowl ads", The Plain Dealer, p. 30.

Georges Bataille photo
Wesley Clark photo
Joshua Lawrence Chamberlain photo

“The momentous meaning of this occasion impressed me deeply. I resolved to mark it by some token of recognition, which could be no other than a salute of arms. Well aware of the responsibility assumed, and of the criticisms that would follow, as the sequel proved, nothing of that kind could move me in the least. The act could be defended, if needful, by the suggestion that such a salute was not to the cause for which the flag of the Confederacy stood, but to its going down before the flag of the Union. My main reason, however, was one for which I sought no authority nor asked forgiveness. Before us in proud humiliation stood the embodiment of manhood: men whom neither toils and sufferings, nor the fact of death, nor disaster, nor hopelessness could bend from their resolve; standing before us now, thin, worn, and famished, but erect, and with eyes looking level into ours, waking memories that bound us together as no other bond;—was not such manhood to be welcomed back into a Union so tested and assured? Instructions had been given; and when the head of each division column comes opposite our group, our bugle sounds the signal and instantly our whole line from right to left, regiment by regiment in succession, gives the soldier's salutation, from the "order arms" to the old "carry"—the marching salute. Gordon at the head of the column, riding with heavy spirit and downcast face, catches the sound of shifting arms, looks up, and, taking the meaning, wheels superbly, making with himself and his horse one uplifted figure, with profound salutation as he drops the point of his sword to the boot toe; then facing to his own command, gives word for his successive brigades to pass us with the same position of the manual, honor answering honor. On our part not a sound of trumpet more, nor roll of drum; not a cheer, nor word nor whisper of vain-glorying, nor motion of man standing again at the order, but an awed stillness rather, and breath-holding, as if it were the passing of the dead!”

Joshua Lawrence Chamberlain (1828–1914) Union Army general and Medal of Honor recipient

The Passing of the Armies: An account of the Army of the Potomac, based upon personal reminiscences of the Fifth Army Corps (1915), p. 260

Daniel Handler photo
Aaron Klug photo

“I like teaching and the contact with young minds keeps one on one's toes.”

Aaron Klug (1926–2018) British chemist and biophysicist

in his Autobiography http://nobelprize.org/nobel_prizes/chemistry/laureates/1982/klug-autobio.html, The Nobel Prizes 1982, Editor Wilhelm Odelberg, Nobel Foundation, Stockholm, 1983.

Philip Roth photo

“Each year she taught him the names of the flowers in her language and in his, and from one year to the next he could not even remember the English. For nearly thirty years Sabbath had been exiled in these mountains, and still he could name hardly anything. They didn't have this stuff where he came from. All these things growing were beside the point there. He was from the shore. There was sand and ocean, horizon and sky, daytime and nighttime - the light, the dark, the tide, the stars, the boats, the sun, the mists, the gulls. There were the jetties, the piers, the boardwalk, the booming, silent, limitless sea. Where he grew up they had the Atlantic. You could touch with your toes where America began. They lived in a stucco bungalow two short streets from the edge of America. The house. The porch. The screens. The icebox. The tub. The linoleum. The broom. The pantry. The ants. The sofa. The radio. The garage. The outside shower with the slatted wooden floor Morty had built and the drain that always clogged. In summer, the salty sea breeze and the dazling light; in September, the hurricanes; in January, the storms. They had January, February, March, April, May, June, July, August, September, November, December. And then January. And then again January, no end to the stockpile of Januaries, of Mays, of Marches. August, December, April - name a month, and they had it in spades. They'd had endlessness. He had grown up on endlessness and his mother - in the beginning they were the same thing. His mother, his mother, his mother, his mother, his mother… and then there was his mother, his father, Grandma, Morty, and the Atlantic at the end of the street. The ocean, the beach, the first two streets in America, then the house, and in the house a mother who never stopped whistlîg until December 1944. If Morty had come alive, if the endlessness had ended naturally instead of with the telegram, if after the war Morty had started doing electrical work and plumbing for people, had become a builder at the shore, gone into the construction business just as the boom in Monmouth County was beginning…Didn't matter. Take your pick. Get betrayed by the fantasy of endlessness or by the fact of finitude. No, Sabbath could only have wound up Sabbath, begging for what he was begging, bound to what he was bound, saying what he did not wish to stop himself from saying.”

Sabbath's Theater (1995)

Louis-ferdinand Céline photo
Tommy Franks photo
Julius Malema photo

“I heard that these whites are coming to march again, they will announce a new date. I’m thinking national chair we must organise a counter-march and meet them half way. We cannot allow white people to do as they wish in this country, like they’re doing in Palestine. Let them announce the day they’re coming back. Let us meet them toe to toe, let us teach them who owns South Africa. We cannot be harassed in our own country during apartheid and be harassed in our own country during a democratic dispensation by a nonsense Afrikaner community. It must come to an end, let us meet them toe to toe.”

Julius Malema (1981) South African political activist

In response to the Black Monday protests, while addressing EFF members on 2 November 2017 outside the Israeli Embassy, Pretoria, How Malema plans to teach ‘nonsense’ Afrikaner community who really owns SA https://citizen.co.za/news/south-africa/1714102/watch-how-malema-plans-to-teach-nonsense-afrikaner-community-who-really-owns-sa/, Citizen reporter (2 November 2017)

Jordan Peterson photo

“We're adapted to the meta-reality, which means that we're adapted to that which remains constant across the longest spans of time. And that's not the same things that you see around you day to day. They're just like clouds, they're just evaporating, you know? There are things underneath that that are more fundamental realities, like the dominance hierarchy, like the tribe, like the danger outside of society, like the threat that other people pose to you, and the threat that you pose to yourself. Those are eternal realities, and we're adapted to those. That's our world, and that's why we express all those things in stories. Then you might say, well how do you adapt yourself to that world? The answer, and I believe this is a neurological answer, is that your brain can tell you when you're optimally situated between chaos and order. The way it tells you that is by producing the sense of engagement and meaning. Let's say that there's a place in the environment that you should be. So what should that place be? Well, you don't want to be terrified out of your skull. What good is that? And you don't want to be so comfortable that you might as well sleep. You want to be somewhere where you are kind of on firm ground with both of your feet, but you can take a step with one leg and test out new territory. Some of you who are exploratory and emotionally stable are going to go pretty far out there into the unexplored territory without destabilizing yourself. And some people are just going to put a toe in the chaos, and that's neuroticism basically - your sensitivity to threat that is calibrated differently in different people. And some people are more exploratory than others. That's extroversion and openness, and intelligence working together. Some people are going to tolerate more chaos in their mixture of chaos and order. Those are often liberals, by the way. They're more interested in novel chaos, and conservatives are more interested in the stabilization of the structures that already exist. Who's right? It depends on the situation. That's why liberals and conservatives have to talk to each other, because one of them isn't right and the other is wrong. Sometimes the liberals are right and sometimes the liberals are right, because the environment is unpredictable and constantly changing, so that's why you have to communicate. That's what a democracy does. It allows people of different temperamental types to communicate and to calibrate their societies. So let's say you're optimally balanced between chaos and order. What does that mean? Well, you're stable enough, but you're interested. A little novelty heightens your anxiety. It wakes you up a bit. That's the adventure part of it. But it also focuses the part of your brain that does exploratory activity, and that's associated with pleasure. That's the dopamine circuit. So if you're optimally balanced - and you know you're there if you're listening to an interesting conversation or you're engaged in one…you're saying some things that you know, and the other person is saying some things that they know - and what both of you know is changing. Music can model that. It provides you with multi-level predictable forms that can transform just the right amount. So music is a very representational art form. It says, 'this is what the universe is like.' There's a dancing element to it, repetitive, and then little variations that surprise you and produce excitement in you. In doesn't matter how nihilistic you are, music still infuses you with a sense of meaning because it models meaning. That's what it does. That's why we love it. And you can dance to it, which represents you putting yourself in harmony with these multiple layers of reality, and positioning yourself properly.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

"The selection pressure that women placed on men developed the entire species. There's two things that happened. The men competed for competence, since the male hierarchy is a mechanism that pushes the best men to the top. The effect of that is multiplied by the fact that women who are hypergamous peel from the top. And so the males who are the most competent are much more likely to leave offspring, which seems to have driven cortical expansion."
Concepts

Halldór Laxness photo
David Bowie photo
Ben Hecht photo
Doug Stanhope photo
Sylvia Plath photo
Georges Bataille photo

“Man's secret horror of his foot is one of the explanations for the tendency to conceal its length and form as much as possible. Heels of greater or lesser height, depending on the sex, distract from the foot's low and flat character. Besides the uneasiness is often confused with a sexual uneasiness; this is especially striking among the Chinese who, after having atrophied the feet of women, situate them at the most excessive point of deviance. The husband himself must not see the nude feet of his wife, and it is incorrect and immoral in general to look at the feet of women. Catholic confessors, adapting themselves to this aberration, ask their Chinese penitents "if they have not looked at women's feet.
The same aberration is found among the Turks (Volga Turks, Turks of Central Asia), who consider it immortal to show their nude feet and whoe ven go to bed in stockings.
Nothing similar can be cited from classical antiquity (apart from the use of very high soles in tragedies). The most prudish Roman matrons constantly allowed their nude toes to be seen. On the other hand, modesty concerning feet developed excessively in the modern ea and only started to disappear in the nineteenth century. M. Salomon Reinarch has studied this development in detail in the article entitled Pieds pudiques [Modest Feet], insisting on the role of Spain, where women's feet have been the object of most dreaded anxiety and thus were the cause of crimes. The simple fact of allowing the shod foot to be seen, jutting up from under a skirt, was regarded as indecent. Under no circumstances was it possible to touch the foot of a woman.”

Georges Bataille (1897–1962) French intellectual and literary figure

Source: Visions of Excess: Selected Writings 1927-1939, p.21-22

Jacques Plante photo

“The shot by [Andy] Bathgate nearly ripped my nose off. I told Toe [Blake] I would only return if I could wear the mask, so there was no choice. He never wanted me to wear the mask because he thought it would make me too complacent.”

Jacques Plante (1929–1986) Canadian ice hockey player

Plante refers to November 1, 1959, when he debuted the first practical goaltender mask.
Quoted in Kevin Shea, "One on One with Jacques Plante," http://www.legendsofhockey.net/html/spot_oneononep197802.htm Legends of Hockey.net (2005-05-24)

Ayn Rand photo
Estelle Getty photo

“The only time you'll see me as a Democrat is when I play Sophia. In the real world I'm a Republican from head to toe.”

Estelle Getty (1923–2008) actress

Interview, The Sun Sentenial, May 11, 1986

Antonio Negri photo
Bill Downs photo
Bret Easton Ellis photo
Paula Modersohn-Becker photo
David Pogue photo
Edward Lear photo

“The Pobble who has no toes
Had once as many as we;
When they said, "Some day you may lose them all;"—
He replied, — "Fish fiddle de-dee!"”

Edward Lear (1812–1888) British artist, illustrator, author and poet

The Pobble Who Has No Toes http://www.nonsenselit.org/Lear/ll/pobble.html, st. 1 (1877).

Julius Malema photo

“I am not for reconciliation, I am for justice. There is no reconciliation without justice and justice is the return of land. […] AfriForum is a boeremag. It’s a group of Afrikaners who still wish for apartheid. They will never see it. Afrikaner boys, die poppe sal dans. The EFF is coming for you boys. Afrikaner boys, the ANC has made you to think this thing is still Orange Free State. This thing is not Orange Free State. This is Free State. When we take over power, Afrikaner males, you will know your place. Just pray, pray to [your] ancestors, pray to Malan, pray to Verwoerd, pray and ask them for EFF not to come into power. Because [if] we come into power, Afrikaner men, this side! This is where you belong, this is how you are going to behave. They must know, these Afrikaner males, they must know, we are not scared of them ideologically, politically and otherwise. We can take each other toe to toe.”

Julius Malema (1981) South African political activist

To EFF supporters after appearing in the Bloemfontein Magistrate's Court for allegedly contravening the Riotous Assemblies Act, 14 November 2016, Watch: “When we take over power, Afrikaner males, you will know your place.” Malema [video http://www.thesouthafrican.com/watch-when-we-take-over-power-afrikaner-males-you-will-know-your-place-malema-video/], Ezra Claymore, The South African, 14 November 2016. See also: http://citizen.co.za/news/news-national/1344722/afrikaner-boys-die-poppe-sal-dans-malema/, http://sandtonchronicle.co.za/lnn/226059/afrikaner-boys-die-poppe-sal-dans-malema, http://www.news24.com/SouthAfrica/News/de-klerk-must-suffer-malema-20161114

Elvis Costello photo

“Well there's a line that you must toe
and it'll soon be time to go
but it's darker than you know in those Complicated Shadows”

Elvis Costello (1954) English singer-songwriter

Complicated Shadows
Song lyrics, All This Useless Beauty (1996)

Cyrano de Bergerac photo
Arsène Wenger photo

“What would I do if Alex wasn't around? I would have no one to keep me on my toes or to fight. So of course I am pleased he changed his mind. I enjoy our rivalry. It is good for Arsenal, good for Manchester United and good for both of us.”

Arsène Wenger (1949) French footballer and manager

In response to Sir Alex Ferguson's retirement u-turn, (February 2002) http://findarticles.com/p/articles/mi_qn4161/is_20020210/ai_n12837467/

Ben Jonson photo
Dylan Thomas photo
Isaac Leib Peretz photo

“Nobody ever stubs his toe against a mountain. It's the little temptations that bring a man down.”

Isaac Leib Peretz (1852–1915) Yiddish language author and playwright

All for a Pinch of Snuff, c. 1910. Quoted in M. Samuel. Prince of the Ghetto. Alfred A. Knopf, 1948, p. 64.

John Milton photo
Frank McCourt photo
Preity Zinta photo
Annie Dillard photo
Gary Snyder photo
Kunti photo
W. Brian Arthur photo
Gene Wolfe photo
Vin Scully photo

“And, (relief pitcher Dennis Eckersley) walked (pinch-hitter Mike Davis) … and look who's comin' up!
(36 seconds of crowd cheering)
All year long, they looked to him to light the fire, and all year long, he answered the demands, until he was physically unable to start tonight—with two bad legs: the bad left hamstring, and the swollen right knee. And, with two out, you talk about a roll of the dice … this is it. If he hits the ball on the ground, I would imagine he would be running 50 percent to first base. So, the Dodgers trying to catch lightning right now!
Fouled away.
He was, you know, complaining about the fact that, with the left knee bothering him, he can't push off. Well, now, he can't push off and he can't land. … 4-3 A's, two out, ninth inning, not a bad opening act!
Mike Davis, by the way, has stolen 7 out of 10, if you're wondering about Lasorda throwing the dice again. 0-and-1.
Fouled away again. … 0-and-2 to Gibson, the infield is back, with two out and Davis at first. Now Gibson, during the year, not necessarily in this spot, but he was a threat to bunt. No way tonight, no wheels.
No balls, two strikes, two out.
Little nubber … foul—and, it had to be an effort to run that far. Gibson was so banged up, he was not introduced; he did not come out onto the field before the game. … It's one thing to favor one leg, but you can't favor two. 0-and-2 to Gibson.
Ball one. And, a throw down to first, Davis just did get back. Good play by Ron Hassey using Gibson as a screen; he took a shot at the runner, and Mike Davis didn't see it for that split-second and that made it close.
There goes Davis, and it's fouled away! So, Mike Davis, who had stolen 7 out of 10, and carrying the tying run, was on the move.
Gibson, shaking his left leg, making it quiver, like a horse trying to get rid of a troublesome fly. 2-and-2! … Tony LaRussa is one out away from win number one. … two balls and two strikes, with two out.
There he goes! Wa-a-ay outside, he's stolen it! … So, Mike Davis, the tying run, is at second base with two out. Now, the Dodgers don't need the muscle of Gibson, as much as a base hit, and on deck is the lead-off man, Steve Sax. 3-and-2. Sax waiting on deck, but the game right now is at the plate.
High fly ball into right field, she i-i-i-is gone!!
(67 seconds of cheering and organ music)
In a year that has been so improbable … the impossible has happened!
And, now, the only question was, could he make it around the base paths unassisted?!
You know, I said it once before, a few days ago, that Kirk Gibson was not the Most Valuable Player; that the Most Valuable Player for the Dodgers was Tinkerbell. But, tonight, I think Tinkerbell backed off for Kirk Gibson. And, look at Eckersley—shocked to his toes!
They are going wild at Dodger Stadium—no one wants to leave!”

Vin Scully (1927) American sports broadcaster

Kirk Gibson's World Series-game-winning home run, October 15, 1988, transcribed from mlb.com archives <nowiki>[</nowiki>excising comments by color commentator Joe Garagiola]

Mallika Sherawat photo
Frank McCourt photo
Gene Wolfe photo
Aron Ra photo

“The original 1954 Japanese film, Gojira was iconic, and only made a couple mistakes of any significance. (1)They killed him in the end, and we saw his body turned to skeleton. Not the best way to begin 60 years worth of sequels. (2) Godzilla was depicted as a dinosaur, and was associated with living trilobites. Even if there was some sort of ‘realm that time forgot’ out in the Pacific somewhere, Trilobites were already extinct before the first dinosaurs, and Godzilla was clearly no dinosaur. The conceptual artists reportedly referenced illustrations of dinosaurs, but that’s not what they rendered. All bi-pedal dinosaurs [Therapods] were digigrade, walking on their toes, like birds, and usually only three or four digits. Godzilla was plantigrade and pentadactyle, (having five digits and walking on the whole foot) just like lizards. It even looks like a lizard, apart from the fact that no reptile has an actual nose or external ears. In a sense, what Toho pictures created was actually an oriental dragon. These tend to mix reptilian and mammalian traits. Amusingly in 1954, Toho made a giant lizard and called it a dinosaur. In 1998, Tristar re-designed Godzilla as a dinosaur, but called it a lizard. Of course that wasn’t the only thing Tristar did wrong. They tried to ruin the monster completely. They took away the only thing that worked in decades of sequels, the look of the monster itself. Then they took away everything that made Godzilla appealing to Kaiju fans, then they tied it down and shot it. Such disrespect. If you’re going to make a movie that already has a fan-base, and they are the ones who will decide whether your film will pay off, respect those fans and the story they’re paying to see.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Patheos, Weighing in on Godzilla http://www.patheos.com/blogs/reasonadvocates/2014/06/08/weighing-in-on-godzilla/ (June 8, 2014)

Robert Chambers (publisher, born 1802) photo