Quotes about theme

A collection of quotes on the topic of theme, other, likeness, time.

Quotes about theme

Vincent Van Gogh photo
Michael Parenti photo

“In every class society that's ever existed, the ruling element does not rule nakedly. They always adorn their rule with myths, themes and symbols to justify their position at the apex of the social pyramid.”

Michael Parenti (1933) American academic

"The 1% Pathology And The Myth of Capitalism" October 19, 2012 http://www.youtube.com/watch?v=jKyX7GNHYkQ&t=218

Shigeru Miyamoto photo
Bruce Lee photo
Aleksandr Solzhenitsyn photo

“A genius doesn't adjust his treatment of a theme to a tyrant's taste”

Source: One Day in the Life of Ivan Denisovich (1962)

Keanu Reeves photo
Trevor Noah photo

“For any comedian, your life informs your point of view, the way you see the world. My comedy comes through the prism of race or class, because those are two worlds that collided for me growing up. And I guess that’s served me well, because those themes cross over countries and continents. We’re all still dealing with those issues today.”

Trevor Noah (1984) South African comedian

On how his upbringing informs his comedy in “Life’s Work: An Interview with Trevor Noah” https://hbr.org/2018/09/lifes-work-an-interview-with-trevor-noah in Harvard Business Review (September-October, 2018)
Personal life

Stanley Kubrick photo
John Lennon photo
Alberto Moravia photo
William Shakespeare photo
Leonardo Da Vinci photo
Kanye West photo

“Screams from the haters, got a nice ring to it
I guess every superhero need his theme music.”

Kanye West (1977) American rapper, singer and songwriter

Power
Lyrics, My Beautiful Dark Twisted Fantasy (2010)

Aleksandr Pushkin photo

“But, as it is, this pied collection
begs your indulgence — it's been spun
from threads both sad and humoristic,
themes popular or idealistic,
products of carefree hours, of fun,
of sleeplessness, faint inspirations,
of powers unripe, or on the wane,
of reason's icy intimations,
and records of a heart in pain.”

Eugene Onegin (1823)
Original: (ru) Но так и быть — рукой пристрастной Прими собранье пестрых глав, Полусмешных, полупечальных, Простонародных, идеальных, Небрежный плод моих забав, Бессониц, легких вдохновений, Незрелых и увядших лет, Ума холодных наблюдений И сердца горестных замет.

Lynn Margulis photo
Aldous Huxley photo
Aleksandr Pushkin photo
Evelyn Waugh photo
Henri Barbusse photo
Leonardo Da Vinci photo

“Necessity is the theme and the inventress, the eternal curb and law of nature.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.

“A science in its infancy is the least satisfactory, and, at the same time, the most profitable theme for a general description.”

Herbert Dingle (1890–1978) British astronomer

Preface, page v
Modern Astrophysics, London, 1924

Plato photo
Bahá'u'lláh photo
Saul Bellow photo
Jeff Foxworthy photo

“I don't know why my brain has kept all the words to the Gilligan's Island theme song and has deleted everything about triangles.”

Jeff Foxworthy (1958) American stand-up comedian

The Tonight Show, 27 March 2007

Alain Badiou photo
Claude Monet photo
Barack Obama photo
George Ritzer photo
Kenzaburō Ōe photo

“Literature must be written from the periphery toward the center, and we can criticize the center. Our credo, our theme, or our imagination is that of the peripheral human being. The man who is in the center does not have anything to write.”

Kenzaburō Ōe (1935) Japanese author

Conversations with History interview (1999)
Context: Literature must be written from the periphery toward the center, and we can criticize the center. Our credo, our theme, or our imagination is that of the peripheral human being. The man who is in the center does not have anything to write. From the periphery, we can write the story of the human being and this story can express the humanity of the center, so when I say the word periphery, this is a most important creed of mine.

Hermann Hesse photo

“Beginners learned how to establish parallels, by means of the Game's symbols, between a piece of classical music and the formula for some law of nature. Experts and Masters of the Game freely wove the initial theme into unlimited combinations.”

The Glass Bead Game (1943)
Context: Under the shifting hegemony of now this, now that science or art, the Game of games had developed into a kind of universal language through which the players could express values and set these in relation to one another. Throughout its history the Game was closely allied with music, and usually proceeded according to musical and mathematical rules. One theme, two themes, or three themes were stated, elaborated, varied, and underwent a development quite similar to that of the theme in a Bach fugue or a concerto movement. A Game, for example, might start from a given astronomical configuration, or from the actual theme of a Bach fugue, or from a sentence out of Leibniz or the Upanishads, and from this theme, depending on the intentions and talents of the player, it could either further explore and elaborate the initial motif or else enrich its expressiveness by allusions to kindred concepts. Beginners learned how to establish parallels, by means of the Game's symbols, between a piece of classical music and the formula for some law of nature. Experts and Masters of the Game freely wove the initial theme into unlimited combinations.

William Golding photo

“The theme is an attempt to trace the defects of society back to the defects of human nature. The moral is that the shape of a society must depend on the ethical nature of the individual and not on any political system however apparently logical or respectable.”

William Golding (1911–1993) British novelist, poet, playwright and Nobel Prize for Literature laureate

Responses in a publicity questionnaire on Lord of the Flies from the American publishers, as quoted in Who Rules?: Introduction to the Study of Politics (1971) by Dick W. Simpson, p. 16
Context: The theme is an attempt to trace the defects of society back to the defects of human nature. The moral is that the shape of a society must depend on the ethical nature of the individual and not on any political system however apparently logical or respectable. The whole book is symbolic in nature except the rescue in the end where adult life appears, dignified and capable, but in reality enmeshed in the same evil as the symbolic life of the children on the island. The officer, having interrupted a man-hunt, prepares to take the children off the island in a cruiser which will presently be hunting its enemy in the same implacable way. And who will rescue the adult and his cruiser?

Edgar Allan Poe photo

“Thy grace, thy more than beauty,
Shall be an endless theme of praise,
And love — a simple duty.”

Edgar Allan Poe (1809–1849) American author, poet, editor and literary critic

" To Frances S. Osgood http://www.readbookonline.net/readOnLine/595/" (1845).
Context: Thou wouldst be loved? — then let thy heart
From its present pathway part not!
Being everything which now thou art,
Be nothing which thou art not.
So with the world thy gentle ways,
Thy grace, thy more than beauty,
Shall be an endless theme of praise,
And love — a simple duty.

Marquis de Sade photo
Cassandra Clare photo
Susan Elizabeth Phillips photo
Pat Conroy photo
Richard Russo photo
Don DeLillo photo
John O'Hara photo
Haruki Murakami photo
Gillian Flynn photo
Herman Melville photo

“To produce a mighty book, you must choose a mighty theme.”

Herman Melville (1818–1891) American novelist, short story writer, essayist, and poet
George Gordon Byron photo

“I'll publish right or wrong:
Fools are my theme, let satire be my song.”

Source: English Bards and Scotch Reviewers (1809), Line 5.

Herman Melville photo

“To produce a mighty book, you must choose a mighty theme. No great and enduring volume can ever be written on the flea, though many there be who have tried it.”

Herman Melville (1818–1891) American novelist, short story writer, essayist, and poet

Source: Moby-Dick or, The Whale

Akira Kurosawa photo
John Steinbeck photo

“In every bit of honest writing in the world … there is a base theme. Try to understand men, if you understand each other you will be kind to each other. Knowing a man well never leads to hate and nearly always leads to love.”

John Steinbeck (1902–1968) American writer

Journal entry (1938), quoted in the Introduction to a 1994 edition of Of Mice and Men by Susan Shillinglaw, p. vii
Context: In every bit of honest writing in the world … there is a base theme. Try to understand men, if you understand each other you will be kind to each other. Knowing a man well never leads to hate and nearly always leads to love. There are shorter means, many of them. There is writing promoting social change, writing punishing injustice, writing in celebration of heroism, but always that base theme. Try to understand each other.

Walt Whitman photo
Gerhard Richter photo

“Some years later, I yielded completely to the impulse, persuaded that medical quackery has been—and is—an important theme in American social and intellectual history.”

James Harvey Young (1915–2006) American historian

Source: The Toadstool Millionaires: A Social History of Patent Medicines in America Before Federal Regulation (1961), p. vii

Rousas John Rushdoony photo
Donald J. Trump photo
Amartya Sen photo
Auguste Rodin photo
Jacques Derrida photo
James Baker photo
Lord Dunsany photo

“I can remember being young enough, long ago, to believe that in Tennessee Williams the giant themes of Greek tragedy had returned, all hung about with Magnolias. Ignorance of Greek tragedy helped in this view.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Over the tarp'
Essays and reviews, The Crystal Bucket (1982)

Timothy Leary photo
Ann Coulter photo

“That was the theme of the Million Mom March: I don't need a brain — I've got a womb.”

Ann Coulter (1961) author, political commentator

"For Womb the Bell Tolls" (16 May 2000).
2000

Patrick White photo
Ken Ham photo
Dave Barry photo
Georges Simenon photo

“The fact that we are I don't know how many millions of people, yet communication, complete communication, is completely impossible between two of those people, is to me one of the biggest tragic themes in the world.”

Georges Simenon (1903–1989) Belgian writer

Interviewed in Paris Review, Summer 1955; reprinted in Malcolm Cowley (ed.) Writers at Work (New York: Viking Press, 1959) p. 153.

Pauline Kael photo
Eric Foner photo
Alfred North Whitehead photo
George Holmes Howison photo
Antoni Tàpies photo
Leonid Kantorovich photo
George Bird Evans photo
Henry James photo
Annie Dillard photo

“Whenever a work's structure is intentionally one of its own themes, another of its themes is art.”

Annie Dillard (1945) American writer

Quoted by Ted Nelson in Literary Machines (1982)

Antoni Tàpies photo

“Reminding people what in reality it is all about, giving them a theme on which to ponder, creating a shock within them, pulling them out of the delusion of non authenticity, enabling them to become aware of their true possibilities.”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

quote from 1976
1945 - 1970
Source: Tàpies, Werke auf Papier 1943 – 2003, Achim Sommer, Kunsthalle Emden, Altana 2004, p. 25

David Fleming photo

“The harder I work, the luckier I get'. It was Thomas Jefferson who started the stream of variations on that theme. He should have added, 'The harder I work on one thing, the unluckier I get on all the other commitments I haven’t had time for'.”

David Fleming (1940–2010) British activist

Lean Logic, (2016), p. 472, entry on Time Fallacies http://www.flemingpolicycentre.org.uk/lean-logic-surviving-the-future/

“Reality is far more complex and messy than many of the grander themes and explanations would have us believe.”

Peter Dicken (1938) British geographer

Source: Global Shift (2003) (Fourth Edition), Chapter 2, A New Geo-Economy, p. 14

Haruki Murakami photo
George Holmes Howison photo
Jonah Goldberg photo

“One of the things that motivated my old friend Andrew Breitbart was his righteous indignation at being called a racist. That's a running theme in his book, "Righteous Indignation."”

Jonah Goldberg (1969) American political writer and pundit

2010s, 2018, Andrew Breitbart would tell Steve Bannon to stay in Europe (2018)

Gabriele Münter photo

“Earlier the films were given an 'A' certificate simply because they had lots of violence and horror, but nowadays there are a lot of sex and double-meaning dialogues. The themes become so predominantly vulgar and we can't possibly edit out a film's theme. So how do we re-censor these films to make them U or U/A?”

On implementing a new policy under which A-rated film cannot be recut and released for television, as quoted in " Shocker! Adult Films Won't Be Re-Censored For TV! http://www.9xe.com/3574" 9xe (9 July 2015)

Colin Wilson photo
Greg Bear photo
Satyajit Ray photo

“If the theme is simple, you can include a hundred details that create the illusion of actuality better.”

Satyajit Ray (1921–1992) Indian author, poet, composer, lyricist, filmmaker

In Quotations by 60 Greatest Indians, Dhirubhai Ambani Institute of Information and Communication Technology http://resourcecentre.daiict.ac.in/eresources/iresources/quotations.html,

Charles Symmons photo

“Yet even here all these peoples have remained rooted in their sacred homelands for centuries. Though oppressed and colonized by outsiders, they have never been expelled en masse, and so the theme of restoration to the homeland has played little part in the conceptions of these peoples. There are, however, two peoples, apart from the Jews, for whom restoration of the homeland and commonwealth have been central: the Greeks and the Armenians, and together with the Jews, they constitute the archetypal Diaspora peoples, or what John Armstrong has called ‘mobilized diasporas° Unlike diasporas composed of recent mi migrant workers—Indians, Chinese and others in Southeast Asia, East Africa and the Caribbean— mobilized diasporas are of considerable antiquity, are generally polyglot and multi-skilled trading communities and have ancient, portable religious traditions. Greeks, Jews, and Armenians claimed an ancient homeland and kingdom, looked back nostalgically to a golden age or ages of great kings, saints, sages and poets, yearned to return to ancient capitals with sacred sites and buildings, took with them wherever they went their ancient scriptures, sacred scripts and separate liturgies, founded in every city congregations with churches, clergy and religious schools, traded across the Middle East and Europe using the networks of enclaves of their co-religionists to compete with other ethnic trading networks, and used their wealth, education and economic skills to offset their political powerlessness)”

Anthony D. Smith (1939–2016) British academic

Source: Myths and Memories of the Nation (1999), Chapter: Greeks, Armenians and Jews.