Quotes about toe
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Jerome K. Jerome photo
Louis Brownlow photo
Edward Heath photo
Rudolph Rummel photo
Emo Philips photo
Don McLean photo
Hans Arp photo
Jennifer Coolidge photo

“When it's going well, stand-up is the best thing in the world, but when it's not, it feels like all your toes are being pulled off one by one.”

Jennifer Coolidge (1961) American actress and comedian

"Interview: Jennifer Coolidge, actor and comedian", in The Scotsman (3 August 2010) https://www.scotsman.com/lifestyle/interview-jennifer-coolidge-actor-and-comedian-1-477451.

Phil Brooks photo

“Punk: I can't help but feel a little resp… hell, who am I kidding? I feel like I started this whole thing. This is all my fault. I've been at the epicenter of everything controversial ever since you took over—actually, since before that, I'm sure you remember, John-Boy.
Cena: I was there.
Punk: You were there. I'm the guy that made walking out look cool. The thing about is I think everybody in the parking lot having a picnic right now have completely misunderstood what I was trying to do. See, I didn't break my contract, I didn't break my word. My contract expired, and I was trying to prove a point to an entire company, not just one man. If anybody has any reason to walk out of the WWE, well you can probably put me at the top of that list. I mean, my microphone constantly cuts out, your friend Kevin Nash runs through the… well, slowly, briskly runs through the crowd, jumps me and screws me not once, but twice. Somebody here doesn't want me to be the WWE Champion. The thing about it is this entire industry is based on men solving their problems in between these ropes. This is the company that gives you Hell in a Cell, this is the company that gives you the Elimination Chamber. I don't wanna sound like a broken record, but "unsafe working environment"? I thrive on that! Hell, this is professional wrestling, this ain't ballet! If you believe in something, you stand and you fight, and you fight on the front line; you don't have a hippie sit-in and grill tofu dogs in the parking lot like a bunch of hippies. [To Triple H] When I had a problem with you and your authority, I dealt with you personally. [To Cena] And you, you big boy scout, when I had a problem with you being the poster boy for this company, I dealt with you personally. Shea-Mo, I'm sure sooner or later, you're gonna step on my toes, I will deal with you personally. Now, I know you three smiley good guys look across the ring from me, and I'm the last guy you expect to see here, [to Triple H] and I know I'm the last guy you expect to see in the foxhole with you. But you know what? Here I am. So… so I got a question—what do we do now?
Triple H: "What do we do now?" That's a big question, "what do we do now?" I say we do what we do on Monday Night Raw—we shut up and fight! How about this? As long as you guys are in agreement, Sheamus, you got yourself a match, fella. Tonight, right here, right now, you will go one-on-one with… [Punk raises his hand] one John Cena. And since I'm the only guy kinda wearing stripes out here, I'll referee. And, foxhole buddy, I got a whole table over there lined up with headphones and pipe bombs just waiting for you with your name on it. And if you want, you can go over there and say anything you feel like.
Punk: You want me to do commentary?!
Triple H: I want you to do commentary.
Punk: Can I wear your blazer?!
Triple H: You can even wear my blazer!
Punk: I'm in!”

Phil Brooks (1978) American professional wrestler and mixed martial artist

October 10, 2011
WWE Raw

John Milton photo
Roberto Clemente photo
Lee Child photo
Robbie Williams photo
Vitruvius photo
Pete Doherty photo
L. Frank Baum photo
River Phoenix photo
Edward Lear photo

“It's a fact the whole world knows,
That Pebbles are happier without their toes.”

Edward Lear (1812–1888) British artist, illustrator, author and poet

The Pobble Who Has No Toes, st. 6.

Pat Condell photo
Jack Johnson (musician) photo

“And the water below gives a gift to the sky
And the clouds give back every time that they cry
And make the grass grow green beneath my toes.”

Jack Johnson (musician) (1975) American musician

Talk of the Town.
Song lyrics, Sing-A-Longs and Lullabies for the Film Curious George (2006)

Isadora Duncan photo
John Dos Passos photo
Letitia Elizabeth Landon photo
Mickey Spillane photo

“I was thinking too damn much to be careful. When I stabbed my key in the lock and turned it there was a momentary catch in the tumblers before it went all the way around and I swore out loud as I rammed the door with my shoulder and hit the floor. Something swished through the air over my head and I caught an arm and pulled a squirming, fighting bundle of muscle down on top of me.
If I could have reached my rod I would have blown his guts out. His breath was in my face and I brought my knee up, but he jerked out of the way bringing his hand down again and my shoulder went numb after a split second of blinding pain. He tried again with one hand going for my throat, but I got one foot loose and kicked out and up and felt my toe smash onto his groin. The cramp of the pain doubled him over on top of me, his breath sucking in like a leaky tire.
Then I got cocky. I thought I had him. I went to get up and he moved. Just once. That thing in his hand smashed against the side of my head and I started to crumple up piece by piece until there wasn't anything left except the sense to see and hear enough to know that he had crawled out of the room and was falling down the stairs outside. Then I thought about the lock on my door and how I had a guy fix it so that I could tell if it had been jimmied open so I wouldn't step into any blind alleys without a gun in my hand, but because of a dame who lay naked and smiling on a bed I wouldn't share, I had forgotten all about it.”

The Big Kill (1951)

Max Pechstein photo
John Keats photo
Daniel Handler photo
Piet Mondrian photo

“In Paris, I quickly mastered the Foxtrot, the Shimmy and the One Step, [he liked the Shimmy best:] At first, the heel-toe was sort of tricky. Nowadays, they find ways around it.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote in Mondrian's letter to Theo van Doesburg, undated, c. 1917/18; as cited in 'Mondrian's World: From Primary Colors to the Boogie Woogie Footsteps' by Nina Stegal, 24 MAY, 2017 https://www.nytimes.com/2017/05/24/travel/piet-mondrian-netherlands-abstract-painter-de-stijl-design.html?em_pos=medium&emc=edit_li_20170527&nl=nyt-living&nl_art=1&nlid=78029813&ref=headline&te=1&_r=0
1910's

Arundhati Roy photo

“He is Karna, whom the world has abandoned. Karna Alone. Condemned goods. A prince raised in poverty. Born to die unfairly, unarmed and alone at the hands of his brother. Majestic in his complete despair. Praying on the banks of the Ganga. Stoned out of his skull.
Then Kunti appeared. She too was a man, but a man grown soft and womanly, a man with breasts, from doing female parts for years. Her movements were fluid. Full of women. Kunti, too, was stoned. High on the same shared joints. She had come to tell Karna a story.
Karna inclined his beautiful head and listened.
Red-eyed, Kunti danced for him. She told him of a young woman who had been granted a boon. A secret mantra that she could use to choose a lover from among the gods. Of how, with the imprudence of youth, the woman decided to test it to see if it really worked. How she stood alone in an empty field, turned her face to the heavens and recited the mantra. The words had scarcely left her foolish lips, Kunti said, when Surya, the God of Day, appeared before her. The young woman, bewitched by the beauty of the shimmering young god, gave herself to him. Nine months later she bore him a son. The baby was born sheathed in light, with gold earrings in his ears and a gold breastplate on his chest, engraved with the emblem of the sun.
The young mother loved her first-born son deeply, Kunti said, but she was unmarried and couldn't keep him. She put him in a reed basket and cast him away in a river. The child was found downriver by Adhirata, a charioteer. And named Karna.
Karna looked up to Kunti. Who was she? Who was my mother? Tell me where she is. Take me to her.
Kunti bowed her head. She's here, she said. Standing before you.
Karna's elation and anger at the revelation. His dance of confusion and despair. Where were you, he asked her, when I needed you the most? Did you ever hold me in your arms? Did you feed me? Did you ever look for me? Did you wonder where I might be?
In reply Kunti took the regal face in her hands, green the face, red the eyes, and kissed him on his brow. Karna shuddered in delight. A warrior reduced to infancy. The ecstasy of that kiss. He dispatched it to the ends of his body. To his toes. His fingertips. His lovely mother's kiss. Did you know how much I missed you? Rahel could see it coursing through his veins, as clearly as an egg travelling down an ostrich's neck.
A travelling kiss whose journey was cut short by dismay when Karna realised that his mother had revealed herself to him only to secure the safety of her five other, more beloved sons - the Pandavas - poised on the brink of their epic battle with their one hundred cousins. It is them that Kunti sought to protect by announcing to Karna that she was his mother. She had a promise to extract.
She invoked the Love Laws.”

pages 232-233.
The God of Small Things (1997)

Max Barry photo

“And then, all of a sudden, it was as though through those dark eyes an electrical circuit had been struck. She sat fascinated. Snake-and-bird fascinated. Afterwards she could not recall the details of what he had said. She remembered only that she had been absorbed, rapt, lost, for over ten minutes by the clock. She had perceived images conjured up from the dead past: a hand trailed in clear river water, deliciously cool, while the sun smiled and a shoal of tiny fishes darted between her fingers; the crisp flesh of a ripe apple straight from the tree, so juicy it ran down her chin; grass between her bare toes, the turf like springs so that she seemed not to bear the whole of her weight on her soles but to be floating, dreamlike, in slow motion, instantly transported to the moon; the western sky painted with vast heart-tearing slapdash streaks of red below the bright steel-blue of clouds, and stars coming snap-snap into view against the eastern dark; wind gentle in her hair and on her cheeks, bearing flower perfumes, dusting her with petals; snow cold to the palm as it was shaped into a ball; laughter echoing from a dark lane where only lovers walked, not thieves and muggers; butter like an ingot of soft gold; ocean spray sharp and clean as the edge of an axe; with the same sense of safe, provided rightly used; round pebbles polychrome beside a pool; rain to which a thirsty mouth could open, distilling the taste of a continent of air... And under, and through, and in, and around all this, a conviction: “Something can be done to get that back!”
She was crying. Small tears like ants had itched their paths down her cheeks. She said, when she realized he had fallen silent, “But I never knew that! None of it! I was born and raised right here in New York!””

”But don’t you think you should have known it?” Austin Train inquired gently.
September “MINE ENEMIES ARE DELIVERED INTO MY HAND”
The Sheep Look Up (1972)

Robert Jordan photo

“Even a queen stubs her toe, but a wise woman watches the path.”

Robert Jordan (1948–2007) American writer

Lini
(15 October 1993)

Josh Homme photo

“With my toes on the edge, it's such a lovely view.”

Josh Homme (1973) American musician

"I Appear Missing", ...Like Clockwork (2013)
Lyrics, Queens of the Stone Age

Waylon Jennings photo

“This time if you want me to come back, it's up to you.
But remember I won't allow the things you used to do.
You're gonna have to toe the mark and walk the line;
This time will be the last time.”

Waylon Jennings (1937–2002) American country music singer, songwriter, and musician

This Time, title track from This Time (1974).
Song lyrics

Max Ernst photo

“I saw a shady forest and therein a crowd of nightingales. The nightingales as to their breast were rough and hairy, and as to their feet some were like calves, some like panthers, and some like wolves, and they had beast's claws instead of toes.”

Max Ernst (1891–1976) German painter, sculptor and graphic artist

text of Max Ernst's poem 'First Memorable Conversation with the Chimera', in the journal 'VVV', no. 1. New York, June 1942, p. 17
1936 - 1950

Ilana Mercer photo

“All of them called god. And yet none of them are truly Him. Some may be tiny glimpses of Him. Maybe His big toe or little finger, but nothing more. Others are not even that. They’re only delusions from our prejudices.”

Sean Sellers (1969–1999) American murderer

Open Letter To Satanists
Context: It's so much easier to create our own gods; gods that are fully knowable. Those are the gods of atheism, occultism, religion and sometimes even Christianity. Then, of course, there are those prejudices that we demand of our gods. Women who take offense at a "male" God create for themselves a female or neuter god. There, we have all the racial gods, the black gods, white gods, and cultural gods, the Spanish gods, African gods, Indian gods and so on. All of them called god. And yet none of them are truly Him. Some may be tiny glimpses of Him. Maybe His big toe or little finger, but nothing more. Others are not even that. They’re only delusions from our prejudices.

Roberto Clemente photo

“I don't want to be a big shot. From head to toes, Roberto Clemente is good as Richard Nixon. I believe that. And I think that every man should believe that about himself. I am not dumb. I went to school. I made grades. But when I came here, I couldn't speak English. All I could say was, 'Me, Roberto Clemente.' Some of them laugh and say it sounded like, 'Me Tarzan, you Jane.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

As paraphrased and quoted in "Roberto Clemente, The Pirates' Thorobred: He proved his class in the Series" by Joe Heiling, in The Houston Post, circa Fall 1971; reprinted in Baseball Digest (January 1972)
Other, <big><big>1970s</big></big>, <big>1971</big>
Context: He is a proud man. Proud of Puerto Rico, his native land, and proud to be a professional baseball player. He is a strong believer in the dignity of man and that all people, no matter their color, should work together. "I don't want to be a big shot. From head to toes, Roberto Clemente is good as Richard Nixon. I believe that. And I think that every man should believe that about himself. I am not dumb. I went to school. I made grades. But when I came here, I couldn't speak English. All I could say was, 'Me, Roberto Clemente.' Some of them laugh and say it sounded like, 'Me Tarzan, you Jane.'" He is a self-made man. He took his natural talents and made the most of them, in baseball and in his personal life. He's never abused them. "Some players are wild on the field and off the field. They are made to look like heroes. I get nothing but sarcasm. And people take me for a fool."

Algis Budrys photo
Algis Budrys photo

“It’s good for us; hot breath on your heels is what keeps you on your toes.”

Source: Michaelmas (1977), Chapter 9 (p. 120)

Koenraad Elst photo
Sania Mirza photo

“A couple of weeks ago, the 21-year-old was photographed with her feet up while watching a colleague playing in an international exhibition match in Perth, and the proximity of her toes to a nearby Indian flag raised temperatures in her home state to vindaloo levels.”

Sania Mirza (1986) Indian tennis player

Martin Johnson in: Sania Mirza is failing to fly the flag for India http://www.telegraph.co.uk/sport/tennis/australianopen/2289112/Sania-Mirza-is-failing-to-fly-the-flag-for-India.html, The Telegraph, 16 January 2008

Dylan Moran photo
Koenraad Elst photo
Dorothy Thompson photo
Tom Van Grieken photo

“I hope leftist teachers have stepped on their toes. I have a fundamental problem with teachers trying to impose their opinion. A teacher must be neutral.”

Tom Van Grieken (1986) Belgian politician

Fuss about TikTok video Tom Van Grieken (Vlaams Belang): "In 2024 we will present a bill to left-wing teachers". https://www.vrt.be/vrtnws/nl/2021/09/01/ophef-over-tiktok-filmpje-tom-van-grieken/

“When nothing is for sure we remain alert, perennially on our toes. It is more exciting not to know which bush the rabbit is hiding behind that to behave as though we knew everything.”

Source: The Wheel of Time: Shamans of Ancient Mexico, Their Thoughts About Life, Death and the Universe], (1998), Quotations from "Journey to Ixtlan" (Chapter 8)

Ayaan Hirsi Ali photo

“The fundamentalists seem haunted by the human body and neurotically debate which fractions of it should be covered, until they declare the whole thing, from head to toe, a gigantic private part.”

Ayaan Hirsi Ali (1969) Dutch feminist, author

Source: 2010s, Nomad: A Personal Journey Through the Clash of Civilizations (2010), Chapter 11, “School and Sexuality” (p. 154)